• 한국주거학회논문집
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• 제19권6호
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• pp.95-104
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• 2008

This study was to develop the indicators for understanding social inclusion exclusion of the dwellers living in permanent rental apartment, and to present a important base about priority order of national housing policy for social inclusion. The ultimate purpose of this study was to provide basic information for the development of permanent rental apartment renewal techniques. The first phase of the study was to review of the social inclusion exclusion indicators mentioned in the literature. The indicators of EU (2001, 2006), KIHASA (2005), and Jehoel-Gijsbers & Brooman (2007), which were applied in many studies about social inclusion, or included various items about dwellers' subjective attitudes, were selected to construct the framework for the study. On the basis of 3 kinds of indicators at the above, the dimensions of social inclusion exclusion were categorized as material deprivation and access to social rights in an economicstructural exclusion view, and social participation and cultural normative accommodations in a socio-cultural exclusion view. And then, the domains of social inclusion exclusion were decided as follows: income, employment, education service, housing, health, family networks and social networks. The detail contents of indicators were adopted from the prior studies as many as possible, and the dwellers' subjective attitudes and housing domains were intensified with reference to UN housing rights and the study of "residents' satisfaction of housing facilities living in permanent rental housing". The developed indicators were modified through the advisory committee that consist of the specialists from the various fields of studies. The final indicators that were overlapped or not able to be measured were eliminated, and added, in a housing domain, the standards of convenient facilities, the management condition, safety, location, crime and etc. in the apartment complex, which were required to complement in the advisory committee.

• 한국의상디자인학회지
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• 제24권3호
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• pp.127-144
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• 2022

This paper aims to analyze the different external images of women expressed in ancient artwork through the socio-cultural background and the aesthetic view during the Tang and Song dynasties of China. The research method contains a literature review involving the collection of historical literature, thesis, and artwork data. The image of women according to the aesthetic view of the two periods is summarized as follows. In terms of face shape, the Tang pursued a round face while the Song pursued a more slender shape. As for hair ornamentation, the Tang wore various shapes of hair buns like "Paojiaji", and decorated them with coronets. The Song wore various types of braided hair called "Tongxinji", but the coronets were smaller and more sophisticated. For makeup, the Tang wore colorful and heavy makeup and the Song makeup was lighter and more elegant. In attire, the Tang followed revealed shape, used splendid colors and thin, transparent material. The Song exhibited a more simple design and was conservative and neat, using luxurious silk fabric with low chroma. In body shape, the Tang pursued the "beauty of obesity" with a voluptuous body shape; the Song pursued the "beauty of gaunt" with a slim body shape. As the result of the analysis according to the aesthetic views of the Tang and Song dynasties, women of Tang were depicted as rich, and women of Song were rather neat. The research on the aesthetic views that changed according to the development of social civilization and the status of women will play an active role in the transmission and development of traditional Chinese culture. At this point, the paper may contribute to the creation of images of women as well as changes in the art of future generations.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.106-116
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• 2017

In the 1900s, the cultural crossing of East and West was realized through the acceptance and reproduction of culture. Cultural change in the Orient was the result of attempts to harmonize the West's images, which they chose in their respective countries, with their own culture. However, research on design history until now has been centered on the West, and East was regarded as a beneficiary of civilization inherited from Western's. From the point of view of Western design history as a main trend, the unique characteristics of Korean design culture are not revealed. Therefore, through this studies, we want to distinguish Korea's modern design, which has been recognized as a minority. For the study, through the wallpaper, which is one of the detailed components of the interior space in modern times, we try to analyze the socio - cultural historical factors and design characteristics influencing the formation of the interior space in modern times. Summarizing a result of research. The early modern wallpaper of England mainly uses plants as motifs. But In Korea, animal patterns and letter patterns were used. The reason why European wallpaper was mainly a plant at the time was that the structure of the motif was useful for the process of creation. However, in the case of the Korean wallpaper pattern, the theme was selected according to the meaning of the motif, and it was abstracted appropriately for the 2D design. As a result, many geometric shapes were formed. In addition, European wallpaper pattern is more complex and organic than Korean wallpaper pattern. Therefore, the boundary of the central pattern as the basic unit is unclear and the patterns are connected. The pattern development method is not a simple repetition but a combination of symmetry and repetition. In Korea, on the other hand, the boundaries of unit patterns are clear and patterns are developed by simple repetition. There are many diamond-type repeating patterns in particular.

• 한국사회복지학
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• 제61권1호
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• pp.109-134
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• 2009

사회경제적 조건의 변화에 따라 늘어나는 가족 해체의 대안으로 조손가족에 대한 사회적 관심이 증가하고 있는 현재 다시 짚어보아야 할 것은 조손가족이 갖는 사회문화적 가치이다. 조손가족에 대한 접근은 정책결정자나 전문가의 관점에서만 이루어져 왔으므로 조손가족구성원들의 당사자 시각은 결여되어 있다. 본 연구는 이러한 반성에 기초하여, 조손가족 조모들의 양육 경험의 의미를 문화기술지 연구방법을 통해 알아보았다. 10명의 조손가족 조모들을 정보제공자로 하여 수집한 자료 분석 결과 조모들의 경험은 '다중의 경계 밖에 가족 만들기'라는 문화적 주제로 수렴되었다. 이러한 연구결과를 바탕으로 조손가족이 하나의 가족 체계로서 갖는 가치를 수용하고 이 체계의 고유성을 강화하고 보존하며, 조모들이 이미 가지고 있는 양육 기능을 더욱 계발하고, 조모와 손자녀 중간세대와의 연결을 꾀하는 실천적, 정책적 접근을 제안하였다.

• 한국도서관정보학회지
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• 제4권
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• pp.91-111
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• 1977

The view point of the library is treated as a first subject. This study is scheduled to construct, as a experimental study, the system of the Library Science. The study of this fields is called upon greatly because the trial to understand library as a socio-cultural phenomenon did not study as many times. As a result of the study, library is defined as ${\ulcorner}Structural Formation of Inquirying Behavior{\lrcorner}$. Not only technique and actual proof are possible in this study but also this definition is technical definition to indicate the main phenomenon of Librarial Behavior. This schedule represent the trial to define Library Behavior which could anticipate and fabricate when we analyze this definition First, we can find out, first of all, the researching behavior among the human behaviors and then human behavior has the condition of practice. At last, researching behavior can not have any result when it is a natural situation, it has only the meaning when it is guided by an obvious intention. The object of the library is just this human behavior. Second, Formation permits the guidance and self-control at the same-times. The answer about what we find out and practice make it possible the act of guidance. This guidance can't burden any subject but permit the people to result his own researching behaviors. He can save his activities, his own researching behaviors by the result of it. Third, The statematical means efficient performances, and them efficient performances is impossible, here is 'discoveries' of behavior itself. The system of the library is the formation of the relation between the accumulated civilizations and accumulated civilizations. As the definitions of the above mentions, library has the big abilities to the creation and succession of the civilization. As the contemporary view-points, there are some questions about the above described definition can meet it of the library. When we frame the science of library as the learning systems, we can't but the library as this definitions.

• 헤리티지:역사와 과학
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• 제42권1호
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• pp.100-121
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• 2009

본 연구는 1920년대 외암리 민속마을을 사례로 정원의 전환기적 양상에 대해 정원요소를 중심으로 다루었다. 이 시기에는 사회 경제 문화적 변화에 따른 종래의 전통적 정원양식과 다른 양식의 정원구성요소가 나타날 것이라는 가설하에 정원구성요소로 수경, 식물, 구조물, 포장 등의 변화를 중심으로 고찰하였다. 연구결과는 다음과 같이 요약될 수 있다. 전환기적 시기인 1920년대는 외부적으로는 외세의 영향과 안으로 실학사상, 개화사상과 더불어 신분제도상의 붕괴조짐이 정원설계요소 변화의 요인으로 작용하였다. 외세의 영향으로 외래양식의 도입과 외래수종의 사용이 증가하였으며, 내부적 신분제도상의 변화는 정원양식의 탈규범화를 촉진하여 상위지향적 형태 및 재료의 사용과 공간기능의 변용을 초래하였다. 전환기적 정원의 특성이 나타나는 정원 조영자는 신분제도상의 붕괴에 불구하고 경제력을 바탕으로 새로운 사회변화에 지배계급으로 위치를 공고히 한 상류계층에 국한되어 있으며, 식민치하의 사회 혼란상으로부터의 도피적 행태나 선진문물을 선구적으로 받아들이는 행위를 통하여 정원의 변화에 직 간접적으로 영향을 미치게 된다. 이의 결과로, 자연에 심산 유곡에 위치한 정원의 입지와 지형처리기술을 발달시켰으며, 외래의 양식을 차용하고 사랑마당 정원을 변모시키는 정원조성행태를 보이게 된다. 정원의 배치 및 공간구성에서 전환기적 양상이 두드러진 유형은 건물과 마당(내원)으로 공간구획의 유형이 가장 높은 빈도를 보이고 있는데, 이는 전환기적 정원설계요소의 출현이 빈번한 유형으로 수경관의 형태와 정원공간의 변화는 사랑 마당을 중심으로 변화하고 있으며, 외래적인 요소의 영향이 지대한 수경관과 수목, 점경물 등의 도입이 주요한 공간변화를 일으킨 요인으로 볼 수 있다. 전환기적 정원요소로 수경관에서는 계류를 중심으로 한 부정형지의 회유식 연못이 주를 이루며, 식물은 전통수종이 주를 이루는 가운데 외래수종과 토피아리형 수목인 상록침엽수, 관목류의 출현이 두드러지며 건조물은 외래형식이 가미되고 점경물은 형태와 배치기법 등에 변화가 나타나며 원로가 자주 사용되기도 한다. 전환기적 정원조성기법의 특징은 적극적인 지형처리기법과 정원소유를 위한 영역성의 증대, 정원재료 및 형태의 변화와 양식의 혼재, 정원의 장식미 추구, 정원 내 의식공간의 퇴조, 동선처리 기법의 변화, 차경에서 선경으로의 취경기법의 변화, 사랑마당 공간 변화, 정적인 정원감상기법에서 동적으로의 변화 및 은유에서 직유로 정원표현기법이 달라지고 있다. 또한 정원을 중심으로 한 내부지향적 시각구조로의 변화를 들 수 있다. 본 연구는 한국전통정원의 정체성을 찾고자 하는 일환으로 전통과 현대의 교량 역할을 하는 근대시기에 대해 접근해 본 것으로 시기적 양상은 전통정원에서 근대정원으로 전이되는 전환기적 양상을 중심으로 고찰한 것이다. 향후, 한국조경사의 한 부분으로 근대조경의 시기가 인식되기 위해서는 보다 많은 사례의 다각적인 접근을 통한 연구가 지속되어야 할 것이며, 이는 추후 과제로 삼는다.

• 복식
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• 제50권
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• pp.51-68
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• 2000

This study is intended to examine the common features of costume images in science-fiction (SF) movies that deal with current socio-cultural situations by examining their themes and tones about the future it can be generally concluded that costume images of SF movies are divided into two patterns : one inheriting traditional styles constructed on linear progress and the other based on dismantiling the tradition. this analysis is made through the research of actual cinematic contexts on the common features of multiple styles shaping the two patterns of costume images. The results can be summarized as the following: The former is related with the future built up on the basis of belief in reasonal progress rooted in the Enlightenment reasonable plan for ideal social order and strong faith in uniformity. So It shows functional uniformity disregarding wasteful competitiveness in consumption and luxuriousness and clothing that has the aesthetic value of purity without emphasizing human body or sensuality are presented. On the other hand SF movies which show the uncertain costume image as the meaning of dismantling of tradition take up a rather critical view of assumption that society can move toward utopian future as it searches future images in the notion of hetero-topia by emphasizing pluralism consequently as for clothing diversity and uncertainty in post-modern style are presented destroying modernistic dichotomy and the assumption of Utopian clothing made in the notion of modern progressivism.

• 가정과삶의질연구
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• 제19권5호
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• pp.51-66
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• 2001

This study attempted to examine the changing patterns of marital love constructs among married men and women in Korea. It is based on our prior research that showed each of the 3 dimensions of marital love(intimacy, passion, and commitment derived from Stermberg’s Triangular Theory of Love) shaped U pattern as the marriage continued. We analyzed 1687 respondents’answers by principal axis factoring with contextual point of view including individual, familial, and socio-cultural development. The results are as follows. First, the love constructs of Korean men and women in their marriage show different qualitative patterns as the marriage continued. Second, intimacy is the most powerful indicator of love, coming out the first factor in all the stages of marital relationships. Third we can see marital stability from the locus of commitment with other components of love and it could be apply to marital educational program for promoting marital stability. Forth, passion is found separated behavioral from perceived dimension except the first marital stage. As conclusion, it need to analyze with family life cycle. birth and marriage cohort groups for examining closely the causes of this qualitative changes in marital relationships.

• International Journal of Costume and Fashion
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• 제14권1호
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• pp.29-45
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• 2014

In the contemporary world, fashionable bodies are socially constructed in light of current idealized images. Media portrayal of such images can have negative health implications. This issue has long been problematic for women. Nowadays, men are subject to more scrutiny regarding their bodies, although male body image has been studied far less than female body image. In this position paper based on a review of the major studies that have been conducted on men and body image, we summarize the findings from these state-of-the-art studies that have been recently published in academic journals. Three themes related to male body image were extracted: socio-cultural ideals, masculinity, and minority men. This study adds to the literature I that it demonstrates that men experience and view their bodies differently from women, though some behaviors, such as disordered eating, are similar. Other behaviors, such as the drive for muscularity, are couched in the context of the social construction of gender and power. Most of the studies were done on white, heterosexual populations of young men, and nearly all used quantitative research methods. Little research has been conducted on ethnic and sexual minorities. We conclude with a discussion of what we need to know, and to that end, we suggest future avenues of research.

• 한국의류산업학회지
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• 제1권1호
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• pp.74-81
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• 1999

The purpose of this study is to review the relationship between modern homosexuals' costume tendency in socio-cultural terms and the garment tendency reflected as high fashion and thereby, determine the homosexualism being established as a recent fashion trend. The homosexualism shown in the fashion were categorized into three aspects; a resistant tendency departing from the conventional controlling culture, a fetishism or perversion tendency satisfying in sexual inclination by emphasizing certain physical parts or using certain items, and play to express a sexual identity departing from the fixed social view. The homosexualism being suggested as new fashion trend in this society dominated by the post-modernism art must mean an integrated sense of sex just beyond a simple perversion to express the self-identity in a natural way. It is conceived that the homosexualism would be expanded towards a new horizon of costumes as long as the division of sexes becomes more obscure and the decentralized bipolarization for mutual co-existence between two sexes continues to be main stream of fashion.