• 제목/요약/키워드: suit image

검색결과 124건 처리시간 0.02초

엘라스틱 밴드와 디지털 카메라를 이용한 신체 치수 측정 방법 (Body Size Measurement Method Using a Elastic Band and Digital Camera)

  • 최기락;김현석;이종혁
    • 한국정보통신학회:학술대회논문집
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    • 한국정보통신학회 2015년도 춘계학술대회
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    • pp.553-556
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    • 2015
  • 대부분의 맞춤 정장 회사에서는 재단사가 신체 치수를 직접 측정하기 때문에 신속하지 못하며 개인마다 그 기준이 모호하여 일관성을 가지기가 어렵고 고객이 신체 접촉으로 인한 불쾌감을 느낄 수가 있다. 이러한 문제점을 개선하기 위한 방법으로 본 논문에서는 길이 정보를 담고 있는 마크가 프린트되어 있는 엘라스틱 밴드를 몸에 착용한 후 디지털 카메라로 신체를 촬영하여 일반적인 영상처리 기술로 측정하기 어려운 신체의 특정 부위를 보다 효과적으로 측정 할 수 있는 방법을 제안한다.

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인구통계적 변인에 따른 수트디자인 시각효과에 관한 연구 (A Survey on Suit Design by Image Visual Effect Demographic Characteristics)

  • 박순천
    • 복식
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    • 제53권6호
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    • pp.131-143
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    • 2003
  • This treatise deals with the profitable suit image design of middle-aged men by examining visual effects in physical design. The sample of this study is people who lives in Kwangju, the Republic of Korea and 20-50 age's men and women. And it is very variety in each population statistics factors the differences of associate design visual effect which considering the difference of sex and age group, numbers of button, a figure and material pattern. Firstly, look into the associate design visual effect by sex and button number. In men's group, the style with three buttons was the most attractive and that with two buttons was the least attractive. In 50's group, the style with two buttons was the least attractive and those with 1.3 and 4 buttons were a little attractive. Secondly, in the difference of associate design with sex and shape, men's group was considered that standard type was the most attractive shape, women's group was thought that lean and standard types were the most attractive shape. So we can know that the attractive shape is different with sex. In the difference of association design with age and shape, 20's considered that standard type was the most modernistic and fat type was the least modernistic. 30's considered that lean type was the most modernistic and 50's thought that fat type and standard type were the most modernistic. Thirdly, see the sex and material pattern. In familarity, men's group considered that stripe pattern was more familiar than checks and plain patterns. And they considered that striped pattern and plain was more manly than checks. In sex and material pattern, 20's thought that plain was the most attractive, stripe was the next, and checks was not attractive. 40's estimated that plain and stripe were more attractive than checks. 50's judged that stripe was the most attractive material. Thus. the attraction is different with ages and material patterns.

중년여성의 수트 착용 형태미를 위한 형태 구성요인의 조합에 관한 연구 (A Study on the Combination of Suit Details for Image of Classic Style Suits-Middle Aged Women′s Body Construct)

  • 위은하;김옥진
    • 복식문화연구
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    • 제8권5호
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    • pp.726-740
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    • 2000
  • The purpose of this study is to evaluate the combination of suit details through visual evaluation which helps compensating the classic style suits-middle aged women's body construct for their more attractive fashion styles. The styles of the evaluated suits are formal and classical. The designs of evaluated suits are manipulated in 40 different kinds by the essential elements such as collars, necklines(tailored collars, soutien collars, stand collars, round necklines, V-necklines, etc.), bottoms(slacks, skirts), pocket (flap pocket, none) and opening(opened, closed). The data evaluated by a multiple ranking test were analyzed by paired t-test, ANOVA and Duncan's multiple raged test. The results are summarized as follows : 1. A middle aged woman on skirts suits look more graceful, more elegant, and a bit more refined than that on slacks suits. 2. A middle aged woman wearing a jacket with flap pockets on looks more balanced, and graceful than when wearing with no pockets. 3. Wearing closed jackets looks more balanced and graceful than on opened jackets. 4. The types of collar·necklines can be called the details which put much influence on Image effects. Putting on tailored collar suits is the most graceful, refined, balanced and harmonious case than any others.

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현대패션에 나타난 양성적 복식에 관한 연구-시대별 대표적 디자이너와 그 특성을 중심으로- (A Study about Bisexuality in Current Fashion-Basis on a Representative Designers and their Characteristics in the each period-)

  • 채금석
    • 복식
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    • 제44권
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    • pp.37-56
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    • 1999
  • In clothing, a tendency of Bisexuality is in case of wearing clothing of the opposite sex, the mixing of modeling principle and characteristic of man and woman, the exclusion characteristic of sexuality that present sexlessness-the third sex. They-Designer Gabrielle Chanel, YSL, Giorgio Armani-give characteristic of man's fashion to women's fashion. However, the consciousness in design is different. Chanel apply principle of man's suit to woman's wear to express authority and power about gender image, hereby she express women liberation and equality of man and woman based on social ideology through fashion especially, she express women's sexual independency and self assurance to her clothing. YSL express liberal and bold women that pursuit reasonal and liberal life in 1970. As he apply tailoed suit's rigidity to women's wear, he made 'pants look' universal in women's wear through“Dress for success”in modern life. Armani apply successful modern image to women's wear, so he express women's image of confident intellegent as well as feminine image. He focus women's new image as man living liberal and indivisual life excluding social category rather than will of equality of man and women. Gernreich break sexual prejudice and release women freely, furthermore, as he express concern of sexuality pursuit liberty of mankind surpassing sex distinction with women liberty. Gianni Versace pursuit mix and extinguishment of sexual image many-sided, and break fixed idea of sex, and reprovide feminine and masculine image. So his design tend homosexuality because he regard women's glamor and ostensible sexuality as standard of beauty, he apply this to man's wear as well as women's wear. With this, he expresses sensitive and liberal man's that break characteristic of Gender that symbolize power and authority in man's wear through 'Without ties'.

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GRAYSCALE IMAGE COLORIZATION USING A CONVOLUTIONAL NEURAL NETWORK

  • JWA, MINJE;KANG, MYUNGJOO
    • Journal of the Korean Society for Industrial and Applied Mathematics
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    • 제25권2호
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    • pp.26-38
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    • 2021
  • Image coloration refers to adding plausible colors to a grayscale image or video. Image coloration has been used in many modern fields, including restoring old photographs, as well as reducing the time spent painting cartoons. In this paper, a method is proposed for colorizing grayscale images using a convolutional neural network. We propose an encoder-decoder model, adapting FusionNet to our purpose. A proper loss function is defined instead of the MSE loss function to suit the purpose of coloring. The proposed model was verified using the ImageNet dataset. We quantitatively compared several colorization models with ours, using the peak signal-to-noise ratio (PSNR) metric. In addition, to qualitatively evaluate the results, our model was applied to images in the test dataset and compared to images applied to various other models. Finally, we applied our model to a selection of old black and white photographs.

남녀 수트직물의 드레이프성 분석 (Analysis of Drapability of Men's & Women's Suit Fabrics)

  • 이미식;김의경
    • 한국의류학회지
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    • 제30권12호
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    • pp.1723-1729
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    • 2006
  • 드레이프성은 직물의 최종용도를 결정하는데 매우 중요한 요소이다. 본 연구에서는 남녀 수트직물의 드레이프 특성을 분석하여 수트직물로서의 선호도와의 관계를 연구하였다. 본 연구에 사용된 직물은 남자 수트직물 중 봄/여름 용 60가지, 가을/겨울 용 60가지, 여자 수트직물 중 봄/여름 용 70가지, 가을/겨울 용 142가지로 총 332종류를 사용하여 이들의 주관적 인 태, 수트직물로서의 선호도를 조사하였다. 주관적인 태는 자체 개발한 9점 척도의 질문지를 사용하여 측정하였으며 이 때 7점 척도를 사용하여 직물선호도도 함께 조사하였다. 주관적 인 태는 질문지를 구성하는 20개의 태표현 형용사를 요인분석을 통하여 용도에 따라 5가지의 요인으로 표현하였다. 용도에 따른 수트직물의 드레이프 특성을 분석하기 위하여 직물의 드레이프성을 Cusick 드레이프 측정기를 사용하여 측정하였다. 드레이프계수, 굴곡수, 굴곡의 높이, 굴곡의 파장 등을 측정하여 통계적으로 분석하였다. 이러한 드레이프 특성치들의 계절에 따른 차이와 남자와 여자직물의 차이를 살펴보았다. 남녀 수트직물 모두에서 드레이프성은 태 표현 요인으로 나타났으며 여성용 수트직물에서는 직물선호도와 관계가 있는 것으로 나타났다. 여성 춘하용 직물에서는 선호되는 직물과 선호되지 않는 직물간에 드레이프 계수에 통계적 인 유의한 차이는 없었으나 굴곡수와 굴곡의 파장에는 차이가 있어 드레이프의 형태에는 차이가 있었다. 여성 추동직물에서는 선호되는 직물의 드레이프 계수가 0.6-0.7로 너무 부드럽거나 뻣뻣한 직물은 선호하지 않는 것으로 나타났다. 남자의 수트직물에서는 주관적인 태를 나타내는 주요요인으로 추동직물에서는 드레이프성이 추출되었으나 춘하직물에서는 추출되지 않았다. 추동직물에서 선호되는 직물과 선호되지 않는 직물간에 측정된 드레이프특성에 차이가 나타나지 않아 소비자들이 느끼는 드레이프성을 좀더 민감하게 대변할수 있는 드레이프 측정 방법의 개발이 필요하다. 계절에 따른 차이로 남녀 모두에서 유의한 차이가 나타났으며 드레이프 계수는 여성춘하직물이 가장 높아 0.72였으며 남성 추동> 남성 춘하> 여성 추동의 순으로 감소하였다. 굴곡의 높이도 드레이프 계수와 같은 경향을 나타냈다. 남성복에서는 춘하직물이 추동직물보다 드레이프성이 좋았으며 여성복은 반대의 경향을 나타냈다. 남녀 직물간에도 차이가 있어 춘하직물은 남성 수트직물이 여성직물에 비하여 드레이프성이 좋았으며 추동직물에서는 여성 직물의 드레이프성이 더 좋았다.

생활한복의 이미지와 가격 평가에 관한 연구 (A Study on the Evaluation for Image and Price of Saenghwal Hanbok)

  • 정인희;조효숙;김선경
    • 복식
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    • 제50권6호
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    • pp.33-46
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    • 2000
  • The purpose of this study was to investigate the consumers'evaluation for image and price of Saenghwal Hanbok. Data were collected by Questionnaire from 400 men and women living in Seoul area between August and September of 1998, and 374 questionnaires were analyzed by frequency, percentage, mean, standard deviation, t-test and factor analysis. As a result, consumers perceived Saenghwal Hanbok as 'comfortable' and 'individualistic' compared with western dress. Git(collar) and Gorum (ribbons) or Maedup(braided buttons) of Jeokori(jacket) were selected as having traditional image the most. 245 people(65%) answered that the general impression of Saenghwal Hanbok wearers was favorable. Saenghwal hanbok was thought to be appropriate when priced between 30,000 and 200,000 won per suit. And the intention to continue wearing Saenghwal Hanbok in the future was very positive.

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영화(映畵)의 복식(服飾)과 색채(色彩) 이미지 (A Study on the Costume and Color Image of the Movie)

  • 이예은;조규화
    • 패션비즈니스
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    • 제10권5호
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    • pp.28-44
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    • 2006
  • The purpose of this study is to study the movie costume and color image through the movie "The Aviator". Firstly, looking at the costumes of main characters and their color images expressed in the movie, one extreme of Hughes' image to another was expressed in order to show his extreme inner world by using the light-dark contrast rather than specific colors as the base. The gold color used to express the image of Hepburn represented an image expressing her intellectual elegance. As for her dress silhouette, the taste of intellectual elegance was displayed by a dress whose back was exposed with a grownup-style feminine silhouette or one with drapes and pleats ornaments. To express Gardner's image; that is, her alluring charm and glow, a vivid red color was used. As for her costume, her splendid and fascinating image was expressed by the 40s' rectangular- shouldered tailored suit, exotic peasant blouse and showy accessories. Secondly, the color image expressed in the background in the movie as a special space for Hughes. The red color image of screening room was shown to be as a space for passion and desire and the green color image of men’s room as a space for stability and rest.

빅데이터와 딥페이크 기반의 헤어스타일 추천 시스템 구현 (Implementation of Hair Style Recommendation System Based on Big data and Deepfakes)

  • 김태국
    • 사물인터넷융복합논문지
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    • 제9권3호
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    • pp.13-19
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    • 2023
  • 본 논문에서는 빅데이터와 딥페이크 기반의 헤어스타일 추천 시스템 구현에 관해 연구하였다. 제안한 헤어스타일 추천 시스템은 사용자의 사진(이미지)을 바탕으로 얼굴형을 인식한다. 얼굴형은 타원형, 둥근형, 장방형으로 구분하며, 얼굴형에 잘 어울리는 헤어스타일을 딥페이크를 통해 합성하여 동영상으로 제공한다. 헤어스타일은 빅데이터를 바탕으로 최신 트랜드(trend)와 얼굴형에 어울리는 스타일을 적용하여 추천한다. 이미지의 분할 맵과 Motion supervised Co-Part Segmentation 알고리즘으로 같은 카테고리(머리, 얼굴 등)를 가지는 이미지들 간 요소를 합성할 수 있다. 다음으로 헤어스타일이 합성된 이미지와 미리 지정해둔 동영상을 Motion Representations for Articulated Animation 알고리즘에 적용하여 동영상 애니메이션을 생성한다. 제안한 시스템은 가상 피팅 등 전반적인 미용산업에 활용될 수 있을 것으로 기대한다. 향후 연구에서는 거울에 사물인터넷 기능 등을 적용하여 헤어스타일등을 추천해주는 스마트 거울을 연구할 예정이다.

패션 이미지어(語)의 연상 어휘 분석을 통한 디자인 발상차원에 관한 연구 -클래식, 아방가르드 이미지어를 중심으로- (A Study on the Dimension of Design Idea through the Analysis of Words that Remind of Fashion Image Words -Focusing on Classic and Avant-garde Imaged Language-)

  • 김윤경
    • 한국의류학회지
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    • 제44권3호
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    • pp.413-426
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    • 2020
  • This study researches the association between associative vocabulary and fashion image language in order to extract ideas that can be used as basic data for design ideas. Classic - avant-garde imaged language were chosen as theme words and each 70 questionnaires per a final image word were used for analysis. We obtained the following results by researching keywords that explained classic image words through a word cloud technique. It was found to have high central representation in the order of suit, classical, basic, music, Chanel, black and traditional. The core key words explaining avant-garde image language were found to have a central representation in the order of : peculiar, huge, Comme des Garçons, artistic, creative, deconstruction and individuality. We extracted the necessary idea dimensions needed for design ideas through associative network graph analysis. In the case of classical image language, it was named as the Mannish Item, Music, Modern Color, and the Traditional Classicality dimensions. In the case of avant-garde image language, it was named as the Key Image, Artistic Aura, Key Design and Designers dimensions.