• 한국의류학회지
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• 제24권2호
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• pp.226-236
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• 2000

The mutual relation dynamics between the chulik and the Po for man in the period of chosun dynasty. The objectives of this study are to find out the mutual relation between the chulik and the Po for man-symeui, danryeong, changeui, jikryeong-, te change of chulik, and the ideas that made this change. Conclusions are decribed as followes: 1. The pattern of chulik and symeui is same, and they consist of bodice and skirt's length of the chulik was 1 : 1.3∼2 and it is effected by symeui. And symeui was effected by pratical structure of the chulik. 2. The functions of the chulik were the underwear of danryeong and the upperwear as military uniform. And then the length of chulik was shorter than danryeong in the early period of shosun dynasty. The sleeves were changed as large as danryeong in the late period of chosun dynasty. It is assumed that the changes were to be a functional underwear and to appear authority as upperwear. 3. Chulik as the underwear was hardly worm in the 17th centuries, and changeui was widely enjoyed instead of it. The reason of this change is that the pragmatism was emphasied in that period. 4. Chulik was widly worm instead of court dress, until the mid of 17th century after war. It was effected by outer factor of the war. And jikryeong was widly worm instead of chulik in the late period of chosun dynasty. It shows that military officers wanted to appear authority.

• 식품보건융합연구
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• 제7권4호
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• pp.1-11
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• 2021

The purpose of this study is to investigate the ramen selection attributes of consumers. This research assigned taste, price, quantity, design, and brand as selection attributes, all of which have already been verified by previous studies as selection attributes when purchasing processed foods. A total of 500 questionnaires were issued, and the survey results were analysed to ensure validity and reliability. A Structural Equation Model was used to test the hypotheses of the study. Based on the analysis, taste, price, quantity, design, and brand had a statistically significant effect on satisfaction. Furthermore, satisfaction had a statistically significant effect on repurchase intention. Among the selection attributes (taste, price, quantity, design, and brand), only price had a statistically significant effect on repurchase intention. However, the influence of the selection attributes on satisfaction varied depending on the consumer's consumption value. In order to analyse the moderating effect of consumption value, the respondent group was divided into a hedonism group and pragmatism group, and analysed. It empirically proved that the hedonistic value-oriented group valued taste, and the practical value-oriented group valued price the most. This study empirically verified the relationship between ramen selection attributes and consumption value, and provided corresponding theoretical and practical implications.

• 대한간호학회지
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• 제49권5호
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• pp.505-514
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• 2019

Purpose: This study aimed to introduce and elucidate changes in Strauss and Corbin's grounded theory and discuss its application to the field of nursing in South Korea. Methods: The changes in grounded theory by Strauss and Corbin were examined through a literature review of grounded theory from its inception. Results: Strauss and Corbin acknowledged their philosophical backgrounds of symbolic interactionism and pragmatism; however, their methodology based on positivism overwhelmed their epistemology and ontology. This inconsistency has been represented by the coding paradigm and the premise of "emergent from the data." In the revised version of Basics, Strauss and Corbin modified their theory to weaken the coding paradigm and strengthen the strategies for the development of substantive theory. Conclusion: Strauss and Corbin's revised grounded theory did not fully address the inconsistency of their epistemology and ontology between their acknowledgement and methodology. However, these changes constitute a meaningful step toward resolving inconsistencies and highlight the development of substantive theory. This has implications for Korean nursing researchers who have utilized methodologies in grounded theory with dogmatic approaches; grounded theory, with its evolving nature, is not a finalized method and calls for open approaches for the development of a grounded theory that fits Korean nursing.

• 한국의상디자인학회지
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• 제8권3호
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• pp.27-34
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• 2006

Flexibility, love of symbols, small size-these are all qualites that accompany the proclivity towards compactness in Japanese culture. They developed and have been refined to an unusual level in Japan partly out of the necessity to use limited space economically, but these qualities also characterize the aesthetic preferences of the people. Because space is so precious, it receives a great deal of attention in every aspect of life. Over the centuries Japanese have devised innumerable ways to use space that are ingenious in their successful combination of pragmatism, harmony, and beauty. Folding, stacking, rolling, nesting, carrying, consolidating, miniaturizing and transforming are some of the techniques for living that have created the compact culture. Folding allows a one-dimensional object to be placed in prescribed small space. Stacking objects of the same shape makes use of vertical space, saving valuable horizontal space. Rolling an object reduces it to a tidy cylinder without creasing it, creating yet another form of repose for functionally flat things. Nesting several identically shaped objects of graduated sizes is known as ireko. Carrying things by hand makes them available for any occasion, by plan or on impulse. Consolidating is to bring together the multifarious systems of living into an integrated whole. Miniaturizing things is a way to bring even the universe down to the scale of a human hand. Transforming the face of things is another notable propensity in the Japanese life style. Each one is put to use in countless ways, suggesting principles and conceptions that encapsulate the wisdom of tradition. In this study I wishes to investigate the principals of Japanese traditional design and the applied case in fashion goods.

• 한국콘텐츠학회논문지
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• 제10권9호
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• pp.496-503
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• 2010

20세기 전기 미술교육은 표현주의와 실용주의 교육방법으로 일관되었다면, 후기 미술교육은 다양성, 대중성과 같은 시대의 욕구를 반영한다는 관점으로 해석될 수 있다. 이러한 상황에서 본 연구는 20세기 후기회화의 다양성과 미술교육에 대한 것이며, 특히 현대회화의 역사 속에 나타난 몇몇 미술가의 작품 양상을 비교 고찰함으로써 후기 모더니즘의 미술교육을 이해하려 한다. 20세기 후기회화에 나타난 다양한 이미지들은 파편적이고 분열적인 방식으로 증식되고 또 과거와 현재가 자유롭게 한 화면에서 결합되기도 한다. 따라서 본 연구에서 다루고자 하는 현대 미술가들의 다양한 표현은 20세기 전반기에 볼 수 없었던 새로운 표현이라 할 수 있다. 그러므로 이 연구는 오늘날 현 시대를 살고 있는 학생들에게 창의적인 매체접근을 길러주기 위함이며, 미술교육에 있어서 좀 더 다양한 양식표현과 이해를 돕고자 하는 관점 이다.

• 대한수학교육학회지:수학교육학연구
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• 제15권2호
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• pp.107-130
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• 2005

이 논문의 목적은 Dewey의 지식론과 교육론에 입각하여 'Dewey의 수학교육론'을 정립하고, 이를 바탕으로 Dewey의 수학교육론이 현대의 여러 수학교육 이론에 어떻게 반영되어 있는지를 밝히고자 하는 것이다. 이를 위하여 프래그머티즘 혹은 도구주의로 불려지는 Dewey의 지식론과, 교육은 경험의 재구성이라는 Dewey의 교육론을 고찰하였다. 이어서 Dewey의 수학교육론을 수학론, 수학교육 목적론, 내용론, 방법론으로 구분하여 체계적인 분석$\cdot$정리를 시도하였다. 그리고 그의 수학교육론이 Piaget의 조작적 구성주의, Freudenthal의 현실주의, Polya의 문제해결 그리고 구성주의 수학교육론 등에 어떻게 반영되어 있으며 어떤 관계를 맺고 있는가를 분석$\cdot$고찰하였다. 이 논문의 이러한 고찰은 Dewey의 수학교육론이 현대의 여러 수학교육 이론의 원형이며 수학교육 현상을 포괄적으로 바라볼 수 있는 하나의 패러다임임을 보여준다.

• 복식
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• 제25권
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• pp.5-20
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• 1995

The fashion of late Yi dynasty had explored a possibility of new fashional beauty from its own experiences throughout the history of Korean fashion excluding any interference of foreign fashions, and brought out some characteristics ; first, the aesthetical value focused on the more human fashion resulted in the exposure of waist. This aesthetical change in the fashion of late Yi dynasty produced out results as follows ; the length and width of jacket became short and narrow maintaining the basic form, while the width of skirt became increased to be contrasted exceptionally with the upper coat. This mode of fashion reveals the transitional movement from the emphasis on balance to that on unbalance in the late period of Yi dynasty. But regarding the fact that the proportional change by the ways of putting on skirt became to be similar to the golden ratio, we can see many examples throughout the folk paintings by Shin Yun bok, we find that the fashional beauty of that age pursued ideal harmony and unity all the time being in spite of its tendency toward non-refinement. Second, we see another peculiarity in the mode of woman's fashion from the paintings by Shin Yun-bok who always depicted the hu-man nature frankly. For example, the jacket became shorter to emphasize lady's slim waist, and underwears began to be exposed after the upper part of skirt had been to expose lady's waist while the bottom line pulled up highter than before. Thus, as the function of robe had changed from a mere means of covering into an expression of beauty, the fashion of late Yi dynasty began to express a perfectly new beauty possessing an erotic mood and sensu-ality of a woman, which was its inner aesthetic need. Third, this emergence of new fashional beauty made the mental value of man and the aesthetic views of that time quite different from the previous ones, and finally there came various expressions of a new beauty. There-fore, the woman's fashion of late Yi dynasty is noted for the exposure and emphasis on the body line of a woman after the aesthetic view-point had changed of time toward pragmatism and humanism, while upholding the traditions of Korean clothes and pride for the nation. And our ancestors realized very Korean fashional beauty by pursuing the expressional ways of gentle, indirect emphasis upon the feminine and natural beauty to exclude and ar-tificial, direct and straightforward exposures and images.

• 인문언어
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• 제6권
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• pp.51-75
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• 2004

Is there a pattern in history? How and why does social change occur? Are we to distinguish between the methods to be employed in the study of man and the study of nature? How does linguistic, or 'philological', knowledge contribute to unearthing historical facts? These are the queries that Vico grappled with throughout his life. Vico, however, was an outsider to the intellectual atmosphere of his own day, dismissed as obscure, speculative, and unsound. Only after his death did he begin to inspire enthusiasm among diverse readers, and as long as we remain concerned with the queries mentioned above, Vico's reflections will come alive with contemporary relevance. Actually he has been regarded as the founder--unrecognized by his contemporaries--of the philosophy of history and as a thinker whose ideas anticipated such later intellectual movements as historicism, pragmatism, existentialism, and structuralism. There are many among modern minds who find Vico fascinating for his view of myth as concrete thought and of an age of myth as a necessary age in the intellectual evolution of the human race. James Joyce, for one, was deeply impressed by Vico's view on myth, on metaphor, on Homer, on language, on psychology, and much else besides. 'My imagination grows when I read Vico,' he once confessed, 'as it doesn't when I read Freud or Jung.' Some philosophers, critics, psychologists, social scientists and even geographers would describe themselves as 'Vichians', sharing the view that Vico was a poet and a lawyer, a platonist and a baconian rolled into one. His refusal to be confined within any one discipline, his imaginative effort to understand different cultures, and his insight in dealing with some fundamental problems in the study of humanity all compel admiration and deserve to be emulated in our age--an age when the split between the literary and the scientific approaches to the understanding of society is widening into a chasm. Vico has left some of his most important ideas underdeveloped or even undeveloped, to be excavated and polished by us afier our own fashion. It is surprising that Vico is still a man of obscure name in the academia of our country, Korea.

• 에너지공학
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• 제25권4호
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• pp.110-123
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• 2016

산업화에 따른 에너지 소비량의 증가와 지구온난화에 따른 환경 문제가 대두되면서 세계 각국은 안정적이고 환경친화적인 에너지자원인 신재생에너지의 보급을 촉진하고자 지원정책을 운영하고 있다. 본 연구에서는 주요국의 정책 동향 변화와 국내 의무할당제도를 실용주의 산업정책 제도설계 구성요소인 정치적 리더십, 정책조정과 협의 기구, 책임성 및 투명성 있는 정책의 집행의 관점에서 비교 분석을 통해 문제점을 도출하고, 신재생에너지 지원정책의 성공적인 운영을 위하여 실용주의 산업정책 기본 개념을 근거로 정책적인 제언을 제시하였다.

• 한국의상디자인학회지
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• 제8권1호
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• pp.155-168
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• 2006

The purpose of this study focusing on the gather decorations shown in the modern fashion was to review needlework techniques and design features of gather decorations and thereupon, analyze the aesthetic characteristics of gather decorations shown in designers' works to examine the gather decoration trend in today's fashion. First, the decorative features of gather decorations different from the conventional costumes are shirring, lace and trimming combined or shirring repeated. Second, in view of sensualism, the gather decorations seem to play a role of enhancing the exposure as a mode of expression, while the indirect exposure or beach is mixed with the materials to widen the range of gather decoration expressions. Third, in terms of history, the conventional decorative techniques are combined with new techniques and materials to create a fantastic and romantic mood different from the conventional costumes. Fourth, in view of rhythms, the wave line of the rim for gather decorations serves to express some vivid effects; on the human body, its monotonous plane repetition will turn into a new expression or a voluminous physical sense of motion. However, since expressions or meanings of the gather decorations are much diversified, they should not be regarded as simple decoration details. Our modern designers searching for new expression of creases use unique structural forms to explore the possibility of creative gather decorations. In all, since gather decorations seem to be significant as unique details conducive to a structural pragmatism and aesthetics, it is deemed necessary to continue to develop gather decorations.