• Title/Summary/Keyword: sign(symbol)

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Dominant Color Transform and Circular Pattern Vector: Applications to Traffic Sign Detection and Symbol Recognition

  • An, Jung-Hak;Park, Tae-Young
    • Journal of Electrical Engineering and information Science
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    • v.3 no.1
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    • pp.73-79
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    • 1998
  • In this paper, a new traffic sign detection algorithm.. and a symbol recognition algorithm are proposed. For traffic sign detection, a dominant color transform is introduced, which serves as a tool of highlighting a dominant primary color, while discarding the other two primary colors. For symbol recognition, the curvilinear shape distribution on a circle centered on the centroid of symbol, called a circular pattern vector, is used as a spatial feature of symbol. The circular pattern vector is invariant to scaling, translation, and rotation. As simulation results, the effectiveness of traffic sign detection and recognition algorithms are confirmed, and it is shown that group of circular patter vectors based on concentric circles is more effective than circular pattern vector of a single circle for a given equivalent number of elements of vectors.

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A Study on Women's Costume Representations in $Chos\v{o}n$ Dynasty by the Approach of Semiotics (기호학적 접근을 통한 조선시대 여자 복식표현연구)

  • Kim Hyun-Jin;Chae Keum-Seok
    • Journal of the Korean Society of Clothing and Textiles
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    • v.29 no.1 s.139
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    • pp.13-22
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    • 2005
  • The purpose of this study is to understand the feature and phenomena of women's costume in Choson dynasty by the approach of semiotics. In order to do so, F Saussure's linguistic symbol theory, C. Peirce's conception on semiology theory and cultural semiology of R. Barthes ware used as tool to analyse traditional women's costumes in $Chos\v{o}n$ dynasty. And I choose basic conceptions based on their semiotic theory. which were langue & parole. dennotation & connotation, paradigm & syntagm, code, and analysed. structure of sign, communication though the non-language. The fashion of the $Chos\v{o}n$ dynasty contains various meaning as sign symbol system and makes the communication possible as it is mentioned above. We nay understand the sign symbol system described in the fashion sign by analysing the structure and meaning operation of sign on the basis of social, political, and idealistic background of the times, to understand the polysemy quality of the fashion.

Sign and Symbol Types Shown at the Main Gate of University in Korea (대학 정문에 나타난 기호와 상징의 유형)

  • Kim Dae-Hyun
    • Journal of the Korean Institute of Landscape Architecture
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    • v.33 no.2 s.109
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    • pp.92-99
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    • 2005
  • The main gate of a university is a element of landscape which improves the quality of campus as well as demarcates the boundary and publicizes the image of university. Therefore, each university strives to differentiate its main gate from that of other universities with a unique form. This research investigates the signs and symbols shown at the university's main gate of 18 universities in Korea, and also presents useful design tips with the objective of bearing the spirit of the campus and its founding ideology. The results of this research as follows: Icons of Sign for 18 universities can be classified into five separate categories: things, human, animal, character, and metaphor. Examples of the 'things' icons include a pen nib, the sun, the cross, a big bell, and so on. Also, the meaning of the represented symbols can be grouped in three separate categories: university's development, contribution to society, and mining of knowledge. From the three category, university development symbol is the most likely to be used.

Evaluation of the Alternative Safety Signs for the Hazard of Nano Materials (나노 물질 안전보건 표지 대안들에 대한 평가)

  • Park, Jae-Hee;Yoo, Hyun-Seung;Smith-Jackson, Tonya
    • Journal of the Korean Society of Safety
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    • v.25 no.1
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    • pp.79-86
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    • 2010
  • Although nano materials are used a lot in industries, there has not been any standard nano hazard graphic symbol. An experiment was conducted to know the comprehension ratio of newly designed eight nano graphic symbols. To compare the symbols with existing safety graphic symbols, other sixteen symbols were also included. 54 subjects evaluated the difficulties of graphic symbols on seven point Likert scale and answered the meaning for each symbol. The all eight nano safety symbols marked under 30% comprehension ratio. However, one of them didn't show any statistically significant difference with other existing safety symbols as like bio hazard, radiation, and laser. Therefore the nano symbol tested in the best could be adopted as the nano safety graphic symbol if it is sufficiently exposed in training period and used with warning label. The workers in industries using nano materials can be alerted and protect themselves where the sign is attached.

Research Methodology on the Symbolism of Ritual Dress and Its Applications (의례복식의 상징작용에 관한 연구방법론과 그 적용)

  • 이은주
    • Journal of the Korean Society of Clothing and Textiles
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    • v.19 no.2
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    • pp.203-215
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    • 1995
  • The funning process in the symbolism of dress can be approached by the semiotics of C. S. Pierce. According to Pearce\ulcorners theory, symbiosis consists of sign, its object, and interpret ant. Especially Pierce classifies the sign into three categories; icon, index, and symbol. The icon is based on the similarity in properties and forms, and the index is based on the actual connection with their objects, while the symbol is based on the association of interpret ant. This classification method can be considered as a theoretical base for symbol of ritual dress. On the other hand, it was discussed the analyzing method of the concept of dress same (symbolic element) by introducing the isolate concept of structuralism for explaining how the symbol reveals itself. So it is discussed the several concepts of structuralism; the concept of relation syntagmatique and relation paradigmatique, the relation binaries, and the units. It would be also necessary to consider dimension of context in addition to dimension of dress itself for the dimension of total symbolic elements of ritual dress. It is proposed that the above developed dress symbol elements should be used for under\ulcornerstanding the society or culture that includes the elements by introducing the symbolic anthropology such as V. Turner's three dimensions of symbol.

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Synchronization for VDSL system using DMT (DMT 방식을 이용한 VDSL시스템의 동기)

  • 최병익;우정수;임기홍
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.27 no.10C
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    • pp.951-962
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    • 2002
  • A DMT transceiver recovers the sampling time from reserved sub-carriers, the pilots. Since the pilots are available after the FFT, the symbol synchronization must be done before sample synchronization. In DMT VDSL system, symbol synchronization is handled separately from sample synchronization, although the two processes are intimately related. The DMT symbol itself contains sufficient information, the cyclic extension, for symbol synchronization. Using only the sign bit of received signal, the Maximum Likelihood Estimation solution is derived. The Tx windowing in the transmitter of DMT VDSL system results in the blurring of MLE peaks. We propose the weighted summing MLE method using the sign bit which produces the clearly sharp top of MLE peaks. The stability of symbol synchronization is improved significantly by averaging over a few symbols. This paper presents the study of the original MLE and the weighted summing MLE using sign bit. A clock difference between transmitter and receiver destroys the oahogonality of the carriers. Therefore, a receiver using asynchronous sampling must perform timing correction in the discrete-time domain. We introduce an efficient digital sample synchronization method which is based on temporal and frequency domain digital signal processing.

The Study of Kitsch Aesthetic Symbol Represented in Modern Hair Style (현대 헤어스타일에 나타난 키치미의 상징성 연구)

  • Park, Kil-Soon;Lee, Su-In
    • Korean Journal of Human Ecology
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    • v.9 no.3
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    • pp.371-382
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    • 2000
  • Fashion, a means of communication, is the symbol conveying the social information and the individual identity. The opulence of material and the development of civilization make the sign of fashion variable and individual; especially, The importance of hair style among the today's sign of fashion, as a determinant element in judging each person's look is emphasized. Kitsch, based on the variety and the individuality is the manner of art in diverse hobbies. In addition, it enlarges the sphere of modern an, creates new open aesthetic world. Therefore, we need to understand the symbol of Kitsch aestetic represented in hair style, which is meaningful. The method of this study is quality analysis by means of semiology, aesthetics, Fashion artical, magazine, atc. To support this statement, we will study the form, a primary symbol, and the ideology, a secondly one in $\ulcorner$Mythologies$\lrcorner$ of Roland Bartes(1972). Then by means of the form and the ideology, we will try to recognize the myth, an essential symbol. The result of this study is following like these three points. First, the Kitsch patterns of representation in hair style use the accumulation by an excessive ornamentation; the inappropriateness by the lack of form, the disagreement, the unbalance, and the nonfunctional form; and finally, the amusement by the reconstruction, the exotic, and the satire. The above three is true to the Barthes's primary symbol-the form. Second, the anti-traditionality(including the lack of form, the disagreement, and the unbalance), the homesickness(including the reconstruction and the exotic), and the eclecticism(including the parody and the mixed imitation) are created as the ideology of the liberal artistic notion, different from the past outlooks on aesthetic. This is true to the Barthes's secondly symbol-the ideology. Third, the form and the ideology enable us to express our own thoughts and to recover the humanity, which is the primary purpose of Kitsch aesthetic. The Kitsch hair style, as we witness, does lead the varied and liberal aesthetic world, create its accessible value, and place the art of hair style in a higher status.

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A study on the Semiotic about 3D animation (3D애니메이션 <슈렉2>에 관한 기호학적 연구)

  • Jung, Joo-Youne
    • Archives of design research
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    • v.17 no.4
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    • pp.327-336
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    • 2004
  • The cultural production of meanings is becoming more and laden with the intricacies of signs and symbols in our times. The idea of 'character' is important as an intermediation for information and an essential characteristic of "the object" experienced through the sence of sight. Character is symbolicin its form but also in its iconic markings. Motion Picture Animation makes Character not just an expression of an image but visual communication that expands the action of meaning piled up, sign upon sign. The analysis of 'character' suggests that motion picture animated characters could play an important role as a cultural mode leading to new styles not merely as an aesthetic mechanism. The study there with analyzed animated character systematically to discem where the sign phenomena shows up in social conventions under the semiotic rigor of Peirce's concepts of icon, index, and symbol.

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Discrepancy between Reading and Writing Equality Number Sentences in Korean Language (등호 해석의 두 시간적 차원인 읽기.쓰기의 불일치와 그 해소)

  • Yim, Jaehoon
    • Journal of Elementary Mathematics Education in Korea
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    • v.17 no.2
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    • pp.207-223
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    • 2013
  • Teachers unfold a series of timeless mathematical symbols such as 5+2=7 in time by verbalizing the symbols in classrooms. A number sentence 5+2=7 is read in Korean as '5 더하기 2는(five plus two) 7과(seven) 같다(equals). Unlike in English, 5+2 and 7 are read first before the equal sign in Korean. This sequence of reading in Korean conflicts with the conventional linguistic sequence of writing from left to right. Ways of resolving the discrepancy between reading and writing sequences can make a difference students' understanding of the equal sign. Students would be in danger of perceiving the equal sign as an operational symbol, if a teacher resolves the discrepancy by subordinating reading sequence to linguistic convention of writing. This way of resolving results in the undesired phenomenon of changing the reading expressions in Korean elementary math textbook which represent relational notion of the equal sign into other reading expressions that represent operational notion of it. For understanding of relational notion of the equal sign, the discrepancy should be resolved by changing writing sequence in accordance with reading sequence. In addition, teaching of verbalizing the equal sign should be integrated with teaching of verbalizing inequality signs.

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