• 한국가구학회지
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• 제26권3호
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• pp.207-221
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• 2015

Inlay is a high technique of inlaying patterns on the surface of crafts and widely used transcending time and place at various hand crafting area. Inscribed pattern technique using rare materials in the area have been used by the artisans of artistic flair and functionality and its value is also highly regarded from ancient to modern and inherits and is being developed today. Existing inlay technique, however, has not been spread out because it needs craftsman's skill based on the handcraft and inscribed materials are very rare to use. This paper aims to replace natural wood Sanggam materials for traditional furniture patterns such as Samho Jang, Ohho Jang, Seongtoenoe Moon, Gyeopgwinoe Moon and wood inlay text like Soo (Long life), Bok (Luck), Kang (Peace), Ryoung (Relaxed) and gammadion cross pattern. Gathered black, yellow and white color dyed wood using power tools can replace rare natural inlay materials through reliable and standardized supply. Dyed-gathered inlay materials can easily replace wood inlay materials, therefore, attempt to create an improved direction regarding materials and fabrication techniques in order to make traditional or contemporary artistic furniture to be produced.

• 한국가구학회지
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• 제26권4호
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• pp.421-427
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• 2015

21century design is working in order to increase the accessibility, eliminating alienation hierarchy for the use of the product. Efforts to these design approach are not intended for a small number of users. It offers the advantage of a variety of design for users of a wider range. So, it was allowed to extend the value in good design for all human beings. Traditional thought is expressed in a variety of shapes by applying meaning to another re-interpretation for the form to contemporary furniture and structure and decoration. Gyeongsang have a religious solemn feeling in the typical furniture of hall space that reflects the inner distinctive tradition thought of scholar of the Chosun Dynasty. For these reasons, in the present study, based on the modeling elements of Gyeongsang, which is based on the traditional idea of our country, there is the purpose to propose a design of agreed with table in modern lifestyle. Design concept proposed in this paper, to be applied to the design of the table is placed in the living space by re-interpreting the modeling properties which can be felt in the thin form and structure and patterns as modern image.

• 한국가구학회지
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• 제28권2호
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• pp.95-102
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• 2017

In the process of changing from modern society to contemporary society, innovation of various fields is considered as important with rapid social change and one of the consequences of this changing movement is the innovation of living space. In this paper, based on this motive, we will study a modular shelf that can create a private space, and serve function like role of partition that delimits space in the one-room. Modular shelves can provide openness, closeness, and autonomy to individual spaces in a one-room space without space divisions. In a small one-room for residential purpose, it is able to function effectively to show the atmosphere of personal space and display small items reflecting personal taste in addition to the function of storing books and items. In addition, a modular shelves considering disassembly and movement are proposed in order to take advantage of one-room that can make different space configurations as needed. It is aim to suggest a basic modular shelves structure that used traditional Chinese wood-joints during which techniques was sturdy while reducing the use of timber. Futhermore, the purpose of this study is to study the design of shelf furniture that can add individuality.

• 한국가구학회지
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• 제23권1호
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• pp.84-94
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• 2012

We present the species and the dendrochronological dates of Korean traditional furniture in Forest Museum Collection of Korea National Arboretum. Seven of thirteen were successfully dated. Chest with a flap door (84-55-1) was dated A. D. 1623. Others dated were cabinet (83-41-1: A. D. 1759), Chest with a turnover door (83-39-1; A. D. 1801), Cabinet with two horizontal section (88-39; A. D. 1843), Rice chest (82-27-3; A. D. 1849), Cabinet with two horizontal section (83-40-2; A. D. 1877), Chest with a flap door (84-50; A. D. 1918). Most of existing cabinets were made in 1800s. The 84-55-1 chest was one of the earliest pieces of furniture in the collections of Korea museums. The furniture is usually composed one species. The major species was Pinus densiflora. Bedside cabinet (83-41-1) and Cabinet with two horizontal section (88-39) were made from Korean pine (Pinus koraiensis). Becasue they were dated by the tree-ring chronology of Mt. Bekdu, the timber of their boards could be from the area of Mt. Bekdu.

• 디지털융복합연구
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• 제14권9호
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• pp.437-446
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• 2016

본 논문은 디지털과 IT로 대변되는 현대의 융복합문화속에서 사회 문화적 요인이 반영된 변화를 요구받는 가구디자인의 특징에 관해 연구하고자 한다. 이를 위한 구체적인 방법으로서 기능주의로 대변된 산업혁명 이후의 디자인과 20세기 이후 다원화된 사회의 모습을 담아냈던 멤피스 그룹의 사례를 보려 하며 이를 토대로 융복합적 가치관이 보편화된 현대사회 속에서 변화를 요구받는 가구디자인의 모습을 조명하려 하였다. 이렇듯 미래의 가구디자인을 예측하는데 있어 사회구성원들의 가치관이 수용된 사회문화적 요인은 반드시 주지해야 할 중요한 요인임을 밝히는데 본 논문의 목적이 있으며 현대가구디자인의 주요 요소가 되었음을 인지하여 이를 바탕으로 폭넓고 깊이 있는 디자인 연구가 이루어져야 할 것이다.

• 한국과학예술포럼
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• 제27권
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• pp.213-219
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• 2017

This paper aims to approach a spatial furniture for sedentary lifestyle which been has derived and evolved from Korea's traditional 'Ondol' heating system. In this living culture, people has been staid on the floor where people would sit directly on without furniture such as chair and bed. With every changing technological advances, sedentary life culture is transformed and mixed instead of sedentary habit. Most of people lived in western house such as apartment forms. As time go by, western furnitures were used became widespread. However, during the process, it impossible to acclimate ourselves to the new lifestyle such as chair, bed etc. This leads to users feeling uncomfortable on certain points. The researcher suggests a spatial furniture through a new approach to rest-taking that also intersects the cultures of East and West while resolving the a fore-mentioned issues. The study is conducted as follows. Firstly, issues are discovered through a user's lifestyle to exist usage and interplay of house and furniture. Furthermore, the issues was not a fragmentary thing but more related to a culture and a coustom of long standing. Secondly, a design experiment is conducted to conclude a new form and function that is better fit for the Korean culture where sitting on the floor is the norm. New direction for space that intersects the cultures of the East and West while using modules made convenient for contemporary life is presented. Finally, this study is meaningful in that it reinterprets furniture used for rest within the context of sedentary culture, in order to propose a new direction and value for design that overcomes the boundaries between eastern and western applied to resting space.

• 한국전자통신학회논문지
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• 제9권12호
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• pp.1389-1396
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• 2014

본 논문에서는 전통적인 짜맞춤 기법을 숙련된 기술 없이 앱 상에서 부재의 사이즈와 장부의 개수만 결정하면 전통 가구를 제작할 수 있도록 하였다. 그동안 전문 기술자들에 의해 수작업으로 이루어지던 가구의 설계도면을 CAD를 사용하여 생성함으로써 효율적이며, 융통성 있는 가구의 제작이 가능하게 하였다. 또한 CNC 설계 도면과 3D 모델링된 56종의 STL파일들은 앱을 통해 서비스되며 수시로 업데이트가 가능하도록 하기 위해 하이브리드앱을 사용하였다.

• The Journal of Asian Finance, Economics and Business
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• 제4권4호
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• pp.67-77
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• 2017

The purpose of this research is to explore the factors affecting on Supply chain (SC). In fact, the collaborative supply chain (CSC) concept in Vietnam is quite new. Apart from obvious differences of doing business between Western versus and most of developing countries such as Vietnam, the literature suggests that collaboration in the supply chain (SC) of the furniture industry are quite low. The primary reason for such low adoption rates is low awareness of enterprises. In order to achieve the purpose of this study, a literature survey related to SC, CSC was carried out, and an empirical analysis was conducted among 276 manufacturers in this industry with the results analyzed. Using Cronbach's alpha analysis, Explore Factor Analysis (EFA) and Regression Analysis (RA) with primary data collected 276 valid samples from 393 samples in Vietnam, this paper explores and confirms that there are existed six basic factors affecting the collaboration in supply chain including: (i) Trust; (ii) Power; (iii) Maturity; (iv) Strategy; (v) Culture; and (vi) Frequency. Results of the research show strong evidences for policy makers and enterprises for management the supply chain collaboration in furniture industry as well as its contribution to literature review of supply chain management.

• 한국가구학회지
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• 제22권3호
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• pp.174-182
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• 2011

Over the last decade, Sick Building Syndrome has become a significant social issue in Korea and many methods have been considered to maintain comfortable indoor air quality. To reduce toxic substances emitted from wood composite products, the source control is an efficient method through the reduction of formaldehyde content by using natural material-based adhesives for composite wood products production. Among alternative materials, soybean protein is considered an appropriate natural material to replace formaldehyde-based resin and many efforts have been made to produce new products, such as soap, shampoo, ink, resin, adhesive and textile through changing the chemical or physical properties of soybean. To process soybeans into these useful products, the beans are dehulled and the oil is removed by crushing at very high pressure or by solvent extraction. For use soybean as an adhesive, it is processed at temperatures below $70^{\circ}C$ to preserve the alkaline solubility of the proteins. In addition, soybean-based adhesive is undergone treatment process to improve mechanical properties using urea, urease inhibitor N-(n-butyl) thiophosphoric triamide and sodium dodecyl sulfate. The modified soybean-based adhesive exhibited sufficient mechanical properties to use as an adhesive for composite wood products. This paper is a review article to discuss the possibilities of soybean-based adhesive for environment-friendly furniture materials.

• 한국가구학회지
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• 제26권2호
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• pp.145-153
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• 2015

This paper or article is about bamboo products from Damyang that have been degenerated by the threat of Chinese low-cost products. Comparing the products from Damyang and China, we could point out four problems and come up with solutions. Firstly, we need strong and specific storytelling based on historical facts and various research to boost the bamboo industry. In order to introduce interesting storytelling to the public, it is also necessary to train some good-quality workers. The public would be more familiar with the bamboo products from Damyang than Chinese products. Secondly, technologies used for bamboo products from Damyang are extremely behind the times. Skill shortages for bamboo products caused to create unattractive products to the public for approximately 30 years. Thus, we need to acquire advanced technologies from abroad as well as to develop our own. Thirdly, Even though attractive bamboo products would be produced with advanced technologies, workers in bamboo industry lack knowledge of distribution channels and marketing strategy so that there is no way to introduce their products effectively to the consumers. Therefore, government agencies or marketers should educate workers to help running their business successfully. Finally, bamboo products have been fashion and living items for some specific consumers for the last years. However, we need to create variously new types of bamboo products through the collaboration with a wide range of artists to be widely appealing. In conclusion, it is important to be aware of the problems and solutions above. The 17th Bamboo Expo in Damyang will be a great opportunity to introduce Korean bamboo products in worldwide and develop the bamboo industry.