• 미술이론과 현장
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• 제2호
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• pp.169-190
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• 2004

The purpose of this article is to delve into the problems of originality of the artwork by examining issues of reproduction within the contemporary art market. In contemporary arts, especially in terms of art production and consumption, we can't overlook society and its economic structure and its connection with of capitalism. As the purity of art creation has turned into an exchange value, art, especially an object as artwork, has fallen into the status of production in an economic marketing system. Walter Benjamin mainly referred to that point in his thesis Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, which originated the sociology of plastic arts. This thesis, published in 1936, traced how the artistic functions of photograph and movie had been changed through the social development. His main concerns were movie and photograph but what I am concentrating from his point of view, is that even in the field of plastic arts, the manufacture of reproduction has been practiced as a primary method within the social and political contexts and development. Though I am referring to this in the main body of this article, reproduction in contemporary art strongly needs a new definition since it has been spread all over like a newest virus, not only by collector's personal taste or hut also by commercial circulations of these reproductions to the public. This relates to Benjamin's argument about the value of an exhibition at a museum(Ausstellungswert). Since the function of an artwork has been one of cultural industry, the manufacturing of reproduction raises unexpected problems, such as, the originality of the artwork, the value of an exhibition at a museum, its achievement as documentary and as a territory of art criticism. In this point of view, I want to inquire into the value and criteria of an exhibition in contemporary art through the review of the definitions and the intrinsic attributes of reproduction. Somehow in a broad sense, the reproduction is a product coming out of representation or copy (replica) of an original art work or an model. Therefore, the problems it presents differ from the Simulacre, which is an image without an original one. In terms of the Meanings of reproduction, we can distinguish it as reproductions, copies, and productions. These types of reproductions are not the original artworks reflected by the creative intention of the artists. For example, a publishing company reproduced some of lithographs of Salvador Dali in the 1960s. They are commercial copies in the form of representation or reproduction with no artistic and creative intention of the artist. However, In despite of this theoretical basis, reproductions of the famous artists are still displayed without any verification for of the public's quest for the artworks. Moreover, many commercial companies that are planning to exhibit art works of the world-famous artists only for their profits keep trying to speak ill of and judging by the law the honest art critics' articles which discuss the true values of exhibition. If freedom of expression is one of the ideals of democracy, even the judgment of the originality of the artworks should be freely expressed.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2009년도 9th International Meeting on Information Display
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• pp.1158-1159
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• 2009

Tri-stimulus values of CIE-XYZ and RGB values obtained by photographic film, CCD camera or scanner depend on the spectral sensitivity of imaging devices and the spectral radiant distribution of the illumination. It is important to record and reproduce the reflectance spectra of the object for true device independent color reproduction and high accurate recording of the scene. In this paper, a method to record the reflection spectra of the object is introduced and its application to spectral endoscopes is presented.

• 한국인쇄학회지
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• 제12권1호
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• pp.57-68
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• 1994

In the last decade, digital image processing technics have been rapidly developed according to the advancement of electronic technique, and total scanner and DTP system were developed. Specially, there is need to retouch the color and image on the CRT. In this paper, we described a method to display surface color of printing on the CRT, and an algorithm to simulate the color reproduction by offset printing. The experimental results show that the described method and algorithm are useful and valid on the computer simulation of the multi-color printing adapted process ink characteristics.

• 대한인간공학회지
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• 제5권1호
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• pp.11-18
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• 1986

The object of this research is to develop an interactive computerized graphic program for graphic output of velocity, acceleration and motion range of body task reference point. Human motions can be reproduced by scanning (rate = 1/60) the vidicon image, at same time, C.O.G of body segment group, and the results are stored in an Apple II P.C. memory. The results of this study can he exteneded to simulation and reproduction of human motions for optimal task design.

• 한국인쇄학회지
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• 제9권1호
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• pp.12-26
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• 1991

Packing in printing work os caused by mutual relations with trapping, ink and damping water, or by the expansion and contraction in the image and tone reproduction. According to changing of packing quantity, we find an error between them as the result of comparison between theoretical value and experimental value in the expansion and contraction of image.

• 대한전기학회논문지
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• 제40권4호
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• pp.374-381
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• 1991

As a diagnostic image of hospitl, the utilization of digital image is steadily increasing. Image coding is indispensable for storing and compressing an enormous amount of diagnostic images economically and effectively. In this paper adaptive two stage vector quantization based on Kohonen's neural network for the compression of cardioangiography among typical angiography of radiographic image sequences is presented and the performance of the coding scheme is compare and gone over. In an attempt to exploit the known characteristics of changes in cardioangiography, relatively large blocks of image are quantized in the first stage and in the next stage the bloks subdivided by the threshold of quantization error are vector quantized employing the neural network of frequency sensitive competitive learning. The scheme is employed because the change produced in cardioangiography is due to such two types of motion as a heart itself and body motion, and a contrast dye material injected. Computer simulation shows that the good reproduction of images can be obtained at a bit rate of 0.78 bits/pixel.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2004년도 춘계종합학술대회
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• pp.792-795
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• 2004

Digital watermarking technology is one of method of protecting property from the illegal reproduction of digital data. This technology inserts the specific data in a certain file to identify the property, that is an author and rights, not for human to be seen and heard. In this paper, the watermarking technology which inserts a RGB rotor watermark in a JPEG2000 color image using the visual characteristics of wavelet coefficient was proposed. After applying various attack at a watermarked image according to proposed technology, the likeness between the original image, the watermark and the extracted watermark was measured and investigated. As a result, the PSNR value of image was varied depending on perceptual parameter, but we can obtain 32㏈ as a whole.

• 한국방송∙미디어공학회:학술대회논문집
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• 한국방송공학회 2009년도 IWAIT
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• pp.154-157
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• 2009

High dynamic range image can describe the real world scenes that have a wide range of luminance intensity. To display high dynamic range (HDR) image into conventional displayable devices such as monitors and printers, we proposed the logarithmic based global mapping algorithm that consider the features of image using mapping parameters. Based on characteristics of image, we first modify input luminance values for reproducing perceptually tuned images and then displayable output values are obtained directly. The experimental results show that the proposed algorithm achieves good subjective results while preserving details of image, furthermore proposed algorithm has fast simple and practical structure for implementation.

• 한국인쇄학회지
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• 제20권2호
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• pp.31-43
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• 2002

Screen printing is a stencil process whereby ink is transferred to the substrate through a stencil supported by a fine fabric mesh. Therefore screen had a tendency to distort and swell, as ink was deposited between the fibers, and were difficult to clean. The tow importance of stencil parameters that affect print quality are stencil thread diameter and the fabric thickness because of their influence on both ink deposit and print definition. Since screen printing inks can be formulated to adhere to almost any surface, and the printing process itself can be handled almost any substrate in a wide variety of shape, screen printing is a very versatile process. The small size pronting is reproduced image used screen printing because the surface of substrates is not suited at screen printing method. In screen printing, the need of high definition printing is gradually increasing according to developing special inks. A conventional haftone, so called AM screening, is simple and easy to implement, but the haftone dot patterns by using this method are not free for the moire fringe. This paper is used densitometry and image analysis to investigate relation with printing according to screen mesh, opening size and resolution of copy in image reproduction used FM screen. We had the good result of dot gain and tone reproduction on the screen printing of high definition using FM screen.

• 한국광학회:학술대회논문집
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• 한국광학회 2004년도 하계학술발표회
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• pp.292-293
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• 2004