• 한국생활과학회지
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• 제15권5호
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• pp.803-809
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• 2006

Korean traditional paper 'Hanji' made from the bark of the paper mulberry tree is a good handicraft material because of its high viscosity, durability, dyeability, toughness, flexibility, plasticity, and manipulability. Hanji has been used as a textile material such as cotton wool for protection and keeping us warm from cold weather. However, Hanji has many limitations, while other textile materials have many advantages of such as washability, being sunproof, and fast coloring. The purpose of this study is to review physical properties, formation ability, and dyeability of Hanji as a material of fashion accessary. The contents of this study are composed of 5 parts: 1. To introduce the necessities of this study, 2. To review a historical background of Hanji and to identify its physical characteristics as a fashion accessary material, 3. To review and to compare techniques such as bonding, quilting, knitting, creasing and holding, twisting, folding & braiding, paper pasting, coloring & cutting, and outwashing(?) in making Hanji fashion accessaries, 4. To review dyeing and finishing techniques to increase commercial value, 5. To identify the best fashion accessary materials made of Hanji. The most important characteristics of Hanji as a fashion accessary material are its toughness in a wet state, fast color fixing, and flexibility. Especially weaving and knitting are considered as the most desirable techniques to make fashion accessary products stronger and more practical.

• 한국식품영양학회지
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• 제28권5호
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• pp.835-848
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• 2015

즙장은 중국의 조리서에 수록되지 않은 순수 우리나라 속성장으로 많은 종류가 있었으나, 보존성 문제로 대부분 맥이 끊겨서 전해지지 않기 때문에 조선시대 및 1950년 이전 조리서의 즙장을 조사하여 밝혔다. 그 중 가지와 오이 등의 채소를 넣는 즙장은 34 가지, 넣지 않는 즙장은 9가지였다. 즙장의 주재료는 콩과 밀기울이며, 보리, 메밀도 쓰였다. 즙장메주는 빨리 뜨게 하기 위하여 일반메주보다 작게 만들었는데, 작은 알 형태가 가장 많고, 납작하거나 둥근 칼자루 형태도 있다. 즙장은 메주가루를 소금과 물로 이겨서 담그는 것이 가장 많다. 함께 쓰는 것으로는 누룩가루, 밀기울, 밀가루, 술, 말장, 간장, 엿기름, 탁주 등이 있다. 즙장메주는 용기에 넣어서 띄우는 것도 있고, 넣지 않고 띄우는 것도 있는데, 용기는 섬과 둥구미가 가장 많고, 버드나무그릇, 치룽, 독도 사용하며, 즙장메주의 깔개 및 덮개는 닥나무 잎을 가장 많이 사용하고, 그 외에 짚, 북나무잎, 뽕잎, 가랑잎, 솔잎, 콩잎도 사용한다. 즙장은 다른 장과 달리 말똥, 두엄, 풀더미에 묻혀서 이들이 썩으면서 내는 $60{\sim}65^{\circ}C$의 열로 가열하여 숙성시킨다. 즙장은 맥이 끊기거나 쩜장, 지례장, 무장, 빠금장, 막장, 집장, 토장 등의 형태로도 변하였다. 이들 장은 즙장에서 사용하지 않는 쌀, 엿기름, 고춧가루 등을 사용하고 있는 점에서 다르다.

• 한국식품영양학회지
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• 제29권5호
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• pp.670-676
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• 2016

서기 530년부터 1950년까지의 고조리서 32권에 수록된 장 만드는 방법 중 메주 만드는 방법을 언급한 225가지 중 재료의 가열방법, 메주의 형태, 메주를 띄우는데 사용하는 용기, 덮개 및 깔개를 분석하였다. 그 결과 전통 메주의 콩이나 전분질의 가열 방법은 찌기 57가지, 삶기 58가지, 볶아 삶기 21가지, 밥짓기 2가지의 순으로 나타났다. 메주의 형태는 알 41가지, 구형 27가지, 덩어리 22가지, 칼자루형 8가지, 납작형 6가지, 쪼가리형 4가지, 구멍형 1가지, 사각형 1가지의 순으로 나타났다. 고추장 메주 72가지 중 콩 가열 방법은 삶기 9가지, 찌기 6가지의 순이었고, 전분질의 가열방법은 떡찌기 19가지, 밥 짓기 11가지, 익반죽 삶기 5가지의 순으로 나타났다. 콩메주 띄우는 용기는, 가마니 섬 섶 49가지, 독 5가지, 둥구미 멱서리 14가지, 온돌 11가지, 소쿠리 채반 광주리 7가지, 독 5가지, 흙도랑 4가지, 시루 오쟁이 3가지, 바가지 2가지, 시루 2가지, 용수 1가지의 순으로 나타났다. 메주 띄우기용 덮개나 깔개는 짚 36가지, 닥나무잎 17가지, 멍석 거적 자리 15가지, 쑥 14가지, 솔잎 11가지, 콩잎 10가지, 도꼬마리잎 6가지, 북나무잎 6가지, 보릿짚 6가지, 뽕잎 6가지, 가랑잎 5가지, 띠풀 5가지, 삿자리 4가지, 헝겊 3가지, 개오동나무잎 2가지, 갈잎 1가지의 순으로 나타났다. 매달기는 5가지 밖에 없었다.

• The Korean Journal of Ecology
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• 제27권1호
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• pp.1-7
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• 2004

With the emergence and development of ecological engineering in China, and also the research and demonstration of Chinese Ecological Agriculture (CEA), in recent 10 years many types of ecological engineering have been appeared in Southern China, they could be classified into 4 typical patterns. These typical patterns are; 1. Ecological Building (EB), such as ecological public toilet, ecological garden, ecological integrated building, farmers' ecological household, the combine of ecological building and CEA; 2. Ecological Engineering in Paddy Field (EEPF), like rice-fish system, water caltrop-wild ricestem-fish system, mulberry-silkworm-pig-fish system; 3. Ecological Engineering of Agroforestry Systems (EEAF), as tea-food crops intercropping system, rubber-tea-chicken system, bamboo-chicken system, fruit tree-chicken system, metasequoia-fish-duck system; 4. Ecological Engineering Linked with Biogas (EELB), such as animal (pig)-biogas-fish system, animal (pig)-biogas-fruit tree system, animal-biogas-food crops system. Some case studies were presented in the paper. It is showed that these typical patterns have better ecological, social and economic benefits, now they are deeply been extending in southern China.

• 보존과학연구
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• 통권13호
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• pp.81-95
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• 1992

The old books which have been colored to brown spots were analyzed chemically to compare with white part. The original raw materials were paper mulberry (Broussonetia Kazine) and woodpulp. White part contained58.8%($\alpha$-37.2%,$\beta$-8.6%, $\gamma$-12.7%)cellulose, 21.7% hemicellulose, 19.8% lignin,4.4% pentosan and brown sopt part contained 49.1%($\alpha$-19.8%, $\beta$-14.5%,$\gamma$-14.8%) cellulose, 27.1% hemicellulose, 23.8% lignin, 4.8% pentosan. Both of brown spot and white parts contained starch without protein. The pH was 4.9 in brown and 5.0 in white part respecitively. The brown spot parts were more solidified than white parts according to SEM observation. Difference of organiccompinent in brown part came from white part were 2-hydroxy-benzaldehydeand phenol.

• International Journal of Industrial Entomology and Biomaterials
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• 제43권2호
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• pp.37-44
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• 2021

Mulberry silkworm is classified into uni, bi and multivoltine based on the frequency of diapause incidence. The variation in the incidence of diapause in bivoltine silkworm provides a unique opportunity to study the process of evolution of adaptive plasticity towards seasonal variations. The diapause expression in bivoltine silkworm is highly variable and is determined by environmental factors experienced by the maternal generation. Diapause in natural populations is functionally associated with the overwintering mechanism that facilitates survival in harsh winter conditions. In contrast, under standard commercial rearing conditions, the domesticated bivoltine silkworm is known to enter diapause in every generation. This paper presents a short review of the literature dealing with the role of temperature, photoperiod, diapause hormone and its receptor in diapause induction. Also, we briefly review the incidence of non-diapause eggs in bivoltine silkworm under controlled conditions.

• 농촌지도와개발
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• 제21권3호
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• pp.121-154
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• 2014

이 논문은 농촌의 전통문화자원인 한지의 산업화를 위한 표준화의 방향을 모색하는 연구이다. 한지는 종이로서의 쓰임새를 넘어, 융복합화를 통해 건축용, 농업용, 의류용, 의료용, 식품용으로 개발되고 있다. 하지만 표준화가 미흡해 한지시장 확대가 한지관계자의 수익으로 이어지지 못하고 있다. 표준화를 위해서는 첫째, 다른 종이와 차별화되는 한지 고유특성을 반영한 한지의 산업적 정의가 필요하다. 전통성을 유지하되, 한지산업의 현실적 여건을 고려해 한지정의와 품질기준을 설정해야 한다. 둘째, 한지품질을 좌우하는 한지만의 특성(닥섬유 함유량, 장기보존성)을 측정할 수 있는 시험방법을 개발하고, 이를 표준화해야 한다. 셋째, 한지제품 선택 시 소비자 혼란을 방지하기 위해 제품표준이 시급하다. 이미 시장이 형성돼 있거나, 새롭게 개발된 한지 융복합 제품과 기술의 표준화가 필요하다.

• 복식
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• 제44권
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• pp.181-199
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• 1999

The industry of modern clothing has deviated from the overflow of commercialism and the standardization and nowadays is going toward pursuing art, creativity, and high added value. This trend brings the return of the natural materials from the synthetic textiles and increases the value of old and handmade fabrics. Finally, the handmade-paper, which is a natural material, comes to be reconsidered as a new material for the clothing. Therefore, as the natural materials and the manufacture of handmade clothing are rising again, the qualitative improvement and globalization of clothing industry should be first realized through the developments of creative and various clothing materials and new expressing techniques. The above investigation and study have been synthesized and analyzed as follows: First, through the study on the origin of the paper clothing, its historical background and the process of its development, we've learned these two facts following : the paper clothing of the East in the past mostly had practiced meanings. On the other hand, in the West it had meanings which were raised the artist's emotions and beauty-consciousness to the artistic level by the various kinds of expressing methods. Second, handmade-paper was manufactured by the embedding method, which mixed mulberry pulp, gauze, corn, hair, sisal, silk and so on. It was found that handmade-paper had the affluent and proper texture as the clothing material and was be able to control the clarity through the variation of thickness. It was also confirmed that the creative and original texture with hand-worked molding beauty was obtained by the use of handmade-paper. Third, when the handmade-paper is used, the molding beauty of plane, relievo, and solid can be freely pursued, and various and effective molding conformation can be constructed by the effect of superposition and repetition. Also, because the maximum discretion from the various optional manufacturing methods is allowed, the molding beauty can be maximized when the clothes are manufactured with handmade-paper. Fourth, the gauze with strong drape was combined to overcome the stiffness and the tearing of the paper. As a result, the durability and the wearability of the paper were strengthened and thus the thus the applications as the clothing material were enlarged. In conclusion, in order to enhance the value, creativity, practicality, and artistic sense of the design for modern clothing, the clothes made of handmade-paper should be more studied. Moreover, for the generalization of paper clothes, the studies on the development of practical paper with paper with water resistance, post-treatment after dyeing, flexibility, and durability should be done. I really hope that this study will be the motive to provoke the possibility of handmade-paper as new clothing material in not only practical sense but also artistic sense.

• 한국잠사곤충학회지
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• 제23권1호
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• pp.1-31
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• 1981

뽕나무의 古條揷木에 있어서 不定根의 發根力과 가장 密接한 關係가 있다고 생각되는 要因으로서 揷穗의 組織學的인 差異와 生理作用에 重要한 役割을 하는 生長調節物質을 生物的으로 檢定하고, 그 物質의 作用과 糖類, C/N率, 核酸, 아미노酸等 含有物質이 뽕나무의 發根力과 어떤 關係가 있는지를 究明하기 爲한 試驗을 實施하여 다음과 같은 結果를 얻었다. 1. 뽕나무는 系統과 品種에 따라 그 發根力에 큰 差가 있었다. 發根력力이 가장 强한 系統은 M. Lhou(51.00%${\pm}$, 그 다음이 M. alba(37.27%${\pm}$47.59)이며, M. bombycis(31.25%${\pm}$29.11)가 가장 낮았다. 그리고 品種的으로는 檢持, 仲間木, 甲選, 薄葉魯桑이 發根力이 가장 强했고 改良鼠返, 荊桑, 鶴田이 가장 弱했다. 2. 古條揷木에 있어서 發根力과 密接한 關係가 있는 組織的인 差는 厚膜組織을 이루는 石細胞群의 配列狀態로서 發根力이 弱한 品種은 皮層內에 이 組織이 2~3層으로 連結되어 있었고, 發根이 强한 品種群은 連結되어 있지 않고 分散되어 적은 數가 존재하였다. 3. 根基組織과 發根力과의 關係는 發根力이 强한 品種일 수록 그 突出程度가 높은 正의 相關($r=0.78^*$)을 나타내었고, 原始木部의 長 및 幅과도 正의 相關($r=0.73^*$)이 認定되었으며, 皮目과는 가지 表面에 차지하는 面積이 클수록 間接的인 要因의 하나였다. 4. 揷穗에서 抽出한 生長調節物質을 綠豆 幼胚軸을 利用한 生物的 檢定結果 發根力이 强한 品種群에서는 全般的으로 發根을 促進하는 物質의 活性이 높았고 發根力이 弱한 品種群에서는 發根을 抑制하는 物質의 活性이 높은 傾向을 보였다. 5. 發根力이 强한 品種群에서 나타난 發根促進 物質로는 $R_f$ 0~0.1이 phenolic substance로 推測되는 物質이며 $R_f$ 0.3~0.5의 物質은 indole acetic acid이었고 $R_f$ 0.8~1.0은 indole acetic nitrile로 推定되는 生長促進 物質이었다. 6. 揷穗內 各 組織의 生長調節物質은 量的 또는 그들간의 均衡이 다르게 存在하는데 이들 物質은 相助的으로 作用하므로서 發根에 영향을 미치고 特히 冬芽로부터 下降하는 物質이 없으면 發根이 되지 않았는데 그 決定的인 作用時期는 揷木後 1週日間이었다. 7. 發根과 깊은 關係가 있는 揷穗內의 營養物質로서는 炭水化物 및 全糖의 含量이 發根과 各各 正의 相關($r=0.72^*$, $r=0.67^*$)이 認定되었으나 還元糖과는 負相의 相關($r=-0.75^*$)을 나타내었으며 澱粉과는 負의 傾向値를 나타내었다. 8. 發根에 關與하는 營養要素로서 C/N率은 높을수록 發根率이 높았는데($r=0.67^*$) 이것은 炭水化物 含量이 높은데 基因하였다. 9. RNA 및 DNA 含量과 發根力과의 關係는 揷水 當時에는 RNA 및 DNA 含量의 差異가 없었으나 揷水後 RNA의 含量은 發根力이 强한 品種群이 弱한 品種群에 比하여 2週間 顯著히 增加하는 傾向을 보였다. 10. 아니모酸과 發根力과의 關係는 發根力이 높은 品種群에서 aspartic acid 및 cystine의 含量이 높은 傾向을 보였다.

• 복식
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• 제66권6호
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• pp.67-78
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• 2016

Research on ancient Indonesian 'sacred cloths' is essential since it shows a different perspective into Indonesian identity. Based on its function, the 'sacred cloths' are either made as a medium for religious ceremonies or as a medium for the living and the dead. The consuetude of preparing and creating the 'sacred cloths' are done to achieve the finest 'sacred cloths' worthy to be presented to God. The research aims to analyze the characteristics of ancient Indonesian textiles and to focus on the 'sacred cloths.' The research is divided into two parts, and this paper is the first part. The paper analyzes the characteristics of ancient Indonesian textiles by focusing on the period, religion, region, and color of the 'sacred cloths.' The subsequent research analyzes the characteristics of ancient Indonesian textiles by focusing on the techniques and the patterns of the 'sacred cloths.' In this first part of the main research, the analysis reveals that animism developed in various ways in Indonesia from 500 BC to AD 1800. It was also as kingdoms of Buddhist, Hinduism, and Islam. The changes of religion may differ according to its region. Indonesian regions are divided into six big regions that produce textiles. These islands are Sumatra, Borneo, Java, Celebes, Nusa Tenggara, and Bali. By space and time, the colors of Indonesian textiles represent the ideology of one religion. Indonesia produces primary colors of red, yellow, and blue(RYB). The colors are produced by extracting leaves of Indigo, Indian Mulberry root shell, Sappanwood's branches, Candlenut fruit, Turmeric root, and Mangosteen rind. Indonesia is a religious country, therefore the meaning of creating each 'sacred cloth' shows piety of the maker and the wearer.