A Study on Development of Inlay Made from Dyed-Gathered Wood

염색집성목을 이용한 목상감 재료의 개발에 관한 연구

  • 김동귀 (경남과학기술대학교 인테리어재료공학과)
  • Received : 2015.06.15
  • Accepted : 2015.07.15
  • Published : 2015.07.25

Abstract

Inlay is a high technique of inlaying patterns on the surface of crafts and widely used transcending time and place at various hand crafting area. Inscribed pattern technique using rare materials in the area have been used by the artisans of artistic flair and functionality and its value is also highly regarded from ancient to modern and inherits and is being developed today. Existing inlay technique, however, has not been spread out because it needs craftsman's skill based on the handcraft and inscribed materials are very rare to use. This paper aims to replace natural wood Sanggam materials for traditional furniture patterns such as Samho Jang, Ohho Jang, Seongtoenoe Moon, Gyeopgwinoe Moon and wood inlay text like Soo (Long life), Bok (Luck), Kang (Peace), Ryoung (Relaxed) and gammadion cross pattern. Gathered black, yellow and white color dyed wood using power tools can replace rare natural inlay materials through reliable and standardized supply. Dyed-gathered inlay materials can easily replace wood inlay materials, therefore, attempt to create an improved direction regarding materials and fabrication techniques in order to make traditional or contemporary artistic furniture to be produced.

Keywords

References

  1. 경상남도. 2013. 경남인의 삶과 문화. 일광인쇄. 137쪽.
  2. 김금철. 2013. 무형문화재 현지조사. 동영무형문화재 전수관.
  3. 김동귀. 1992. 동아대학교대학원 석사학위논문. 13쪽, 46쪽.
  4. 김동귀. 2007. 염색집성목을 이용한 목 가구 개발에 관한 연구. 동아대학교대학원 논문집. 351-352쪽.
  5. 김동귀. 2009. 염색집성목을 이용한 목 가구 개발에 관한 연구. 한국가구학회 20(1): 82-94.
  6. 김동귀. 2013. 접목기법을 이용한 상감재료개발에 관한 연구. 한국목재공학회 학술대회발표요지집. 158-159쪽.
  7. 김동귀. 2014. 무형문화재 공개 발표 제작 시연 사진자료. 웅석공방.
  8. 문화공보부 문화재 관리국. 1964. 무형문화재 조사보고서 제 15집(110호-128호). 223쪽.
  9. 문화공보부 문화재 관리국. 1988. 중요무형문화재 해설(공예기술). 서울인쇄공업협동조합. 224-226쪽.
  10. 장세우. 1999. 중요무형문화재 4. 대원사. 113쪽.