• Korean Journal of Heritage: History & Science
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• v.57 no.1
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• pp.110-123
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• 2024

Onyanghaenggung Palace(temporary palace at Onyang) is an important cultural heritage that can substantially confirm the king's visiting at hot springs based on literature records such as <Ongungyeonggoedae(溫宮靈槐臺)>, <Oncheonhaenggungdo(溫泉行宮圖)> of 『Ongungsasil(溫宮事實)』, <Younggoedaedo(靈槐臺圖)>, 『Younggoedaegi(靈槐臺記)』 and cultural properties such as Yeonggoedae(靈槐臺) and Shinjeong Monument(神井碑). Through a photo taken by Hermann Sander in 1906, it can be confirmed that the hot springs(Tangsil building) at Onyanghaenggung Palace during the Joseon Dynasty was maintained until the early Japanese colonial period. The purpose of this study is to estimate the compositions of the hot springs(Tangsil building) in Onyanghaenggung Palace based on literature records and <Oncheonhaenggungdo>(1795). To achieve these purposes, we firstly examined the changes in Onyanghaenggung Palace and the hot springs (Tangsil building); secondly, the bathing behaviors of kings were reviewed; thirdly, we organized the architectural composition of the hot springs (Tangsil building) according to "Ongung Repair" of 『Ongungsasil (溫宮事實)』; and fourthly, by comparing Sander's photo in the early days of Japanese colonial rule, the architectural composition of the hot springs (Tangsil building) in the late Joseon Dynasty was examined. The results of this study are as follows. First, the hot springs(Tangsil building) of Onyanghaenggung Palace were continuously connected to the Onjeongsil(溫井室) in the reign of King Hyeonjong and maintained until 『Hoseo-eupji』 (1871) in the late Joseon Dynasty. It matches the photograph taken by Hermann Sander(1906) and <1912 Onyang Hot Springs in Asan City>(1912) of Korea Copyright Commission during the early Japanese colonial period. Second, the various king's bathing methods during the Joseon Dynasty were adopted such as washing, spilling and bathing head while sitting on a bathing platform or chair, or exposing the steam of hot spring water, dipping feet into the water and a half-body soaking bath below the navel immersed in water. Third, the stone bathtubs of hot springs(Tangsil building) are composed of the upper bath which was hot spring water gushes out from the northwest, bends to the east, enters the middle bath, and bends to the south to come out to the outside to gather in the lower bath. Around the stone bathtubs, pebble stones brought in from Taean were laid on the floor of the hot springs(Tangsil building). From the above considerations, the compositions of the Tangsil building in Onyang Temporary Palace is based on the king's approach from the main royal building, the king's bathing method and bathing tools, the bathing behavior of enlisted medical officers and bathing assistants, and each rooms mentioned in "Ongung Repair". By comparing it with Hermann Sander's photo, the architectural compositions of the hot springs(Tangsil building) can be estimated.

• Journal of architectural history
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• v.26 no.1
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• pp.17-30
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• 2017

The aim of this study is to examine the square shape cases of rafter end header with special reference to wooden architecture and Uigwe records. In Uigwe, the member Bangyeon is widely used in multiple Changung and Chansil, and it is the most used in various gates in the buildings. It is also found in Haenggak and Subokbang. In the surviving wooden architecture, Bangyeon is found in pavilion, colonnade and gate in Changdeokgung Palace, and it is often seen in palace architecture. It is rare in private sector, and it is shown in Sangju Yangjindang and Andong Songsojongtaek. A total of 48 cases in Uigwe, can found records of Bangyeon. According to the records, mainly Yeonggeon Uigwe and Salleung Uigwe, it can be found that gates, also Bangyeon was used.

• Journal of the Korea Furniture Society
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• v.21 no.1
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• pp.17-25
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• 2010

Three buildings -Jibokjae, Hyubgildang and Palujung- are connected each other and consist of a library and reception complex for royal kings at Kyungbok Palace in Seoul. Jibokjae and Hyubgildang were known to have been moved from Changdok Palace in A.D. 1891. No construction records have been known for Palujung. In 2004, during repair of three buildings, a dendrochronological analysis was conducted to examine their building histories. We took 67 wood samples for dendrochronological analysis; 20 from Jibokjae, 37 Hyubgildang and 10 Palujung, respectively. The results showed that the felling dates of Jibokjae and Hyubgildang woods were A.D. 1877-1879/1880, indicating original construction of two buildings at early 1880s. Felling dates of Palujung were 1886-1889/1890, those of roof filling timbers 1890 and the connection part between Hyubgildang and Jibokjae 1886, confirming 1891's movement of Hyubgildang and Jibokjae and adding a new building, Palujung.

• Journal of the Korean Society of Food Culture
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• v.3 no.1
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• pp.29-49
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• 1988

Among the 160 documentes on Food menu in the Royal palace of Chosun Dynasty, 137 are cherished by the Academy of Korean study (old Chang Su Gack) and 23 by privates. We can find the other 2 documentes in biliography but they do not exist now. Most of them were written in Korean in the period between 1863 and 1937. Through them, we can learn how to set a meal table for people who served on wedding feast, the birth of Royal family and the national events, and several small feasts and ancestrial rites of Royal palace. And the food menu in them are based on Korean food.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.11a
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• pp.201-204
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• 2006

With development of digital technology and globalization after Seoul Olympic in 1988, Korea has recklessly accepted western culture, thus causing damages to Korean identity The purpose of this study is to design Imperial Palace Hotel VIP lounge space applying traditional Korean style. This study analyzed traditional expression according to its element and method taken out from the prior researches related to it. The method of traditional expressions divided into the method of prototype reappearance, prototype transformation, reinterpretation, and abstract. This study aimed at get the understanding on traditional Korean architecture, space planning and furniture arrangement. As a result, the plan represent traditional Korean style including the space planning and furniture, the colors and patterns, and the building materials. The Imperial Palace VIP lounge Is not tile space for eating and social activities, but also provide the space for introducing traditional Korean culture and life.

• Journal of Internet Computing and Services
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• v.9 no.2
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• pp.131-138
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• 2008

The goal of our research is to develop a smart location-based self guided lour assistant as a context-aware real world application. As a context-aware tourist guide application, we hove been developing a PDA-based location-aware tourist guide application for the old palace Deoksugung in the center of Seoul. It will guide visitors to the palace with information about: current location, attractions nearby, and details about specific buildings. Rich multimedia support has been incorporated into the system to provide extra features to enhance the self-guided tour.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.90-94
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• 2001

This study hypothesizes that the imageability of a particular environments is decided by the unity of each visual sequences. We selected Ch'angdok Palace as our subject due to its greater applicability for image construction among various Korean architectures and their street furnitures. we apply the analytical methods of formal aesthetics and symbolic aesthetics to Ch'angdok Palace's space compositional characteristics, we can find distinctive features. The conclusions are that Ch'angdok Palace contains high probability of imageability through the contrast and harmony of two themes, reality and the ideal, and the rational and the emotional.

• The Journal of Korea Institute of Information, Electronics, and Communication Technology
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• v.4 no.2
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• pp.141-151
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• 2011

This paper aim at producing a Digital Modeling of the science of divination using a study of a new method with a mathematical function on "Lak-seo nine palace". For that goal, we must study a new law of moving forward and a new common difference on 'Lak-seo nine place'. We call this "the method of HLMF and NCD". Therefore, When drawing up 'a plan of Lak-seo nine palace', we will provide convenience in the field, so we don't make it by handwrite, but will produce it by a digital mode.

• Journal of architectural history
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• v.3 no.1
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• pp.9-22
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• 1994

In Pyonjon, Kings received high-ranked officials, heard preachings of classical literatures. State affairs were also discussed here. In palaces of the Chosun Dynasty, Pyonjon used to be regarded as the most important building second to the main hall. In Changduk palace, Sonjongjon was the original Pyonjon. But, before the end of the 17th century, Huijongdang began to be called Pyonjon, and after the 19th century, Huijongdang became Pyonjon officially. Sonjongjon was located beside the main hall, while Huijongdang before the King's bedroom. The floor of the former building was covered with brick but Huijongdang covered with ondol and wooden floorings. In Sonjongjon, every man sit on the chair, but in Huijongdang King and officials used to sit down on the floor. The fact that Huijongdang became Pyonjon replacing to Sonjongjon meant change of building arrangement in the palace and usage of inner space.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.28 no.4
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• pp.98-104
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• 2010

Chang'an, an ancient historical city with its construction basement remains. Chinese Traditional Landscape Culture comes from the ancient civilization of the Yellow River and the environment of the central Shaanxi plain forms its ideology characteristic. Basing on the fast urbanization and growth of economies, there is a growing emphasis on Urban Landscape Cultural Heritage. The spatial pattern and traditional landscape should be protected and exhibit because it reflects the original characteristic and implied meaning of Chinese traditional landscape culture. This paper presents the case of Huaqing Palace(華淸宮) scenery area as an example; evaluate the value of its original landscape culture, showing the way of the conservation and regulation.