• Journal of the Korea Academia-Industrial cooperation Society
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• v.18 no.5
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• pp.29-34
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• 2017

In this paper, we report a method of improving the productivity of lead wire fabricated through the rolling process by increasing its linear velocity. The most important point to consider when raising the linear velocity is that the original specifications must still be adhered to. In other words, the dimensional tolerance must be satisfied when increasing the linear velocity of the wire without causing cracks. However, if the linear velocity of the wire is increased, the degree of reduction must also be increased, which causes more damage to the wire and increases the load on its surface. Therefore, we studied a three step rolling process which can satisfy the specifications of the wire produced through the two step rolling process and improve the productivity. In this study, only the roll gap of the three-stage rolling roller is assumed to be a variable, while the other conditions are the same as the field conditions. In addition, through the PIANO (Process Integration, Design and Optimization) tool, the (optimum?) surface roughness and maximum stress are maintained.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.27 no.6A
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• pp.610-617
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• 2002

In this paper, a new intermediate view reconstruction technique by using a disparity estimation method based-on the adaptive matching window size is proposed. In the proposed method, once the feature values are extracted from the input stereo image, then the matching window size for the intermediate view reconstruction is adaptively selected in accordance with the magnitude of this feature values. That is, coarse matching is performed in the region having smaller feature values while accurate matching is carried out in the region having larger feature values by comparing with the predetermined threshold value. Accordingly, this new approach is not only able to reduce the mismatching probability of the disparity vector mostly happened in the accurate disparity estimation with a small matching window size, but is also able to reduce the blocking effect occurred in the disparity estimation with a large matching window size. Some experimental results on the 'Parts' and 'Piano' images show that the proposed method improves the PSNR about 2.32∼4.16dB and reduces the execution time to about 39.34∼65.58% than those of the conventional matching methods.

• Journal of Advanced Navigation Technology
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• v.19 no.4
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• pp.278-287
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• 2015

The potential impact of aircraft emissions on the current and projected climate of our planet is one of the more important environmental issues facing the aviation industry. Increasing concern over the potential negative effects of greenhouse gas emissions has motivated the development of an aircraft emission estimation and prediction system as one of the ways to reduce aircraft emissions and mitigate the impact of aviation on climate. Hence, in this research, using Piano-X software which was developed by Lissys Co., fuel consumption and emissions for 3 types of aircraft were estimated for different design payloads with various flight distances and flight paths. Fuel burns for economy speed, long range cruise speed, maximum range speed were also investigated with various flight distances and altitudes.

• Journal of Biosystems Engineering
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• v.28 no.6
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• pp.485-490
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• 2003

Flexural rigidity(EI) and deflection characteristics of rice stalks were studied to investigate the mechanical interaction between a rice stalk and a combine reel in harvesting. Deflection of a rice stalk caused by reel operation is so large that conventional equation of small deflection fer elastic beam cannot be applied to the study of deflection characteristics. Therefore, an equation of large deflection for elastic beam was introduced in this study. Feasibility of this equation was examined by comparing theoretical calculation with the measured results for piano wire, and by the relationship between deflection and load acting on a rice stalk which was presumed by this equation. Results showed that the large deflection equation could predict the measurement data quite well. From this research, the following results were obtained. 1. Flexural rigidity(EI) calculated from the equation of large deflection was 4.0${\times}$l0$^4$N$.$$\textrm{mm}^2$(diameter 1.4mm, deflection 300mm) while the actual EI value of a piano wire(diameter 1.4mm) was 3.9${\times}$10$^4$N$.$$\textrm{mm}^2$. 2. The relationship between deflection and load acting on a rice stalk could be presumed by the large deflection equation. Flexural rigidity values of tested rice stalks calculated from the equation of large deflection were 1.6∼2.4${\times}$ l0$^4$N$.$$\textrm{mm}^2$(Hwa sung), 2.7∼3.5${\times}$ l0$^4$N$.$$\textrm{mm}^2$(Il pum) and 1.7∼2.4${\times}$ l0$^4$N$.$$\textrm{mm}^2$(Damakum)

• Proceedings of the Korea Water Resources Association Conference
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• 2022.05a
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• pp.258-258
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• 2022

물넘이 형식에는 수문과 밸브로 조절할 수 있는 조절형식, 개수로 및 관수로 형식의 자연적으로 수위조절이 되는 비조절형식, 레버린스(Labyrinth), 피아노건반(Piano Key Weir), 사이펀(Siphon) 등의 특수형식으로 구분할 수 있다. 이 중에서 피아노건반 물넘이는 레버린스 물넘이를 피아노건반 모양으로 개량한 것으로 2003년 알제리 Biska 대학의 Quamane 교수에 의해 제안되었다. 제한된 물넘이 폭에 물넘이의 길이를 연장하여 방류능력을 증가시키는 효과를 나타내는 물넘이 형식으로 여수로의 월류수심을 낮게 유지하면서 방류량을 증가시킬 수 있다. 피아노건반 물넘이는 2006년에 프랑스에서 최초로 적용되었으며, 현재까지 약 30여 지역(프랑스, 베트남, 호주 등)의 댐에 적용되었다. 본 연구에서는 국내 저수지를 대상으로 여수로에 피아노건반 물넘이를 적용하여 방류능력과 수리적 안정성 검토를 위해 농어촌연구원 국제융합수리시험센터에서 수리모형실험을 수행하였다. 농어촌연구원은 2018년도에 기존 수리모형실험 시설을 확장하여 가로 250m, 세로 102m의 국내 최대규모의 실내 수리모형실험 시설을 준공하였고, 대형유사순환수로, 고정식 급경사수로, PIV 전용실험수로 등 기능별 7종의 실험수로를 갖추고 있다. 수리실험은 Froude 상사에 의한 축척을 적용하여 모형을 제작하였고, 기존의 수리시설과 하류하천까지 포함하여 70m(L)×20(B)×2m(H) 규모이다. 실험은 유량을 다양하게 변화시키면서 수위-방류량을 검토하였고, PMF 홍수위에서 방류량이 배제 가능한지 검토하였다. 또한, 물넘이의 안정성 검토를 위한 접근유속을 게측하였고, 물넘이를 통해 월류하는 흐름의 유황을 분석하여 수리학적으로 안정한 흐름이 발생하는지 검토하였다.

• The Journal of the Convergence on Culture Technology
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• v.8 no.3
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• pp.43-50
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• 2022

Claude Debussy's is a solo piano piece written in 1894. However, for unknown reasons, the entire piece was not published until 1977, despite clear evidence that Debussy intended to publish it during his lifetime. Interestingly, the second movement of the three pieces comprised in the work was published independently in February 1896 through the Parisian periodical Le Grand Journal. Partly because the work was recently published, it remains relatively more unknown to pianists and music lovers than other piano solo pieces by Debussy. Thus, this article addresses in detail the compositional background of this work, focusing on why the work was not published during Debussy's lifetime. Furthermore, by analyzing this piece in detail, this article intends to discuss the stylistic characteristics of the work regarding its melody, phrase structure, harmony, and form. This survey, which would help understand the musical style embodied in this piece, aims to contribute to improving the awareness of the work.

• The Journal of the Acoustical Society of Korea
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• v.43 no.2
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• pp.207-213
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• 2024

In this paper, we study how to improve the performance of a machine learning-based automatic music transcription model by adding musical information to the input data. Where, the added musical information is information on the number of pitches that occur in each time frame, and which is obtained by counting the number of notes activated in the answer sheet. The obtained information on the number of pitches was used by concatenating it to the log mel-spectrogram, which is the input of the existing model. In this study, we use the automatic music transcription model included the four types of block predicting four types of musical information, we demonstrate that a simple method of adding pitch number information corresponding to the music information to be predicted by each block to the existing input was helpful in training the model. In order to evaluate the performance improvement proceed with an experiment using MIDI Aligned Piano Sounds (MAPS) data, as a result, when using all pitch number information, performance improvement was confirmed by 9.7 % in frame-based F1 score and 21.8 % in note-based F1 score including offset.

• Journal of Digital Contents Society
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• v.12 no.4
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• pp.575-583
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• 2011

Due to the development of mobile devices and communication technology, cell phones have radically evolved from portable phones into smartphones and provided variety of services to a society. This paper presents Multi-user Musical Instrument application for smart phones based on band instruments such as piano, guitar, bass guitar, and drum. This application makes music playing from smartphone to integrative music data stream using the synchronization function of server. In addition, user can play it of smartphone efficiently by implementing a graphic user interface similar to real musical instruments.

• Journal of architectural history
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• v.5 no.1 s.9
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• pp.113-122
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• 1996

Cette etude vise a reveler une verite du Nouveau Brutalisme des Smithson (Alison et Peter). Nous examinerons donc d'abord l'universalitf de leur oeuvre representatif, Ecole Secondaire de Hunstanton(projet, 1949; concours, 1950; construction, 1951-1954) et projet de Maison Soho a Londres(1952) comme un mouvement architectural. Et apres nous trouverons la faussete de leur but, realisation de l'ethique architecturale, sur ce mouvement en comparant les oeuvres des Smithson avec les deux constructions considerees souvent comme la categorie du Nouveau Brutalisme, la Calorie d'Art de l'Universite Yale(1951-1953) realisee par Louis I. Kahn(1901-1974) et le Centre Cuturelle de Georges-Pompodou(1971-1977) par Renzo Piano et Richard Rogers. En resultat, l'etique de Nouveau Brutalisme soutenue par les Smithson et defendue par Reyner Banham etait seulement pour cacher low limite architecturale et sa faiblesse. Ce mouvement etait aussi un mouvement personel plutot que general. On ne pourrait pas donc considerer les Smithson comme nouveaux brutalistes.

• Proceedings of the Korean Information Science Society Conference
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• 2011.06b
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• pp.237-239
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• 2011

기존의 오선지를 이용하여 음악을 시각적으로 표현하는 방법은 오선 기보법에 익숙하지 않은 일반 사용자들이 많은 양의 음악적 지식을 습득해야 한다는 제약을 가지고 있다. 현재는 이러한 한계를 개선한 직관적인 음악 표기법 중에서 피아노 롤 표기법이 많이 사용되고 있으나 모바일 환경에서는 단말기 화면 크기의 제약으로 인해 사용자가 원하는 위치에 정확히 음표를 입력하기 불편하다는 문제가 있다. 따라서 모바일 환경에서는 사용자가 월하지 않는 부정확한 입력이 이뤄졌을 경우 빠른 수정이 가능한 직관적인 인터랙티브 인터페이스가 요구된다. 따라서 본 논문에서는 옥타브 줌인/아웃과 함께 기존의 피아노 롤 표기법에서 사용되는 음표를 막대 모양으로 변형시켜 이를 사용자가 터치 앤드래그하여 입력할 수 있는 모바일용 음표 입력 인터페이스를 제안한다.