• 제목/요약/키워드: natural philosophy

검색결과 203건 처리시간 0.025초

가지론("Known 사상")-과학과 종교의 가교 ("Knownism"-Bridge-Building Philosophy Between Science and Religion)

  • 김항묵
    • 기술사
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    • 제21권2호
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    • pp.51-57
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    • 1988
  • The writer has worked out his original philosophy both scientific and religious, which he calls "Knownism" The new thought states; the word "known" in "knownism" means "already well-informed in the providence" about the essence of the things, and the true state of the reality, hence the knownism, as the existence of God is set forth as a premise. The knownism is a philosophy unified reasonably the science and the faith into one, for the humans can perceive and realize the essence and the true state, and authorize the truth transcending the experience by the scientific method. The new thought of the knownism is a bridge-building between the natural science and the religious faith. The idea explains that the life is the process to pursue the essence of the things and the god, and the truth is immanent in the original nature of things and in God′s sphere. This thought is a philorophy of possibility to solve the paradigms-to-be such as thinking, faith experience, and supernatural power, so that it presents a vision in the human life as a profitable religious science philosophy. The knownism is much different from agnosticism, skepticism, empiricism, and agnosticism. The grace of God may be detected differently from the supernatural power. The new dark clouds overspread abruptly the summer sky are not new ones but originally derived frosm worn-out water drops. Thus those are called the old clouds. The Korean word "known"(노운) of which pronunciation is same with the English "known" means the old clouds, hence also the name, Knownism. The root of the new clouds is detectable from the preserved old clouds. The old clouds symbolized in the paper indicate the essence and the principles of the things and the fittest, or the key for the solution of the problem in the epistemology, believing that everything has its own, proper nature, the writer sums up his theory by insisting that the humans have to find out the "old clouds" or the "known" in knownism to live eternally either in this world or in other dimensions, though the human beings are transformed into the other phases of life. The writer proclaims through the ideas for the United Nations to fortify the Confederate System of World Nations in order to ensure the world peace and the future of the humans.

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이제마(李濟馬)의 우주론(宇宙論)과 사상적(四象的) 장부배속(臟腑配屬) 타당성(妥當性) 고찰(考察) (태극-심(太極-心), 사상(四象)-폐비간신(肺脾肝腎)의 사상적(四象的) 이해) (A Study on the Cosmology of Lee Jae-Ma and the Propriety of the Visceral Assignment by Sa-sang Constitution.)

  • 김진성
    • 사상체질의학회지
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    • 제9권1호
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    • pp.245-253
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    • 1997
  • The methodology of the Oriental philosophy is deductive and that of the of Occidental philosophy is inductive. Therefore study on the Oriental philosophy must start from right comprehension of fundamental premise before detailed analysis. The writer studied the meaning of the cosmology which forms the basis of Sa-sang constitutional philosophy and the propriety of visceral assignment by Sa-sang constitution which forms the theoletiacal basis of Sa-sang constitutional medicine. The results are following ; 1. The cosmology of Lee jae-ma has the existent principle but don't have the side of the formative principie. 2. The cosmology of Lee jae-ma is not that searchs for the objective rule of nature but that centers around a human being by subjective understanding system. 3. The cosmology consists of four elements, that is mind(心), body(身), events(事), and nature(物). Among them mind and body means a human being, nature means the natural environment containing time and space, events means not that of nature but that of human being. 4. The mind and body as Yin-yang(陰陽) means the state which objects and self become one. 5. The mind as the Great-Absolute(太極) has the possibility of two interpretation, Firstly it means the state of the source of life which nature and human being become one, and secondly it means that the mind of a human being becomes the cosmos or the center of the cosmos. 6. In the visceral assignment by Sa-sang constitution the position of heart, the Great-Absolute in center is immanent within four viscera and the function of it is that the undifferentiated unitary organic body, after it is diffrentiated still serves as the unitary organic whole by mutual connection, adjustment, unification and supervision. 7. The Great-Absolute in center is divided into the Great-Absolute of mind and that of body. And the Great-Absolute of body consists of the heart and the system of blood vessel, that of mind means the self-consciousness(自我).

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자연 윤리학 구성의 제 요소 - 한의사 윤리를 중심으로 - (Elements of Natural Ethics - Focusing on Korean Medicine Ethics -)

  • 안영수;김민주;오정명;민유리;류정아
    • 대한한의학원전학회지
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    • 제33권2호
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    • pp.13-32
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    • 2020
  • Objectives : To define an everyday ethics for students and doctors of Korean Medicine, people who desire treatment, cultivation and healing through Korean Medical means by determining its conditions and characteristics. Ways of constructing its contents fit for contemporary society were discussed. Methods The threefold Heaven-Earth-Human theory, Yinyang theory, circulation of the Five Phases along with contents of classics such as 『Huangdineijing(黃帝內經)』, 『Guanzi(管子)』, 『Zhongyong(中庸)』, 『Daxue(大學)』, 『Beijiqianjinyaofang(備急千金要方)』, 『Donguibogam(東醫寶鑑)』 were newly interpreted or quoted for explanation. Results : The elements that construct natural ethics and Natural Ethics were established as following: the natural perspective of Nature and People, natural sustainability as fundamental principle, co-existence and initiative circulation as fundamental rules, education and cultivation of lay people, and professional character and competence. Conclusions : The authors suggest a reconstruction of the inherent philosophy, ethics, principle, rule, life guidelines of Korean Medicine within the framework of "natural ethics" and "Natural Ethics" as a prior task for better integration of traditional KM into contemporary society.

초등학교 교육과정에 제시된 자연수 개념의 지도 내용 분석 (The Analysis on the textbook Contents about the Natural number Concepts in the Korean National Elementary Mathematics Curriculum)

  • 이명희;황우형
    • 한국수학교육학회지시리즈A:수학교육
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    • 제49권4호
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    • pp.437-462
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    • 2010
  • The purpose of this research is to analyze the textbook contents about the natural number concepts in the Korean National Elementary Mathematics Curriculum. Understanding a concept of natural number is crucial in school mathematics curriculum planning, since elementary students start their basic learning with natural number system. The concepts of natural number have various meaning from the perspectives of pedagogical research, and the philosophy of mathematics. The natural number concepts in the elementary math curriculum consist of four aspects; counting numbers, cardinal numbers, ordinal numbers, and measuring numbers. Two research questions are addressed; (1) How are the natural number concepts focusing on counting, cardinal, ordinal, measuring numbers are covered in the national math curriculum? ; (2) What suggestions can be made to enhance the teaching and learning about the natural number concepts? Findings reveal that (1) the national mathematics curriculum properly reflects four aspects of natural number concepts, as the curriculum covers 50% of the cardinal number system; (2) In the aspect of the counting number, we hope to add the meaning about 'one, two, three, ......, and so on' in the Korean Mathematics curriculum. In the ordinal number, we want to be rich the related meaning in a set. Further suggestions are made for future research to include them ensuing number in the curriculum.

선진도가의 마음공부 - "장자(莊子)"에 나타나는 마음에 대한 이해와 공부를 중심으로 - (A Study on Zhung-zi's theory of self-cultivation)

  • 윤지원
    • 디지털융복합연구
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    • 제11권8호
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    • pp.349-358
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    • 2013
  • 본 연구의 목적은 선진도가(先秦道家)의 사상가인 장자(莊子)의 마음에 대한 이해를 중심으로 그의 수양공부를 살펴보는데 있다. 장자(莊子)에 의하면 인간은 심(心)이 생겨나면 분별지가 생겨나고, 이 분별지에 의해 주관인식의 심(心)과 허정지(虛靜止)의 본성을 체현한 영부영대(靈府靈臺)의 심(心)이 생겨난다. 주관인식의 심(心)은 외부사물에 의해 이끌린 것으로 공리(功利)를 추구하며, 시비(是非)와 선악(善惡)을 가르고, 사람을 어지럽게 하여 인간의 온전한 삶을 방해하는 근원이 된다. 장자(莊子)는 이러한 주관인식의 심(心)을 성심(成心)이라 부른다. 장자(莊子)에 의하면 성심(成心)은 외물과 감정에 대한 지나친 욕망과 집착 그리고 지적한계 때문에 생겨나며, 충동적이며 쉽게 외부 사물을 추구하는 물욕에 빠져, 스스로 되돌아오거나 반성하지 못한 다. 때문에 장자(莊子)는 '이루어진 마음'(성심(成心))을 제거하기 위한 수양공부로 좌망(坐忘)과 심재(心齊)를 제시한다. 심재(心齋)와 좌망(坐忘)의 목적은 비움(허(虛))과 잊음(망(忘))을 통해 '나(아(我))'를 중심으로 생겨난 지식과 욕구 감정들을 버리고, 개체생명의 진정한 주인(진군(眞君) 진재(眞宰))이 되는 것에 있다.

조선시대 남자복식에 표현된 선(線)의 미(美) (The Beauty of Line on Men′s Costume in the Chosun Period)

  • 도주연;권영숙
    • 복식문화연구
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    • 제8권4호
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    • pp.517-536
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    • 2000
  • The purpose of this study is to investigate the internal and external line beauty of men's dress of the Chosun period from the views of dress design and dress aesthetics. 1) External Line Beauty of Men's Dress of the Chosun Period ① Functional Beauty : Having the beauty of functional line in terms of convenience, action, effectiveness, practivce and sanitation. ② Structural Beauty : Having the beauty harmonizing between lines of internal and external structures. ③ Ornamental Beauty : Having the beauty of simple line by matching accessories (gat, fan, sejodae, shoes) with a simple dress. ④ Wearing Beauty : Making tall-looking or expressing a mature masculine beauty by a visual mistake caused by a combination of internal and external structural beauty lines. 2) Internal Line Beauty of Men's Dress of the Chosun Period Including a simple but natural beauty based on natural philosophy, the beauty of courtesy emphasizing official hat and dress and the beauty of dress having aesthetic consciousness with which people enjoy an idyllic life.

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소나무(松)의 화예적(華藝的) 고찰(考察) -송(松)의 문인화(文人花)를 중심(中心)으로- (Flower Arrangement Study of Pine : Focusing on Pine Gracious Flower)

  • 김정민
    • 한국화예디자인학연구
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    • 제42호
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    • pp.63-96
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    • 2020
  • 인간이 자연의 식물과 교감하는 화예는 역사적인 배경과 민족성에 따라 특징을 가지며 인간의 영감과 조형 능력으로 서로 다른 양상의 문화가 탄생 되었다. 한국의 화예는 사계절기후의 자연 속에서 발생한, 문명의 소산으로 자연합일사상(自然合一思想)에서 출발하여 우리민족의 심성에 흐르고 있는 자연주의적 본질의 삶과 철학을 시대의 문화에 맞게 자연식물(草木)로서 그 여유로운 미를 덕(德), 지(志), 기(氣)로 배양되어 빚어내었다. 문인화(文人花)는 역사적 전통인 동양철학의 바탕에 계승되어온 정신 이념이 고격의 인품과 시정성{詩情性)을 바탕으로 "외양(外樣)"보다는 식물이 지닌 특성과 취향을 기교의 표출됨이 없이 철리(哲理)의 미학적 함축성을 빚어낸 조형예술이다 본 연구에서는 우리 정신문화의 화예 근간이 문인화(文人花)임을 규명하기 위하여 소나무(松)를 중심으로 문인화의 배경과 근원, 시정성, 상징성, 우의성, 그리고 문인화 작품에서 표현되는 화예의 조형성과, 화예 유전자 해독으로 미학적 특성을 파악함과 동시에 문헌의 기록을 도출하여 연대별로 정리 고찰하고, 한국화예의 정수(精髓)인 문인화론을 정립하고자 한다.

안확의 '조선' 인식과 '조선철학' (An Hwak's Recognition of 'Joseon' and 'Joseon Cheolhak')

  • 이행훈
    • 한국철학논집
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    • 제50호
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    • pp.171-200
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    • 2016
  • 1910년대에 들어서면서 본격화한 일제의 '조선' 연구가 식민 정책의 일환이었다면 그에 대항하는 조선 연구는 국권 회복과 자주 독립의 염원을 담고 있었다. 이는 당대 '조선'이라는 개념이 발화주체에 따라 그 안에 내포된 의미와 지향이 상이했음을 의미한다. 대한제국의 소멸과 함께 근대 국가 건설은 좌절됐지만 민족의 이념 지형 안에서 '조선'은 새롭게 발견되었다. '조선'은 과거의 경험을 응축하면서 미래에 대한 기대를 담아내는 역사적 기본개념이 되어갔다. '조선학'은 학술의 장에 국한된 지식인들 사이의 담론이었으나, '조선'은 그 내 외부의 보다 다양한 사회 주체들의 발화를 포괄한다. 더욱이 개념과 담론의 상호 연관을 고려한다면 '조선학'은 '조선'의 역사적 의미론 속에서 독해되어야 마땅하다. 1920년대 문화운동의 흥기 속에서 안확은 "조선문명사"를 통해 고대 신화의 시대로부터 당대까지를 '조선'이라는 기표 아래에 묶어낸다. 역사 실증주의의 미명 아래 자행된 일제의 역사 왜곡에 맞서 조선의 역사를 서양 민주주의 정체에 비견해도 뒤지지 않는 문명으로 이상화한다. 안확은 '조선' 연구를 문화 전반으로 확장하는 가운데 조선의 미술과 문학을 넘어 조선철학의 탄생을 예고했다. "조선철학사상개관"은 '조선철학'을 하나의 독립적 학문영역으로 사고한 최초의 기술로써, 조선의 학술과 사상의 특수성을 인류의 보편적 문명사의 관점에서 파악하려했던 작업의 일환이었다. 안확은 철학을 조선의 3대 발달 가운데 하나로 제시하고, 조선 철학사의 특색을 서양과 비교하여 특정함으로써 조선철학의 고유성과 독자성을 주장했다. '종(倧)'을 조선철학의 시원이자 근세에까지 이르는 사상적 근저로 파악하면서 불교와 유교의 수용도 조선철학의 발전으로 인식했다. 전통 지식체계의 근대적 전환과정에서 탄생한 '조선철학'은 전통 지를 근대적 학문 분류 체계에 적용하여 재해석하고 재구축하는 지적 실험이었다.

한의학(韓醫學)의 특징(特徵)과 노자철학(老子哲學)의 연관성(聯關性) -"황제내경(黃帝內經)"과 "도덕경(道德經)"을 중심으로- (Interrelation between the Korean Traditional Medicine and Taoism)

  • 정창현
    • 대한한의학원전학회지
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    • 제22권4호
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    • pp.129-143
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    • 2009
  • In this paper, we will discuss the main characteristics of Korean traditional medicine and their bond with the philosophy of Noja(老子) to ultimately examine how "Dodeokgyeong(道德經)" affected medicine as a pragmatic field of study. Noja(老子) viewed the universe and the creatures living in it to be constituted by gi(氣), and that everything continuously moves and changes as a result of the conflicts between two opposing energies within, eum(陰) and yang(陽). "Hwangjenaegyeong(黃帝內經)" is about how this theory is applied to human lives. "Dodeokgyeong" speaks of the Heaven, Human, and Do accordance, offering the theoretical basis for the correspondence between nature and human in the "Hwangjenaegyeong", where the Heaven, Human and Do(道) accordance theory is embodied into each element of the human vital activity, establishing the identity of Korean traditional medicine as natural medicine. Noja declared life in accordance with Do(道) as an ideal way to live. "Hwangjenaegyeong" applies this idea to human vital activity setting the realization of Do the ultimate goal of life and offers actual guidelines. The preventive aspect of Korean traditional medicine is the characteristic most affected by "Dodeokgyeong". "Hwangjenaegyeong" and "Dodeokgyeong" both recognized the relativity of objects, and spoke of harmony and balance as the answer to conflicts between matters.

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Paco Rabanne의 특수소재를 이용한 작품의 발상과 조형미 (The Formative Aesthetic of Paco Rabanne's Works with Material)

  • 김지연;이경희
    • 한국의류산업학회지
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    • 제4권4호
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    • pp.317-326
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    • 2002
  • This study is to analyze the works introduced in the collections of Paco Rabanne in an aim to identify formative aesthetic and design concepts. As the data to study the creative concepts and expressions of the designer, fashion photographs were gathered in a focus on collections. Paco Rabanne's fashion philosophy is to shine women who has passion, energy and self-confidence, with glittering materials. For he had a career of fashion accessary designer and architect, he tried to make his work constructively with non-sewing technology. So, his works could be divided three parts of materials which he has made creative fashion with. They are metallic, non-metallic and fabric. In metallic, design concepts are cosmos, egypt, the middle ages, modern technology. And from these the formative aesthetic were mainly characterized by the futurism, cubism and eroticism. In non-metallic, building, purism of primitiveness, nature. And from these the formative aesthetic were mainly characterized by surrealism, primitivism, romantism. In fabric, design concepts are natural phenomena, optical illusion. And from these the formative aesthetic were mainly characterized by cubism, optical art.