• 한국의류학회지
• /
• 제24권4호
• /
• pp.538-548
• /
• 2000

A study analyzes the eclectic trend shown in Andy Warhol look to explain the pluralistic aspect which is expressed in the late 20th century's fashion. Eclecticism is a trial to dismantle the barriers between pure art and popular art, high culture and low culture. This pursues harmonious accommodation and coexistence of all areas without being confined in the conventional lofty taste or high art. This thesis studies the characteristic aspects of the eclectic trend by classifying this trend into sell culture, mass media and fashion around the Andy Warhol look. The sexual eclectic trend in Warhol look is bisexual one shown in clubland and the world of modeling and supplies fashion with abundant expression and ambiguity. Warhol established cultural eclecticism by compounding high cultural factors and low cultural factors. broke up the boundary between street fashion and high fashion and escaped from the fixed idea on materials and design. Also he generalized and democratized specialty or nobility conventional paintings had possessed through introducing repetition and mediocrity and fully utilized every kind of mass media, Hollywood movie stars and daily necessaries in producing works. Andy Warhol who asserted‘Business Art’that was the mixed form of artistry and commercialism had creative and futuristic taste and proposed the direction to develop current fashion and art where the concept of economy is importantly brought into relief.

• 한국정보과학회논문지:컴퓨팅의 실제 및 레터
• /
• 제14권1호
• /
• pp.22-30
• /
• 2008

물류창고는 수시로 많은 물류가 입고/출고됨에 따라 수시로 재고 현황이 변화하고 이를 빠르고 정확하게 관리하는 것은 물류 관리에 있어서 매우 중요하다. 이를 위해 RFID 기반의 센서 네트워크를 구축하여 기존의 수작업으로 하던 작업을 빠르게 수행할 수 있도록 한다. 센서 네트워크를 구축하기 위해 에너지 기반으로 클러스터링을 하고 이를 기반으로 계층적 라우팅을 통해 데이타 전송을 가능하게 하였다. 또한 클러스터간 이동성을 지원하여 각 노드가 이동하여도 연결성이 보장되도록 하였다. 이렇게 구축된 네트워크는 실제 RFID 리더와 함께 연동되어 물류창고에서 사용되었다.

• 한국전기전자재료학회논문지
• /
• 제20권1호
• /
• pp.14-18
• /
• 2007

The electric property in the $GaAs-Al_{x}Ga_{1-x}$ quantum well with the Si ${\delta}-doping$ layer in a non-central position is studied through the effect of the electric field intensity on the electron distribution. The finite difference method is used for the calculation of the subband energy level and its wavefunction. In order to account for the change of the potential energy due to the charged particles, the self consistent method is employed. As the Si ${\delta}-doping$ layer becomes closer to the heterojunction interface, the electrons less affected by Coulomb scattering are greatly increased under the external electric field. Therefore, the high speed device is suggested due to the fact that the high mobility electrons can be increased by positioning the ${\delta}-doping$ layer in the quantum well and by applying the electric field intensity.

• 패션비즈니스
• /
• 제14권1호
• /
• pp.27-42
• /
• 2010

It was in the fifteenth century in Italy that men began to talk of a rebirth in the arts and literature. Today we consider the period to belong to the Renaissance. We noticed the splendour of costume and the important role it played, in the life of Italian society in that period. From elsewhere in Europe and also from the East, dyestuffs came to Italy overland or in shiploads. Red and blue, notably kermes and madder on the one hand, and indigo and woad on the other were fundamental textile dyes in Italy. Saffron was used for yellows, oak galls for blacks. Renaissance Italian costumes' main color symbolized various meaning. Red symbolized high rank, affection, lady, redemption and various cardinal virtueses. Yellow was evaded color which was symbolized the lower class, betrayal, and gold. Green symbolized penniless, youthfulness, hope and love. Blue symbolized humbleness, sincerity, knowledge and the Madonna. Purple symbolized nobility, vice and various meanings. Black symbolized death, grief, beauty and elegance. These color symbols in the Renaissance Italian costumes were very similar to that of modern color symbols.

• 한국실내디자인학회논문집
• /
• 제22권4호
• /
• pp.94-103
• /
• 2013

This study investigated the windows and doors of traditional houses in Jecheon, designated as a cultural assets in Chungcheongbuk-do. It aimed to contribute to the study of korean traditional architecture by finding the characteristics of windows and doors, and to the preservation and reuse policy of local cultural assets. This study was conducted using the research methods of the literature and field survey, and it was to analyze and to compare the existing data and a current status. The result are as followings. Firstly, the windows and doors of kitchen in An-chae were generally installed double swinging type with wooden board door(板張門). Secondly, the windows and doors of An-bang were generally installed double swinging type with slender-ribbed windows and doors(細箭窓戶), were mostly installed Merum(遠音). Thirdly, the windows and doors of Daechung(大廳) towards the backyard were generally installed double swinging type with wooden board door, corrugated cardboard door(骨板門) and slender-ribbed windows. Lastly, the windows and doors of Sarang-bang in a house of nobility(班家) was installed triple windows and doors.

• 한국의상디자인학회지
• /
• 제22권2호
• /
• pp.151-165
• /
• 2020

In this study, the pattern of texture was developed by applying the pattern shown in the Amita Yeoraebul and the Avalokitesvara with symbolism suitable for children's clothing. In addition, the design and the manufacturing of a children's wearable Hanbok were attempted, and the results are as follows: Amitha Yeoraebul is a Buddha who oversees paradise in Buddhism, and Avalokitesvara controls both paradise and the real world and provides mercy. Applying the various patterns in the Buddhist paintings, four daily hanboks for children were produced using patterns featuring symbolic the meanings of large round original patterns chrysanthemums, turtles, and lotus patterns. The lotus symbol represents love, nobility, and wealth, while the turtle symbol represents longevity, the chrysanthemum pattern symbolizes auspiciousness, and the large round original pattern means a constant continuation. To maintain the traditional hanbok form but allow convenient wear it in daily life, it is made in the jeogori + shorts, vest + long pants, and one-piece + jacket style. Currently, the daily dress of Hanbok and the modernization of traditional Korean clothes are being promoted. At this point, the study developed Hanbok fashion products that contain symbolic stories suitable for children are trying to maintain the image of traditional culture as much as possible.

• 복식
• /
• 제59권10호
• /
• pp.10-21
• /
• 2009

The shape of floral pattern in the period of Rococo are a pots, a flower and ribbon style, a flower and a stripe style, a lace style and a scene style etc, and also in that time an apperance of softness of curved line, delicacy and smoth line, irregular and unrestraint line, motive of tiny and extra ordinarily, little bunch of flowers, and stripe style was a feature. The style of presentation were a presentation of fixed style such effect as lace, and a presentation of realistically style emphasized a massiveness and a cubic effect, and also used a natural color, and the presentation of abstract expressed like imagined anything and fancied. Weaving expressed delicate, brilliant, fantastic, and an atmosphere with elegant. embroidery was expressed in creation with emphasized in reality. Printing was fantastic with exotic in development of chintz due to effection of orient. The based on a salon civilization, the refind beauty of taste of royalty gave a refinded feeling with over affectionate in preference with a softness of curved line, and a motive of tiny and extra ordinarily. The classical beauty of elegant was realistic in being concentrated on building up blance and homony. The natural beauty of romantic was in being devoted the theme with soft and fantastic.

• 복식문화연구
• /
• 제2권2호
• /
• pp.247-263
• /
• 1994

This study is concerned with the slsl 瑟瑟. The identity, origins of the word, kinds, the place of production, and the sues of he sl sl were examined. The world sl sl means the sapphire. The Chinese word se se(seh seh), 瑟瑟 was derived from the Hebrew word, she she meaning marble. The use, meaning and the phonetic value of the sl sl between the Chinese and the Hebrew were the same each other. It indicates that the Chinese word se se(seh seh) was the transliteration of the Hebrew word she she. The sl sl were produced in the Middle East Asia and the sl sl used in ancient China was mainly originated from the Middle East Asia. The sl sl of Silla was also the sapphire and it was an article of the imported goods from the Middle East Asia. Women of Jin gol(true bone) were not use the sl sl as a material to decorate for their combs and headdresses. Also women of yuk du pum (six du pum) were prohibited to use the sl sl as a material for their combs. It indicates that the privilege to use the sl sl for a comb and in a head dress was restricted to the queen in Silla and it remained as a symbol of nobility and dignity.

• Journal of the Korean Wood Science and Technology
• /
• 제27권4호
• /
• pp.15-19
• /
• 1999

Three wood coffins of Chosun Dynasty period buried about 450 years ago were excavated in the sound condition in Andong area in the early 1998. The proprietors of wood coffins were grandparents, Mr. Myoung Jong Lee and Mrs. Mun, and their grandson, Mr. Eung Tae Lee, and the social standing of their family was known to belong to the nobility in those days by the clan genealogy. All the wood coffins investigated through light microscopy had same anatomical characteristics as follows: abrupt to somewhat abrupt tracheid transition from earlywood to latewood; normal longitudinal and horizontal resin canals with thin-walled epithelium; tylosoids in resin canals; bordered pits frequently in 1 row on radial walls of tracheids; 1 or 2 window-like pits per cross-field; uniseriate and fusiform rays; heterogeneous rays composed of body ray parenchyma cells and marginal ray tracheids or homgeneous rays composed of only ray tracheids; dentate ray tracheids; occasional trabeculae traversing tracheids in radial direction. Based on theses microscopic characteristics, all the wood coffins were identified to be Korean red pine (Pinus densiflora) or Korean black pine (Pinus thunbergii). Korean black pine growing naturally in coastal area might not be probable because the site of excavation, Andong area, was mountainous and inland area of Korea Thus, Korean red pine was thought to be the possible species for the wood coffins because of its natural distribution through the Korean Peninsula and the easy availability.

• 복식
• /
• 제58권5호
• /
• pp.35-50
• /
• 2008

People in the Ancient Society of Korea liked golden earrings. The Royal Family or the nobility wanted to make more splendorous golden earrings in order to display their high-ranking positions. However, appearances or production methods of golden earrings differ a little by countries, for example, Goguryeo, Silla, Baekje, Gaya, etc. Therefore, by closely examining articles discovered from tombs, we can know which country they were from. In particular, earrings of Goguryeo and Silla are similar to each other while those of Baekje and Gaya are similar. This would be closely related with political relationships between the two countries. The shape of golden earrings in the middle of the $5^{th}$ century A.D. is relatively simple. However, since the latter half of the $5^{th}$ century, golden earrings in the Ancient Society of Korea changed in the direction of long length or significantly splendorous surface decoration. Accordingly, we can estimate the period of production by analyzing golden earrings discovered from a tomb. In addition, the above trend was common all the earrings in the Ancient Society of Korea, which implies that each nation closely exchanged reciprocally at that time.