• 한국해양바이오학회지
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• 제7권2호
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• pp.58-70
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• 2015

Injectable RGD-bioconjugated Mussel Adhesive Proteins (RGD-MAPs) composite hydroxypropyl methylcellulose (HPMC) hydrogels provide local periodontal tissue for bone filling in periodontal surgery. Previously we developed a novel type of injectable self-supported hydrogel (2 mg/ml of RGD-MAPs/HPMC) based porcine nano hydroxyapatite (MPH) for dental graft, which could good handling property, biodegradation or biocompatibility with the hydrogel disassembly and provided efficient cell adhesion activity and no inflammatory responses. Herein, the aim of this work was to evaluate bone formation following implantation of MPH and collagen membrane in rabbit calvarial defects. Eight male New Zealand rabbits were used and four circular calvarial defects were created on each animal. Defects were filled with different graft materials: 1) collagen membrane, 2) collagen membrane with MPH, 3) collagen membrane with bovine bone hydroxyapatite (BBH), and 4) control. The animals were sacrificed after 2 and 8 weeks of healing periods for histologic analysis. Both sites receiving MPH and BBH showed statistically increased augmented volume and new bone formation (p < 0.05). However, there was no statistical difference in new bone formation between the MPH, BBH and collagen membrane group at all healing periods. Within the limits of this study, collagen membrane with MPH was an effective material for bone formation and space maintaining in rabbit calvarial defects.

• 대한안전경영과학회지
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• 제22권3호
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• pp.1-8
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• 2020

The desulfurizers facility is cylindrical shape. To operate properly it needs nozzles cleaned, get rid of lime adhesion and sludge, repair the wear and corrosion of facility regularly. For this purpose, workers shall access the ceiling or vertical wall at high place. Ordinary scaffoldings such as steel pipe scaffolding or system scaffolding have been using so that workers can access them. With these ordinary scaffoldings, openings around cylindrical wall are inevitable which make workers can expose always to the risk of falling. The purpose of this study is to develop customized scaffolding to minimize the openings to prevent workers form falling during maintenance it. It consists of a hexagonal central tower and six trapezoidal outer towers. And the bracing among the towers have connected each other for self-standing and for maintaining the structure of towers. Span decks, the circumference footstools, steps, etc. are laid on each floor. The safety is reviewed by structural analysis and performance test. With this study, openings each floor of this scaffold are removed. The gap between the cylindrical wall and the edge of the work stage is approximately 100 mm. Therefore, we expect that workers can work safely and efficiently.

• 미술이론과 현장
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• 제4호
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• pp.123-144
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• 2006

Foreigners who arrived in Korea after the age of enlightenment were Japanese, Chinese and 'Westerners' who were Europeans and Americans. The westerners were diplomats who visited Korea for colonization or for increasing their economical profits by trading after the spread of imperialism, and tourists curious of back countries, artists, explores and missionaries to perform their roles for their religious beliefs. They contacted with Korean cultural and educational people as missionaries and instructors during Japanese colonial period. In 1945, the allied forces occupied Korea under the name of takeover of Japanese colony after Japan's surrender and the relation between foreigners and Korean cultured men enter upon a new phase. For 3 years, American soldiers enforced lots of systems in Korea and many pro-American people were educated. This relationship lasted even after the establishment of the government of Korean Republic and especially, diplomats called as pro-Korean group came again after Korean War. Among them, there were lots of foreigners interested in cultures and arts. In particular, government officials under American Forces who were influential on political circles or diplomats widened their insights toward Korean cultural assets and collected them a lot. Those who were in Korea from the period of independence to 1950s wrote their impressions about Korean cultural assets on newspapers or journals after visiting contemporary Korean exhibitions. Among them, A. J. McTaggart, Richard Hertz and the Hendersons were dominant. They thought the artists had great interests in compromising and uniting the Orient and the West based on their knowledge of Korean cultural assets and they advised. However, it was different from Korean artist's point of view that the foreigners thought Korean art adhered oriental features and contained western contents. From foreigners' point of view, it is hard to understand the attitude Korean artists chose to keep their self-respect through experiencing the Korean war. It is difficult to distinguish their thought about Korean art based on their exotic taste from the Korean artists' local and peninsular features under Japanese imperialism. We can see their thought about Korean art and their viewpoint toward the third world, after staying in Korea for a short period and being a member of the first world. The basic thing was that they could see the potentialities through the worldwide, beautiful Korean cultural assets and they thought it was important to start with traditions. It is an evidence showing Korean artists' pride in regard to the art culture through experiencing the infringement of their country. By writing about illuminating Korean art from the third party's view, foreigners represented their thoughts through it that their economical, military superiority goes with their cultural superiority. The Korean artist's thought of emphasizing Korean history and traditions, reexamining and using it as an original creation may have been inspired by westerners' writings. 'The establishment of national art' that Korean artists gave emphasis then, didn't only affect one of the reactions toward external impact, 'the adhesion of tradition'. In the process of introducing Korean contemporary art and national treasure in America, different view caused by role differences-foreigner as selector and Korean as assistant-showed the fact evidently that the standard of beauty differed between them. By emphasizing that the basis to classify Korean cultural assets is different from the neighborhood China and Japan, they tried to reflect their understanding that the feature of Korean art is on speciality other than universality. And this make us understand that even when Korean artists profess modernism, they stress that the roots are on Korean and oriental tradition. It was obviously a different thought from foreigners' view on Korean art that Korean artists' conception of modernism and traditional roots are inherent in Korean history. In 1950s, after the independence, Korea had different ideas from foreigners that abstract was to be learned from the west. Korea was enduring tough times with their artists' self-respect which made them think that they can learn the method, but the spirit of abstract is in the orient.

• Restorative Dentistry and Endodontics
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• 제36권5호
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• pp.409-418
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• 2011

연구목적: 이 연구는 상아질 표면에 Er:YAG 레이저를 조사하지 않는 군, 레이저를 조사한 군, 레이저를 조사한 후 부가적인 산처리를 한 군으로 분류하여 2단계 단일병 전부식 접착시스템과 자가부식 프라이머 접착시스템을 이용하여 복합레진을 접착하였을 때 이러한 표면처리가 복합레진의 미세전단 결합강도와 결합계면에 미치는 영향을 비교하기 위하여 시행하였다. 연구 재료 및 방법: 32개의 발거된 대구치의 교합면측 상아질을 이용하였고, 상아질의 표면처리는 1군과 4군에서 각각 인산과 자가부식 프라이머로 하였으며, 2군과 5군은 Er:YAG 레이저로 에칭처리하였고, 3군과 6군은 레이저로 에칭한 후 다시 각각 인산과 자가부식 프라이머로 하였다. 1군, 2군, 3군은 Single Bond 2와 Z 250 (3M ESPE)을 이용하였고, 4군, 5군, 6군은 Clearfil SE Bond와 Clearfil AP-Z (Kuraray)을 이용하여 상아질 면에 Tygon tube를 접착하였다. 각 군의 미세전단 결합강도를 측정한 후 통계 처리하였고, 또한 6개의 시편에서 복합레진과 상아질 계면을 주사전자현미경하에서 관찰하였다. 결과: Single Bond 2를 사용한 군에서 2군의 결합강도는 1군과 3군보다 통계학적으로 낮게 나타났으며, Clearfil SE Bond를 사용한 군에서 4군, 5군, 6군의 결합강도는 각각 통계학적으로 유의한 차이를 나타내었다(p < 0.05). 2군과 5군은 아주 짧고 가는 레진테그가 관찰되었고, 3군과 6군은 길고 가는 레진테그와 레진테그의 측지가 관찰되었다. 결론: 레이저로 에칭 처리한 상아질에 대한 부가적인 산 처리나 자가부식 프라이머의 처리는 상아질의 접착력을 향상시켰다.

• 구강회복응용과학지
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• 제35권2호
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• pp.72-80
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• 2019

목적: 본 연구의 목적은 레진계 치아고정 재료의 법랑질 치면 처리 방법에 따른 전단결합강도와 파절 양상을 비교 분석하는 것이다. 연구 재료 및 방법: 레진계 치아고정 재료로 G-FIX, LightFix를 사용하였다. 시편 제작을 위해 소의 하악 절치 20개를 사용했다. 노출된 법랑질 표면을 4부분으로 구분하여, 각 분획 마다 37% 인산(E), 37% 인산+Adhesive resin (E+A), 37% 인산+G-premio bond (E+GP), G-premio bond (GP)로 각각의 치면 처리를 하고, 재료를 접착하였다. 만능 시험기를 이용하여 전단결합강도를 측정하였고, 시편의 파절된 표면을 현미경으로 확대하여 파절 양상을 관찰하였다. Two-way ANOVA를 이용하여 재료와 표면처리 방법 사이의 상호작용을 검증하였고 각 재료에서 표면처리 방법 사이의 비교를 위해 One-Way ANOVA test를 하고 Scheffe's test로 사후 검정 하였다. 각 표면처리 방법에서 재료 사이의 전단결합강도를 비교하기 위해 independent t-test를 하였다. 모든 통계는 95% 유의수준에서 진행하였다. 결과: 동요치 고정을 위한 G-FIX는 산부식만 시행한 후 재료를 적용해도 접착 레진을 추가적으로 사용했을 때와 유사한 전단결합강도를 보였으며 LightFix는 산부식을 시행한 후 접착 레진을 추가적으로 사용했을 때 가장 높은 전단결합강도를 보였다. 또한, G-FIX와 LightFix 모두에서 별도의 산부식 없이 자가부식 접착제만 처리했을 때 가장 낮은 전단결합강도를 보였다. 교호작용의 검증 결과 치아고정용 레진과 표면처리 방법 사이의 상호 연관됨이 관찰되었다. 파절 양상은 모든 군에서 대부분 혼합성 파절이 관찰되었다. 결론: 치아 고정용 레진인 G-FIX와 LightFix의 사용시 제조사의 지시와 같이 산부식만 시행한 후 재료를 적용해도 충분한 접착이 이루어질 것으로 생각된다.