• 한국인터넷방송통신학회논문지
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• 제16권1호
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• pp.43-53
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• 2016

본 연구는 배경의 밝기와 색상 자극의 크기에 따라 인지될 수 있는 색상 속성이 차이가 있을 수 있다는 가정 아래, 배경의 밝기를 차등적으로 적용하여 Peripheral vision에 해당하는 $10^{\circ}$와 $20^{\circ}$의 자극을 colour matching하는 실험을 진행 하였다. 실험결과, 배경의 밝기 및 실험 자극으로 사용된 Munsell 색상 속성의 조합에 따라 동일한 색상임에도 불구하고 colour를 각기 다르게 인지할 수 있다는 경향성을 볼 수 있었으며, 자극의 크기에 대한 색상 인지 관련 선행 연구 결과와 다르게 배경의 밝기의 변화에 따라 색상 자극의 크기가 상대적으로 작다고 하더라도 더욱 colourful하거나 더욱 밝게 인지될 수 있다는 결과를 얻을 수 있었다. 본 연구에서 진행된 실험 결과를 바탕으로 향후 영상의 크기가 변환 될 때 발생할 수 있는 화질 열화를 개선할 수 있으며 2D 뿐만 아니라 3D나 홀로그램 영상처리 시, 시감적 특성을 반영한 효과적인 입체 영상 재현에도 기여할 수 있다.

• Reproductive and Developmental Biology
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• 제32권4호
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• pp.255-261
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• 2008

The early diagnosis of bovine pregnancy is an essential component of successful reproductive planning on farms, because lack of bovine pregnancy over the long term results in reproductive failure and low milk yield-the latter of which is a special concern on dairy farms. This study was designed to identify early pregnancy-specific whey proteins in bovine, by comparing milk samples collected from cattle during pregnancy (Days 30 and 50) and from non-pregnant cattle. In this study, differentially expressed proteins in five pregnant and five non-pregnant Holstein dairy cattle were investigated and compared, using proteomics analysis. The first dimension was applied to a pH $3.0{\sim}10.0$ strip, by loading a 2-mg milk protein sample. After the second-dimension separation was performed, the gels were stained with colloidal Coomassie brilliant blue. The stained gels were scanned and the images were analyzed, to detect variations in protein spots between non-pregnant and pregnant cattle milk protein spots, using ImageMaster, this was followed by analysis with MALDI TOF-MS. Analysis of the 2-DE gel image resulted in a total of approximately $500{\sim}600$ protein spots, of which 12 spots were differentially expressed, six spots were up-regulated, and four spots were down-regulated; two spots were identified as pregnancy-specific proteins. These proteins were identified as lactoferrin, NA-DH dehydrogenase subunit 2, albumin, serum albumin precursor and transferrin. Our results via 2-D PAGE analysis revealed composite profiles of several milk proteins related to early bovine pregnancy, implying the possible use of these milk proteins in the early detection of bovine pregnancy.

• 한국산업정보학회논문지
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• 제25권6호
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• pp.25-32
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• 2020

농업에서 가장 기본이 되는 종자는 생산과 효율을 높이는 중요한 요소다. 우수한 유전자를 가진 종자를 통해 농업의 생산성 향상을 기대할 수 있고, 작물의 생존 및 번식을 증진시킬 수 있다. 하지만 현재 우수한 종자의 선별은 대부분이 수작업에 의존하고 있기 때문에 많은 시간과 인력을 요구한다. 제안된 연구에서는 종자의 표현체 특성을 추출하기 위해 컴퓨터 영상처리기술을 이용하여 적은 인력과 비교적 짧은 시간으로 종자의 특징을 추출할 수 있는 시스템을 제안한다. 제안된 시스템은 다량의 종자가 포함된 영상으로부터 개별 종자를 검출하고, 검출된 개별 종자마다 대표색상, 면적, 둘레, 진원도 (Roundness)와 같은 다양한 특징을 추출하고 저장한다. 입력 영상의 규칙성 때문에 제안된 시스템의 개별 종자추출의 정확도는 콩 종자의 경우 99.12%, 벼 종자의 경우 99.76%이다. 추출된 데이터는 향후 전문가의 의견을 반영한 각종 데이터 분석을 위한 기초자료로 활용되며 종자별 표현형 특성을 결정하는 기초자료로 사용될 것이다.

• 만화애니메이션 연구
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• 통권49호
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• pp.633-649
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• 2017

본 연구는 시각 미디어가 영화에서 3D 입체영화로, 그리고 VR로 진화함에 따라 인간의 관찰 자유와 관람 양상이 어떻게 변화하고 있는 양상을 계보학 관점에서 개념화하는 것을 목적으로 한다. 더불어 VR의 매체 미학적 특징을 밝히고 VR이라는 뉴미디어의 정체성과 존재론을 규명하고자 한다. 미디어는 인간의 가장 인공적인 감각인 시각을 중심으로 진화했다. 회화, 영화, 텔레비전, 컴퓨터 등 시각 미디어를 중심으로 하는 모든 재현 장치의 중심에는 스크린이라고 하는 제 3의 시각공간이 존재해왔다. 특히 움직이는 이미지를 재현하는 미디어인 영화와 텔레비전, 비디오 등의 스크린은 관객의 움직임을 통제하면서 완전한 환상과 시각적 만족을 추구했다. 이른바 관람객의 부동성을 전제로 '움직이는 가상의 시선(a mobilized virtual gaze)'을 확보한 것이다. 관객은 부동의 자세로 고정된 좌석에 앉은 채 시각으로만 영화적 환상을 경험한다. 그들은 수동적이고 소극적이며 피동적으로 스크린 너머의 환상의 세계를 의심 없이 받아들인다. 그러나 디지털 패러다임의 등장과 더불어 시각 미디어의 진화는 재현 매체의 전통에 큰 변화를 만들어낸다. 3D 입체영화는 스크린이라는 제 4의 벽(the fourth wall)의 소멸을 예고하였다. 관객은 더 이상 고정된 좌석에 앉아 앞만 응시하지 않는다. 3D 입체영상의 Z축 등장은 이야기의 공간을 재편성한다. 관객의 시선도 '앞'에서 '상 하 좌 우' 심지어 '앞 뒤'라고 하는 여섯 개의 방향으로 확장한다. 뿐만 아니라 이미지 사이에 관객을 위치하게 함으로써 수동적이었던 관객을 적극적이고 상호작용적, 체험적 주체로 변모시킨다. 한걸음 더 나아가 VR시대로 진입한 시각 미디어는 감금했던 관객의 신체에 자유를 부여한다. VR은 관람객의 이동가능성을 확보하며 동시에 가상과 물리적 공간을 공존시킨다. 따라서 VR콘텐츠의 관객은 참여와 이동을 전제로 일체화된 정체성을 획득하게 된다. 이른바 재현이 아닌 스크린의 시뮬레이션 전통을 계승하면서 환상의 공간을 재구성하면서 미학적 체계를 완성하는 것이다.

• 한국가축번식학회지
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• 제21권2호
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• pp.147-156
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• 1997

Ultrasound-guided follicular aspiration was performed in Holstein heifers once weekly with or without pretreatment of single or multiple decreasing doses using a total of 400 mg FSH. Oocytes were aspirated with a 6.5 MHz convex-array ultrasound trasducer designed for intravaginal use. All the visible follicles larger than 4 mm in diameter were punctured with a 17 gauge, 55 cm needle at each aspiration session and the follicular fluids containing oocytes were obtained by vacuum suction. The results obtained were as follows: As a preliminary experiment, the recovery rates of folicular oocytes by ultrasound-guided aspiration from the isolated ovaries of Korean native cows were compared between suction methods using manual syringe or vacuum pump. The recovery rate of oocytes using vacuum pump (80.7%) was significantly (P<0.05) higher than that using manual syringe (47.1%). The follicles were counted by their size in diameter with ultrasound image, and recovery rates and grades of follicular oocytes collected by ultrasound-guided aspiration were investigated in Holstein heifers pretreated with or without FSH. A group of heifiers were injected with multiple decreasing doses (twice a day for 3 days) of a total of 400 mg FSH. The other 2 groups were injected with a single dose of 400 mg FSH mixed with 25% PVP. Ultrasound observation of follicle population and/or ultrasound-guided transvaginal oocyte aspiration were performed 12 hrs following the last FSH injection in the multiple dose group, and 48 or 60 hrs after FSH injection in the single dose groups. Most of the visible follicles had small size of less than 3 mm in diameter in unstimulated heifers (71.0%), but medium size in all the heifers treated with FSH. (70.5 to 92.8%). The number of OPU follicles per session (4.6$\pm$1.9) were much less, compared to the vilsible follicle counts (9.7$\pm$2.2), in the nustimulated heifers due to the small dominant follicles. Among 4 goups of heifers the most visible as well as OPU follicles were observed in the heifers at 60 hrs following treatment of a single dose of 400 mg FSH (21.2$\pm$2.3 and 21.0$\pm$2.0), and the differences in both the follicle counts between the groups was found significant (P<0.05) The rates of oocyte recovery from the follicles by ultrasound-guilded aspiration were varied 46.3 to 75.0% in the heifers unstimulated and treated with a single dose of 400 mg FSH, but the group difference was not significant. The number of recovered oocytes per session a, pp.ared to be highest at aspiration at 60 hrs following single FSH (10.6$\pm$2.2) than at aspiration at 48 hrs after single FSH (7.8$\pm$2.7) or in the unstimulated heifers (3.4$\pm$3.0). The proportion of grade I and II oocytes to all oocytes collected was varied 31.8 to 64.0% between the groups. However, there was found no significant difference in both the number of oocytes recovered per session and the percentage and the percentage of grade I and II oocytes. From the above results it was concluded that the more oocytes of superior quality might be recovered economically by ultrasound-guided aspiration at 60 hrs following the pretreatment of a single dose of 400 mg FSH and by suction using a vacuum pump system of about negative pressure of 75 to 85 mmHg.

• 한국의류학회지
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• 제40권4호
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• pp.746-762
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• 2016

This study considers expression techniques and aesthetic values in the images of head dress reflected in a natural motif. The conclusions of the study are as follows. The first type is the realistic expression (52.4%) such as the reproduction of a natural object's essential form (27.0%), the partial derivation of the natural object (19.3%), and the planarization for the actual image of the natural object (6.1%). The second type is a metaphorical expression (39.0%) which emphasizes the morphological characteristics of nature (18.2%), the structuration of the natural object's silhouette into a three-dimensional or two-dimensional form (11.5%), and the abstract expression of the form in the natural object (9.3%). The third type is a hybrid expression (8.6%) that is a compromise between practical (or metaphorical expressions) so that expression techniques represent a compromise between the natural object's essential form and abstract expression (4.6%) or the combination of the natural object's silhouette into a three-dimensional or a two-dimensional visualization (4.0%). Aesthetic head dress values reflected in the natural motif first indicate a primitive value. This state of natural instinct recreates the natural object or combines part of the biological elements of the natural object to create an inducement to escape from the practical world. The second is amusement in the expression of animals in dynamic and humorous forms creates an illusion of animals being alive with a representative playful enjoyment. The third is abstraction that grant freedom in the observer's aesthetic rational through a reinterpretation of the fashion designer. The fourth is eclecticism where a compromise represents an act of mixing a variety of independent factors to create harmony with the imagery of nature created through the grafting of diverse expression techniques that break away from stereotypes of existing natural objects to create a type of nature that cultivates new values.

• 복식문화연구
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• 제19권2호
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• pp.283-295
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• 2011

This study deals with the interchange with art that is contained in the works of Yves Saint Laurent, and it is disclosed through his works that modern fashion is part of expressive art while pursuing creative function as a work of art. The study has been performed on the basis of the references, the pictures of his works and interviews posted in domestic and overseas fashion magazines such as Vogue, Fashion News, Mode & Mode, Gap, Collections, etc. Regarding the scope of this study, it specifically deals with works he created from 1958 until 2002, when he announced his last collection. The results of the study show that with respect to Post-Impressionism, his works were greatly affected by van Gogh(who had used colors as active media in depicting his internal mental state) which gave birth to gorgeous and handicraft-like 'Couture-style clothes'. With respects to Fauvism, the works of Matisse also had an impact on Yves Saint Laurent, who added a sense of fauvism in his works through the use of colors, motif, or full reproduction of images from paintings. We see the influence of cubism upon Laurent when we examine his works of 'clothes with artistic value,' which utilized applique, beaded decoration, patchwork, embroidered patterns, relief-like ornaments, etc. using motif or objet much as we see in the works of Picasso and Braque, artists who expressed a new dimension of the formative arts. Laurent's use of neoplasticism, or plainness of painting, demonstrates a new formative art on the three-dimensional human body by using the works of Mondrian, which consist of black lines and primary colors, although generally Laurent's 'neoplastic'works differed from the works of Mondrian by more actively utilizing the lines and colors when designing dress and its ornament. In addition, the paintings and poems of surrealism artists and poets were directly used in the clothes or their images were sometimes borrowed. In order to express respect toward the spirit of surrealism and its artists, the human body motifs such as lips and eyes(which were frequently used by the surrealism artists) were applied to embroidery, printing and beaded decoration. Finally, being inspired by such Pop artists as Andy Warhol, Roy Lichtenstein and Tom Wesselman, Laurent further emphasized the aesthetic value of the popular consumer image in his own work, resulting in the wide recognition of the designs of Yves Saint Laurent as representing the new wave of the Pop Art school.

• 한국자기학회지
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• 제26권3호
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• pp.99-104
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• 2016

항암요법과 방사선치료를 병행하여 두경부암을 치료하는 환자의 경우 항암요법과 방사선치료를 거듭할수록 구토, 메스꺼움, 식욕부진 등의 이유로 환자의 체중 감소가 생기게 된다. 체중 감소는 목의 두께 변화로 나타날 수 있으며 이로 인해 치료하고자 하는 t 타겟과 주위 정상조직의 선량 전달에도 영향을 미치며 방사선이 전달되는 방향에 위치한 피부선량의 변화가 나타날 것으로 사료된다. 특히 비인두암 환자의 경우 비인두 구조가 다른 장기보다 복잡한 구조를 지니고 있고 치료방법인 토모테라피는 수 mm 차이로 급격한 선량 변화가 발생하므로 이러한 체중 감소의 변화에 주의 깊은 관찰이 필요하다. 현재 토모테라피의 경우 매 회 치료 전 정확한 자세 재현을 위한 영상 검증을 통해 이러한 움직임을 확인하고 그 값을 보정하여 치료를 수행한다. 그러나 환자의 체중 감소로 인하여 피부선량에 전달되는 선량 변화의 검증은 되지 않고 있다. 환자의 피부선량이 증가함으로써 나타나는 부작용은 환자의 삶의 질에 영향을 미칠 뿐 만 아니라 2차 암 발생률을 높일 수 있다. 이에 환자의 체중 감소로 인하여 나타나는 환자의 목 두께를 휴먼 팬톰에 볼루스를 올리고 두께를 조절해가며 변화시켜 필름을 이용하여 피부선량의 변화가 어떻게 나타나는지 분석해보고자 한다.

• 펄프종이기술
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• 제40권5호
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• pp.60-69
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• 2008

The principal reasons for applying a pigment coating to paper are to improve appearance and printability. The pigment coating provides a surface that is more uniform and more receptive to printing ink than are the uncoated fibers and, in turn, both facilitates the printing process and enhances the graphic reproduction. The improvement in print quality is readily apparent, especially in image areas or when multiple colors are involved. Although pigment coating of paper is to improve the printability, coated paper is not completely free from printing defects. Actually there are a number printing defects that are observed only with the coated papers. Among the printing defects that are commonly observed for coated papers, print mottle during multi-color offset printing is one of the most concerned defects, and it appears not only on solid tone area but also half dot print area. There are four main causes of print mottle ranging from printing inks, dampening solution, paper, and printing press or its operation. These indicates that almost every factors associated with lithographic printing can cause print mottle. Among these variation of paper quality influences most significantly on print mottle problems in multicolor offset printing, and this indicates that paper is most often to be blamed for its product deficiency as far as print mottle problems are concerned. Furthermore, most of the print mottle problems associated with paper is observed when coated papers are printed. Uncoated papers rarely show mottling problems. This indicates that print mottle is the most serious quality problems of coated paper products. Overcoming the print mottle is becoming more difficult because the operating speeds of coating and printing machines are increasing, coating weights are decreasing, and the demands on high-quality printing are increasing. Print mottle in offset printing is caused by (a) nonuniform back trap of ink caused by a nonuniform rate of ink drying, referred as "back trap mottle, and (b) nonuniform absorption of the dampening solution. Furthermore, both forms of print mottle have some relationship to the structure of the coated layer. The surest way of eliminating ink mottling is to eliminate unevenness in the base paper. Coating solutions, often easier to put into practice, should, however, be considered. In this paper the principal factors influencing print mottle of coated papers will be discussed. Especially the importance of base paper roughness, binder migration, even consolidation of coating layers, control of the drying rate, types of binders, etc. will be described.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.571-575
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• 2008

최근 미디어믹스(media mix)나 폴리시믹스(policy mix), 마케팅믹스(marketing mix)처럼 서로 다른 성격의 여러 가지 매체를 적절하게 혼용하여 효과를 극대화 하는 인터렉티브에 대한 관심도가 높아졌다. 이는 시대적으로 제약적인 기존의 표현영역에 인터랙티비티(interactivity)를 추가하거나, 재생산하여 사용자와의 관계성을 부각하고, 확장시켜 새로운 대안을 찾고 있는 것으로, 본 논문은 이러한 인터랙티비티의 요소를 시에 적용하여 시의 영역을 확장하고자 한다. 작가만이 작품개념의 시에 의미를 부여하는 관점에서 벗어나 시를 통해 작가의 의도 표현과 동시에 감상자가 작품 내에서 주관적 의미를 부여할 수 있게 만드는 방법을 모색한다. 따라서 작품상에서 작가는 인터렉티비티한 다양한 방법으로 독자와 소통하게 되며, 관계성의 상승효과를 일으킨다. 본 논문에서는 시에 인터렉티비티를 활용하는 세 가지 방법을 제시하고 작품 안에서 작가와 감상자가 얻는 심상의 영역을 넓힌다. 첫째, 형식을 바탕으로 한 관조적으로 감상하는 시에 인터랙티비티(interactivity)를 추가하여 시의 표현영역을 확장하고, 둘째, 감상자의 능동적인 인터랙션을 통하여 기존형식에서 벗어나 주관적으로 다양한 해석을 가능케 하며, 셋째로 작가와 감상자의 상호작용을 통해 시의 새로운 표현 방식을 확립한다.