• 건축역사연구
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• 제19권3호
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• pp.89-106
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• 2010

Since the 1970's, UNESCO and ICOMOS have adopted or emphasized on the principles of historic preservation. One of them is what to require a repair should not be repaired beyond the limits of the features and techniques which had been adopted in those days of establishment. On the premise, this paper is to examine the materials and technique of wall plaster work in the government building constructions in the Joseon dynasty. The result of this examination shall come up with a basic conformity in the case of repairing the building established in the late of Joseon dynasty. This paper is carried out for the proper repair and restoration of architectural cultural properties. Construction reports and other documents in those days are examined for the study. Following conclusions have been reached through the study. The materials and technique which applied to wall plaster work in those days were quite different from the present. The technique that was used to wall plaster of government buildings in those days was not a lime wall plaster, but sand coat one. The kinds of material for setting of the sand coat wall plaster had been revised with the change of the times or constructions. The main kinds of material were composed of sand, white clay, paper fiber, and cereal starch. However, the present materials were composed of sand, white clay. Therefore, the present materials and technique which applied to wall plaster work for the repair and restoration of architectural cultural properties have to be revised and corrected.

• 한국건축시공학회:학술대회논문집
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• 한국건축시공학회 2017년도 춘계 학술논문 발표대회
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• pp.133-134
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• 2017

The In the experiment on flow using sand walls, when white clay+sand was mixed with glutinous rice, traditional paper and seaweed as adherents and preventive measures for cracks, the flow was higher than other sand wall mortars. This indicates that it is effective in improving flow. Moreover, in terms of strength, a mix of white clay+sand, traditional paper and flour had a greater strength than a mix of white clay+sand, straws and flour. In the experiment to test for cracks and shrinking during drying, a composition of white clay+sand+traditional paper showed fewer cracks and less shrinking than the walls where straws were mixed in.

• 건축역사연구
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• 제23권4호
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• pp.47-56
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• 2014

Traditional wall is ground coat, twice plater, last plaster by such a process has made a wide variety of used materials and techniques are accordingly diverse. These traditional techniques handed down the traditional walls of the techniques, rather than coming to the lowered cut off at any moment from now when the technique is used, not knowing whether to be used. Repair and restore cultural property maintenance work, it is not only the outward form hiding inside it is a technique to keep the preservation of cultural assets can be called true. When viewed from the side walls of these conventional techniques to reveal changes in the traditional process by looking at the changes in technology with traditional techniques for cause shall be made in stock. This paper is from the late Joseon Japanese occupation of techniques ranging from traditional wall to reveal the change process to its current significance of cultural property repair method to be helped.

• 한국콘텐츠학회논문지
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• 제18권2호
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• pp.290-300
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• 2018

색유리와 화장토를 이용한 새로운 기법발견의 주안점은 기존의 불편한 점을 개선해야 하기 때문인데 이는 도자기 소지와 유리의 상호물성 호환 관계에 있다. 말하자면 세로로 된 도자기 기물에는 색유리의 데코레이션 표현이 용이하나 가로로 된 기물에서는 녹아 흐르기 때문에 미적 표현이 제한을 받아왔다. 그래서 세로로 된 기물에 녹아 흐르지 않는 새로운 표현 방법의 발견이 주된 관점이다. 이를 보완한 새로운 방법은 화장토를 이용하여 색유리를 곱게 분쇄하여 희석한 후 붓으로 기벽에 칠하는 새로운 기법을 최초로 개발하였고 추가로 미적 완성도를 높이기 위해 상감기법과 귀얄기법을 적용하였다. 소성의 방법은 산화와 환원이고 소성방법에 따라 컬러가 다르게 발색 되었다. 특히 음각 된 색유리 표면을 부분부분 깎아낼 경우 독특한 붉은 갈색게열의 부드러운 그라데이션이 형성되었는데 이러한 효과를 작품 제작 뿐 아니라 산업자기에 확장 적용을 하기에도 좋을 것이다.