• 한국실내디자인학회논문집
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• 제24권6호
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• pp.107-118
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• 2015

Today, The representation of the modern space is experimented with shape and surface of the de-structural point of view to make architecture and space, in terms of not being able to make defined by single regulation. However, it can correspond to the rapidly changing modern, but it is easy to fade of architecture fundamental meaning. Along with the need for the rise of the construction of fundamental space, should be built a 'tectonic' spatial, which is said to be building of logos. Tectonic, as norms for expressing the fundamental meaning of architecture, as to expression of construction, be unfolded with dualism such as science and art, technology and express, structure and formation, and it was introduced into the architecture through the construction expression of space that was a tectonic discussion of 19c german architects. On the other hand Constructivism which is avant-garde formative movement with Russia revolution, constructed 'sculpture' with the formative principles as tectonic. Tectonic's Formative characteristics can draw a conclusion with of tectonic characteristics of constructivism sculpture, space of logos will be realized through its study. Other hand, The pavilion, as symbol space, can be analyzed by tectonic properties, Pavilion, meaning the space is expressed in a variety of tectonic expression. As tectonic construction, fundamental ideology and symbolization of space is revealed metaphorically and visually.

• 대한지리학회지
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• 제51권4호
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• pp.473-490
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• 2016

본 연구는 한반도 지형 연구에서 가장 중요한 지역의 하나인 추가령 구조곡에 대한 지역지형학적 분석을 목적으로 한다. 추가령 구조곡은 열곡에 의한 단층선대로서 한반도의 지체 구조와 산맥론에서 중요한 역할을 하는 것으로 언급되나 이를 뒷받침하는 지형학 및 지질학적 논의는 계속되고 있다. 본 연구에서는 추가령 구조곡 전체를 하나의 지역으로 보면서, 구조 지형, 화산 지형, 하천 지형, 산지 지형, 단구 지형, 호소 지형, 퇴적물과 층서 등 다양한 지형 주제들을 통합하여 추가령 구조곡 지역의 지형을 파악한다. 이를 위해 그 동안의 연구결과들을 종합하여, 추가령 구조곡의 명칭과 지형 및 지질 개관, 지형 연구사 등을 제시하고, 구조곡의 기원, 용암대지의 형성과정, 개석에 의한 하천의 구조, 용암대지 이전의 지형 복원, 지형 형성과정과 연대 등을 분석한다. 추가령 구조곡은 구조선을 바탕으로 구조 지형과 화산 지형을 중심으로 한 다양한 지형과 지형 형성과정을 보여주는 선형의 지역으로 파악된다.

• KIEAE Journal
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• 제15권2호
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• pp.79-86
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• 2015

Purpose: The concept of the tectonic has researched to find out the identify of modern architecture. The meaning of traditional tectonic knowledge to emphasize structural joints and attention to detail in creativity has developed in various ways in contemporary architecture. The purpose of this study is to analyze the tectonic characteristics and architectural expressions of the light appeared in the works of Santiago Calatrava. Major features in his works could be found is to maximize structural beauties through deducing the architectural images from the nature and expressing the material properties and the kinetic structures, and thus, to ultimately create the functional space and form by connecting the light to the tectonic structure. Method: Accordingly, I tried to analyze the three works of Santiago Calatrava (the Milwaukee Art Museum, the Bodegas Ysios Winery and the City and Arts and Sciences) as following categories - the structural aesthetics, the expression of material properties, the relationship between he kinetic structures and the light. Result: According to the results of the study, Santiago Calatrava tried to create his own architectural aesthetic by combining structural tectonic with nature, material, regional place and culture. He also sought to express the tense and dynamic tectonic rather than the stable one in his works.

• 대한지리학회지
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• 제42권3호
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• pp.368-387
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• 2007

한반도의 지형적 특성을 설명하기 위해서는 한반도가 경험해온 지반운동의 공간적 분포와 그 원인을 파악하는 작업이 선행되어야 한다. 지리학계에서는 지난 반세기 동안, 지반운동과 관련된 각종 지형요소들(경동성지형, 침식면, 평탄면, 하안단구, 해안단구 등)을 대상으로 활발한 연구가 진행되어 왔다. 하지만, 아직까지도 한반도의 지반운동의 특성에 대한 이해는 극히 제한되어 있다. 이 연구는 수치고도모델(Digital Elevation Model)의 분석을 통해 한반도에서 일어난 지반운동의 공간적인 분포특성을 규명하는 것이 목적이다. 먼저 지반운동과 지표삭박작용간의 상관관계를 이론적으로 검토한 뒤, 과거 존재했을 것으로 추정되는 지형면을 추출하는 일련의 지형분석기법을 개발하였다. 개발된 기법은 유역분수계의 고도가 삭박이 이루어지기 전의 지형특성을 지시해주는 증거로 가정한 뒤, DEM으로부터 과거의 지형면(준지형면)들을 추출하는 것이었다. DEM으로부터 추출된 준지형면들은 뚜렷한 공간적 패턴을 보여줌과 동시에 일정한 방향성을 보여준다. 준지형면들을 서로 연결한 한 선을 이 연구에서는 준지형면축으로 규정하였다. 준지형면축은 다시 지반운동의 융기축을 지시해주는 융기준지형면축과, 융기와 더불어 진행되는 삭박작용에 의해 계단상의 준지형면이 관찰되는 침식준지형면축으로 구분하였다. 한반도에서는 모두 13개의 준지형면축이 나타나며, 이들의 방향성과 길이, 그리고 상대적인 융기량은 지역별로 큰 차이를 보였다. 준지형면의 분포와 준지형면축의 특성을 종합적으로 고려한 결과, 한반도를 구성하는 4개의 지반운동구를 확인할 수 있었다. 이 연구에서는 이들을 각각 북부지반운동구, 중부지반운동구, 남부지반운동구, 그리고 동해안지반운동구로 명명하였다. 북부지반운동구는 개마고원을 중심으로 지역적인 융기를 경험하였으며, 서쪽과 동쪽, 그리고 남쪽방향으로는 점진적인 융기량의 감소를 보인다. 중부지반운동구는 동해에 면한 태백산축이 원호형으로 급격한 융기를 보인 반면, 서해안쪽으로는 점진적인 융기량의 감소를 보여준다. 남부지반운동구는 이 지역을 수직으로 관통하는 덕유산-지리산을 중심으로 한 융기축을 중심으로 서측보다는 동측의 융기량이 높은 비대칭적 지반운동의 특성을 보여준다. 남동부해안지역과 길주-명천지구대를 중심으로는 비교적 최근까지도 활발한 지반운동을 보이는 동해안지반운동구가 나타나고 있다. 이 연구는 한반도가 경험해왔던 지반운동의 공간적 차이를 가시적으로 보여주고 있어, 한반도의 장기적인 지형발달과 지역적인 지형특색의 차이를 설명하는데 유용한 기초자료를 제공할 것으로 기대된다.

• 한국지반공학회:학술대회논문집
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• 한국지반공학회 2003년도 봄 학술발표회 논문집
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• pp.369-374
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• 2003

A study of anisotropy of magnetic susceptibility (AMS) have been carried out to understand the tectonic stress field of late Cretaceous-Tertiary strata in Yangsan area. A total of 119 independently oriented core samples were collected from 9 sites throughout the area. The study results show that 5 sites are characterized by load foliation, and 4 sites by tectonic foliation. Load foliations caused by the weight of the overlying strata occur in the central part of the study area. Tectonic foliations created by compressional tectonic force show a regional variation in direction: Direction of compression axes derived from tectonic foliation in the southern part of the study area is approximately WNW-ESE, while it changes into NE-SW northern part of the study area. Such compressional directions are compatible with the lineament directions in each area.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.155-162
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• 2007

The purpose of this comparative study is to analyze the characteristics of art museums of Louis I. Kahn. Kahn's main architectural thoughts of 'what it wants to be' and 'how it was done' act as a basis for this research. 'What it wants to be' means the existence of architecture and relates to the concept of 'room'. 'How it was done' shows the tectonic aspects of architecture and construction process to enhance its presence. Detailed items from these two thoughts applied to clarify the order in dynamics, the visualization of construction process, and the relationship between structure and light in the space of Kahn's art museums. Yale university art gallery was the first major project of Kahn and he showed tectonic characters through tetrahedral concrete slab. The unity of structure, space and light can be found in the Kimbell art museum through the vaulted structural unit. Yale center for British art is the best example of the concept of 'room' and 'tectonic' because it clearly shows the unity of spatial and structural system, and their relation to light. As a result, this study tries to find out that Kahn had consistently developed his thoughts of'room' and 'tectonic', and tried to keep them in his art museum designs.

• 건축역사연구
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• 제11권1호
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• pp.49-64
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• 2002

The recently published papers and essays regarding 'tectonic' bring us to rumination of its importance on comprehending modern architectural process. Many architectural theorists may seem to seek the substance of architecture through the discussion of 'tectonic' for the purpose of overcoming the dilemma of representation which can be easily found in modern architectural forms. Their emphasizing on its double-faced aspect as the manner of representation, that is semantic and aesthetic, may imply the significance of philosophical approach especially to the recent architectural phenomena. From this point, it ought to be meaningful to manifest etymological connection between the terms with semantic analysis and interpret the substance and ontological meaning of 'tectonic' referring Martin Heidegger's existential philosophy. Besides the works of Carlo Scarpa, that are known as the art of making, are exampled to prove the way how the ontological meaning of practical act is exposed on an artwork. The idea of 'tectonic' connotes not only technological aspect as construction of form and space, but also ontological aspect as joint or detail, that is the result of logos. The 'tectonic' means etymologically 'joint' having double-meaning structure, technology and aesthetics. It means 'detail' as minimum units of architectural form and as sites where making relationship or connection takes place in the way of ontological apprehension. The 'detail' as the place of innovation and invention implies the culture of an area, and expresses craftsmanship, which modem architecture buries in oblivion. This study aims to deviate from the aesthetical commercialization in which the modern architecture tends to fall, and further, propose the possible way to succeed traditional locality in an epistemological point of view.

• 자원환경지질
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• 제30권6호
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• pp.613-624
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• 1997

A study of anisotropy of magnetic susceptibility (AMS) was conducted on the Ordovician-Eocene strata in the Taebaek area. The study area is a northeastern part of the Okchon belt, sometimes called as Paegunsan Synclinal Area. A total of 600 independently oriented samples were collected from 60 sites covering the whole area. With a few exception of late Cretaceous-Eocene volcanic rocks, all the sampled strata are nonmetamorphosed sedimentary rocks, mainly sandstones. Among the 60 sites, 5 sites showed flow lineation lying on the bedding plane, 11 sites showed load foliation parallel to the bedding plane, and 21 sites showed tectonic foliation unrelated to the bedding plane. The tectonic foliations are defined by $k_1-k_2$ ($k_{max}-k_{int}$) anisotropy plane, and are considered as a result of tectonic forces acted perpendicularly to the foliation plane in the geologic past. Regardless of sample-site locations, tectonic force directions defined by $k_3$ ($k_{min}$) axis perpendicular to the tectonic foliation are consistent among the strata of the same geologic age. In the course of geologic time, however, the tectonic force directions showed a clockwise rotation: approximately E-W in the Ordovician sites, NW-SE in the Permian sites, N-S in the Triassic sites, and lastly NE-SW in the late Cretaceous-Eocene sites. The pre-Permian directions showed better clustering in the in-situ (geographic) coordinates, while the younger directions become better clustered after the bedding-tilt correction. It is interpreted that the major tectonic structures of the Taebaek area were controlled by the above-mentioned tectonic forces: The Paegunsan Syncline and the Hambaeksan Fault must have been generated by the NW-SE force of late Permian-early Triassic time. It was then reactivated in the reverse (dextral) sense by the N-S force of Triassic time. The Osipchon Fault in the eastern part of the study area was either generated or reactivated by the NE-SW force of late Cretaceous-Eocene time. The Permo-Triassic NW-SE force should be an expression of the Songnim Disturbance in the Korean peninsula, which is in turn related with the SCB/NCB collision in China.

• 대한자원환경지질학회:학술대회논문집
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• 대한자원환경지질학회 2003년도 춘계 학술발표회 논문집
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• pp.3-6
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• 2003

Southwest Hokkaido (Sapporo-Iwanai district) in the Northeast Japan arc (Fig. 1) is one of the best places to test the correlation among tectonic regime, stress field, magmatic style and hydrothermal mineralization. This paper reviews the Miocene to Pleistocene tectonic framework, geology, magmatic style and stress field of southwest Hokkaido, and correlates them with different types of deposits (Kuroko, epithermal base-metal and precious-metal). (omitted)

• 패션비즈니스
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• 제18권1호
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• pp.164-181
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• 2014

As the boundary between fashion and architecture is getting blurred, the interactions of the two fields are turning out abundant as well as essential. This study investigates the tectonic strategies in architectural fashion design as a novel aesthetic in the 21st century by combining literary survey and case analysis on architecture and contemporary fashion. The tectonic strategies in the works of architectural fashion designers were categorized as follows: organic geometry, technological garment construction, and independent space. Organic geometry transforms basic geometric shapes into subtle organic forms after being thrown on the body. Technological garment construction explores the garment structure and volume by applying the structural principle of suspension and fractal geometry. Independent space refers to maintaining the firm three-dimensionality of garment structure which keeps the distance from the body, assuming the similarity to architecture.