• 복식
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• 제38권
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• pp.51-72
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• 1998

Futurists objected the existent style, that is the conventional fashion, and took part in these disciplines of fashion to make clothes the instruments being able to represent the individuality. Giacomo Balla and fortunato Depero, pain-ters who in 1915 were to work with Diaghilev's company, were the first to see clothing as a dynamic interfaced between th body and the atmosphere, between physical gestures and the urban context, which could be translated into encounters between forms and colours, volumes and architecture. For them, clothing began to exist as an object and an event, something to be removed from a mainly static conception and made mobile, active. The interaction between movement and clothing was based on the relativity of perception : the appearance and disappearance of the body produced points without dimension or duration which served, as Balla wrote in the Futurist Mnaifesto of Men's Clothing to“renew incessantly the enjoyment and impetuous movement of the body”. The historical achievement in the effort for the reformation of Futurist, Art to Wear. First, for Futurist, clothing is removed from a static conception and focused on dynamics. Second, Balla used asymmetry in men's clothing. Moreover he supposed dynamic men's clothes by using optical intersection. Third, the after image of Chronophotograph represented rapidity. This rhythmic expression is the fore-runner in Optical and Kinetic Art of Visual Art. Fourth, Futurist emphasized flexibility in fashion. They aimed to create‘Clothing Machines’whose parts would interact to aceelerate the real and virtual, inner and outer movement of the human being. Fifth, the variety and short life of cutting skills and colors are focused and‘Fast Substance’in fashion is admitted by Futurists. Futurist concern with clothing was not lim-ited its appearance in terms of cut and colour. What important was also the way it appeared and disappeared according to fashion. It was a“fast substance”, able to reflect rapid, sudden changes of social and aesthetic taste. To reach to the aim of internationalization, Gesamtkunstwerk in our Art to Wear, it is extremely meaningful to examine art fashion which is created under the conception of Gesamtkunstwerk production of avang garde artist in the early 20th century and look at formative conscious of truth, goodess and beauty synthetically which they faced on their works of art.

• 한국식품영양학회지
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• 제28권5호
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• pp.849-857
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• 2015

The purpose of this study is to investigate 5th grade elementary school girls' effort to recognize and use nutritional labels on processed foods and restaurant meals to encourage dietary behavior. The subjects (n=976) were divided into three groups (effort group, n=711; normal group, n=193; and no-effort group, n=72) depending on level of effort for the healthy dietary behavior such as eating balanced meals, eating three meals regularly, and eating meals slowly. In the effort group, the frequency of food intake for breads, ramen, noodles and fast foods was significantly lower, while frequency of food intake for fruits and vegetables and salad was significantly higher than in the other two groups. In the effort group, the ratio of the respondents that perception of nutrition labeling on processed foods and restaurant meals was 80.5% and 31.4% and the ratio of girls who checked the nutrition labeling at their point of purchase was 71.1% and 24.7%, respectively. Reasons given for not reading nutrition labeling for restaurant meals were 'not interested' for 34.6% of the effort group, and 52.2% of the no-effort group. Therefore, it is necessary to create an educational program on healthy dietary behavior, including how to read nutrition labeling and establishment of proper body image perception for elementary school girls.

• 만화애니메이션 연구
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• 통권27호
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• pp.1-30
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• 2012

오시이 마모루에 대한 연구는 대체로 그의 작품들이 현실의 황폐함을 '폐허'의 이미지로 재현하고 있다는데 집중해 왔다. 또 오시이 마모루의 애니메이션이 점점 디자인적으로 '현실미'를 드러내기 위해 발전해 갔다고도 주장해 왔다. 그러나 본 연구는 그의 작품이 근대적 자본주의의 억압된 '현대세계'를 벗어날 수 있는, 전복의 가능성을 모색하고 있음에 주목하고자 한다. 이를 위해 <스카이 크롤러>(The Sky Crawlers)를 공간, 신체, 일상성 세 가지 층위로 나누어 분석했다. 2장에서는 <스카이 크롤러>의 공간이 근대적이고 기계적인 빈틈없이 자본화된 공간이자 '반복'의 성질을 지닌 폐쇄된 회로와 같은 공간임을 분석했다. 3장에서는 캐릭터 신체의 측면에서 <스카이 크롤러>가 '키르도레'(Kildren)라는 인간과 비인간의 사이에서 유동하는 신체를 제시하고 있으며 이를 통해 현대세계의 자본화되고 물화된 신체를 재현하고 있다고 분석했다. 또 그 신체가 처한 극단적 불안이 현대세계의 노동 유연화에 따른 '불안'과 '장소상실' 현상을 반영하고 있음을 밝혀 보았다. 4장에서는 미장센과 디자인 그리고 연출의 측면에서 현대세계의 '일상성'이 신체에 남긴 '기억'과 '습관'의 측면을 분석했다. 5장에서는 이런 현대세계에 대한 현실 인식을 바탕으로 오시이 마모루가 근대공간에서 어떻게 '도주'하고자 하는가를, 근대적 일상을 어떻게 '전유'하려 하는지를 살펴보았다. 6장 결론에서는 이러한 오시이 마모루의 작품이 지닌 의미와 가치를 해석해 보았다.

• 한국콘텐츠학회논문지
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• 제18권12호
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• pp.383-393
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• 2018

이 연구는 뮤지컬 전공대학생들이 체험하는 한국 춤의 신명(神明)요소들을 개념화하고 이를 주제별로 범주화하여 경험과정에서 나타나는 신체움직임의 표현인식들을 연구하는 것이다. 참여자는 춤과 노래 그리고 연기경험이 있는 뮤지컬 전공 대학생 남녀 12명이며, 프로그램은 신명체험(神明體驗)을 주제로 한국의 춤과 소리인식, 호흡과 움직임을 중심으로 주2회 4주간 8차시로 구성하였다. 질적 연구는 과정중심의 발견이며, 관찰과 심층면담 그리고 자기보고서를 토대로 귀납적 영역분석을 시행하였다. 분석의 핵심은 소리와 호흡을 통한 신명정서와 신체표현 인식탐구에 집중하여 내용분석을 시도하였다. 결론적으로 뮤지컬 전공대학생들에게 한국 춤 신명체험을 통한 움직임의 표현인식은 첫째, 신체지각을 통한 창의적 사고향상 둘째, 소리와 호흡의 집중력을 통한 이미지표현활용에 기여한 것으로 나타났다. 또한 한국 춤의 신명체험을 통한 소리와 호흡의 재발견과 표현이미지의 연구결과는 뮤지컬 전공대학생들이 인식하는 신체표현의 유용성과 창의적 요인들로 구분되어 교육적 측면과 연계하여 논의될 수 있을 것으로 사료된다.

• 한국의상디자인학회지
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• 제11권2호
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• pp.1-10
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• 2009

The purpose of this study is to investigate harmonious color schemes based on a length proportion of upper and lower parts of a body by; understanding of the harmonious length proportion of a square measure of a color in color coordination of fashion design, and presenting a mutual relation of the length proportion of a square measure of a color according to the various way of color schemes and proportions. For this study, monochromatic scheme, analogous scheme and complementary scheme were adapted as the color schemes, and each color scheme was coordinated by analogous tone and contrast tone. Also, 1:1 symmetry proportion, 1:2 harmonic proportion, 1:1.618 golden section, 1:3 and 1:5 contrast proportion were used as the square measure of a color. For the survey, 12 sets of color sample were organized. The survey was conducted 182 of university students majored in fashion design, and 143 responded samples were analyzed using SPSS 12. The result of the study is as follows: 1:5 contrast proportion is most inharmonious in general, and 1:1 symmetry proportion is followed. It is thought that too much or same length of the square measure of colors has less attractive effect of coloring. On the other hand, 1:1.618 golden section and 1:2 harmonic proportion are accepted to be harmonious in all color schemes. The length proportion of the square measure of a color had more influence on harmony of color coordination in fashion design rather than color schemes. Though, on the assumption that people have a similar perception about the color image of fashion design, it will play an important role in strengthening or diminution of color in cloth if the coloring effect of the length proportion of the square measure of a color is used in fashion design and wearing of clothes.

• 복식
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• 제54권5호
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• pp.155-166
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• 2004

OP-Art was not appreciated by painters and art critics. and according1y has been forgotten in art history. But recently Op-Art is revitalized in fashion and is in its palmy days. This study intends to re-assess the value of Op-Art, by reviewing its influence on fashion design in the post-modern society To this purpose, conceptual characteristics of Op-Art was analyzed. And then, on the bases of these characteristics, the figural characteristics and the meaning of Op-Art in fashion design of post-modern society was re-explained. Op-Art is characterized as an art of flatness of picture plane which uses repetition of simple forms and colors. It is also based on trick of visual perception. Finally. it creates an impression which is flickering or vibrating by means of optical illusion. These characteristics give birth to some features such as simplicity. anonymity and mobility in the Op-Art fashion. The meanings of Op-Art in fashion design in post-modern society are as follows. First, repetition of simple units employed in Op-Art produces feeling of simplicity. which makes the Op-Art fashion works perceived as polysemy. In other words, the feeling of simplicity can be interpreted In diverse perspectives within the social context of our society. The material civilization and technology civilization, which causes the alienation and standardization of man. can be the backgrounds of the Op-Art fashion. Second, Op-Art is an art based on perspectives of spectators. Anonymity in the Op-Art fashion enhances participation of spectators. which gives Op-Art a sense of affinity. Third, through the feeling of mobility created by optical illusion techniques. the Op-Art fashion expresses the opposition to the ideal body image made by power group. In post-modern society, Op-Art in fashion gives new meaning to art. Op-Art in fashion proposes new roles of artist and spectators, and new concepts of art related with roles of human beings. Through general sensibility of men, Op-art in fashion can express new recognition of the post-modern society.

• Asian Pacific Journal of Cancer Prevention
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• 제13권5호
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• pp.2241-2247
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• 2012

Objective: This qualitative study retrospectively examined the experience and psychological impact of contralateral prophylactic mastectomy (CPM) among Southern Chinese females with unilateral breast cancer history who underwent BRCA1/2 genetic testing. Limited knowledge is available on this topic especially among Asians; therefore, the aim of this study was to acquire insight from Chinese females' subjective perspectives. Methods: A total of 12 semi-structured in-depth interviews, with 11 female BRCA1/BRCA 2 mutated gene carriers and 1 non-carrier with a history of one-sided breast cancer and genetic testing performed by the Hong Kong Hereditary Breast Cancer Family Registry, who subsequently underwent CPM, were assessed using thematic analysis and a Stage Conceptual Model. Breast cancer history, procedures conducted, cosmetic satisfaction, pain, body image and sexuality issues, and cancer risk perception were discussed. Retrieval of medical records using a prospective database was also performed. Results: All participants opted for prophylaxis due to their reservations concerning the efficacy of surveillance and worries of recurrent breast cancer risk. Most participants were satisfied with the overall results and their decision. One-fourth expressed different extents of regrets. Psychological relief and decreased breast cancer risk were stated as major benefits. Spouses' reactions and support were crucial for post-surgery sexual satisfaction and long-term adjustment. Conclusions: Our findings indicate that thorough education on cancer risk and realistic expectations of surgery outcomes are crucial for positive adjustment after CPM. Appropriate genetic counseling and pre-and post-surgery psychological counseling were necessary. This study adds valuable contextual insights into the experiences of living with breast cancer fear and the importance of involving spouses when counseling these patients.

• 동아시아식생활학회지
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• 제15권1호
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• pp.1-10
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• 2005

Dietary behavior, body mass index(BMI) and nutrient intake status of 185 boys and 205 girls in 3rd grade middle school students in Daegu area were analyzed. Boys were 168.6cm tall and weighed 61.3kg on the average and girls 158.5cm and 54.4kg, respectively. From their BMIs, 17.9% were classified as the underweight, 54.2% as the average, 14.7% as the overweight and 13.2% as the obesity. The average energy intake per day was 2222.6 kcal for boys, 1796.2 kcal for girls which were 83.3% and 86.6% of the RDA, respectively. Composition rate of carbohydrate, protein, fat in relation to energy intake was 62.4 : 16.5 : 21.1 for boys and 58.8 : 16.0 : 25.2 for girls. Protein was taken low and carbohydrate and fat were high in this study. Particularly, fat intake rate of girls was high. Calcium, iron, vitamin A, and vitamin B2 did not meet the RDA and especially calcium was taken 63.9% for boys and 54.01 % for girls. Most of the students have tendency to eat irregularly and to overeat. For the nutrients intake, calories and calcium intake were lower than the RDA regardless of gender and iron intake was not enough for girls only. In relation to BMI, obesity group students were taking lower calories and proteins than the normal students were. No consistent trend was shown for boys about nutrient intake in relation to eating speed. Students had a correct perception of their body image which was similar to that of their mothers. Nutrient average intake is under the average and the percentile under 70% of RDA was high contrary to the fact that nutrient intake like calcium and iron was exceedingly important particularly in the growth process. Therefore, nutritional education for the proper intake of nutrients was required for the students in Daegu area. Especially, education has to be focused on the balanced diet and correct food choices for the proper dietary behaviors.

• 동아시아식생활학회지
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• 제19권6호
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• pp.891-908
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• 2009

본 연구는 자신의 외모나 체형에 많은 관심을 갖게 되는 여대생들을 대상으로 체질량지수에 따른 식생활, 식습관, 생활양식, 식생활의 질, 식품 기호도, 체중에 대한 만족도와 신체상, 이상 식이 행동의 정도 및 영양소 섭취량을 종합적으로 파악하여, 성인기 초기 여성의 바람직한 식습관과 생활습관 및 영양 관리를 통해 정상 체중과 건강 유지에 기여하고자 시도되었다. 1. 비만도에 따라 여대생의 신장은 유의한 차이가 없었으나, 체중(p<0.001), 체질량지수(p<0.001), 체지방 비율(p<0.001), 체지방 함량(p<0.001), 제지방 함량(p<0.001) 및 체수분량(p<0.001)은 비만도에 따라 유의한 차이가 있었다. 2. 비만도에 따라 여대생의 운동 시간은 유의한 차이를 보여(p<0.01), 저체중군과 정상 체중군은 운동을 하지 않는 경우가 가장 많았고 과체중군은 30분~1시간 운동하는 경우가 가장 많았다. 그러나, 여대생의 평균 연령, 경제 상태, 흡연율, 음주 빈도, 운동 빈도, 건강, 우울, 스트레스는 유의한 차이가 없었다. 3. 비만도에 따라 여대생의 하루 식사 회수, 결식 끼니, 과식 끼니 및 간식 횟수는 유의한 차이를 보이지 않았고, 수면 시간, 월경의 규칙성 및 건강 상태도 유의한 차이를 보이지 않았다. 4. 비만도에 따라 여대생의 간이 식생활 진단 점수는 유의한 차이를 보여, 정상 체중군과 과체중군이 저체중군에 비해 유의하게 높았다(p<0.05). 5. 비만도에 따라 여대생의 단맛과 짠맛은 유의한 차이를 보여, 단맛(p<0.05)과 짠맛(p<0.01)에 대한 기호도는 저체중군이 과체중보다 유의하게 높았다. 비만도에 따라 여대생의 육류, 콩류 및 간식류에 대한 기호도는 유의한 차이를 보여, 육류에 대한 기호도는 저체중군이 정상 체중군과 과체중군에 비해 유의하게 높았고(p<0.05), 콩류에 대한 기호도는 정상 체중군과 과체중군이 저체중군에 비해 유의하게 높았으며(p<0.05), 간식류에 대한 기호도는 저체중군과 정상 체중군이 과체중군에 유의하게 높았다(p<0.05). 6. 비만도에 따라 여대생의 체중에 대한 만족도와 자신의 체형에 대한 인식은 유의한 차이를 보였다(각각 p<0.0001). 원하는 체중(p<0.0001)과 체중 조절의 경험(p<0.0001)도 비만도에 따라 유의한 차이를 보였다. 7. 여대생의 섭식 장애 발생율은 11.3%이었다. 비만도에 따라 EAT-26의 평균 점수는 유의한 차이가 있어(p<0.001), 과체중군이 저체중군과 정상 체중군에 비해 유의하게 높았다. 8. 비만도에 따라 여대생의 영양소 섭취량은 유의한 차이를 보이지 않았다. 9. 체질량 지수와 유의한 양의 상관관계를 나타낸 신체 계측치는 체중, 체지방 비율, 체지방 함량, 제지방 함량 및 체수분량이었다. 체질량지수와 유의한 상관관계를 보인 변수는 용돈(p<0.01), 간식 빈도(p<0.001), 운동 지속 시간(p<0.001), 간이 식생활 진단 점수(p<0.05), 단맛(p<0.01), 짠맛(p<0.01), 간식(p<0.001) 및 인스턴트 음식(p<0.05)에 대한 기호도, 체중에 대한 만족도(p<0.001), 자신의 체형에 대한 인식(p<0.001), 체중 조절 경험(p<0.001), 탄수화물 섭취(p<0.05), 섭식 장애 점수(p<0.001) 및 요인 I(정체성 요인) 점수(p<0.001)이었다. 결론적으로, 비만도에 따라 체중, 체질량지수, 체지방 비율, 체지방 함량, 제지방 함량 및 체수분량은 유의한 차이가 있었다. 과체중군이 운동 시간이 많았고, 저체중군의 식생활의 질이 낮으며 짠맛, 단맛, 육류 및 간식에 대한 기호도가 높았다. 비만도가 높아질수록 체중에 대한 만족도가 낮았고 체형을 제대로 인식하였고 체중 조절 경험이 많았으며 섭식장애 점수가 높았다. 따라서 실제 과체중인 여대생은 자신의 체중에 대한 만족도가 낮아 이상 식이 태도를 보이는 것으로 나타났으므로 섭식문제를 해결하기 위한 다양한 프로그램의 개발과 함께 올바른 식습관과 운동 및 행동 수정 요법으로 체중을 조절하고 유지할 수 있도록 하여 섭식 문제와 체중 조절의 역작용을 예방하도록 하는 것이 필요하다고 생각된다. 저체중이거나 정상 체중임에도 체형에 대한 만족도가 낮아 올바른 신체상 정립의 문제로 체중을 감량하려는 여대생에게는 저체중의 문제점과 올바른 신체상 정립, 정상 체중에 대한 적극적인 교육을 통해 자신의 신체상과 적정 체중에 대한 올바른 인식을 가지고 불필요하게 체중을 감소시켜 건강을 해치는 일이 없도록 해야 할 것이다. 또한 섭취량이 낮은 영양소 특히 칼슘과 엽산 섭취를 증가시키는 방안에 대한 영양교육은 모든 여대생에게 필요하며, 정상 체중과 건강 유지를 위한 바람직한 식생활을 정립할 수 있도록 영양교육을 해야 할 것이다. 그러므로, 본 연구는 여대생의 잘못된 체형 인식, 식습관, 기호도, 생활습관 및 섭식 장애로 인한 건강문제를 올바로 인지하여 여대생에게 올바른 체중 조절 태도, 건강 관련 식습관 및 생활 습관을 사전 교육하게 하고 섭식 장애 문제를 예방하는 프로그램 개발의 기초 자료를 제공할 수 있을 것으로 생각된다.

• 복식문화연구
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• 제28권4호
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• pp.446-462
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• 2020

The objectives of this study are to explore the information source, assessment, and preferred styles of 3D virtual influencers(VI), to investigate the expected impact of advertisements with 3D VIs on brands, and to explore ways of expanding the use of 3D VIs. In-depth interviews with 40 males and females in their 20s and 30s were conducted and qualitative data were analyzed. The study results are summarized as follows. First, the information source of the 3D VI was SNS, acquaintances, and broadcasting. Second, 3D VIs were considered positively due to their attractive appearance, wide utilization, innovative use, freshness, separation from private identity, and time and cost savings, while considered negatively due to their unrealistic appearance and antipathy against replacing a person's role. Third, the preferred appearance styles of the 3D VI differed according to the level of virtuality although the majority of interviewees preferred similar looks to real people with low virtuality. Fourth, diverse image qualities such as innovative, differentiated, trendy, high-value, professional, and future-oriented were considered as transferred to the brand advertised by 3D VIs. Fifth, advertisements with 3D VIs may help build positive perceptions of advertised brands that may lead to purchase behaviors for some consumers. Lastly, to expand the use of 3D VIs, the specific advantages of virtual models should be maximized with consideration of how to implement a variety of body types and images of models. Findings present an important foundation to generate strategies to better apply 3D VIs to the fashion market.