• Title/Summary/Keyword: perceived reverberation

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Artificial reverberation algorithm to control distance of phantom sound source for surround audio system (서라운드 오디오 시스템을 위한 가상음원의 거리를 조절할 수 있는 인공잔향기)

  • Shim, Hwan;Seo, Jeong-Hun;Sung, Koeng-Mo
    • Proceedings of the IEEK Conference
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    • 2005.11a
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    • pp.447-450
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    • 2005
  • Multi-channel artificial reverberation algorithm to control perceived direction and distance is described in this paper. In conventional algorithms using IIR filters, reverberation time is the only parameter to be controlled. Moreover, since the convolution-based conventional algorithms apply only same impulse responses, but not considering sound localization, it was not realistic enough. The new algorithm proposed in this paper utilizes early reflections segmented according to the azimuth from which direct sound comes and controls perceived direction by panning the direct sound, and controls perceived distance by adjusting Energy Decay Curve (EDC) of reverberation and gain of the direct sound. In addition, the algorithm enhances Listener Envelopment(LEV) to make late reverberation incoherent among channels.

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Ergonomic Design of Warning Sounds Used in Cars (차량 내 경고음의 인간공학적 설계에 관한 연구)

  • Choi, Kwang-I;Lee, Han-Na;Choe, Jae-Ho;Jung, Eui-S.
    • Journal of Korean Institute of Industrial Engineers
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    • v.35 no.1
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    • pp.101-108
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    • 2009
  • This study aims to design ergonomic warning sound that is not confusing and enhancing preference. Four factors of the warning sound represented as interval, chord, reverberation and pitch were selected as independent variables. And, perceived urgency, perceived criticality, degree of confusion and user preference are measured as dependent variables. An experiment was conducted in silent lab environment. Warning sounds were given in 90dB constantly to subjects through stereo speakers. A statistical analysis revealed that interval was significant for perceived urgency; also interval and chord were both effective for perceived criticality. Pitch, interval, chord and the interaction between pitch and chord were effective in degree of confusion, so were reverberation, the interaction between reverberation and pitch and the interaction between reverberation and chord for preference. This study characterized the situation under which warning sounds are required into three types in terms of urgency and criticality; and found the right warning sound that the subjects perceived to best represent the situation through the validation study. These findings are expected to help the designer choose the right warning sound according to the situational contexts in which such warning sounds are implemented.

A Subjective Study on the Reverberation Characteristics of Coupled Spaces (음향적으로 결합된 공간의 주관적 잔향감에 관한 연구)

  • Jeong, Dae-Up;Choi, Young-Ji
    • Journal of Korean Association for Spatial Structures
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    • v.8 no.3
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    • pp.65-73
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    • 2008
  • The present work deals with subjective assessments to propose the objective parameter related to the subjective attribute of reverberation in the coupled room varied the aperture opening size. A 1/10 scale model was built and used for the measurements and subjective assessments. For the subjective tests, binaural impulse responses(BIRs) were measured using a dummy head and the measured BIRs were convolved with anechoic recorded music for the presentation over the headphones. The results showed that the perceived reverberation was the largest in the aperture opening size 12.5%(1.97% of mail) room surface area)and decreased with increasing the aperture opening size over 25% (3.94% of main room surface area) in the main room coupled with the secondary reverberant room. In the main room coupled with the secondary absorptive room, there was no changes in the perceived reverberation up to the aperture opening size 6.25%(0.99% of main room surface area) and it gradually decreased with increasing the aperture opening site over 12.5%. The objective parameter, T30/T15, showed a very low correlation with the perceived reverberation in the coupled room varied the aperture opening size but showed a high correlation with a new objective parameter, T30/Tbp, proposed by the authors. Because the late part decay energy more rapidly increases with increasing the aperture opening site than the early and middle part decay energy, the LDT/EDT or T3/T1 is a better quantifier to measure double slopes in the coupled room than the T30/T15.

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The effect of diffusers on the measurement of sound absorption in a reverberation room (잔향실법 흡음률 측정에 미치는 확산체의 영향)

  • Han, Hee-Kab;Kim, Kyung-Ho
    • Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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    • 2006.05a
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    • pp.1194-1197
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    • 2006
  • Recently, international standard for measurement of sound absorption in a reverberation room has been amended. In the revised version, temperature, humidity and air pressure conditions are strictly restricted and also the concrete procedures are presented to reduce the differences in test results by adding inspection of diffusion, measurement uncertainty etc. In this paper, the systematic tests are conducted based on the inspection guide of diffusion defined by ISO 354 and the effects of diffusers on the measurement of sound absorption ratio are considered. As a result, we perceived that the averaged sound absorption ratio in mid and high frequency range is expected to measure around $0.05{\sim}0.1$ higher in high sound absorption material. Therefore, as for the reverberation room for measurement of sound absorption, we need to take into consideration not only the spatial standard deviation of sound pressure mandated by ISO 3741, but also, inspection regulation of diffusion showed by ISO 354.

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Listener Auditory Perception Enhancement using Virtual Sound Source Design for 3D Auditory System

  • Kang, Cheol Yong;Mariappan, Vinayagam;Cho, Juphil;Lee, Seon Hee
    • International journal of advanced smart convergence
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    • v.5 no.4
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    • pp.15-20
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    • 2016
  • When a virtual sound source for 3D auditory system is reproduced by a linear loudspeaker array, listeners can perceive not only the direction of the source, but also its distance. Control over perceived distance has often been implemented via the adjustment of various acoustic parameters, such as loudness, spectrum change, and the direct-to-reverberant energy ratio; however, there is a neglected yet powerful cue to the distance of a nearby virtual sound source that can be manipulated for sources that are positioned away from the listener's median plane. This paper address the problem of generating binaural signals for moving sources in closed or in open environments. The proposed perceptual enhancement algorithm composed of three main parts is developed: propagation, reverberation and the effect of the head, torso and pinna. For propagation the effect of attenuation due to distance and molecular air-absorption is considered. Related to the interaction of sounds with the environment, especially in closed environments is reverberation. The effects of the head, torso and pinna on signals that arrive at the listener are also objectives of the consideration. The set of HRTF that have been used to simulate the virtual sound source environment for 3D auditory system. Special attention has been given to the modelling and interpolation of HRTFs for the generation of new transfer functions and definition of trajectories, definition of closed environment, etc. also be considered for their inclusion in the program to achieve realistic binaural renderings. The evaluation is implemented in MATLAB.

Development of a Listener Position Adaptive Real-Time Sound Reproduction System (청취자 위치 적응 실시간 사운드 재생 시스템의 개발)

  • Lee, Ki-Seung;Lee, Seok-Pil
    • The Journal of the Acoustical Society of Korea
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    • v.29 no.7
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    • pp.458-467
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    • 2010
  • In this paper, a new audio reproduction system was developed in which the cross-talk signals would be reasonably cancelled at an arbitrary listener position. To adaptively remove the cross-talk signals according to the listener's position, a method of tracking the listener position was employed. This was achieved using the two microphones, where the listener direction was estimated using the time-delay between the two signals from the two microphones, respectively. Moreover, room reverberation effects were taken into consideration where linear prediction analysis was involved. To remove the cross-talk signals at the left-and right-ears, the paths between the sources and the ears were represented using the KEMAR head-related transfer functions (HRTFs) which were measured from the artificial dummy head. To evaluate the usefulness of the proposed listener tracking system, the performance of cross-talk cancellation was evaluated at the estimated listener positions. The performance was evaluated in terms of the channel separation ration (CSR), a -10 dB of CSR was experimentally achieved although the listener positions were more or less deviated. A real-time system was implemented using a floating-point digital signal processor (DSP). It was confirmed that the average errors of the listener direction was 5 degree and the subjects indicated that 80 % of the stimuli was perceived as the correct directions.