• Journal of the Korean Institute of Telematics and Electronics B
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• v.32B no.1
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• pp.64-72
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• 1995

We propose a new image coding method which takes into account both statistical redundancy and perceptual irrelevancy of the DCT coefficients so as to provide a high quality of the reconstructed images with a reduced transmission bit rate First, a block of DCT coefficients are decomposed into 16 subvectors so as for a subvector to convey key information about one of the low-pass or the dirctional filtered images. Then, the most significant subvector is selected as the principal edge of the block and then vector quantized. After that, the residuals of the block are computed and then sequentially quantized through aforementioned procedure until the quantization distortion is smaller than the target distortion. The proposed scheme is good at encoding images with a variety of transmission bit rates, especially at very low bit rate coding. In addition, it is another benifit of the proposed scheme that an image can be quantized with a wide range of the transmission bit rates by simply adapting the stopping criterion of the sequential vector quantizer according to the target distortion of the reconstructed image.

• Journal of the Korean Institute of Telematics and Electronics
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• v.26 no.9
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• pp.1410-1419
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• 1989

In this paper, we present a new synthetic high coding method which gives high image compression ratio. Given an image, only its low-pass component is transmitted by DCT coding` the high-pass component is not transmitted but synthesized using edge sharpening on the reconstructed low-pass image at the receiver. For the DCT coding which is used to encode the low-pass image, we used an improved version of Cox's variance estimator. Also, introduced are new image quality measures called GSNR and EPR which emphasize perceptual aspects of image quality. Experimental results show that the performance of the proposed synthetic high coding is better in various quality measures than that of Cox's adaptive transform coding. Also, it yields acceptable image quality with neither apparent block effect nor visible granular noise even at high compression ratio of about 30:1.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.25 no.5A
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• pp.726-742
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• 2000

A novel rte control algorithm consisting of two major components, i.e. a variable encoding frame rate method and a hybrid DCT/wavelet I-frame coding scheme, is proposed in this work for low bit rate video coding. Most existing rate control algorithms for low bit rate video focus on bit allocation at the macroblock level under a constant frame rate assumption. The proposed rate control algorithm is able to adjust the encoding frame rate at the expense of tolerable time-delay. Furthermore, an R-D optimized hybrid DCT/wavelet scheme is used for effective I-frame coding. The new rate-control algorithm attempts to achieve a good balance between spatial quality and temporal quality to enhance the overall human perceptual quality at low bit rates. It is demonstrated that the rate control algorithm achieves higher coding efficiency at low bit rates with a low additional computational cost. The variable frame rate method and hybrid I-frame coding scheme are compatible with the bi stream structure of H.263+.

• Journal of the Institute of Electronics and Information Engineers
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• v.54 no.1
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• pp.80-87
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• 2017

This paper proposes a pre-processing algorithm to improve perceptual video coding efficiency which decomposes an input frame via a sub-band decomposition, and suppresses only high frequency band(s) having low visual sensitivity. First, we decompose the input frame into several frequency subbands by a linear sub-band decomposition. Next, high frequency subband(s) which is rarely recognized by human visual system (HVS) is suppressed by applying relatively small gain(s). Finally, the high frequency suppressed frame is compressed by a specific video encoder. We can find from the experimental results that if comparing before-use and after-use of the proposed pre-processing prior to the encoder, no visual difference is shown. Also, the proposed algorithm achieves bit-saving of 13.12% on average in a H.264 video encoder.

• Journal of Broadcast Engineering
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• v.22 no.3
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• pp.381-396
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• 2017

In this paper, the perceptual rate control algorithm is studied for HEVC (High Efficiency Video Coding) encoder with bit allocation based on perceived visual quality. This paper proposes perceptual rate control algorithm which could consider perceived quality for HEVC encoding method. The proposed rate control algorithm employs adaptive bit allocation for frame and CTU level using the perceived visual importance of each CTU. For performance evaluation of the proposed algorithm, the proposed algorithm was implemented on HM 16.9 and tested for sequences in Class B under the CTC (Common Test Condition) RA (Random Access) case. Experimental results show that the proposed method reduces the bitrate of 3.12%, and improves BD-PSNR of 0.08dB and bitrate accuracy of 0.07% on average. And also, we achieved MOS improvement of 0.16 with the proposed method, compared with the conventional method based on DSCQS (Double Stimulus Continuous Quality Scale).

• The Journal of the Acoustical Society of Korea
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• v.22 no.3E
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• pp.101-109
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• 2003

A multi-mode harmonic transform coding (MMHTC) for speech and music signals is proposed. Its structure is organized as a linear prediction model with an input of harmonic and transform-based excitation. The proposed coder also utilizes harmonic prediction and an improved quantizer of excitation signal. To efficiently quantize the excitation of music signals, the modulated lapped transform(MLT) is introduced. In other words, the coder combines both the time domain (linear prediction) and the frequency domain technique to achieve the best perceptual quality. The proposed coder showed better speech quality than that of the 8 kbps QCELP coder at a bit-rate of 4 kbps.

• Proceedings of the IEEK Conference
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• 2000.06c
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• pp.93-96
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• 2000

Currently, the most important technology is the compression methods in the multimedia society. Audio files are rapidly propagated through internet. MP-3 is offered to CD tone quality in 128Kbps, but 64Kbps below tone quality is abruptly down and high bitrate. on the other hand, MPEG-II AAC (Advanced Audio Coding) is not compatible with MPEG-I, but AAC has a high compression ratio 1.4 better than MP-3. Especially, AAC has max. 7.1 channel and 96KHz sampling rate. In this paper, the perceptual model is dealt with 44.1KHz sampling rate for SMR(Signal to Masking Ratio)

• Proceedings of the IEEK Conference
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• 1998.10a
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• pp.911-914
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• 1998

In this paper, the importance of including small image features at the initial levels of a progressive second generation video coding scheme is presented. It is shown that a number of meaningful small features called details shouuld be coded in order to match their perceptual significance to the human visual system. We propose a method for extracting, perceptually selecting and coding of visual details in a video sequence using morphological laplacian operator and modified post-it transform is very efficient for improving quality of the reconstructed images.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.17 no.9
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• pp.927-938
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• 1992

In 1-D subband coding system, a quadrature mirror filter (QMF) pair can be used to split a signal into two subbands and to reconstruct the original signal. In this paper, a pair of 1-D reconstruction filter for the subband coding system is introduced and a coding technique with classified vector quantization, based on energy distributions, for 16 subband images is presented. As computer simulation results show that the method can give similar perceptual quality with bit rate reduced by $20{\sim}30%$ of that of ordinary vector quantization.

• Science of Emotion and Sensibility
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• v.6 no.1
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• pp.55-62
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• 2003

This study was an exploratory approach to the cognitive model of textile designers on the stage of motif development in textile design process. Prior to the main research, several previous studies adopting methods of video/audio protocol analysis were reviewed. On the basis of the review, the categories of design action were derived as an analysis frame by application of top-down access method, meanwhile the sub-groups of each category of design action were identified through a bottom-up access method. To summarize the research result, total three categories of textile design action appeared based on the theory of ‘Human processor’ model : ‘motor action’, ‘perceptual action’ and 'cognitive action'. In next, a new coding scheme suitably explaining these three categories of fertile design action was developed. Finally, a cognitive model of textile designer on the stage of motif development, employing the new coding scheme, was suggested in this study.