• 디지털융복합연구
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• 제19권9호
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• pp.59-65
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• 2021

본 연구는 비대면 서비스를 중심으로 온라인 박물관의 전시 콘텐츠를 온·오프라인 연계 체험 형태로 개발하여, 초등학생의 학습 효과에 긍정적인 영향이 있는지 밝히고자 한다. 본 연구에서 개발된 온·오프라인 박물관 콘텐츠는 기존 온라인 박물관을 바탕으로 분석하여 기존 전시물 유형과 직접 체험 요소가 보완된 콘텐츠를 결합하였으며, 혼합 매체 사용을 통해 학습을 증진시킨다는 Blended learning 이론을 적용하였다. 이를 통해 기존의 온라인 박물관의 한계점을 분석하고 새로운 온·오프라인 박물관이 기존 온라인 박물관에 비해 학습 효과가 있는지 비교 실험하였다. 실험 연구 결과, 공통적으로 직접 체험이 혼합된 콘텐츠가 높은 만족도 및 빈도 지수로 집계되었으며 [놀이형]과 [경험형] 유형의 직접 체험 콘텐츠가 간접 체험 유형의 콘텐츠보다 높은 만족도를 확인할 수 있었다. 본 연구를 통해 온라인 박물관이 제공해 줄 수 있는 콘텐츠 개발에 있어서 새로운 시사점과 발전 가능성을 제공하고 어린이 교육에 다양한 효과를 도모하고자 한다.

• 한국박물관협회:학술대회논문집
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• 제4회 전국박물관인대회 및 박물관학 학술대회
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• pp.21-33
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• 2001

• 대한자원환경지질학회:학술대회논문집
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• 대한자원환경지질학회 2002년도 춘계 공동학술발표회
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• pp.14-15
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• 2002

• 박물관보존과학
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• 제7권
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• pp.33-42
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• 2006

국립중앙박물관 보존과학실은 소장품의 유물상태에 따라 보존처리 우선순위 등급을 작성하였고, 2006년부터 연차적인 보존처리를 수행해오고 있다. 본 논문은 그 중 천목다완(신도1961)의 결손된 부분을 새로이 개발한 신복원재료를 사용하여 복원하는 과정을 소개하고 일부 박락된 유약층은 LIBS와 SEM-EDS분석기기를 사용하여 천목다완의 독특한 문양을 나타내는 유약성분을 분석하였다.

• 한국실내디자인학회논문집
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• 제14권4호
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• pp.95-105
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• 2005

To plan more effective exhibitions, exhibitions should be evaluated and verified through research. This is Important in that it will present measures for improving shortcomings in exhibition goals and procedures; and it will also provide new ideas and goals for future exhibition plans. The purposes of this study are to investigate the applicability of evaluation methods by organizing related theories systematically through a literature review and to provide more practical and valuable information about the methods by applying them to actual museums. For this study, the National Science Museum was investigated since it uses various themes and exhibition methods, compared with other science museums. Exhibition structures and presentation formats were first analyzed, and then the methods of trace and observation were used to investigate how visitors use the museum. Surveys were also conducted at two different times. The results of the analyses showed that problems of exhibits, arrangement methods of exhibition space, or guide systems are more prominent than those of the presentation format itself. Based on these results, measures for improvement are suggested as follows: First, new formats of exhibition halls using new window frames or holes should be explored to stimulate visitors' curiosity and to lead viewing traffic flow in the museum. Second, in presenting representative exhibits, a gate can be installed at each exhibition area, and representative exhibits are displayed by the gate or between exhibition booths. Third, if a small space is provided at the end of each exhibition area, it can be used to give an orientation on the next exhibition or used as a resting place.

• 한국의류학회지
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• 제40권5호
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• pp.936-953
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• 2016

This article surveys the meaning and history of fashion museum exhibitions to understand the characteristics that make a fashion museum exhibition special. It explores dress museology and fashion museology in theory, and practice across a range of international case studies that include the Costume Institute at the Metropolitan Museum of Art in New York, Mode Museum in Antwerp, and the Victoria and Albert Museum in London. In particular, it examines how curatorial intervention has developed the interpretation and display techniques of dress within the context of the museum or gallery as well as how fashion has made museums accessible to diverse audiences. For a specific case study, we review the types and roles of fashion exhibitions organized by the Simone Handbag Museum, Seoul. It is the first handbag-centered fashion museum in the world as well as one of the most representative local fashion museums. The museum collection includes fashionable western handbags from rare specimens of the $15^{th}$ century to the latest bags of the $21^{st}$ century, and presents a history of changing fashion cycles and the major socio-cultural shifts that have profoundly affected women's lives in public spaces. Exhibitions show the perspective to a range of curatorial methodologies and show the innovative approaches towards collections and displays with broader fashion issues such as gender, materialism and technology. The article is to help encourage further scholar discourse between fashion museum exhibitions and fashion museology.

• 한국실내디자인학회논문집
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• 제22권5호
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• pp.88-95
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• 2013

The purpose of this study is to analyze the phenomenological approaches in Holl's architecture centered on his Nelson-Atkins Art Museum. This study mainly deals with concrete and practical architectural contents based on his recent works rather than existing studies about philosophical point of views to his architecture. Because Holl has had turning point from theoretical research to practical application and development stage. Therefore, this study aims to find out Holl's phenomenological approaches that were different from his early works. Nelson-Atkins art museum shows effect of luminosity as well as inflow of light in the phenomenological experiences of light and space. Holl gave new addition building that he designed contrasts of massing, transparency of material, colors to enhance existence of new building through phenomenological experiences. Narrow and long circulation and various focal points provide multi-view points and overlapped spaces in body experiences As a result, Holl shows shifts from theoretical application to architectural utilization. Nelson-Atkins art museum is important in that this project is one of stating points about this shift.

• 한국실내디자인학회논문집
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• 제18권3호
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• pp.29-38
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• 2009

Nowadays, numerous major cities around the world are undergoing urban regeneration through 'culturenomics' as a key strategy, which finds out cultural resources in a cultural backwater and revitalizes the city and its economy by making full use of those resources. The purpose of this study is to research the strategies and the characteristics of the contemporary museum by regeneration of abandoned architecture through such case studies as Tate Modem in London, PSI Contemporary Art Center in New York City, Hamburger Bahnhop-Museum for Contemporary Art in Berlin and Ullens Center for Contemporary Arts in Beijing. This study eventually suggest the basic guideline for the contemporary museum by regeneration of abandoned architecture, aiming to establish Seoul as an environmentally cultural city. The case studies show all of the four museums preserve almost all of their appreances, basic structures and spaces, but, their material expressions, exhibition methods and their programs vary depending on their goals and strategies differentiating the way they preserve the old architectural elements and the way they add the new ones forming their unique characteristics.

• 박물관보존과학
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• 제14권
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• pp.115-124
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• 2013

국립경주박물관 옥외전시장의 장항리 석조불입상은 외부환경에 의한 접합물질의 풍화와 표면 오염물의 고착, 암석의 편하중에 의한 균열 등의 문제점으로 인해 소장품의 안전한 관리를 위한 해체 및 복원작업을 진행하였다. 3D 정밀실측을 통한 도면화 및 기초자료 조사, 풍화된 부분의 시멘트몰타르 및 수지를 제거하였다. 복원부분은 동종의 암석을 사용하여 신석을 제작하여 접합·복원하였다. 또한 미생물의 피해를 방지하기 위하여 훈증처리를 실시하였으며 지속적인 관찰을 진행중에 있다.

• 한국실내디자인학회논문집
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• 제26호
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• pp.79-87
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• 2001

This study is focused on three major museum projects completed during 1990's by Richard Meier who is known as the romantic modernist as well as one of the architects who continue their devotion on completing the fourth dimensional spatial concept through the practice. Main focus of the study will be analyzing the space and design elements shown in the Museum of Contemporary Art (Barcelona, Spain, 1986-95), Museum of Television & Radio (Beverly Hills, CA., 1994-96) and the Getty Center(Los Angeles, CA., 1984-97), and find out the new meaning of museum design suggested by the architect. The analyzation was done based on the actual sight visits and through the acquired references. The museum designs done by Richard Meier show consistency between visual language, use of 'light, space and form' as the design elements to connect interior and exterior to create openness and harmony with surrounding condition. Additionally, greatness of the architectural elevation, efficient use of interconnecting space, adoption of natural light, affective use of the space, careful consideration to the exhibiting items, spread of information centers, balance between large and small exhibition spaces, and his concept on providing choices to the viewer within the museum are the main issues in designing the museum in order to give various spatial experience to the visitors.