• 한국실내디자인학회논문집
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• 제15권6호
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• pp.247-254
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• 2006

Apparently light does exist even if it does not have certain form that an object might have. The history of architecture can be told as the history of light. As various master architects as well as scholars mentioned, light has been recognized as one of the most important aspects in perceiving space. Although there are complex multi dimensions in body sense and perception, experiencing space through light is preliminary formed by the outline to the degree of brightness. Light gives space specific and unique character by limiting or enlarging the space by wrapping an object or by reflection of material surfaces or by the intensity of light itself. It is fundamentally important to recognize the essential relationship between light and perception of space through various medias such as material, form, movement and so on. Three types of space perception and cognition by light that have been categorized after studying the most significant writings on light become the core method to further analyze the selected case projects. In this research, we will study how interior space is expressed through different light conditions with above mentioned characteristics and how such expressions can be applicable to the design of interior space.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 춘계학술발표대회 논문집
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• pp.231-234
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• 2005

The ecological theory of perception provides the human living, and meaning integrating norm to overcome the crisis caused by an eastern belief in human-centered wrong rationality formed at the past process of modernization. Prior to the overall consideration of ecological perception theory, looked into the concepts, contribution extent and its limitation of the existing perception theories for the environmental design. By experimentally applying inferred concepts of design to department bridge space and forming the space, certified the applicability of it to the green amenity space. The site Is located in Nowon- Gu Sangge- Dong. The design was processed on the basis of survey, plants growth environment and plants characters. It is expected that this design would serve the commercial space- consumer as a symbolic, environmentally friendly space design

• 디지털융복합연구
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• 제14권8호
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• pp.555-564
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• 2016

공간 지각은 일반적으로 물체(형태)를 인식하는 능력에 대한 문제로 여겨진다. 대안적으로, 형태 지각 연구는 시각 공간의 기하학에 관한 논의에 기여한다. 이러한 공간의 기하학은 일반적으로 유클리드가 아닌, 타원, 유사성, 또는 아핀(affine) 기하학으로 알려져 왔다. 다시 말해, 많은 형태 지각 연구들에서 보여 왔듯, 공간은 변형된 기하학으로 지각된다. 이 논문의 목적은 지각된 형태와 시각적으로 유도되는 행동과 관련된 시각 공간의 기하학에 대한 이해를 돕기 위함이다. 따라서 지각과 행위의 관계에 대해 설명하고 있는 두 이론을 비교해 본다. 제한된 인지와 더 나아가서, 인공 지능 연구와의 융합에 있어서 이러한 인간의 기본적인 공간 지각 능력과 시각적으로 유도되는 행위를 먼저 이해하는 것이 중요하다.

• 디지털융복합연구
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• 제17권10호
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• pp.233-242
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• 2019

수많은 공간지각 연구 결과, Euclidean 3-D 구조는 양안 입체시, 움직임, 입체시와 움직임의 결합, 또는 여러 광학 정보의 결합으로도 복구될 수 없다는 사실이 밝혀졌다. 그러나 인간은 이러한 부정확한 공간지각에도 불구하고 특정 과제를 수행하는 데는 어려움이 전혀 없다. 우리는 인공지능과 컴퓨터 비전에 인간의 기술과 능력을 적용해 왔지만 이러한 기계들은 여전히 인간의 능력보다 훨씬 뒤떨어져 있다. 따라서 우리는 인간이 공간의 깊이를 어떻게 지각하는지, 과제를 수행하기 위해 어떠한 정보들을 사용하여 3차원 공간을 정확하게 지각하는지 이해해야 한다. 이 논문의 목적은 미래에 더욱 발전된 인공지능 로봇에 인간의 능력을 적용하기 위해 공간지각 문헌을 검토하는 것이다.

• 한국실내디자인학회논문집
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• 제13권6호
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• pp.48-56
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• 2004

The Affordance, discussed in the theory of ecological perception of environmental psychology, is the concept of perception that deals with inter-relationship between environment and human. It is a theory seeking for gradual evolution, with the change of user experience behavior and the space, by getting feed-backs from the analysis of perception of characteristics of 3-dimensional space and the user as moving entity. Although there has been many attempts to define the Affordance and apply its concept to the architecture, now there's a need to identify the Affordance in the real architectural space, represent Affordance of space and the user inter-relationship in the architecture and apply its design specifically, Thus, the purpose of this study is to present the methodology of applying Affordance in architectural space design by identifying the Affordance of space concept of human experience behavior in the architectural space and analyze its recognition process.

• 한국디지털건축인테리어학회논문집
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• 제4권1호
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• pp.10-16
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• 2004

Territory is determined by physical elements that provide the occupants an obvious boundary in a space. The creation of boundary is a interpersonal process by which a person or group regulates interactions with others. The perception of territory needs boundary regulations that mean the composition of horizontal and vertical elements in architectural space. The perception of territory can be defined as perceptual reaction considering not only visual perception on the physical elements in the architectural space and also various kinds of social activity in architectural environment. To achiever territory in architectural space, visible and invisible boundary regulation should be need. It means that territorial boundary regulation needs visual and audial boundary regulation as well as spatial boundary regulation.

• 대한음성학회:학술대회논문집
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• 대한음성학회 1996년도 10월 학술대회지
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• pp.399-403
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• 1996

This paper addresses issues of perceptual constancy in speech perception through the use of a spatial metaphor for speech sound identity as opposed to a more conventional characterisation with multiple interacting acoustic cues. This spatial representation leads to a correlation between phonetic, acoustic and auditory analyses of speech sounds which can serve as the basis for a model of speech perception based on the general auditory characteristics of sounds. The correlations between the phonetic, perceptual and auditory spaces of the set of English voiceless fricatives /f $\theta$ s $\int$ h / are investigated. The results show that the perception of fricative segments may be explained in terms of 2-dimensional auditory space in which each segment occupies a region. The dimensions of the space were found to be the frequency of the main spectral peak and the 'peakiness' of spectra. These results support the view that perception of a segment is based on its occupancy of a multi-dimensional parameter space. In this way, final perceptual decisions on segments can be postponed until higher level constraints can also be met.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.70-71
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• 2005

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.111-118
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• 2007

Using effective light, which is physical experiences by its control and manner of adaption, and make human to recognize the shape and give the meaning, so that approaching against perception experimental method which plays a role in basic clue, is regarded crucial highly among human sensory organ. this study consider the perception conception, its feature and necessity against eyes' adaption among human perception experimental experiences which has been discussed indifferently for inner space. Also, we looked over the problems among actual examples of inner spaces which should be considered as to adaption conception of human beings. Furthermore, this study aims at basic studying, which searching for enable to adapt in case of planning for inner space planning and distributing the quality evaluation by using effective light.

• 한국실내디자인학회논문집
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• 제20권3호
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• pp.143-151
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• 2011

With today's new media environment throughout Ubiquitous information innovation, live and dynamic fluid space is being created by integrating organic integration between electronic space and physical space and transplanting intelligence to materials. In other words, perception occurs in fluid space itself in a new media environment so has complicatedly organic relationship with environment and humans. In addition, emotion, time and movement have actively attempted to enter the space so designs appealing to humans' emotions are made through stimulation of synaesthetic sensory organs. This can be understood in the same context that media is eventually expansion of human body. Fluid space has characteristics of a live organism with factors such as sensor, perception and behavior so it needs to interpret perceptual system relationally and synthetically through an organic study method. This study looks into characteristics of organic perceptual system in terms of the meaning that fluid space with movements have as the sensory-perceptive subject and accordingly makes the world more sufficient as the third space, prepares a possibility to get out of limited five senses, and will develop fluid space as the organic environment making stimulation by itself.