• 제목/요약/키워드: pluralism

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Sikh and CaoDai Understandings of Interfaith Harmony: Promoting a Culture of Peace and Understanding

  • Mohammad Jahangir ALAM;Injamam Mahbub MOJUMDER
    • 대순사상과 동아시아종교
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    • 제3권1호
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    • pp.129-151
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    • 2023
  • The concept of interfaith harmony is one of the key issues for discussion in this contemporary world. It has multifaceted implications that range from pedagogical realms to global policy making. Here we focus on the basic concepts of interfaith harmony from Sikh and Cao Dai perspectives in order to address their viewpoints in regard to promoting culture of Peace and Understanding. Although these religions are new as compared to the existing living religions of the world, they found their new identity in the history of world religions for their unique concepts of interfaith harmony. In this article, the concept of interfaith harmony has been analyzed from two perspectives such as theological and socio-historical. For a systematic understanding of the subject matter, it has been categorized into three subpoints; unity of God, unity of religions and unity of humanity. Methodologically, the qualitative methodological framework of the proposed research is descriptive in nature. Thus, the present research has been primarily conducted by using secondary sources, although the crucial information is collected from primary sources such as the sacred texts of Sikhism and Caodaism. Since this study is done considering the social, political and religious contexts of India and Vietnam, it can contribute to the understanding of the nature of interfaith harmony in South and South-East Asia.

Coop Himmelblau의 ‘열린 공간’ 개념에 관한 연구 (A Study on the concept of 'Open space' in Coop Himmelblau's)

  • 윤재은;이규홍
    • 한국실내디자인학회논문집
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    • 제40호
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    • pp.34-41
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    • 2003
  • A purpose of this study is to comprehend a concept of 'Open Space', realization of a deconstruction, presented in his works, based on a deconstruction and surrealism Coop Himmelblau's philosophical contemplation and to look into how this concept is interpreted in spaces. A concept of 'Open Space' is functioned as not a singular meaning but a multiple meaning accompanied with other formative ingredient and contemplation, scientific paradigm and a realation with a surroundings. The concept of 'Open Space' in their architentural space is applied. First, the space openness that represents to the extreme a concept 'Open Space', as a 3D designing ways that demolishes a structure and outgrows an ex siting thinking pattern, represents multiple grade spaces and an anti-gravity space. In a material, using glass and iron provides a spacial transparency and through this, visibly liberal sense that an interior and exterior is felt as an unification. Second, an non-expressive box pattern repulses to a spatial rank nature, outgrowing an uniform geometrical system, through demolishing a geometrical system, an edge and fold pattern. This is, as an anti-gravity, dynamic a typical structure, outgrowing an orthogonal system, interpreted as a composite meaning without division in spatial area. Third, the collage is used to represent a complexity and pluralism in representing 'Open space'. The collage that forms a image through combining a fragmentary elements into being a space change, composite constitution and spatial amusement. Thus, It is worthwhile to study how the collage that forms a diverse shape will be developed making what impact as an age and surroundings changed. As we contemplate in former part, Coop Himmelblou has deployed 'deconstruction beyond deconstruction' realm as just their midterm concept in their works like the words 'The architecture must climb', the deconstructive architect. A studying for their works reflecting the 'Open Space' concept based on deconstruction must be lasted and this enables us to comprehend space concept containing an architecture and interior design.

1990년대와 2000년대의 그런지(Grung) 패션에 관한 연구 (A Study on The Grunge Fashion of the 1990's and 2000's)

  • 정유경;금기숙
    • 한국의류학회지
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    • 제29권3_4호
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    • pp.449-461
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    • 2005
  • The purpose of this study is to rediscover the hidden value of non-mainstreamers style which has been overlooked for the past decade by investigate the aesthetics and formative features of the Grunge fashion. The Grunge fashion was derived from explosive popularity of the early 90's grunge music. Grunge was the alternative anti-thesis against mainstream pop music and anti-fashion against mainstream fashion. Dirty, rubbish grunge style of the poor street youth and grunge musicians have raised to the high fashion by designers. And These trial of designers made people to notice the value of the non-mainstreamers street style like grunge. Actually, the grunge brought the shock with many argument to the 90's fashion field. But now, It became the classic of the street fashion. And It has potent influence on the music, culture and high fashion. The Grunge is a kind of links between music and fashion, street fashion and high fashion, sub culture and mainstream culture, the past and now. Grunge isn't only a fashion of appearance. It is the attitude of wearing clothes and living a life. Variety grunge style in the international street fashion, high fashion, typical musicians's fashion of the 1990's and the 2000's was researched for this study. These materials were gathered from music magazines, fashion magazines, movies, musics and books. As a results of analysis, Grunge has the formative features like mix & match, layering, patchwork, primitive edge, rag, retro, recycle, kinderwhore, sneer scribbling, disheveled hair. Grunge also has the Aesthetic features like the beauty of $disorder{\cdot}\;disharmony{\cdot}\;incompleteness{\cdot}\;kitsch{\cdot}\;poverty{\cdot}\;alternative{\cdot}\;eclectic{\cdot}$symbiosis. For the last 10 years, These features changed our fashion be more pluralistic and dynamic.

스팀펑크 특성을 활용한 패션디자인 개발 (The development of fashion design utilizing the characteristics of steampunk)

  • 장호;윤정아;이연희
    • 복식문화연구
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    • 제24권5호
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    • pp.561-576
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    • 2016
  • Born in the 19th century as an intermediate between the past and the future, steampunk provides a strong feeling of fantasy. The objective of this research is to understand the utilization of steampunk in all realms through an in-depth literature review and empirical study. Taking the findings as a foundation, we will analyze examples shown in fashion designs that are put into real production, and those designs that can provide inspiration for further design development. The research methodology will constitute a major analysis of advanced research, internet materials, and literature. Photo materials will be collected from professional websites for steampunk. The product method such as follows. Firstly, we will classify the internal meaning of characteristics in steampunk that are similar to the characteristics that are being researched, then take it as the standard and arrange to integrate all five features: restoration, pluralism, duplicity, resistibility and abnormality. We will spread out the design based on images from advanced research. Secondly, in order for to design a steampunk product, I decided on four themes: devastated environment, brutal wars, cool-headed machinery, and the overlap of the future and the past. Inspiration was acquired from representative movies and animations featuring steampunk. Thus, new directions for fashion design with steampunk features can be discovered. It raises the feasibility of this combination in modern society. In the future with the development of technology, it functions as a design that is easy for users to approach.

중국의 중서의회통파에 대한 연구동향과 한국 한의계가 얻을 수 있는 교훈 (Research Trends on the 'Convergence of Chinese and Western Medicine' in China, and Lessons Learned)

  • 이충열
    • 한국의사학회지
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    • 제30권2호
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    • pp.13-31
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    • 2017
  • This study investigates research trends on the Convergence of Chinese and Western Medicine (中西醫匯通, CCWM), by first defining the concepts and the scope of this emerging field, identifying different types of convergence, and suggesting methods to evaluate the process. The author investigates the relationship of CCWM to the Self-Strengthening Movement and the doctrine of Zhongtixiyong (中體西用). Lessons that Korean Medicine (KM) can learn from this approachto help establish relationship between Korean and Western Medicine, are investigated. Proponents of CCWM suggest different types of convergence such as Zhongzhongcanxi (衷中參西), Zhongxizhezhong (中西折衷), and ZhongyiKexuehua (中醫科學化), to accommodate the change in the power dynamics between Chinese and Western medicines. The rigid dual medical system in Korea significantly hinders the potential for convergence. The current system is based on the relativistic model in which the scope of practice for the KM doctor and the Western Medicine doctor are mutually exclusive. Philosophically, the convergence of East-West medicine can be supported by pluralism and monism, while relativism sees it as impossible. A conservative pluralistic model might consider Bogu (補救) of Eastern Medicine, while a more progressive pluralistic model might build a New Medicine which combines the knowledge and techniques of Eastern and Western medicines. An example of monistic model is CAM (Complementary and Alternative Medicine), which aims to scientifically verify the efficacy and safety of the Eastern therapeutic practices and integrate them into Western medicine. This article proposes that as communication and fusion between medical disciplines are essential virtues of contemporary scholarly development, a change that enables the convergence of East-West medicine is needed.

현대 직물디자인에 나타난 절충주의적 경향과 특징 (Eclectic Trends and Characteristics in Modern Textile Design)

  • 박남성
    • 디자인학연구
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    • 제19권1호
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    • pp.303-316
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    • 2006
  • 새로운 미의식의 창조를 위해 이질적이고 대립적인 요소를 융합 혼합하는 절충주의는 다양성, 다원화에 기초하므로서 개성화, 다양화를 추구하는 현대인의 요구에 부합되어 각광 받고 있다. 본 연구는 현대직물디자인에 표현된 절충주의 양식을 파악하기 위하여 현대예술분야를 통해 그 특성을 규명하고 이를 직물디자인에 적용시켜 새로운 경향이 제시한 미적 효과와 조형적 특성을 고찰하므로서 현대직물디자인의 변화양상을 이해하고자 하였다. 연구결과 현대 직물디자인에 나타난 경향은 다음의 3개로 구별되는데, 1) 문화적 절충에 의한 고급문화와 저급문화의 복합, 2) 시대적 절충에 의한 다양한 시대적 감각의 융합, 3) 지역적 절충에 의한 지역적 특성의 혼합으로 나타나며, 이러한 경향으로 본 직물디자인의 특징은 1) 직물디자인에 대한 시각의 전환을 가져왔고, 2) 유희적 표현을 중시하였으며 3) 다문화적 표현이 강조되고 있다. 이와 같이 직물디자인의 절충주의적 경향은 다변화되고 있는 현대 사회를 대변해주고 미래 직물디자인을 위한 하나의 가능성을 제시하여 주므로서 이에 대한 연구는 지속적으로 필요하다.

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현대 패선 디자인에 나타난 고저스 이미지 경향에 관한 연구 (A Study on the Tendency of Gorgeous Image in Modern Fashion Design)

  • 이언영;이인성
    • 대한가정학회지
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    • 제42권10호
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    • pp.115-128
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    • 2004
  • Social structure has diversified, and changed into the form of pluralism since entering the 21st century. Specially, entering in the 21st century modem fashion is expressed to the luxurious feminism which expresses sensual, strong, and decorative elegant based on the womanly beauty. The gorgeous image is a splendid and luxurious image. Also it is the fashion image which is expressed strongly by the decorative detail elements among the design components. Then, it appears often in modem fashion as the pursuit image of modem persons. Therefore, the purpose of this study was not only to analyze the meaning providence and the diagnostic elements about the gorgeous image that appears often in modem fashion, but also to help the various fashion image representations by arranging the presenting principle and the method of fashion image systematically setting in the trend toward modem fashion. The method of this study was a theoretical research of the literature materials concerned with fashion images by the clothes. Also, the questionnaires were completed by selected specialists as investigation subjects who were variously engaged in the fashion-related fields in order to research the gorgeous image. In the above results. the gorgeous image's diagnostic constituent was grasped laying stress on the characteristic of the clothes. Then, the whole concept named Luxury Imagination was chosen, and 4 suits of the gorgeous image were produced by these results In the diversified and personalized modem fashion with he above results the flowing of the gorgeous image is the part able to be expressed exactly in the view of the image pursued by the public.

결혼이민자가정 고부갈등의 맥락적 요인에 대한 탐색적 연구: 시어머니와 며느리의 인터뷰를 중심으로 (Contextual Factors in Conflicts in Multicultural Mother and Daughter In-law Relationships: A Qualitative Approach with Dyadic In-depth Interviews)

  • 강혜경;어성연
    • Human Ecology Research
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    • 제52권4호
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    • pp.355-369
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    • 2014
  • The in-law relationship traditionally plays a major role in Korean marriages and families because parents-in-law prefer to stay with their son under the same roof. The recent spike in the number of intercultural matches in South Korea may be provoking changes in the traditional family experience. The object of this qualitative study was to explore the contextual factors causing conflicts between mothers-in-law and their daughters-in-law in multicultural families. Six mother and daughter in-law dyads from rural areas of South Korea were recruited and interviewed. We found that the mothers-in-law and daughters-in-law had had different motives for the marriage at first. Five major themes emerged from the analysis of the dyadic interviews: the conflicts of the participants were embedded in the alternative family formation, in financial strains and the power structure, barriers in communication, cultural insensitivity and conflicts between value systems, as well as in role conflicts due to differing role expectations and hegemony. In conclusion, the authors of this study suggest that increasing cultural sensitivity and communication skills in immigrant daughter-in-law an Korean mother-in-law relationships will be crucial for a healthy in-law relationship. The need for the availability of Multicultural Family Centers' services in the community was highlighted. In order for mothers-in-law and daughters-in-law to form positive relationships, it is important to facilitate a variety of easily accessible educational programs in the community focusing on fostering the mother-in-law's understanding of the daughter-in-law's perspective.

노무현 정부의 복지재정분권정책에 따른 지방정부 사회복지재정 실태 분석 및 정책적 개선방안 (Analysis of Local Government Welfare Finance Caused by Welfare Finance Decentralization of Roh Moo-Hyun Government)

  • 박병현
    • 한국사회복지학
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    • 제60권1호
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    • pp.159-185
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    • 2008
  • 본 연구에서는 노무현 정부의 복지재정분권정책에 따른 지방정부의 사회복지재정의 실태를 분석하고 정책적 개선방안을 제시했다. 노무현 정부 기간 동안 지방정부 재정에서 차지하는 사회복지지출이 크게 늘어났으며 이로 인해 지방자치단체에서 부담해야 하는 사회복지지출 또한 크게 늘어났다. 지방재정에서 사회복지지출이 차지하는 비중이 크게 늘어난 이유는 중앙정부가 사회복지정책을 크게 확장하면서 지방정부의 부담도 같은 수준으로 늘어난 것과, 재정분권을 추진하면서 신설한 중앙정부에서 지방정부로 교부되는 분권교부세가 너무 낮게 책정되었기 때문이다. 또 다른 변화는 지방정부의 사회복지비 부담이 늘어나면서 자치구 간에 수평적 재정불균등이 나타났다. 이러한 문제점들을 해소하기 위해서는 중앙정부와 지방정부간 재정관계를 재정비하고, 급증하는 지방의 사회복지욕구를 반영하기 위해 지방교부세 제도의 복지기능을 강화하고, 2010년에 보통교부세로 전환되는 분권교부세도 보완될 필요가 있다.

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A Study on the Postmodernism Tendency Expressed in Hedi Slimane's Men's Wear Design - Focusing on the Comparison Between the Collection of Dior Homme and Yves Saint Laurent -

  • Lee, Misuk;Luo, QingQing
    • 패션비즈니스
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    • 제19권6호
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    • pp.58-73
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    • 2015
  • The purpose of this study is to examine the characteristics of men's wear designs unveiled while Hedi Slimane worked for Dior Homme and Yves Saint Laurent. The study will analyze and focusing on the modernistic characteristics in order to discover the postmodernism trends in his works. The results of the research are as follows. First, Hedi Slimane's fashion style can be cited as grunge and punk due to the trend of expressing the subculture of postmodernism. The design features shown in Dior Homme were straight lines, leather, metallic materials and dark colors used to reinterpret a grungy punk style, romantic patterns, glossy materials, elastic leather, and bright colors were the salient features of Yves Saint Laurent. Second, the feature of cultural pluralism of postmodernism appeared as a type ethnic style. He presented this through the Third World images in the Dior Homme but Spanish matador images, Marrakech's images and North African images in the Yves Saint Laurent. Third, he feature of his style is metrosexual feminizing men's fashion and breaking up gender stereotypes. I-type and X-type silhouettes that emphasize the human body and feminine design motifs such as a skirt are dominated in Dior Homme, and he completed the metrosexual style by using materials, colors and patterns such as bright feminine pink, red, laces, fur, floral and leopard prints, as well as flagrantly expressing body contour.