• 생명과학회지
• /
• 제24권8호
• /
• pp.903-909
• /
• 2014

본 연구에서는 제주도 한라산에 광범위하게 자생하는 제주조릿대의 항암 제제로써의 이용 가능성을 평가하기 위하여 6개 암세포(A549, MCF-7, HepG-2, Hela, HCT116, A375)를 대상으로 세포주기 교란 작용 및 자연사멸 효과를 탐색하였다. MTT 분석 결과 제주조릿대가 다양한 암세포의 증식을 효과적으로 저해하였으며, sub-G1기의 증가와 DNA 분절로 인한 자연사멸 증가에 산화질소가 연관성이 있었다. 이와 별개로 제주조릿대는 세포주기의 장애를 야기하여 암세포의 생장을 억제하는 것으로 나타나 상기의 결과들로 예측하여 볼 때 제주조릿대를 항암 활성을 지닌 소재로 활용 가능할 것이며, 향후 정확한 자연사멸기전 규명을 위한 연구가 진행되어야 할 것이다.

• 조형예술학연구
• /
• 제2권
• /
• pp.193-221
• /
• 2000

The postmodern culture since the later 20C breaks downa tradition a relation between the reality and languages or sign images expressing it. It develops in the way to review the meaning on the object's imitation or the representation to have been followed since Plato and represent the new state and concept of expressed things. Also, The visual art leads an change of paradigm by images giving up the visual resemblance or the function of representation and endowing them with the new sense. This essay has a purpose to study an important discussion about this change centered on Baudrillard and Lacan. A sociologist Baudrillard promotes the concept of 'simulation' through detecting the reality and the social and historical state of the image. Studying on the course of this change, he calls the step that the image escapes from the stage to reflect the reality and become the pure imitation by itself simulation. The image in the stage of simulation is called 'hyperreality' because it doesn't have any an indicator or a substitute and happens by models without the original or the reality. So he asserts that art is not to contain some absoluteness or transcendency as the past, but to be as the spectacle with characteristics of meaningless, emptiness, contingency. Lacan dismantles the concept of the absolute Cogito to have become the center of the western ideology, and creates the concept of 'Other'. He concludes also the reality exists but can't be captured, and it's impossible for the thinking subject can reach it. The concept of new image which can be thought as the Symbolic in Lacan is 'Signifier without Signified' since it isn't possible to be the transcendent Signifier fixing the meaning finally in it. His 'Gaze' theory is which to be emitted in other's area determines the subject. Equally Baudrillard and Lacan sets up the new state of the image through the end of representation system As for Baudrillard, art intends to the worthlessness and is nothing but imagination. But in Lacan a picture represents the subject being in process by the dialectic of desire.

• 한국해양공학회:학술대회논문집
• /
• 한국해양공학회 2001년도 춘계학술대회 논문집
• /
• pp.180-185
• /
• 2001

In order to regulate the physical characteristics of an ocean dumping material in the south-eastern East Sea, the diffusion characteristics with the observation, hydraulic experiment and numerical experiment data are investigated. The main results are as follows; (1) Spying CTD observation result of the area of Jung in the East Sea, the ocean dumping area had influenced the Tsushima warm current of high temperature and salinity. Horizontal turbulent diffusivity is 1.913${\times}$10$^{7}$ $\textrm{cm}^2$/sec by drogue tracking. (2) From the experiment of settling, the initial settling velocity of each material is 1.0∼2.7 cm/sec according to the specific gravity and initial concentration. In the pycnocline, particles didn't settle under the pycnocline any more and accumulated. It is signified that calculation of the sedimentation rate of the ocean dumping material including of vertical diffustion must be regard the pycnocline in the ocean area have well-developed pycnocline. (3) Vertical turbulent diffusivity were 2.219${\times}$10$^{-8}$∼8,874${\times}$10$^{-4}$ $\textrm{cm}^2$/sec from the experiment of settling. And, the pycnocline influenced the vertical turbulent diffusivity. (4) From the result of diffusion simulation in the East Sea, the co-concentration line of 0.05 ppm and 0.1 ppm are limited at dumping area after 200 days. The constant concentration line of 0.01 ppm is distributed to the vicinity of Ulleungdo and Tokdo, but isn't distributed to the coastal area of East Sea and southern area of Jung in the East Sea.

• 패션비즈니스
• /
• 제24권3호
• /
• pp.121-137
• /
• 2020

This thesis makes it an aim to develop designs of Shinhanbok coats interpreting and applying the formative structure of the lattice window pattern in Huijeongdang of the Changdeokgung palace, one of the best architecture in Chosun dynasty. Literature review about the history and characteristics of the window of Huijeongdang of the Changdeokgung palace was performed on the basis of the internet resources and papers, and the examples of the fashion design applying the lattice window patterns were analyzed. Then, three style Shinhanbok coats were designed and presented with making use of 6 kind of lattice window patterns as its motif. The coats were designed in flexible size, attempting to clad any kind of body size and shapes. Design 1 drawn from Wanjasal, Tisal, Design 2 drawn from Ajasal, Yongjasal, Tisal, design 3 drawn from Bitsal, Jungjasal. In conclusion, lattice window patterns of the traditional beauty highlighted in view of modern times might be suggested as the motif for expressing the proportion with balance and rhythm with stability. The division of the space with the line was tried with the technique of the bias cutting, stitching and taping with the design of simplicity signified in the aesthetics of the vacant space in addition to its ornamental effects. Thus, this study would like to contribute to the popularity of the Shinhanbok outlined in modern application and unique taste through the study and applications of the traditional lattice window pattern of Korea.

• 전기학회논문지
• /
• 제65권2호
• /
• pp.360-364
• /
• 2016

The rare earth output is concentrated in limited number of countries including China. Also the necessity for development of non-rare earth motor is getting signified due to the rapid increase of rare earth price and resource weaponizing policies. Non-rare earth motor is generally designed as spoke type PMSM (Permanent Magnet Synchronous Motor) in order to maximize the power density. Such spoke type PMSM has advantage in concentrating the flux but demonstrates lower efficiency compared to permanent magnet using Nd (Neodymium) permanent magnet. Therefore, applications with strong necessity for efficiency need rotor structure having improved efficiency compared to spoke type PMSM. Hence, this study suggested fan-shape type PMSM with somewhat lower power density but maximized efficiency. Fan-shape type PMSM is a rotor shape demonstrating outstanding reduction of iron loss compared to existing spoke type. Thus, this study analyzed the improvement of efficiency and reduction of loss arising from the suggested shape through parameter calculation.

• 한국콘텐츠학회논문지
• /
• 제3권2호
• /
• pp.1-10
• /
• 2003

시각예술 분야의 폭발적인 확산과 국제 영화제와 국제미술제가 실생활에까지 관계를 맺는 것은 교육의 대중화로인한 일반인들의 문화욕구와 상류문화와 하류문화의 경계를 넘는 현대예술표현의 특성 때문이다. 모든 시각예술은 맥락 속에 존재한다. 사진이라는 기호 또한 고유하고 단일한 의미체계는 없으며 다른 모든 것과 마찬가지로 사회, 문화적인 맥락에 의거한다. 현대미술에 관한 이론적 해체와 실험적 표현은 난무하지만 이에 관한 해부는 그동안 미학과 미술사적 해석에 의존해 왔다. 그러나 최근의 포스트 모던한 회화작품이나 사진작품을 이해하는 데에는 기호학적 해석이 이용되면서 이해의 영역을 넓히고 있다. 지금까지는 전시장에 보러가고 공연장에 들으러 간다고 이야기했지만 이것은 단지 시각적이고 청각적인 것으로 보기만 하고 듣기만 한다는 것으로 이해 될 수 있다. 이 글은 현대미술과 사진작품을 통하여 작품을 보기만 하는 것보다는 기호학적으로 읽어서 보다 총체적으로 접근 할 수 있다는 것이다.

• 한국의상디자인학회지
• /
• 제21권2호
• /
• pp.123-138
• /
• 2019

The hat on the back of the upper jacket in Scythian, in of northern region surrounding the Black Sea, is described as a typical woolen hood, but until now has been overlooked in Korean costume studies. The purpose of this study is to analyze the hat on the upper jacket in Scythians and to recognize the meaning of the hat. A further purpose is to complete the basic framework of research concerning the Scythian costume by adding the part that was overlooked previously As for the research method, we collected literature, previous research results, the exhibition catalog, and the related artifacts for analysis. The literature was collected at the German Archaeological Research Institute. The analysis of artifacts was based on data collected by the researchers at the Heremitage Museum in Russia and data was taken by the staff of the Heremitage Museum. The conclusions of this study are as follows: Among the artifacts in the northern region of the Black Sea, it was perviously believed that Scythians status was signified by the wearing of hat-tops. Regardless of age, warriors and knights all wore upper jackets with hats, so it appears that the people who are active wore upper jackets with hats. On the other hand, it was assumed that the royal family, who wore ornamented, colorful, and decorative hats were not observed to have worn upper jackets with hats, and therefore did not require a hat. Therefore, it is considered that the hat in the Scythian society was a costume element emphasizing practicality, not necessarily a class symbol.

• 한국지하수토양환경학회지:지하수토양환경
• /
• 제27권spc호
• /
• pp.75-91
• /
• 2022

Differences in subsurface migration of LNAPL/DNAPL contaminants caused by a selection of 3-phase (aqueous, NAPL, and gas) relative permeability function (RPF) models in numerical modeling were investigated. Several types of RPF models developed from both experimental and theoretical backgrounds were introduced prior to conducting numerical modeling. Among the RPF models, two representative models (Stone I and Parker model) were employed to simulate subsurface LNAPLs/DNAPLs migration through numerical calculation. For each model, the spatiotemporal distribution of individual phases and the mole fractions of 6 NAPL components (4 LNAPL and 2 DNAPL components) were calculated through a multi-phase and multi-component numerical simulator. The simulation results indicated that both spilled LNAPLs and DNAPLs in the unsaturated zone migrated faster and reached the groundwater table sooner for Stone I model than Parker model while LNAPLs migrated faster on the groundwater table under Parker model. This results signified the crucial effect of 3-phase relative permeability on the prediction of NAPL contamination and suggested that RPF models should be carefully selected based on adequate verification processes for proper implementation of numerical models.

• 영어영문학
• /
• 제53권2호
• /
• pp.307-333
• /
• 2007

When W. E. B. Du Bois says that "the problem of the twentieth century is the problem of the color line," such a statement clearly recognizes the significance of the issue of racial identity, a cultural phenomenon called 'passing.' Both Johnson in The Autobiography of an Ex-Colored Man and Larsen in Passing confront this issue. Both novels, using the metaphor of passing, not only trace the racial anxiety and race politics of the time but also expose the unstable landscape of the established social and cultural boundaries of racial identity. Mapping out multiple meanings and various dimensions of passing, this paper argues how Johnson's and Larsen's narratives display the ambivalence of color line while they at the same time complicate, problematize, and destabilize the mainstream racial boundaries and differences. It furthers to delineate how the two writers, with difference, deal with the problem of passing, the significance of racial identity, and black middle class values along with its intraracial differences. Rather than draw a clear definition of and a definitive closure on passing narrative, this paper focuses on its complexities and undecidability, challenging every dimension of its established significations. It also explores the complex dynamic between passing act and individual identity, for passing here is not just a racially signified term but extends its significance to the other factors of identity, such as class and even sexuality. Johnson and Larsen open up a site for a newly emergent, modern racial identity for black middle class in the twentieth century American urban spaces. Both writers, illuminating the subversive and slippery nature of language in their passing narrative, clearly herald new, different forms of Afro-American writings and themes for the different century they face.

• 고문화
• /
• 69호
• /
• pp.41-62
• /
• 2007

본고는 박물관 소장 조선후기 박쥐상징 회화와 공예품의 특징적 경향에 따른 잠재적 활용 및 재인식을 배경으로, 박쥐상징 공예품의 원천적 의미를 조선시대의 박쥐관념과, 이와 연관된 박쥐상징 회화의 의미체계에 두고, 그 외연과 내포적 함의관계를 조형.숫자.색채상징의 특성으로 분석하는데 목적이 있다. 박쥐상징 공예품은 소장연원이 분명한 박물관 소장품을 분류, 주생활 공예품으로 한정하였고 궁수용.민수용으로 구분하여 분석해 보았다. 조선시대의 박쥐관념은 박쥐의 형태적.생태적.어원적 속성을 기반으로 긍정적.중간적.부정적 측면이 공존하였다. 또한 박쥐상징 회화는 그 예가 드물었으나, 대개 박쥐의 형태적.생태적 속성에 대한 긍정적 관념을 바탕으로 한 도교의 의미체계와 결부, 신선.장생.천신의 수호자.장수의 축원을 의미하였다. 한편 궁수용 주생활 공예품의 박쥐상징은 회화의 의미체계와 연관된 장수의 상징물로, 왕실의 만대장수 및 번영을 축원하였다. 이러한 상징의미는 청나라 황실의 길상풍속인 오복관념의 동음이자에 의거, 숫자상징 '5'.'4' 와 '수자변형문' 의 결합을 기본으로 한 '박쥐[蝙蝠]$\rArr(蝙)蝠$\rArr$福$\rArr$五福' 와, 숫자상징 '1'을 특성으로 蝠倒$\rArr$福到$\rArr$福運의 도래' 를 함의하였으나, 보다 장수 상징에 치중하는 경향을 나타냈다. 이에 비해서 민수용 주생활 공예품은 대부분 여성용 가구류의 금구장식과 지공예품에 등장하였다. 금구장식의 박쥐상징은 백색-은색의 색채상징과 숫자상징 '1' 의 '비행형' 을 특성으로 길상적 오복관념과 벽사적 '지킴이'를 의미하였다. 또한 지공예품의 박쥐상징은 박쥐 1쌍의 숫자상징 '2'와 삼태극의 결합형식을 기본으로, 오색의 색채상징 특성을 통해서 '쌍복' 과 여성들의 현세적 염원인 화목, 다남자의 기본적 측면을 투영하였다. 이러한 민수용 주생활용품의 박쥐상징은 도교적 의미체계나 길상적 동음이자보다는 외연의 시각적 이미지에 즉각적으로 반응하는 '박쥐$\iff$복.지킴이' 로 볼 수 있었다.