• 한국콘텐츠학회논문지
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• 제10권5호
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• pp.220-228
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• 2010

리인커네이션은 불교와 도교의 중심철학인 윤회라는 가치관으로 우리의 생활의식 속에 뿌리 깊게 존재해 왔다. 예술의 보편적 가치인 리인커네이션은 오랫동안 오브제로서의 표현의 대상이 되어져 왔으며 팝아트에 이르러서는 특별한 관심을 받았다. 시각디자인교육에서의 리인커네이션은 교육의 도구(Tool)로서 새로운 기능적 가치를 지니며 특히 디지털디자인 영역에서는 수업의 기본적 재료인 교재로서 필수적 콘텐츠가 되고 있다. 리인커네이션을 활용한 디자인교육은 에듀테인먼트적 특성이 두드러지며, 혁신적인 교육기법이라 주목받고 있는 에듀테인먼트 교육은 학습자에게 유희성과 흥미성을 자극하여 내적동기를 유도한다. 리인거네이션이 갖는 정서적 흥미와 인지적 흥미는 학습의 능동적 활동으로 이어져 창의성을 향상시키는 궁극적 목표에 도달하게 한다. 물질의 환생을 전제로 한 리인커네이션 교육은 물질의 재활용, 재사용이라는 단순한 지속성을 넘어 사물에 대한 본질과 철학적 가치를 이해해야하며 이러한 연구와 교육활동들이 수반되었을 때 디자인교육의 창의적 아이디어를 기대할 수 있다.

• 한국한의학연구원논문집
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• 제2권1호
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• pp.1-25
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• 1996

The purpose of this paper is to study the basic medicine of the Gojoseon(古朝鮮) dynasty, especially 5 fields which are the theory of yin-yang(陰陽論), the theory of 5 progressive phasis(五行論), the theory of mind-body(心身論), Seon-gyo(仙敎), acupuncture(鍼術). The theory of yin-yang can be studied in the point of contents of it, not the name of it. Whan-in(桓因) is the god of sky, Woong(熊) is the god of earth. Whan-woong(桓雄), who is the son of Whan-in(桓因), came down from the sky, turned into a man. Woong(熊) lived in the cave, eating garlic and wormwood for 21days, got out of it and turned into a woman. The changes occurred by the mutual aid of Whan-woong and Woong. The theory of 5 progressive phasis can be founded in the archery. The bow and arrow is made of cucumber, horn and ligament of cow, glue made from airbladders of sciaenoid fish, which belong to mock(木). Beejeongbeepal(非丁非八) and make strong one's abdomen(腹實) belong ti soo(水), empty out one's chest(胞虛) belongs to whar(畵), thrusting(前推泰山) belongs to mock(木), shooting(發如虎尾) belongs to geom(金). Basically mind and body have no differance. Mind without body does not exist. Exocism excites the exorcist to the condition of whar(火). There are 3 parts, as treaLment, prevent, regimen, in the medicine. 2 parts as idealism and realism are in regimen. Seon-gyo(仙敎) belongs to the idealism of regimen. In China, is became Taoism(仙敎) later The art of accupunture was developed in the Gulf of pohair(渤海灣).

• 한국의상디자인학회지
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• 제17권2호
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• pp.111-124
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• 2015

This study inferred the symbolism of shaman's costume in China from shamanism and types of shaman's costume in Naje, Deokgang-hyun, Guiju-seong, China through field survey. Shamanism in China has complicated aspects due to negotiations with other culture for a long time while maintaining its own consistency based on ethnicity. Symbolism of shaman's costume in Naje, Guiju-seong, China is observed as follows. First, the shaman's costume in China appears differently from every Jangcha in relation to the position of god appearing in Jangcha when Tolosa takes the position of god as a symbol of sex and god. In Naje of China, the most important shaman's costume indicating the position of god has a unique mask for every deity. It communicates that Tolosa wearing a costume appropriate for the god of wine shall become the god in that Jangcha. Second, the shaman's costume in China has something to do with Yin-Yang and the five elements theory of Taoism as a symbol of shamanism visio of the universe and system of reason. Most of Tolosas hosting Naje are men but dress up as women by wearing Nagun looking like a skirt. Nagun is usually red, the color of Yang, which symbolizes that by wearing such costume that takes color of Yang, Tolosa expels an ominous thing by balancing yin and yang and taking god's strong power. Third, Tolosa takes an eight-breadth Nagun, as a symbol of people. An eight-breadth worn by Tolosa in Naje strengthens the spirit of union and fight of the Tujia nationality who live in Deokgang-hyun, Guiju-seong through folk legends. In this course, a symbolic meaning of the national spirit has been provided on an eight-breadth Nagun, a shaman's costume.

• 농촌계획
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• 제15권4호
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• pp.33-42
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• 2009

This study is aimed at the necessity application in 'Prototype' general concept on discovering cultural identity landscape of our national characteristics landscape research. Accordingly, It is considered landscape, fundamental concept, the prototypal landscape concept from previously researches that have been used. At the same time, the concept of prototypal landscape has been established by commenting a point of view which is defining previous researches that controverted prototypal landscape, then establish concept of prototypal landscape and derive attribute by comparing and considering similar terminology of prototypal landscape. Previously, research prototypal landscape in depth by applying defined concept of prototypal landscape and considering inherence ideological and environmental background prototypal figure and structure. Formation pattern of the prototypal landscape is classified in both philosophical formative primary factor from philosophy, religion and environmental formative factor of human that accumulated cultural life from a region and life. Examples of forming the prototypal landscape by philosophical formative factor are classified as 'Feng-Shui(the theory of divination based on topography)', 'Yin-Yang theory', 'Confucian idea theory' 'Philosophical Taoism', 'Buddhism theory' and 'Nature theory' then environmental formative factor are interpreted by 'Taekliji(determining of advantageous land)', 'Imwon(forest) economical geography', 'land use', 'topography' and 'terrain' as examples. This study is anticipating a new point of view and an establishment of reliable preservation to our characteristic of the prototypal landscape by considering concept of prototypal landscape and formative factor as studying limits of prototypal landscape and researching concentrated origination of the prototype.

• 복식문화연구
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• 제7권1호
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• pp.177-195
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• 1999

In this study, I tried to find out the diffusion and the receptive process of new culture with examining the costume of Ksitigrbha Bodhisattva Buddist drawings, which were drawn by our people in the Koryo dynasty. I classified each part of the costume of Ksitigarbha Bodhisattvas and found out overall characteristics and analyzed their meaning. The results are as follows ; First, because there were several ‘du-gun’ of peculiar types, Ksitigarbha Bodhisattvas were supposed to have ‘du-gun’ before Buddhism was diffused throughout China through the West. The type of ‘du-gun’ was deveoloed more and more through the West and appeared as the type of ‘du-gun’ of Ksitigarbha Bodhisattvas in ‘Ji-Jang Do’ in the Koryo dynasty. And the pecuilar type of du-gun was supposed to have been under the influence of the costume of Taoism in those days. Second, I think that the Buddhist defication of the costume in Ksitigarbha Bodhisattvas was a phenomenon in the process that belief in Ksitigarbha was united with popular belief and widely diffused and became to have its important meaning of its own. Third, the feminine tendency of the costume in Ksitigarbha meaning of the early goddess remained partly in the costume even though Ksitigarbha Bodhisattva was god in India. Fourth, Several found shape designs are supposed to be affected by the diplomatic relationship with the West. As mentioned above the costume ‘Ji-Jang Do’ in the Koryo dynasty was affected by china\`s, world-wide in that ga-sa was Gandira style based on Hellenistic art. Therefore, the reception if new culture was selective on the basis of the country\`s need and this new culture was changed into something peculiar to affect other countries simultaneously with reception.

• 한국조경학회지
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• 제26권4호
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• pp.113-124
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• 1999

The purpose of this study is to search into the relation between the chinese seclusion culture and the gentleman's gardens by means of the historical and aesthetic approach. The periodic limits of this study is from pre-Qin to Tand. For gentleman's gardens in Tang dynasty at once got out of the noble's gardens which had imitated the imperial gardens until Tang, and became the origin of the gardens of the literati appearing in post-Tang dynasty. The major findings are as follows : First, in pre-Qin period, the origin of the seclusion culture is classified as the metaphysical seclusion of Taoism and the physical seclusion of Confucianism. Although Pu, Yuan, and Uou which could be said the first step of the chinese gardens were inquired, the clear relation between the seclusion and them is not found. Second, during Qin-Han dynasty, the role of the gardens, as the settings of the seclusion, are comparatively minor, too. But uan Kuang-Han's garden considerably escaped from that of pre-Qin in the aspect of function, and it has the characteristics of recreation. Third, during Wei-Chin and Liu dynasty, two types of the seclusions emerged. One is the small seclusion, and the other the Great Seclusion. Though, as formerly, the contemporary gardens did not escaped from the imperial gardens, Shi Chong's garden can be the setting of the Court Seclusion. But the seven Righteous in Bamboos' and Tao Yuan-Ming's settings of the seclusion were real natural environments rather than gardens. Forth, in Tang dynasty, in spite of relatively low status, Bai Ju-Yi's theory of the middle Seclusion enabled gentlemen to make seclusion in sinecures unlike the court Seclusion. The theoretical background of the Middle Seclusion was Zen Buddhism and the State Examinations System and Bai Ju-Yi's private social position also had an important effect on it. In Tang dynasty, there being nobiliary gentleman's gardens, Bai Ju-Yi's garden, Lushan Caotangyuan, was the setting of the Middle Seclusion. It can be called a real gentleman's garden, for it is simple and small unlike the imperial gardens or the nobiliary gentleman's gardens.

• 대한간호학회지
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• 제25권3호
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• pp.562-580
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• 1995

This research was an attempt to make it possible to provide nursing care and health education meet- ing the need not of care givers but of patients by identifying the nature of patients' self regulation experiences. The specific objective of this study was : 1) to explore self regulation experiences of patients with adult disease. The phenomenological approach in qualitative studies is used to serve this purpose. Colaizzi's method is used for the phenomenological analysis of the data in this study, which were collected from 25 patients hospitalized in the internal medical ward and oriental medical ward of a Seoul hospital, suffering from adult disease such as hypertension, arteriosclerosis and diabetes mellitus. The research was conducted over a period of March to September, 1994. The investigator conducted participated observations and in-depth unstructured interviews which were audiotaped under the permission of patients. The investigator read the data repeatedly to identify and categorize significant statements, formulating meanings, themes and theme clusters. The result is categorized as follows : Self regulation activities, their barriers and predisposing factors of a disease. Thirteen theme clusters of self regulation activities related to health identified were. “maintaining diet regimen”, “maintaining exercise regimen”, “maintaining medication regimen”, “maintaining oriental medical regimen”, “maintaining health monitoring regimen”, “maintaining self effort”, “maintaining religious life”, “maintaining social sup-port systems”, “maintaining peaceful mind”, “maintaining moderation in life”, “maintaining sincere attitude in life”, “maintaining natural life”, and “maintaining folk remedy” This findings confirm the fact that self regulation is complicatedly and diversely influenced by oriental medicine and folk remedy, and Korean traditional ideas melted in Confucianism, Buddhism, Taoism and Shamanism, and modern medical care and western culture. Seven theme clusters of self regulation barriers identified were : "lack of knowledge and self aware-ness", "lack of social supports", "lack of awareness of need in continuous regimen and treatment", "dissatisfaction with hospital and health care provider", "lack of self management ", "lack of will to combat illness", and "overconfidence in folk remedy" Four theme clusters of predisposing factors of a disease were : "cumulation of stressors", "fatalism", "careless life style", and "family history". In conclusion, this. study will prove helpful not only in understanding clients in light of our traditional culture but also in providing them with the kind of nursing care and health education satisfying their demands and particularly cultural needs.

• 비교문화연구
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• 제26권
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• pp.353-377
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• 2012

This treatise studies on how ideology and value of Chinese minority race undergo change according to social, political transition that the Chinese minority race has experienced for a long time and I also have tried to elucidate how these kinds of their experiences have been effected upon their own life, even it is part of my basic subjects for my study. Hence I would give weigh to focus on contemplating process of the past and the present rather than predictive discussion of how their pursuing value will be transformed. For my ebullient study, I'm willing to make Yi-Zu's moral culture become axis of my treatise, and capitalize on not only how Han-Zu's ideological philosopies have been disseminated, but also how acculturation have been taken place in Yi-Zu's moral culture system. Yi-Zu has the longest history and the greatest their own population, even the largest residence of various Chinese minority races. And Yun-Nan is the historical place where not only various Chinese minority races have lived, but also acculturation between Chinese majority, Han-Zu and them have been begotten. Above all, I would delve into traditional religion to understand Yi-Zu's moral culture as was already mentioned that it is my axis of treatise. Furthermore, I deliberated on how Taoism have been infiltrated Yi-Zu's moral culture, also how Han-Zu's ideological philosophies have been permeated Yi-Zu's, and what is more how to help themselves still remained in Yi-Zu's. Through my such these efforts, I analyze the aspect of embracing of Han-Zu's moral culture by Yi-Zu's and some facts of vicissitudes about it.

• 스트레스연구
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• 제26권4호
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• pp.356-364
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• 2018

본 연구의 목적은 중국에서 강박증 치료에 삼전요법이 얼마나 효과가 있는지 살펴보는 것이다. 삼전요법은 도교, 불교 선종은 물론 고대 한방정신요법의 특색을 두루 담고 있는 심리치료 방법이다. 최근 국내 연구 결과에 따르면 전체 인구의 1.5%가 강박증을 앓고 있어 강박증 치료에 많은 관심이 쏠리고 있다. 중국의 임상연구 결과에 따르면 삼전요법과 양약치료를 병행한 경우 강박증 치료에 유의미한 효과를 얻었다. 삼전요법 치료만으로도 양약치료보다 강박증에 유의한 치료 효과를 거두었다. 강박증 치료를 위해 삼전요법의 활성화가 필요하다.

• 헤리티지:역사와 과학
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• 제34권
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• pp.60-79
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• 2001

We can infer from collections of prose in Cho-sun period that the main period is from King Se-jong's reign to King Yoeng-jo's or between the 15th and the 17th century. The ideological background and the dignity of the rock garden is derived from Taoist hermitism and Nitze and Jeng-je's quietism. The representation of the rock garden as tri-god mountain comprising Bong-lai, Bang-jang and Young-ju is based on the tradition of making the tripartite rock garden in a pond practiced in the three north-eastern countries, Korea, China and Japan. And it's the representation of quietistic world of eternal life that had been sought by the taoism. Making a pond in which they plant lotus and made rock garden. they enjoyed watching immaculately pure lotus flower bloom even in the mud. It is compared to the confucians' seeking for virtue even in the profane or defiled world. Another motive of intellectuals to make rock gardens is their love of nature and its landscapes and their preference of recluse and temperate life to attaching to high public office, which was the tendency of the learned, established by the influence of taoist and quietist tradition. The essays portray the fountain water, ponds, waterfalls. the hilltops, the mountain pass over the ridge. winded lanes, valleys, caverns, and other architectural elements. The technic of building rock gardens includes those of harmonizing each elements of landscapes in the water, that of irrigation, building formation, and those of piling up the mountains and hills. With some comments on planting trees, grass and flowers. The original location of rock garden, esp. in case of taoist Chae-su's rock garden with waterfalls, is Ian-ri, Ian-myon in the city Sang-ju. Since no relics of rock gardens are to be found in any examples of Korea's traditional gardening, the study of rock gardening by analyzing the prose collections of Cho-sun period can be significant for the study of designing water space that has been considered the center of a garden space.