• 한국실내디자인학회논문집
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• 제14권2호
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• pp.112-119
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• 2005

This study attempts to suggest new directions of urban multi-family housing design in the recent era of information, in which the representation of publicity and privacy of the housing reflects new meanings and relationships of the current digital society. The study examines cases of Dutch multi-family housing and investigates the meanings and relationships of publicity and privacy in the building as well as unit design of the housings. Borneo-Sporenburg housing development is a good example that suggests new interpretation and design solution for low-rise, high-density multi-family housing. Thus, this study analyzes street patterns, facade design, and ways of housing unit combination in Borneo-Sporenburg housing and concludes as follows. First, public space in Borneo-Sporenburg housing, which was designed differently from hierarchical and centripetal organization of modern architecture, is divided into small units and spread into the inside, which provides high potential for personal control of space and personal programming of space by space choices. Second, street pattern and facade design of Borneo-Sporenburg housing provide visual publicity and privacy simultaneously as they maintain unity as a whole as well as articulate individual unit in many different ways and provide clues to neighboring. Streets as a public domain have self-controlled boundaries for residents and introduce voluntary use-programs for residents. Third, facades of the housing have no inter-mediate space or common space, and confront streets directly. Space in-between is composed inside the facade and extends into the streets by residents' own choices. Fourth, privacy and individuality of the housing is strengthened. Units of the housing have individual entrances, unique plan type and complicated combination of space that all together emphasize individuality of units, however they are not often notified from the outside.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.532-536
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• 2009

오늘날 연예 스포츠 및 광고산업이 급격하게 발달하면서 유명인의 성명 초상 등을 광고에 이용하는 경우가 증가하고 있으며, 유명인의 성명 초상 등을 이용한 상품의 선전이나 광고는 높은 상품선전력, 고객흡인력 및 상품구매력을 가지게 되었다. 이처럼 개인의 성명 초상 등에는 인간의 존엄과 가치의 징표인 인격적 가치뿐만 아니라 이를 이용하여 경제적 이익을 얻을 수 있는 재산적 가치가 혼재되어 있다. 그러나 광고업자 등이 유명인들의 성명 초상 등을 허락 없이 또는 그 계약범위를 넘어 이용함으로써 당사자는 정신적인 고통을 받음과 동시에 경제적인 손해를 보게 되어 법적 분쟁이 발생하고 있다. 우리나라도 한류열풍으로 인한 저작권산업의 시장이 커져 가고는 있지만, 한류스타들의 법적 보호장치 없이 앞으로도 계속해서 그들의 성명, 사진들이 도용되는 것을 방치한다면 한류는 지속될 수 없다. 한류의 끝임 없는 공급을 위한다면 연예인, 스포츠 스타들이 성명, 초상 등을 상업적으로 이용할 수 있는 권리인 퍼블리시티권의 법제화에 대하여 본격적으로 논의할 필요성이 있다. 이와 관련하여 본 논문에서는 퍼블리시티권의 양도성과 상속성에 관하여 살펴보고자 한다.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제13권11호
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• pp.5653-5672
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• 2019

In cloud computing era, an increasing number of resource-constrained users outsource their data to cloud servers. Due to the untrustworthiness of cloud servers, it is important to ensure the integrity of outsourced data. However, most of existing solutions still have challenging issues needing to be addressed, such as the identity privacy protection of users, the traceability of users, the supporting of dynamic user operations, and the publicity of auditing. In order to tackle these issues simultaneously, in this paper, we propose a traceable dynamic public auditing scheme with identity privacy preserving for cloud storage. In the proposed scheme, a single user, including a group manager, is unable to know the signer's identity. Furthermore, our scheme realizes traceability based on a secret sharing mechanism and supports dynamic user operations. Based on the security and efficiency analysis, it is shown that our scheme is secure and efficient.

• 한국주거학회논문집
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• 제23권6호
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• pp.39-47
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• 2012

In this study, it was analyzed that, the way of securing publicity and privacy in family and type of public space of the Japanese contemporary detached house, by the composition type of family from one person home to four generation family home. Mostly the living room is made as open plan of LDK type. Mostly, the entrance hall is separate with living room. Even if the case of the entrance hall is connected with living room, it is planned to be recognized as entrance hall, by making entrance poach or connecting it with stair hall. In many case, the public space is designed as traditional Japanese style, such as wellhole style space (吹拔け), courtyard, and Japanese style room (和室). The Japanese style room is adjacent to living room, and used as the space of receiving guests. The wellhole style space and courtyard are recognized as the center of the house, and used as buffer space for ensuring privacy of each generation. The most different point between bachelor house and multi generation family house is another LDK space, living room or kitchen for parents' generation is made separately. Particularly there are many case of making separate small kitchen space, therefore it can be known that, the separation of kitchen space is recognized more importantly than that of living room. And there are many case of making separate entrance hall, two houses under one roof. The spatial composition like this can said as rational method of ensuring the privacy of each generation, and using the public space together as necessary.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 추계학술발표대회 논문집
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• pp.108-111
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• 2004

This spatial inclusion in actual housings are realized in the division of cellular space, formation of room through frontality, transition of room through material surface, and the dual-systemizing of circulation into function and formality. This simultaneously establishes the self-sufficiency of individual spaces and the interrelations between volumes, and leads to Raumplan, which is a form of architecture that gradually includes space within space. Though its dichotomous consideration of space. It economizes their use, which answers to the actual request of architecture in the modern era.

• 한국도서관정보학회지
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• 제44권1호
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• pp.333-355
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• 2013

이 글은 공연예술아카이브의 기록물 수집과 서비스 과정에서 필요한 초상권 문제를 검토하고, 실무적 대응방안 마련을 위한 것이다. 이를 위하여 초상권의 개괄적인 내용을 검토하고, 공연예술사진과 영상의 수집과 서비스 과정에서 발생하는 초상권 문제를 분석하였다. 이러한 분석을 바탕으로 공연예술아카이브의 운영에 참고할 수 있는 점검사항을 제안하였다. 연구의 결과로, 초상권은 인간의 외면적 모습을 보호대상으로 하며, 공공의 알 권리와 충돌할 경우에 그 이익을 비교 형량하여 보호의 여부가 결정됨을 밝혔다. 아울러 공연은 사회적 표현행위의 하나로 출연자는 공연의 일부를 구성하는 특정한 역할을 수행하는 것이기 때문에 이를 사생활로 보기는 어려움을 밝혔다. 공연예술아카이브는 기록물의 내용과 공개의 파급효과를 종합적으로 고려해서 서비스의 범위와 수준을 결정할 필요가 있다.

• 대한건축학회논문집:계획계
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• 제35권5호
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• pp.3-10
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• 2019

This study is purposed to analyze of House Vision exhibition and projects in Japan. The contemporary residence has been planned and designed with fixed territory and boundary of rooms. According to the symposium of House Vision, the spatial boundary can be studied in the aspect of territory that molds the experience of residents. So, this study reviews Aldo van Eyck's concept of 'in-between'. Through the analysis, House Vision exhibition is revealed that the housing models present architectural characteristics of middleware and third place. The cognition of internal and external boundary stems from movements and activities of residents. That is the dwelling and residential space determined by users and residents. In this regard, 'in-between' of House Vision has structures(multilayer) causing various relationships to be perceived, so as to connect with the dwelling and activities of residents. As a result, it has relational meanings of sharing, as well as makes possible other community life to be done. According to the projects of House Vision, the units and cores have created the new connections and relationships between privacy and publicity. In conclusion, this research shows a new direction of the spatial strategies on House Vision exhibition in Japan.

• 한국주거학회논문집
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• 제13권5호
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• pp.31-42
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• 2002

This comparative study between Korean and German housings aims at understanding different structural systems in the indoor and outdoor spaces, depending upon the user′s perception of the socio-cultural attributes. The analysis starts with four alternative contrary assumptions, that appear in morphological forms of dwelling; 1) linear distribution vs. areal distribution of residential districts, 2) mirror system vs. comb system in the layout of plot plans 3) organization of front vs. back outdoor spaces and 4) opening vs. closing in the indoor spaces. A clear difference is found between Korean and German samples in view of public and private relationships between indoor and outdoor spaces as well as the intermediate space. In the korean housing there always exists a symbolic and psychological territory of a certain sphere. On the other hand, outdoor space passes through various phases only to form a certain hierarchy even in a private space and, thereby, sets a boundary between private and public areas. In the case of Germany, the building itself draws a clear line between private and public outdoor spaces, and therefore the outdoor space has a "front" and "back". Thus, Germany′s private space may face a genuine public space and street, which is rare in the Korean housing. Although the layout of indoor space in the korean housing tends to be open, such an openness may be outstanding in living and dining spaces, kitchen and various accesses to rooms. In the case of Germany, such indoor spaces are usually closed to each other. Thus corridors act to separate these spaces. Such differences are analysed to be due to the different perceptions of interpersonal and socio-cultural attributes as intra-family and inter-neighbor relationships or communications.

• 한국실내디자인학회논문집
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• 제25호
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• pp.103-110
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• 2000

The material world around human is normally composed of opaque one, with which human has made the spaces. The opaque material to make space has played a role to control the relationship among people and has produced socio-cultural things since the history started. The opening of opaque material(wall) connects one space with the other. Therefore, the meaning of opening is a connection among people who are in different spaces in terms of sociology. In conjunction with this, socio-cultural situation has been deployed differently. In the traditional european domestic space, the glass has been applied to this opening since they found the glass. It disconnects two spaces physically but connects them visually. Therefore, without blocking the opening visually, the glass became to protect people with their interior space from outside environment. The important thing is that the application of the glass in a building had been restricted because of opening size. However, after Industrial Revolution with the advanced technology of architecture, the glass came to be applied to the building and it became widen. So, the concept of glass window became to be the one of glass wall. This change made a transformation of visual character between two spaces which are separated with glass wall. This means that the glass wall gave two directional visibility while the glass window gave one directional visibility from inside to outside of space. This is because the amount of the natural light to the interior space increased due to widen glass in a space. This gave a change of visual authority and the space of surveillance(interior space) became to the one of communication. The space of surveillance, Michel Foucault mentioned in his book surveillance and punishment, is a very private one that is not visually permeable from the people outside, while the space of communication is a public one which needs other eyes. In the space of publicity, there needs a rationality, morality and ethics because of public surveillance and in the space of privacy, there restores a desire for sex and assaults.