• International Journal of Advanced Culture Technology
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• 제7권2호
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• pp.34-41
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• 2019

The purpose of this study was to examine the meaning and structure of the experience of female college students. For this purpose, 22 female college students, regardless of age, participated in the interview three times in total. Interview data were processed through the analysis and interpretation process using the phenomenological research method, Giorgi method. As a result, 34 semantic units were derived, then divided into 14 subcomponents, and then divided into 6 categories. As a result of analysis, the spiritual value of female college students was composed of "family", "friendly person", "professional person", "empathy", "reflection" and "trust". Based on the above meaning, the structure of the spiritual value of female college students can conclude that they were a continuation of life that forms a strong sense of value and empathy and trust with patience with family and friends. Based on this, intervention on spiritual well-being of female college students suggests that intervention to form values based on empathy and trust based on family and close friends is implemented.

• 기본간호학회지
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• 제22권2호
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• pp.129-138
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• 2015

Purpose: This paper is a basic study done to establish spiritual health concepts according to Korean culture. The focus was on identifying perceived concepts of spiritual health in Korean people. Methods: The Q method, which is effective in measuring individual subjectivity, was used in this study. Results: Perception of the concept of spiritual health was found to have 3 independent types, Type I is a self-directed, present life centered type. This is a group stressing the importance of planning self-directed life and the people of this group consider the values of the present life as important. Type II is a faith-oriented, afterlife centered type. This is a group whose essence of spiritual health is religious devotion like faith in god and the people of this group do not sympathize with the oriental world view. Type III is an oriental, value-sharing type. This is a group with an oriental world view and the people of this group stress importance in sharing values with communities or others. Conclusion: These results not only become the basis for understanding the concept of spiritual health among Koreans, but also suggest the necessity of comprehensive education for spiritual health promotion.

• 기독교교육논총
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• 제76권
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• pp.27-49
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• 2023

연구 목적 : 이 논문은 소위 학교식 모델의 대안으로 부상하는 어린이영성교육의 특성과 방향성을 고찰함으로써, 기독교아동교육이 현재의 교회학교식 패러다임을 극복할 수 있는 대안적 가능성에 대한 통찰을 얻는 것을 목적으로 한다. 연구 내용 및 방법 : 본고는 두 부분으로 이루어지는데, 어린이영성교육의 특성과 그 특성을 구체화할 수 있는 방법들의 모색이 그것이다. 첫째, 어린이 영성교육은 어린이를 '영적 존재'로 보는 어린이영성 연구에 기반하여 어린이의 영성을 형성하는 것에 목표를 둔 "형성적" 모델이다. 이 모델은 특별히 '경험', '하나님만남', 그리고 '몰입'이라는 세 가지의 핵심 지향점을 갖는다. 즉 어린이영성교육은 '지식보다는 경험'을 추구하며, 하나님에 대해 3인칭적 지식을 가르치기보다는 2인칭으로 하나님을 만나는 경험을 추구하고, 그 무엇보다 몰입이라는 영성적 순간을 중시하는 교육이다. 둘째, 본고는 그러한 세 가지의 핵심 지향점들이 구현될 수 있는 구체적 통로와 방법들을 모색하였는바, '감각', '예전', 그리고 '이야기'가 그것이라는 것을 발견하였다. 감각은 경험을 불러일으키는 통로가 되며, 예전은 '하나님만남'의 자리가 되고, '이야기'는 '몰입'에의 핵심적 통로가 된다. 그리고 그 셋은 서로 유기적으로 결합될 때 어린이영성교육이 추구하는 지향점들을 통전적으로 수렴할 수 있다. 결론 및 제언 : 이상의 고찰을 통해 본고는 어린이영성교육 안에서 어린이 이해로부터 교육의 방법에 이르기까지 교육의 핵심가치와 방향성이 수미일관하게 유지되고 있는 것을 발견하였다. 그리고 이러한 발견으로부터 '무엇을 가르칠 것인가'보다는 '무엇을 경험하게 할 것인가', '가르침'보다는 '예전', '설명'보다는 '이야기', 그리고 '추상적' 지식보다는 '감각적' 경험을 중시하는 방향성은 단지 어린이영성교육에게만이 아니라 전인적 신앙교육을 지향하는 모든 이들이 공유해야할 기독교 아동교육의 방향이라는 통찰을 얻는다.

• 조형예술학연구
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• 제6권
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• pp.119-139
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• 2004

The intention of the research is to look into the form reflecting the spiritual image due to Oriental aesthetic from a realistic point of view. In this regard, I will pay attention to examining the process from figurative perspectives, in which painting image by subject acquires the beauty of form. Of the main subjection this paper, figure is an image itself appearing in painting. At this point, I will attempt to show how the meaning and value of image have been interpreted and judged on the aesthetic standard in Oriental painting in particular. For this process, I generalize the conception of the image as 'figure' and through this I will reconsider the standard of understanding and the value of perception regarding painting images on the method which are more applicable to the expressions of Oriental painting. The reason why I try to find out the true nature of images in Oriental painting from a figurative viewpoint is to convert a conventional sense of value which recognizes the images of Oriental painting only as results of idealism, into more practical field. If the true nature of Oriental painting is fixed and restricted to natures of idealism, any productive development and any changes in form for future couldn't be expected at all. In fact, what the ideological and aesthetic values of art suggest is clearly a proof of real art form. However, it is not a hard thing to prospect that only a superficial idealism will be ceaselessly produced, while the practical study about aesthetic values, meaningful results of painting expressions, is totally ignored, if ideology itself is used as criteria to judge the identity of it or if only the idealistic aesthetic values are emphasized while any clue to show a real existence of oriental paintings is not certain. Actually, nobody can deny the fact that interests about real natures regarding art expressions have been relatively ignored while armed with mental ideology for esthetic view of oriental painting in traditionalism Therefore, it is clear that 'spiritual status' itself can generate any form. Traditionally, in the Orient, the standard of judging a real value of things, which put a focus on a spiritual view of value rather than on a materialistic view of it, has been vaguely positioned the identity of images in painting As a result, the aesthetic convention has finally committed to an error that for images of oriental painting, ideological criteria like so called spiritualism are applied as a judging way, and esthetic meanings and values of real painting are considered as strategic results and spiritual intentions.

• 한국인구학
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• 제34권2호
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• pp.163-190
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• 2011

본 연구는 65세에서 80세 사이의 연령대에 있는 서울/경기지역 노인복지센터에 참여하는 217명의 한국 노인들을 대상으로 이들의 사회활동, 종교적 경험, 영성 수행 등이 노인 우울증 및 삶의 만족에 미치는 영향을 탐구하기 위하여 수행되었다. 종교 및 영성에 관련된 변수는 일상적 영성 경험, 가치관, 관용, 개인의 종교 활동, 종교 및 영적 수양, 종교적 지지 등 여섯 가지 영역으로 나뉘어 측정되었다. 사회활동과 종교 및 영성을 측정하기 위하여 사회활동척도 (Social Activities Scale)와 종교/영성 다중체계 척도 (Brief Multidimensional Measure of Religiosity/Spirituality)를 사용하였으며, 우울증 측정을 위해서는 노인우울척도(Geriatric Depression Scale)를 적용하는 동시에 삶의 만족도 측정은 삶의 만족척도 (satisfaction with Life Scale)를 사용하였다. 인구학적 변인들을 통제한 후 분석한 연구결과, 높은 수준의 종교 및 영적 수양, 사회활동, 높은 소득수준, 낮은 수준의 일상적 영성 경험이 노인들의 우울증 발생에 낮게 영향을 미치는 것으로 나타났다. 반면 여성일수록, 고령일수록, 사회활동이 낮을수록 삶의 만족도는 낮은 것으로 나타났다. 이러한 연구결과를 바탕으로 추후 연구에 대한 제언 및 사회복지 실천에 대한 함의를 논하였다.

• 수완나부미
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• 제8권2호
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• pp.113-129
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• 2016

Brunei Darussalam is a Malay Islamic Monarchy practicing and upholding traditional heritage. Brunei Darussalam is rich with tangible and intangible cultural heritage shaped by its way of life. One of the traditions maintained and preserved in the country is traditional textile weaving. The tradition covers both consumption and production. In the context of consumption, traditional textiles have multiple roles and symbolic meanings. In the context of production, the tradition showcases great skills and the distinctive cultural, social, intellectual, spiritual, and emotional values of the people of Brunei. This paper will explicate the distinctive values and characteristics of Brunei people from the practices of textile weaving.

• International Journal of Computer Science & Network Security
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• 제22권10호
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• pp.207-213
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• 2022

The article reveals the problems of aesthetic education of young people as a necessary condition for the cultural development of the individual in the modern conditions of the information society. Aesthetic education should contribute to the formation of a creatively active personality. The basis of aesthetic education of young people in the modern conditions of the information society is the core of artistic culture - art as a unique form of public consciousness that contributes to the spiritual development and improvement of the inner world of a person. The main tasks of aesthetic education are highlighted. It is focused on the formation of aesthetic consciousness and aesthetic behavior of the individual. The formation of true aesthetic and spiritual values of students is impossible without a deep awareness of the national foundations of culture, which combines science (including technology), education, art, morality, way of life and worldview, and most importantly its information component - information culture. The effectiveness of aesthetic education of students largely depends on the skillful use of various methods and means by teachers. Aesthetic education of students involves a qualitative change in the level of their aesthetic culture in the modern conditions of the information society. In the era of information and computer technologies, the main Institute for aesthetic education of young people, as a necessary condition for the cultural development of the individual, is mass media. Television stands out especially because it has several information series (audio and video sequence), multiplied by the efficiency of providing information that increases several times compared to paper media, which allows you to report directly during the event.

• 한국실내디자인학회논문집
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• 제18권4호
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• pp.88-96
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• 2009

Contemporary hotels adopt distinctive designs in order to symbolize themes of various spaces they consist of. This phenomenon shows that the importance of spiritual values reflected through themes of spaces is emphasized as much as those of basic functions and structures of hotels. Above all, a variety of expression methods pervading throughout spaces of guest rooms consist of thematic spaces, visualization of emotions, as well as mixture of artistic genres, ones that are originated from unconsciousness of symbolic theory of C.G. Jung and widely perceived as variations of archetype. Meanings of symbolic expressions derived from the analysis of various hotels can be defined by attributes of local cultures as well as propensities of mythicism, which feature local pride enlightened by natural environments, the spirit of the times, historical events and other transcendental and fantastic topics. These symbolic expressions are metaphysical forms that are made unconsciously and such symbols are far beyond mere historical and cultural signs which require us profound and mature methods to approach. It is pleasing to know that we are living in the modern society in which progresses are being made to better understand minds and metal states of human beings. Given such a circumstantial advantage, researches on meanings of symbolic expressions should not be limited to only those of hotel designs, but also those of religious architectures and museums in which spiritual values are emphasized throughout designs of the spaces they consist of.

• 건축역사연구
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• 제6권1호
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• pp.67-79
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• 1997

Architecture is a shelter for society whose social pattern requires a specific form to accord with its material and spiritual needs. Providing a truly acceptable architecture requires our deeper understanding of cultural tradition - mythic values - not only because myth is an interpreted and configured form of 'thing' through man's second nature, such as his subjective and objective consciousness -'self-revelation of the absolute'- but also because, in the world of mythical imagination, a fragment of substantial reality -'thing'- becomes an equivalent mode to the signification, and emerges as 'its independent spiritual form' and 'the characteristic force of the logos.' In this sense, myth of place and myth behind tectonic form are the most essential sources for comprehending people's relationship to the world of inner and conscious experience. The recent efforts of modern architects to achieve cultural continuity should begin with re-interpretation and configulation of the myths behind describable material culture, especially artistic imagination inspired by deeper understanding of the myth of place. Myth provide artists with a creative inspiration, as they did in the past.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.160-165
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• 2003

Art of today is expressed in various images incorporated in industrial development and visible in industrial parks, modern cities. Avant garde art and modernism brought abstract and conceptual art into conflict in the early 20th century and they absorbed elements of each other and grew into post modernism, which emerged in the 1960s and is still current. The avant garde challenged what was lofty and sometimes opposed modernism and sometimes fed it in cycles until post modernism was established. 'Trans avant garde', which, unlike modernism asserted individual expression, also appeared in the 1970s. Trans avant garde is spiritual art in which the artist's conversation with his soul returns. This study examines the readjustments the trans avant garde is making in its relationship with the dominant ethos of different values and offers the world art with important spiritual beauty. Trans avant garde art takes many forms, from thing to huge, which are manifested every where in architecture, interior design and everyday life.