• Phonetics and Speech Sciences
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• v.8 no.3
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• pp.61-66
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• 2016

The purpose of this study is to examine the speaking rate(overall speaking rate and articulatory rate) of Parkinson's disease patients with palilalia(PDP). Palilalia is traditionally characterized by not only compulsive repetitions of words and phrases, but also by increased rate of speech based on auditory perception. Since Souques(1908) first characterized palilalia as fast speech rate from the perspective of auditory perception, few studies have evaluated PDP speech using acoustic methods. To compare the speech rate between PDP and normal subjects, we included five PDP and eight control subjects(age over 55), as well as the date acquired under reading tasks(standardized Korean paragraph). The difference in median of the overall speaking rate was not statically significant between the PDP group(median 5.25, IQR 1.30) and normal group(median 4.76, IQR 0.71). The PDP, however, had a significantly higher syllables per second on the articulatory rate(median 6.60, IQR 1.04) than normal subjects(median 5.60, IQR 0.52). Results indicated no differences in pause over 250msec and disfluency duration between the two groups. To provide useful insight into PDP speech, multiple levels of analysis should be employed.

• Journal of the Korean Society for Library and Information Science
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• v.1
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• pp.1-58
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• 1970

As to the structure of author tables for the Korean libraries using the Korean alphabet Hangul for filing, no other system is understood more relevant to author notations than the analytico-synthetic system. The Korean character consists of syllables respectively dividual into 'consonant+vowel' or 'consonant+vowel+consonant,' with the first element a consonant and the second a vowel. When these elements are synthesized with figure representation, they make an enumerative two-figure table. Individualizing and assigning, therefore, are done without listing many en-tries on the table or looking up notations in ready-made enumerative author tables. We still do not have general agreements in form of entry, reading of the Japanese and Chinese names, transliteration of foreign words, and filing system. What is more, so flexible and hospitable a notation system should be adopted as to meet the anticipated changes. The writer introduces an author notation system that could make 150,000 divisions by combinating figures, thus making it possible to endure changes through readjustments. It is considered effective, convenient, and efficacious for individualization.

• The Research Journal of the Costume Culture
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• v.17 no.2
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• pp.283-295
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• 2009

This research covers the ways in which typography, which has been expressed in a diverse range of fields and changed communication functions from the era of reading to the era of feeling according to the change in the times and social demands, has been represented in modem fashion, along with examining its inherent aesthetic characteristics. I reviewed the general information of typography's fundamental notions and functions through documented records, and analyzed the inherent aesthetic characteristics by examining the typographical patterns shown in modem fashion based on art works in domestic and international collections after 2000. The result of this research is that typography in modem fashion has been used for improving brand image, expressing social slogans, expressing images, linguistic function for playful expression and the interdependent relationships of modeling functions. Typography in modem fashion has always been diversely expressed harmoniously with linguistic and modeling functions. Through this, the aesthetic characteristics were firstly parodies through direct sentences addressing political and social ideologies, economic gaps, environmental issues and anti-war protests. Secondly, by using brand logos, typography was used as a commercial means like brand-image transfer and separation through customization of other brands. Thirdly, the aesthetic and artistic value of fashion were expressed after being used as experimental visual components like image, motive and patterns which are all elements of fashion design. Fourthly, by distortion and transformation of characters or childish decorations, along with the harmonization of words, cathartic humor was provided for the calloused senses of modern people.

• Journal of Fisheries and Marine Sciences Education
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• v.19 no.2
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• pp.239-255
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• 2007

This paper is to develop an integrate curriculum of rhythm education activity program and to find the possibility of applying the program into actual music education field for kindergarten children. The outlook of this study is to develope a program integrating the elements of movement, language and rhythm to apply the program to 5 year old children for 6 weeks through 12 sessions, and to observe and analyze their level of rhythm creativity and rhythm reading ability.The analysis of the field observation data and recording data showed that the children achieved natural and better understanding of rhythm. Seen from the perspective of rhythm creation activity, while the integration of the elements of movement and rhythm influenced directly to enhance the level of understanding rhythm and the integration of the elements of language, rhythm helped indirectly to have better understanding rhythm through connecting the notions of rhythm and movements. However, when only rhythm and movements were combined, children tended to misunderstand the relative durations of ♩ and ♪ just as different tempos not as 2:1 duration relativity. And ♫ was too misunderstand as ♬ due to different durations of korean words when only rhythm and language were combined. To overcome the limit of understanding, all of the three elements; rhythm and movements and language should be integrated and constant auditory experiences are recommended.

• Journal of the Korea Safety Management & Science
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• v.17 no.2
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• pp.153-160
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• 2015

This study tried to investigate the difference of the legibility in different age groups (young and old) with same near visual acuity and to provide preliminary guidelines for the text sizes in the pesticides products based on the legibility experiments. To achieve the objective, legibility evaluation experiments were conducted to test the effects of different age(20s, 50-60s), gender, font type(thick gothic-type and fine gothic-type), thickness (plain and bold), and number of syllables(2 and 3 syllables) in the same near visual acuity(0.6). The results showed that legibility 50s was higher than 20s. And 20s are appealed higher discomfort than 50s. Considering these experimental results, it was recommended that the 14 pt or larger characters (100% readable size) should be used the important information such as toxicity, and the minimum character size was 7 pt (50% readable size) for other information.

• Korean Journal of Soil Science and Fertilizer
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• v.48 no.2
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• pp.87-93
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• 2015

Public education on soil and soil science in Korea was reviewed through textbooks written in Korean which were used in the primary schools since 1950's. Numbers of words 흙[heuk], the Korean native word meaning soil, and 토양[土壤, toyang], originated from Chinese characters, were counted, and compared with the textbooks published in 1950's, 1970's, and 1990's, 2010's. The Korean native word "heuk" was used 20 times in 1950's, and increased to 55 times in 1970's. In 1990's version, it was decreased to 31 times and to 20 times in the 2010's version. The first appearance in the 1950's version was in the 3rd grade book, but was in the $1^{st}$ grade books in both 1990's and 2010's. In this recent version, the primary school students met this word on the poet, "Toad, Toad build a house", and "Sprout come out through soil clod". The word, "토양, toyang", originated from Chinese characters, 土壤, appears only 2 times in the $6^{th}$ grade in 2010's version. Authors conclusively recommend children should learn meaning of soil at early stage of primary school easily with positive image.

• MALSORI
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• no.35_36
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• pp.37-48
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• 1998

When we hear someone's voice, even without having met the person before, we usually make up a certain mental image of the person. This study aims at investigating the relationship between the voice and the image information carried within the voice. Does the mental picture created by the voice closely reflect the real image and if not, is it related with the real image at all\ulcorner To answer the first question, a perception experiment was carried out. Speech samples reading a short sentence from 8 males and 8 females were recorded and pictures of subjects were also taken. Ajou University students were asked to participate in the experiment to match the voice with the corresponding picture. Participants in the experiment correctly match 1 female voice and 4 male voices with their corresponding pictures. However, it is interesting to note that even in cases of mismatch, the results show that there is a very strong tendency. In other words, even though participants falsely match a certain voice with a certain picture, majority of them chose the same picture for the voice. It is the case for all mismatches. It seems that voice does give the listener a certain impression about physical characteristics even if it might not be always correct. By showing that there is a clear relationship between voice and image, this study provides a starting point for further research on voice characteristics: what characteristics of the voice carry the relevant information\ulcorner This kind of study will contribute toward the understanding of the affective domain of human voice and toward the speech technology.

• English & American cultural studies
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• v.18 no.4
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• pp.65-102
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• 2018

This paper focuses on "The Story of $Bras-Coup{\acute{e}}$" in George Washington Cable's The Grandissimes (1880), a story to and around which Cable claimed the larger work was built. It tells of an African candio sold into slavery who, to the dismay of his white purchasers, refuses to work, strikes his master, and runs away to lead a life of a fugitive in the swamps. He is finally captured, whipped, and maimed, but not before he casts a powerful voodoo curse at his master and his plantation. He dies a heroic death, with the last words that he goes "To--Africa." Cable once said that he "meant The Grandissimes as truly a political work as it ever has been called." It is a political work in that $Bras-Coup{\acute{e}}^{\prime}s$ personal rebellion is associated with much-feared slave revolts, especially the black revolution in San Domingue/Haiti. There is also $Honor{\acute{e}}$ f.m.c. (free man of color), one of the narrators of "The Story of $Bras-Coup{\acute{e}}$" and a stand-in for the Freedmen in the postbellum United States, who nurses his own insurrectionary flame. Through these figures Cable makes a "terrible suggestion" that a black revolution is on the horizon unless whites would not mend their ways soon.

• The Korean Journal of Emergency Medical Services
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• v.27 no.2
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• pp.19-29
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• 2023

Purpose: This study attempted to identify job stress, resilience, and job satisfaction among firefighters and to identify factors that influence job satisfaction. Methods: The study was conducted among 150 active firefighters who agreed to participate after reading an explanation of the purpose and importance of the study. They were sent a link to the self-report questionnaire URL via text message. Results: The mean scores for the variables were 2.26 for job stress, 3.55 for resilience, 3.30 for empathy, and 3.23 for job satisfaction. There was a significant difference in job satisfaction based on age. Job satisfaction was significantly positively correlated with empathy (r=248, p=.002) and resilience (r=463, p<.001) and significantly negatively correlated with job stress (r= -.740, p<.001). In other words, higher resilience and empathy were associated with higher job satisfaction, while higher job stress was associated with lower job satisfaction. And job stress was the influencing factor of job satisfaction, with an explanatory power of 55%. Conclusion: To improve firefighters' job satisfaction, management programs should be developed to enhance resilience and empathy and specific measures should be taken to reduce job stress.

• Journal of English Language & Literature
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• v.56 no.3
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• pp.445-459
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• 2010

William Carlos Williams discovers important sources of inspiration in the revolutionary avant-garde movements, in particular, Dada and Surrealism and attempted to embody the innovations in them in his poetic theory and practice. Williams's passion to create an indigenous American poetic work is compatible with his Dadaist experimentation with objets trouvés. Williams pays deep attention to objets trouvés, physical objects and marginalized people he comes across and transcribes his observations with poetic words freed from their instrumental contexts. In his characteristic poems written in the 1920s and 1930s, Williams records the social ruination and his task to give voice to the conflictual and fragmentary character of modernity is pursued through the Surrealist formulation of montage. In the Surrealist formulation of montage, the dialectical image is a central trope for reading the myth of modernity; it is positioned as both subject and object in the historiographic narratives of Walter Benjamin and Williams. As Benjamin tries to obliterate all traces of the author in the Arcades Project, Williams's montage poems like Spring and All only disperse argument into materialistic, dialectical images. The dialectical image in Williams's poetics becomes an organon of historical awakening so that truth can emerge from an unmediated juxtaposition of "things."