• Proceedings of the KSPS conference
• /
• 1996.02a
• /
• pp.41-46
• /
• 1996

Within the framework of prosodic phonology (or the theory of phonology-syntax connection), the rhythm unit is not regarded as a domain of phonological rules. But I argue in this paper that the rhythm unit functions as a domain of phonological rules in Korean. I discuss five phonological rules whose domain of application is the rhythm unit.

• Phonetics and Speech Sciences
• /
• v.1 no.2
• /
• pp.141-149
• /
• 2009

An emphasis on teaching suprasegmental features of English, specifically English rhythm, is essential in order to improve the 'intelligibility' of the pronunciation of Korean EFL learners among interlocutors who use English as a Lingua Franca(ELF). By redefining the ELF suggested by Jenkins (2000, 2002), this paper argues that Lingua Franca Core (LFC) must include suprasegmental features such as 'stress-based rhythm' and word stress. However, because 'isochrony' is difficult to measure in a foot, the rhythm unit must be expanded to an intonational phrase which has prominence in it and the rhythm of the unit can be measured by calculating the duration of each segment in context The rhythmic pattern of Korean learners of English and that of native speakers or other non-native English speakers can then be calculated and compared by using correlation coefficients of the segmental duration. In terms of sociolinguistic factors, improving the 'comprehensibility' and 'accentedness' of Korean EFL learners' pronunciation is also important in international communication, which calls for more emphasis on suprasegmental features.

• Journal of the Korea Society of Computer and Information
• /
• v.18 no.9
• /
• pp.43-51
• /
• 2013

Classification result by comprehensive analysis of rhythm section and heartbeat unit makes a reliable diagnosis of heart disease possible. In this paper, based on feature-points of ECG signals, rhythm analysis for constant section and heartbeat unit is conducted using rule-based classification and SVM-based classification respectively. Rhythm types are classified using a rule base deduced from clinical materials for features of rhythm section in rule-based classification, and monotonic rhythm or major abnormality heartbeats are classified using multiple SVMs trained previously for features of heartbeat unit in SVM-based classification. Experimental results for the MIT-BIH arrhythmia database show classification ratios of 68.52% by rule-based method alone and 87.04% by fusion method of rule-based and SVM-based for 11 rhythm types. The proposed fusion method is improved by about 19% through misclassification improvement for monotonic and arrangement rhythms by SVM-based method.

• MALSORI
• /
• no.47
• /
• pp.15-29
• /
• 2003

When intonation in French is analysed in terms of a multi-dimentional and hierarchical structure, each of the prosodic units such as accent phrases(having different combinations of the basic tonemes L and H), pre-sentencial and post-sentencial long pauses, intonation phrases(containing boundary intonation), as well as intermediate phrases can be considered being realized on a separate tier. Unlike on the tiers where accent phrases and intonation phrases occur, an intonation rhythm consisting of plateaus is realised on that of intermediate phrases. This intonation rhythm consisting of plateaus is one of the significant factors that lead a basic French metrical rhythm. This paper first shows the types of combinations of the basic tonemes L and H found in French accent phrases. Secondly, this paper examines the roles intermediate phrases and plateaus play in French. Finally, this paper argues that intermediate phrases are the metrical units actually adopted as real utterance units in French.

• Speech Sciences
• /
• v.6
• /
• pp.83-101
• /
• 1999

The aim of this study is to provide a learning method of prosodic rhythm for Taegu North Kyungsang Korean speakers to learn French rhythm more effectively. The rhythmic properties of spoken French and Taegu North Kyungsang Korean dialect are different from each other. Therefore, we try to provide a basic rhythmic model of the two languages by dividing into three parts: syllable, rhythmic unit and accent, and intonation. To do so, we recorded French of Taegu Kyungsang Korean speakers, and then analysed and compared the rhythmic properties of Korean and French by spectrograph. We tried to find rhythmic mistakes in their French pronunciation, and then established a learning model to modify them. After training with the CSL Macro learning model, we observed the output result. However, although learners understand the method we have proposed, an effective method which is possible by repeating practice must be arranged to be actually used in direct verbal communications in a well-developed learning programme. Hence, this study may play an important role at the level of preparation in the setting of an effective rhythmic learning programme.

• Proceedings of the Korea Contents Association Conference
• /
• 2009.05a
• /
• pp.120-126
• /
• 2009

As the information age grows rapidly, the amount of digital texts has been increasing as well. It has brought an increasing of visualization case in order to figure out lots of digital texts. Existing visualized design of digital text is merely concentrating on figuration of subject word through adoption of stemming algorithm and word frequency extraction, prominence of meaning of text, and connection in between sentences. So it is a fact that expression of rhythm that can visualize sentimental feeing of digital text was insufficient. Syllable is a phoneme unit that can express rhythm more efficiently. In sentences, syllable is a most basic pronunciation unit in pronouncing word, phase and sentence. On this basis, accent, intonation, length of rhythm factor and others are based on syllable. Sonority, which is most closely associated with definitions of syllable, is expressed through air flow of igniting lung and acoustic energy that is specified kinetic energy into sonority. Seen from this perspective, this study examines phonologic definition and characteristics based on syllable, which is properties of digital text, and research the way to visualize rhythm through diagram. After converting digital text into phonetic symbol by the experiment, rhythm information are visualized into images using degree of resonance, which was started from rhythm in all languages, and using syllable establishment of digital text. By visualizing syllable information, it provides syllable information of digital text and express sentiment of digital text through diagram to assist user's understanding by systematic formula. Therefore, this study is aimed at planning for easy understanding of text's rhythm and realizing visualization of digital text.

• Journal of Korea Multimedia Society
• /
• v.13 no.9
• /
• pp.1365-1372
• /
• 2010

Information of video can be percieved as the form of visual rhythm through temporal ordering systems. The shot, the base unit of video analysis, affects audience psychologicaliy with various temporal combination. Here, psychological stress and density of the story can be adjusted by the point of view shot of character. Acordingly the correlation analysis of shot duration and point of view shot can be useful for visual rhythm research. Identity one of the thriller genre works was selected for analyzing. This works produced by Kyle Cooper, a famous person in the opening sequence field. This works produced by Kyle Cooper, a famous person in the opening sequence field.

• Speech Sciences
• /
• v.14 no.2
• /
• pp.139-155
• /
• 2007

Old Korean regulated poems have a typical prosodic structure characterized by a pitch contour. This work applies Jun's finding in Seoul Korean(Jun 1993, 2000, 2005) to old Korean regulated poems, and reports some other significant phonetic characteristics, arguing that old Korean regulated poems have a regular rhythm based on the pitch contour implementing the typically hierarchical prosodic structure. The major prosodic units defined are a foot, a phrase, and a line. Next, this work proposes pitch contour characterizing prominence in a unit, boundary tones, and pauses at the boundary position, as the basic and significant cues of rhythm of a Korean poem. Specifically, some significant characteristics are discussed as follows: first, the tonal pattern of a foot is HL, starting high and ending low; second, the lowering boundary tones of HL% and L% are perceived at the end of a phrase and a line; and finally, a gradient degree of pause is observed at each unit-final position.

• Korean Journal of Biological Psychiatry
• /
• v.24 no.1
• /
• pp.26-31
• /
• 2017

Objectives A normal circadian rhythm of autonomic nervous system function stands for the daily change of sympathetic and parasympathetic modulation, which can be measured by heart rate variability (HRV). Generally, patients in the intensive care unit (ICU) are prone to sleep-wake cycle dysregulation, therefore, it may have an influence on the circadian rhythm of autonomic nervous system. This study was designed to interpret possible dysregulation of autonomic nervous system in ICU patients by using HRV. Methods HRV was assessed every 3 hours in 21 ICU patients during a 7-minute period. The statistical differences of HRV features between the morning (AM 6 : 00-PM 12 : 00), and the afternoon (PM 12 : 00-PM 18 : 00) periods were evaluated in time domain and frequency domain. Results Patients showed significantly increased normalized power of low frequencey (nLF), absolute power of low frequencey (LF)/absolute power of high frequencey (HF) in the afternoon period as compared to the morning period. However, normalized power of high frequency (nHF) was significantly decreased in the afternoon period. There was no statistically significant difference between the morning period and the afternoon period in the time domain analysis. Conclusions The increased sympathetic tone in the afternoon period supports possible dysregulation in the circadian rhythm of autonomic nervous system in ICU patients. Future studies can help to interpret the association between autonomic dysregulation and negative outcomes of ICU patients.

• Journal of the Korean Home Economics Association
• /
• v.37 no.7
• /
• pp.83-94
• /
• 1999

The purpose of this study was to explore musical development of 3- to S-year-old children and their musical home environment. The subjects were one hundred ninety-four children and their mothers enrolled in four kindergartens in Seoul. Each child sang the birthday song with peers in a birthday play setting. It was audiotaped for the children to sing the song. Questionnaire of musical home environment developed by the researchers was used for the mothers. The children's rhythm and pitch development were coded by the scoring categories of Project Spectrum(Krechevsky, 1994). The data were analyzed by t-test, ANOVA, Scheffe, and Pearson correlation. The results of this study were as follows: Firstly, there was no a significant difference in the children's rhythm development among three age-groups as well as between boys and girls. Among rhythm subcategories, the unit of note was ranked in the highest score and the pulse the next. Secondly, there were significant differences in children's pitch development among three age-groups and between boys and girls. The older children significantly achieved higher scores than the younger. Among pitch subcategories, the contour was ranked in the highest score and the interval the next. Thirdly, the children's musical development and their physical home environment related to music were correlated positively. The children's pitch development was significantly related to the mothers' musical attitude and the children's rhythm development to the mothers' educational levels.