• 감성과학
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• 제15권2호
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• pp.193-200
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• 2012

본 연구의 목적은 넥타이의 폭, 스트라이프의 배열과 면적비에 따른 소비자 감성을 알아보는 데 있었다. 본 연구의 측정 도구는 자극물과 소비자 감성 척도로 이루어져 있었다. 자극물은 넥타이 폭(좁은, 중간, 넓은), 스트라이프 배열(가로, 세로, 사선), 스트라이프 면적비(1:1, 1:2, 1:3)로 된 27개의 컬러 그림으로 조작되었으며, 소비자 감성은 7점 척도를 사용하였다. 자료는 서울, 광주, 대구, 진주, 창원 등지에 거주하는 20-30대 성인남녀 270명을 대상으로 하여 2011년 11월에 수집되었다. 자료 분석은 SPSS프로그램에 의해 변량분석과 Duncan-test가 사용되었다. 본 연구의 결과는 다음과 같다.; 넥타이의 폭, 스트라이프의 배열과 면적비에 따른 소비자 감성은 매력성, 품위성, 개성, 능력성, 활동성의 5개 차원으로 구성되었다. 넥타이 폭은 매력성, 품위성에서 독립적인 효과가 나타났다. 스트라이프 배열은 매력성, 품위성, 개성, 능력성에서 독립적인 효과가 나타났고, 스트라이프 면적비는 품위성에서 독립적인 효과가 나타났다. 또한 넥타이 폭과 스트라이프 면적비는 능력성에서 상호작용효과가 나타났다. 이러한 연구 결과는 넥타이 상품 기획 시 유용한 자료가 될 수 있을 것으로 기대한다.

• 복식
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• 제59권4호
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• pp.67-81
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• 2009

This study aims to characterize the effect of different combinations of chromatic-achromatic colors and 1:2:3 area-ratio variation of stripe necktie, and gender on the image of male wearer. The experimental materials developed for this study are a set of stimuli and response scales. The stimuli consist of 84 color pictures manipulated with every combination of 12 different colors and 7 different area-ratio. The 7-point scale designed for visual evaluation of image formation included 26 bipolar adjectives. The subjects were 2016 undergraduate students in Gyeongnam, Seoul, Busan, and Daegu areas. The results of this study were as follows. The analyses of images of male wearer in terms of combinations of chromatic-achromatic colors and I :2:3 area-ratio variation of oblique stripe necktie reveal that the concerned factors are of five characteristic dimensions of youth-activity, ability, attractiveness, appeal, and warmness. In addition, it has been found that individual images of male wearer are affected by observer's gender as well as combinations of chromatic-achromatic colors and 1:2:3 area-ratio variation of stripe neckties and that those images vary with every combination of each factor. The study results are highly expected to be used as useful sources in developing necktie designs.

• 한국의상디자인학회지
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• 제19권3호
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• pp.99-108
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• 2017

In modern society, the succession and development of tradition can be an enabler of the state in the flow of culture, and the process of modernizing traditional costumes is meaningful work. Neckties are essential in modern Korean men's wear, and they are an important part of men's ornamentation. Accordingly, this study aims to present a necktie design that applies the traditional men's ornaments such as the Ip, Ipyoung and Manggeonsik. The research method is based on a literature review and presents four Korean necktie designs via Adobe Illustrations. As a result of analyzing the beauty of the traditional Korean men's ornamentation, it was categorized into rhythmical beauty, emphasis beauty, and natural beauty. Applying this to necktie design, Design 1 imagined the silhouette of a man wearing a Got and Durumagi. This applied emphasis beauty. Design 2 applied the shaking images of Got and Got-kkeun to apply rhythmical and emphasis beauty. Design 3 applied a man's upper body silhouette and the shape of wearing a Got. This was to apply natural beauty and emphasis beauty. Design 4 applied the shape of Got-kkeun and Gwanja to rhythmical beauty and natural beauty. The significance of this study is that the development of necktie designs using formative Korean elements can be a part of efforts to recognize the possibility of traditional Korean culture and to explore developmental directions under the current situation in which Western clothing is accepted without thought. It is a good idea to suggest the possibility of the modern use of Korean men's ornaments.

• 복식
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• 제65권2호
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• pp.17-32
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• 2015

This study aims to examine the differences in impression formation according to the accessories and hairstyles worn by men, and to investigate the relation between men's appearance and occupation inferences. The subjects were 320 female university students residing in the Seoul metropolitan area. First, wearing eyeglasses gave an impression of more intelligent image and less mild image. It was evaluated that the men wearing neckties have a high dimension of intelligence, and men wearing no necktie have a high dimension of progressiveness. Men with classic hairstyles had a high dimension of intelligence, while men with sports hairstyles had a high dimension of progressiveness, conspicuousness, and attractiveness. Second, metal rims on glasses had a high dimension of empowerment and attractiveness when a red necktie was worn, while horn-rimmed glasses with no necktie had a high dimension of conspicuousness and progressiveness. The men with sports hairstyles, with no eyeglasses had the highest dimension of progressiveness when a red necktie was worn. Third, it was evaluated that wearing a cloche hat or baseball cap had a low dimension of empowerment, while wearing a necklace had a high dimension of empowerment, conspicuousness, and progressiveness. Fourth, the men who wore a suit, eyeglasses, and a necktie with a classic hairstyle were deduced to be professionals, with high-ranking or white-collar jobs. It was found that when men wore a suit with a sports hairstyle, no eyeglasses, and no ties, they were inferred to be engaged in a service job. The baseball caps were strongly associated with technical or simple labor job.

• 한국의상디자인학회지
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• 제8권1호
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• pp.81-96
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• 2006

This study aimed to investigate the sociocultural phenomena which affected to clothing change in 1650-1900 and to examine the features of men's necktie in the western art. For this study, information about historic neckwear is obtained from the visual evidence of painted or engraved portraits, contemporary written sources. The covered area of this study was Europe mainly England and France. For this process, research steps were as follows : 1. Investigating the sociocultural phenomena which affect to clothing change through 1650-1900 and analysis of men's clothing and appearance. 2. Finding the changing characteristics of neckties including it's different types, shapes, knots, colors and materials and analyzing similarities and differences of neckties by the times. 3. Examining necktie as one of important and representative icons of male gender identity. The results of the study was as follows: 1. In 1660-1900, men's fashion was simplified in color and detail due to the influence of practical Puritanism and matured civil culture. And British men's fashion spreaded throughout whole European countries and get popularity. 2. In 1650-1720, there were band, cravat and steinkirk. And expecially cravatier, a expert custodian of cravats, was appeared in that period. In 1720-1800, there were stock, solitaire and cravat. In 1800-1850, neckwear were popularized and got various sizes and types up to shape and size of chemise collars. Black stock, scarf cravat and shawl cravat were popular and terms of 'necktie' were used for an certain neckcloth shape. And abundant literature for necktie were published thanks to the development of printing technology in that period. In 1851-1900, the leady-made neckties were spreaded and there were changes in shape, length, knot of necktie up to V-zone formed with shirt's collars and vest types. Neckwear was gradually evolving through four distinct styles, bow tie, scarf or neckerchief, Ascot and four-in-hand. 3. After the mid-l7th Century, as civil culture matured and splendid and extravagant colorful men's wear disappeared, British men's fashion spreaded throughout whole European countries and got popularity. The necktie become an essential ornamental accessory of men's fashion and one of important and representative icons of male gender identity.

• 대한방사선기술학회지:방사선기술과학
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• 제31권3호
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• pp.267-276
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• 2008

본 연구는 20세에서 50세까지 건강한 남성 지원자를 대상으로 내경동맥과 내경정맥의 혈류속도를 측정하기 위하여 2D-PC MRA를 촬영했다. 2D-PC MRA는 제4-5경추디스크를 지나는 FOV 24cm 넓이로 횡단 촬영하여 내경동맥과 내경정맥의 혈류속도를 넥타이를 매지 않은 상태와 세게 맨 상태에서 각각 측정하였다. 넥타이를 매지 않았을 때 내경동맥의 평균 혈류속도 최고치는 우측 72.13cm/sec, 좌측 74.96cm/sec (양측 평균 73.54cm/sec)이였고 내경정맥의 평균 혈류속도 최고치는 우측 -34.45cm/sec, 좌측 -24.99cm/sec(양측평균 -29.72cm/sec)였다. 그러나 넥타이를 세게 매었을 때 내경동맥의 평균 혈류속도 최고치는 우측 61.35cm/sec, 좌측 65.19cm/sec(양측 평균 63.27cm/sec)이며 내경정맥의 혈류속도 최고치는 우측 -22.14cm/sec, 좌측 -17.93cm/sec (양측 평균 20.03cm/sec)였다. 목에 세게 넥타이를 맨 경우가 넥타이를 매지 않은 상태 보다 양쪽 내경동맥의 평균 혈류속도가 86% (63.27/73.54cm/sec)로 약간 감소하는 반면 양쪽 내경정맥의 평균 혈류속도는 67%(-20.03/-29.72cm/sec)로 유의성 있게 감소하였다(P<0.05). 따라서 넥타이를 세게 매었을 때 내경정맥의 순환에 미치는 영향(33%의 혈류속도감소)이 내경동맥(14%의 혈류속도감소) 보다 유의성 있게 큰 것을 알 수 있었다(P<0.05). 결론적으로 본 연구결과는 2D-PC MRA를 이용하여 넥타이를 목에 세게 매었을 때 순간적으로 양쪽 내경정맥이 내경동맥보다 상대적으로 압박되어 혈류속도가 의미 있게 감소되며 일시적 폐쇄가 되는 소견을 보였다. 이 경우 넥타이를 목에 세게 매고 생활을 하는 경우에 대변을 보거나 또는 세면을 하는 등 일상적인 생활에서도 예기치 않게 일시적으로 내경정맥혈관이 압박되어 폐쇄되며 이차적으로 두개강 내의 정맥성고혈압을 일으켜 뇌졸중의 요인이 될 수 있는 것으로 유추된다.

• 한국의류산업학회지
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• 제16권4호
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• pp.511-519
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• 2014

The aim of this study is to develop fashion cultural product designs in order to promote the Iksan region by using motifs from the Mireuksaji, Iksan's most representative archeological site of Baekje culture. The fashion cultural products designs developed by applying cultural resources can be effective at enhancing our cultural identity. Adobe Illustrator CS4 and Adobe Photoshop CS4 were used to reconstruct motifs from the Sumakse tiles and the bronze horse figure in the Mireuksaji Museum. The Iksan brand slogan "Amazing Iksan" was combined with the bronze horse to emphasize the local cultural identity. The motifs from the Mireuksaji were modified and stylized to make different patterns and these patterns were repeated in various ways to be applied to necktie and scarf designs. The motifs for necktie designs were double-row chrysanthemum tiles and phoenix tiles, and the motifs for scarf designs were the double-row lotus tiles and the bronze horse artifacts. Different colorways were chosen and the value of each color was displayed in the CMYK percentages. As a result, eight necktie designs and twelve scarf designs were proposed. The motifs and patterns developed in this study can be used to introduce Iksan's distinct history as the birthplace of Baekje culture. It is also expected that the result of this study can advance the promotion of Korean traditional culture internationally.

• 패션비즈니스
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• 제13권6호
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• pp.31-44
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• 2009

This study aims at clarifying the influence that color, tone, dot size, the combination of area ratios exercise on the harmony in dot necktie, and revealing the harmony differentiation according to the cues of various factors for pattern design. The conclusion is drawn as below, in the result that the cues which can exercise influence on the harmony of dot necktie, was analyzed by 54 stimuli. In the result of analysis of variance in order to clarify the influence which color, tone, dot size, and color area ratio exercise on dot necktie harmony, color and dot size operate appeared to be independent cues which exercise significant influence with main effect. In the result of the harmony difference analysis on color, tone, dot size, and color area ratio combination by multiple comparison, the cyan color in vivid tone was estimated to be most inharmonious in the analysis by color and tone. Viewing the harmony difference according to color and dot size, the dot size of 0.5cm in cyan was perceived to be most harmonious. Viewing the harmony difference according to color and color area ratio combination, both magenta and cyan were estimated to be positive, regardless of area ratio combination, and particularly, the case that the background was in cyan and the dots were in grey was perceived more harmonious compared to the contrary case. Viewing the harmony difference according to tone and dot sizes, the case when the dot sizes were 0.5cm, was perceived to be most positive, regardless of tone. Viewing the harmony difference according to color area ratio combination and tone, the case that the chromatic colors, cyan, magenta, and yellow was used as background, was estimated to be more harmonious, compared to the case that the achromatic color, grey was used as background. Viewing the harmony difference according to dot size and color area ratio combination, in case that the dots were in chromatic color and the background was in grey, the harmony showed difference by dot size, and the case of the dot size of 0.5cm was estimated to be most harmonious.

• 감성과학
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• 제11권3호
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• pp.325-338
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• 2008

본 연구는 남녀 대학생을 대상으로 유채-무채 배색, 면적비, 성별이 남성복 착용자의 이미지에 미치는 영향을 규명하고자 한다. 이들 단서로 사용된 84개의 자극물에 대한 이미지를 평가하기 위해 경남, 서울, 부산, 대구 등지에 거주하는 남녀 대학생 2016명의 피험자를 대상으로 하였으며 26쌍의 의미미분척도를 요인 분석하여 이미지 차원을 밝혔다. 그 결과 이들 단서들이 어떻게 조합되어 이미지에 영향을 미치는지 규명하였으며 다음과 같은 결론을 얻었다. 유채-무채 배색, 면적비, 성별에 따른 3색 사선 스트라이프 넥타이 착용자의 이미지 차원은 젊음.활동성, 능력성, 매력성, 현시성, 온유성의 5개 차원으로 도출되었으며, 유채-무채 배색, 면적비, 지각자의 성별이 이미지 형성에 미치는 영향은 이미지 차원에 따라 차이를 나타내었다. 이러한 연구결과는 넥타이 디자인 기획 시 소비자의 감성을 충족시킬 수 있는 자료제시가 될 것으로 본다.

• 복식문화연구
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• 제13권4호
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• pp.632-645
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• 2005

The purpose of this research was to investigate the harmony evaluation and the effects used clues on harmony perception in terms of 32 tone on tone coloration of male shirt and necktie by male and female students when it comes to the coloration of male clothes shirts and necktie, after shirts matched necktie with warm and cool color, such as red, blue, and changed only value among three attributes of color. The results are as fellows. As to the red, light-dull, dull-dark was evaluated as harmonized coloration regardless of area-ratio by both male and female students. As to the blue, vivid-dark, light-dark, dull-dark was evaluated as harmonized coloration regardless of area-ratio by both male and femate students. Among 16 red tone on tone coloration stimuli, both female and male students evaluated the same 10 set as harmonized, but among 16 blue tone on tone coloration stimuli, female students evaluated 9 set, male students 12 set, so proved that male's range of harmony more extensive than that of female. It is significant difference between female and male on red dull shirt and vivid tie, blue dull shirt and dull tie combination. Females were positive to red dull shirt and vivid tie combination, males were negative, on the other hand, males were positive to blue dull shirt and dull tie combination, females were negative.