• Journal of Advanced Marine Engineering and Technology
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• 제33권5호
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• pp.653-661
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• 2009

In order to reduce the noise and oscillation, it is consider a matter in all aspects about the noise stem from accumulator and the characteristic of transmission, Transformation of outside shape has change of noise occurrence at transmission process. Therefore, performed sound numerical analysis and conducted an experiment to examine the birthplace of accumulator's external shape change. In a sound numerical analysis, we can fond out transmission loss between inlet and outlet's sound pressure. In an experiment, we can make out transmission loss by sound wave separation theory through drawing sound pressure inlet and outlet.

• 한국소음진동공학회논문집
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• 제19권2호
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• pp.184-191
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• 2009

This study examined small-size specimen's effectiveness that is used to evaluate floor impact sound performance. Floor impact sound level of small-size specimen is higher than full-size. This is due to excessive impact power of Bang machine. Impact hammer that has small impact power relatively can solve this problem. But, according to the size of specimen, mode shape and frequency that influence to structural borne sound is changed. Slab mode of full-size specimen was changed to frequency design of resilient materials. But in case of small-size specimen, there is no change of vibration mode by resilient materials change, Vibration mode of small-size specimen is the same. Therefore, it is not proper that use small-size specimen in floor impact sound estimation.

• 말소리와 음성과학
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• 제7권4호
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• pp.123-130
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• 2015

Given a recent finding showing that female speakers of South Kyungsang Korean is undergoing a sound change of the lexical pitch accent, this study tested whether the change is also reflected for male speech. This study compared F0 scaling and timing properties of accent words produced by younger female and male speakers of South Kyungsang Korean. The results indicated clear gender-related differences, showing more distinct acoustic properties across the accent words for male production compared to females. Despite the better distinction, however, younger male speakers showed peak delay where the F0 peaks are located further to the right compared to conservative speakers' production. Therefore, it might be suggested that younger male speakers' accent productions are in between conservative and innovative phonetic forms.

• 만화애니메이션 연구
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• 통권6호
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• pp.132-151
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• 2002

Animation is an art, which experiences through visual and auditory sense. The purpose of this study is to find out whether the theory of film sound can be also applied to animation sound. The study also aims to find out whether the mood and feeling of animation can be influenced by rhythm and fidelity of sound. To begin with, exampled a few animations and analyzed their sound base on the theoretical background of film sound and found out that influence of rhythm and fidelity of sound in animation is much more effective than in film. To find out the relationship between the changes of the mood according to different rhythm, I have applied the various rhythms of sound in a same sequential images. Result proved that the mood of animation was changed according to different rhythms that applied to animation. sound has a great ability of delivering the mood prior to images and different sound can change the overall feeling and mood of animation. Also proved that influence of fidelity of sound is much greater than rhythms of sound, especially in comic animation.

• 말소리와 음성과학
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• 제6권3호
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• pp.109-119
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• 2014

This article represents a first step in a large study aimed at elucidating the relationship between production and perception involved in sound change of /o/ in (Seoul) Korean. In this paper we present the results of a production study and a perception experiment. For the production study we examined vowel production data of 20 young adult speakers, measuring the first and second formants, then conducted a discriminant analysis based on those values. In terms of their F1-F2 values, the distribution of /o/ and /u/ were close, and even overlapping in some circumstances, which is consistent with the literature. This tendency was more apparent among the female speakers than the males. Moreover, with the females' distributions, /o/ was frequently categorized as /u/, suggesting that the direction of the sound change is indeed increasing from /o/ to /u/. Next, to investigate the effects of this proximity on perception, we used the production data of five randomly selected speakers from the production study as stimuli for a perception experiment in which 21 young adult native speakers of (Seoul) Korean performed a vowel identification task and provided a Goodness rating on a 5-point scale. We found that while rates of correctness were high, when these correctness scores were weighted by the Goodness rating, these "weighted correctness" scores were lower in some cases, indicating a degree of confusion in distinguishing between the two vowels.

• 말소리와 음성과학
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• 제12권4호
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• pp.9-17
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• 2020

Changes in the first language (L1) sound system as a result of acquiring a second language (L2) (i.e., phonetic drift) have received considerable attention from a variety of speakers, settings, and environments. Less attention has been given to phonetic drift in adult speakers' L2 learning as their length of residence in America (LOR) increases. This study examines the effects of LOR on voice onset time (VOT) in L1 Korean stops. Three different groups of Korean adult learners of L2 English were compared to assess how malleable their L1 representations are in terms of LOR and whether there is any relationship between L1 change and L2 acquisition. The results showed that the effect of LOR was linguistically unimportant in the production of Korean stops. However, VOT merger as evidence of sound change in Korean stops were robust in the speech production of most of the female speakers across the groups. The results suggest that L2 English may not be the primary cause of L1 sound change. For generalizability, further study is necessary to see whether other acoustic cues show a similar pattern.

• 말소리와 음성과학
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• 제13권3호
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• pp.39-51
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• 2021

본고에서는 2020년에 수집된 자유 발화 자료를 바탕으로 어두 폐쇄음 평음, 격음, 경음의 발화가 어떻게 달라지고 있는지 그리고 지각은 어떻게 이루어지고 있는지에 대해 자세히 살펴보았다. 기존 연구의 통제된 실험에서와 다르게, 자유 발화에서는 30대 남성까지도 VOT(voice onset time)에 의해 평음과 격음의 변별이 이루어지지 않았다. 지각실험은 언어 변화의 주도 계층인 젊은 여성 세대를 대상으로 하였다. 그 결과 어두 폐쇄음의 지각에서 F0이 평음과 나머지 둘을 변별하는 역할을 하였고, 그 다음 VOT가 격음과 경음을 변별하는 역할을 하였다. 특히 F0이 낮을 때에는 VOT의 길이가 짧든 길든 간에 항상 평음으로 지각되었다는 점은 평음의 지각에서 F0이 절대적인 역할을 한다는 것을 보여주었다. 그러나 어떤 F0의 경우에는 VOT에 따라 평음과 격음이 변별되기도 하였는데, 이는 20대 여성의 발화와 지각 체계가 일치하지 않기 때문이다. 음 변화의 관점에서 발화와 지각 체계가 일치하지 않는다는 것은 음 변화가 진행 중이라는 것을 의미하는데, 특히 20대 여성에서처럼 발화의 변화가 지각의 변화에 앞서는 경우는 음 변화가 후반 단계에 있을 때이다. 이처럼 언어 변화를 주도하는 계층에서 여전히 지각에서 이전의 체계를 유지하고 있는 이유는 그들의 부모 세대의 발화에서 VOT에 의한 평음과 격음의 변별이 이루어졌기 때문이며 이를 습득한 것이라고 볼 수 있다. 즉 다른 집단과의 소통을 위해 여전히 VOT를 지각에 사용하고 있는 것이다.

• 한국소음진동공학회:학술대회논문집
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• 한국소음진동공학회 2014년도 추계학술대회 논문집
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• pp.121-124
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• 2014

Many of research on noise reduction techniques have been progressed for the improvement of noise environment in subway train. There are many way to noise reduction techniques in the tunnel, but it has been reported as an alternative to attach sound absorption material on tunnel wall. For this reason sound absorption material has been studied for application of tunnel. The objective of this study is to investigate design parameters on a Helmholtz resonator with built-in sound absorption panel for the reduction of the tunnel noise in the subway. Sound absorption panel composed of the perforated panel with sub-millimeter holes and the airspace backed a rigid wall or between panels. The experiment is performed through the change of number of perforated panel, cross sectional area and the depth of airspace of the sound absorption panel under the normal incidence sound.

• 한국정보처리학회논문지
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• 제5권3호
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• pp.851-861
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• 1998

한국어는 음운 변동 현상이 매우 발달되어 있다는 특징을 갖고 있다. 따라서, 음성 인식율의 제고와 음성 합성음의 자연스러움을 향상시키기 위해서는 음운 변동 현상을 비롯한 한국어의 모든 특징에 대한 체계적인 연구가 있어야 한다. 본 논문은 한국어의 제 특징 중에서 음운 변동 현상을 효율적으로 처리할 수 있는 규칙을 설계하고 구현함으로써, 한국어 음성 인식과 합성에 효율적으로 이용될 수 있음을 보인다. 음운 변동 규칙의 설계를 위하여 사용된 규정은 한글 맞춤법 통일안의 표준 발음법(7장 30항)이며, 일차적으로 각 규정별로 설계된 규칙을 최종적으로 27개 그룹으로 정리된 종성별 규칙을 제시하였다. 본 연구에서 제안된 음운 변동 처리 시스템은 한번의 규칙 적용으로 음운 변도 dgus상이 신속히 처리되는 잇점이 있으며, 단어 및 용언의 어간에 접속되는 정보에 대한 처리 내용까지도 제안된 규칙내에 수용하였기 때문에 문장 단위의 음성 인식과 합성 시스템의 연구에 도움을 줄 수 있다.

• International Journal of Contents
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• 제16권4호
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• pp.68-77
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• 2020

VR (Virtual Reality) contents make the audience perceive virtual space as real through the virtual Z axis which creates a space that could not be created in 2D due to the space between the eyes of the audience. This visual change has led to the need for technological changes to sound and sound sources inserted into VR contents. However, studies to increase immersion in VR contents are still more focused on scientific and visual fields. This is because composing and producing VR sounds require professional views in two areas: sound-based engineering and computer-based interactive sound engineering. Sound-based engineering is difficult to reflect changes in user interaction or time and space by directing the sound effects, script sound, and background music according to the storyboard organized by the director. However, it has the advantage of producing the sound effects, script sound, and background music in one track and not having to go through the coding phase. Computer-based interactive sound engineering, on the other hand, is produced in different files, including the sound effects, script sound, and background music. It can increase immersion by reflecting user interaction or time and space, but it can also suffer from noise cancelling and sound collisions. Therefore in this study, the following methods were devised and utilized to produce sound for VR contents called "A Midsummer Night" so as to take advantage of each sound-making technology. First, the storyboard is analyzed according to the user's interaction. It is to analyze sound effects, script sound, and background music which is required according to user interaction. Second, the sounds are classified and analyzed as 'simultaneous sound' and 'individual sound'. Thirdly, work on interaction coding for sound effects, script sound, and background music that were produced from the simultaneous sound and individual time sound categories is done. Then, the contents are completed by applying the sound to the video. By going through the process, sound quality inhibitors such as noise cancelling can be removed while allowing sound production that fits to user interaction and time and space.