• Phonetics and Speech Sciences
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• v.9 no.3
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• pp.17-23
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• 2017

The present study investigates the effect of Accentual Phrase on F0 using a subset of large-scale corpus of Seoul Korean. Four syllable words which were neither preceded nor followed by silent pauses were presumed to be canonical exemplars of Accentual Phrases in Korean. These four syllable words were extracted from female speakers' speech samples. Growth curve analyses, combination of regression and polynomial curve fitting, were applied to the four syllable words. Four syllable words were divided into four groups depending on the categorical status of the initial segment: voiceless obstruents, voiced obstruents, sonorants, and vowels. Results of growth curve analyses indicate that initial segment types have an effect on the F0 (in semitone) in the nucleus of the initial syllable, and the cubic polynomial term revealed that some of the medial low tones in the 4 syllable words may be guided by the principle of contrast maximization, while others may be governed by the principle of ease of articulation.

• Speech Sciences
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• v.8 no.2
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• pp.149-163
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• 2001

This paper investigates the manner in which various. syntactic structures with a single meaning implement a consistent intonational pattern by examining English conditional clauses. In the phonetic experiment, we explore the edge tones in three different syntactic clauses which are semantically interpreted as a single conditional meaning (an if-clause, a clause with no if. and a clause with no if but followed by and) and compare them with the edge tone realized in a clause which is not interpreted as a conditional meaning. We also investigate the tonal differences resulting from the semantic difference between conditional and non-conditional meanings. That is, the conditional clauses expressed in three different syntactic structures show a consistent intonational pattern in their clausefinal boundaries; a rising contour (H- or H%) is realized at the edge of the intermediate phrases (ip) or intonational phrases (IP) in 89% of the if-clauses, 72% of the clauses with no if, and 79% of the clauses with no if but followed by and. On the other hand, 82% of the non-conditional clauses have a falling contour (L- or L-L%) in their final edge. Statistically, Chi-Square tests show that these percentages are all significantly higher, which suggests that a conditional meaning implements a consistent intonational pattern though it is expressed through different syntactic structures. Therefore, the result supports Bolinger's (1989) claim that intonation makes an important contribution to discourse interpretation.

• MALSORI
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• no.63
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• pp.85-100
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• 2007

This paper aims to propose how to extract intonation patterns using Momel, a pitch stylization algorithm, and to present results of analyzing speech corpora in comparison with those in earlier researches. Two speech corpora are used: one is the sound files obtained from the K-ToBI web site, and the other consists of 80 passages pronounced by 4 speakers (2 male and 2 female). The results show that Momel provides significant pitch targets which can be labeled as H and L tones within prosodic units such as Accentual Phrase (AP) and Intonation Phrase (IP). The resulting AP patterns and IP boundary tone patterns correspond to those in earlier researches. Thus, this study will contribute to the study of intonation as well as to the development of automatic intonation labeling systems.

• Phonetics and Speech Sciences
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• v.8 no.4
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• pp.71-78
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• 2016

The purpose of this study is to investigate the effect of Japanese(L1) on the production of Korean accentual phrases(L2). Korean and Japanese have a similar prosodic structure. But different from Korean, Japanese is a pitch accent language. So each word has its own pitch accent. And pitch accents are maintained in the sentence intonation. This difference will have a negative influence on the production of Korean sentence intonation. For this study 4 Korean natives speakers and 10 advanced Japanese learners of Korean participated in the production test. The material analysed constituted 11 Korean sentences, six of which contain formally identical Sino-Korean and Sino-Japanese words. The results show that the initial pitch pattern of Korean accentual phrases was affected by Japanese pitch accent types and this interference was greater for formally identical Sino-Korean and Sino-Japanese words. But besides initial tones of accentual phrase, some positive interference was observed in the internal tonal pattern of accentual phrase. In the phonetic realization, the internal pitch range and initial pitch rising of accentual phrases was greater for Japanese learners of Korean than native speakers of Korean.

• The Journal of the Acoustical Society of Korea
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• v.24 no.2
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• pp.117-126
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• 2005

This study investigates the prosodic characteristics of Korean through the analysis of a large database. One female and one male speakers each read 650 sentences and they were segmentally and prosodically labeled. Statistical analyses were done on these utterances regarding the tonal pattern and the size of prosodic units, correlation between the size of higher level prosodic units and the number of lower level prosodic units. and the slope and F0 of the falling and rising contours of an accentual phrase. The results showed that the duration and the number of words and syllables of a prosodic unit were significantly different not only between speakers but also between its positions within a higher level prosodic nit. The munber of a prosodic unit showed a high correlation with the duration and the number of syllables of its higher level units. The slope of the falling contour within an accentual phrase was inversely Proportional to the number of its syllables. The slope was different depending on the first tone type of an accentual phrase, which could be explained with the F0 rising and the different amount of rising between tones when an accentual phrase starts with an H tone. The slope of the falling contour across an accentual phrase boundary showed a constant and larger value compared to one within an accentual phrase. The rising contours in the beginning and end of an accentual Phrase were similar in their slopes but they differ in the amount of F0 change : the former showed a larger amount of change. The slope of the rising contour which forms an accentual Phrase on its own was inversely Proportional to the number of its syllables.

• The Journal of the Acoustical Society of Korea
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• v.18 no.6
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• pp.84-88
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• 1999

The accurate estimation of segmental duration is crucial for natural-sounding text-to-speech synthesis. For predicting Korean segmental durations, conventional methods utilized phonemic context, part-of-speech context and locational information in prosodic phrase. In this paper, the tonal information of phonemes is employed for more accurate prediction. After defining two non-boundary tones and six boundary tones, we annotated the tonal label on each syllable of 400 sentences. To predict segmental duration using tonal information, we constructed neural networks with a real-valued output node predicting phonemic duration and trained them by backpropagation algorithm. Experimental results showed that the proposed features are effective for predicting Korean segmental durations, and we got 0.863 correlation coefficient of the observed durations and predicted ones.

• Speech Sciences
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• v.15 no.2
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• pp.21-30
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• 2008

The current study investigated distributional properties of the Korean Accentual Phrase and their implication to word segmentation. The properties examined were the frequency of various AP tonal patterns, the types of tonal patterns that are imposed upon content words, and the average number and temporal location of content words within the AP. A total of 414 sentences from the Read speech corpus and the Radio corpus were used for the data analysis. The results showed that the 84% of the APs contained one content word, and that almost 90% of the content words are located in AP-initial position. When the AP-initial onset was not an aspirated or tense consonant, the most common AP patterns were LH, LHH, and LHLH (78%), and 88% of the multisyllabic content words start with a rising tone in AP-initial position. When the AP-initial onset was an aspirated or tense consonant, the most common AP patterns were HH, HHLH, and HHL (72%), and 74% of the multisyllabic content words start with a level H tone in AP-initial position. The data further showed that 84.1% of APs end with the final H tone. The findings provide valuable information about the prosodic pattern and structure of Korean APs, and account for the results of a previous study which showed that Korean listeners are sensitive to AP-initial rising and AP-final high tones (Kim, 2007). This is in line with other cross-linguistic research which has revealed the correlation between prosodic probability and speech processing strategy.

• Speech Sciences
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• v.2
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• pp.159-172
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• 1997

This paper proposes a prosodic representation system of the Kyungnam dialect of Korean, based on the ToBI system. In this system, diverse intonation patterns are transcribed on the four parallel tiers: a tone tier, a break index tier, an orthographic tier, and a miscellaneous tier. The tone tier employs pitch accents, phrase accents, and boundary tones marked with diacritics in order to represent various pitch events. The break index tier uses five break indices, numbered from 0 to 4, in order to represent degrees of connectiveness in speech by associating each inter-word position with a break index. In this, each break index represents a boundary of some kind of constituent. This system can contribute not only to a more detailed theory connecting prosody, syntax, and intonation, but also to current text-to-speech synthesis approaches, speech recognition, and other quantitative computational modellings.

• Proceedings of the KSPS conference
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• 1996.02a
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• pp.157-172
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• 1996

This study aims to suggest some theoretical methodology for analysis of the prosodic patterns in Korean Read Speech. The engineering effort relevant to the phonetic study has focused to the importance of prosodic phrasing which may play a major role in analyzing the phonetic DB. Before establishing the prosodic phrase as the prosodic unit, we should describe the features of the boundary signal in a target sentence. With this in mind, the general characteristics of Read Speech and the ToBI(tones and Break Indices), which has been currently in vogue with respect to the prosodic labelling system were presented as the first step. The concrete analysis was carried out with the fable 'North Wind and the Sun' Korean version, where about 25 prosodic units were discriminated by perceptual approach for 5 subjects. Establishing various informations which can be used for deciding a boundary position systematically, we can proceed to the next, viz. acoustic analysis of prosodic unit. The most important which we primarily study for improving the naturalness of synthetic speech may be, at first, detecting the boundary signals in the speech file and accordingly reestablishment it within the raw text.

• (The) Research of the performance art and culture
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• no.37
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• pp.391-435
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• 2018

This is the first study in Musicology that discusses the features of Kangwon Sangkangrye(the pre-lecture ritual in Buddhism). In this thesis, I reviewed and compared the similarity and uniqueness between Kangwon Sangkangrye in "Seokmunuibom" and the one being performed these days. The musical relation between the performance shown in the historical record and the one in contemporary ritual was illustrated here based on the findings derived from the anlaysis on its bell(小鐘) performance. The analysis made upon musical sources recorded on-site shows the characteristics of contemporary Kangwon Sangkangrye. Following is a brief summary of this study. The review and comparison between Kangwon Sangkangrae in "Seokmunuibom" and the one being performed these days showed that the second type, which was significantly different from the first type, was closer to that of the historical record. The performers at Unmunsa Temple and Chungamsa Temple seemed to be following the tradition bell(小鐘) performance style which was found in the text of the historical record. Through the analysis on Kangwon Sangkangrae, I found that it has musical characteristics as follows. The vocal range of type 1 and type 2 was mostly performed within Minor 7th and didn't exceed the perfect 8th. The melodic structure of type 1 starts with do'-la of naedeureum and ended with the melody which downscaled from do' and finalized from mi to la. Usually the mode was in menari-tori but at some lecture halls a few cases found to be upscaled from sol to la which differentiates it from the typical menari-tori of folk songs. Like the typical way of traditional rites, the singing was divided into two parts: the leading call and the following choral response. Most were sung to be one syllable on one or two tones or one syllable lasting for several tones and the musical forms were varied by musical pieces. Meantime, Sangkangrae at Haeinsa Temple was differed from that of the other temples in terms of ritual procedure and vocal style. It added Korean version of and the lead vocal skipped the first phrase of the Sasul. The melodic structure of Type 2 started with do'-la of naedeureum and was finalized as the same way of Type 1. The mode of was not the same as typical menari-tori but the Jeongrye(prostration) and Balweon(a great vow) were identical to the menari-tori of folk songs. The singing was done in two forms, solo and unison, and the lyric-attachment of Gesong was one syllable for one or two tones and that of Jeongrye and Balweon were one syllable for one or two tones + one syllable for several tones. The musical form of Jeongrye is A-B-C and A-C. Balweon didn't display a certain periodicity but still maintained sense of unity and formality through repetition of the finalizing melody.