• Archives of design research
• /
• v.19 no.2 s.64
• /
• pp.301-312
• /
• 2006

The advancement of IT technology and the distribution of PC makes a change on the web contents expressions and user's experiments. The advanced web environment makes virtual web museum. We anticipate that demand of virtual web museum is likely to increase. However, most of studies on web museum are case studies about visual expression or graphic interface of virtual space. This paper will be considered about the functions of digital storytelling on web museum and try to develop an self-evaluation model which can evaluate the value of digital storytelling on web museum. The ultimate goal of this study is to verify the validity of the model to evaluate new storytelling of web museum and to classify the digital storytelling based on the evaluated results, with a view to presenting the direction of development by type. The results of this study may provide a reference of applying digital storytelling into web museum and also it can be a checklist for developing the user experience for navigating a web museum.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2006.11a
• /
• pp.39-43
• /
• 2006

In recent years, local governments are interested in constructing museums of various scales in relationship to unique factors of each region regarding their positive effects on tourist industry. However, many museums have failed to reflect regional characteristics resulting uniformed, uninteresting museum architectures. This study analyzes museum architectures designed by Ando Dadao, Antoine Predock's, Charles Correa, Carlo Scarpa, and Ricardo Legorrata based on 7 criterias of Kenneth Prampton's critical regionalism theory which are natural environment, materials, light, weather, unique culture, and history. It Is hoped that this study may serve as a stopping stone towards designing museums that reflect distinctive regional identities of Korea.

• 보존과학연구
• /
• s.24
• /
• pp.5-28
• /
• 2003

Stone has been one of the most intensely studied materials in conservation. Understanding the deterioration of stone needs various knowledge in different mineralogical and physical characteristics and its weathering response under different climate and environment. The alteration and weathering of stone is affected by natural or artificial elements whether they are physical, chemical or biological damaging factors. It can be said that the bio deterioration of stone is coupled with every environmental factors, which induce decomposition of stone structure, either directly or indirectly as a form of catalysis. Many elements contribute to the deterioration of stone monuments and other objects of cultural value such as pagoda, stature of Buddha, etc. This report concentrates on the action of biodeteriorative factorsincluding bacteria, algae and higher plants. Preventive and remedial methods and a selection of chemical treatments are also described.

• KIEAE Journal
• /
• v.17 no.5
• /
• pp.61-68
• /
• 2017

Purpose : Ando Tadao has his own unique architectural conception to reproduce natural view on site, and he continues to create new architecture without regarding to any principles. Ando Tadao experiments his imagination through the museum architecture, starts organization of space with light, and completes organization of space with light at once. Methods : The research works as follows: 1) Analyzes the meaningful characteristics showed in his architectural works. 2) Analyze organization of space and use of light in museums designed by Ando Tadao. 3) Selecte his representative museums in Korea and Japan, and then analyze space composition and light use through literature study and field survey. Result : The organization of museum space by Ando Tadao has a close relationship with the light. Light designed by Ando Tadao represents unique architectural varieties such as cushioning space, moving line, spatial characterization, and natural influx.

• 보존과학연구
• /
• s.13
• /
• pp.96-112
• /
• 1992

We made biological investigation on the conservational environment of collections in the Ho Am museum. Annual average temperature and relative humidity outside the museum were $11. 0∼11.7^{\circ}C$ and 64.8∼74.4% respectivey. On the other hand, average annual temperature and relative humidity inside the main storage were $19.1∼20.1^{\circ}C$ and 53.0∼63.4%. We isolated fungi and classified into 8 genus 13species fungi and selected four fungi having high cellulotic activity such as Alternaria brassicae KCPRI 9202, Aspergillus niger KCPRI 9205, Aspergillusversicolor KCPRI 9206, Penicillium adametzi KCPRI 9208. These fungi were examined on the posibility of collections being damaged under current conservation al environment in the museum. KCPRI 9208 was non-tonophilic fungus and other were facutative tonophilic fungi. These showed maximal cellulotic activity of enzymeshaking culture at pH 5.0∼5.5 for 4 and 5 days. In proprtion to the period damaged, cellulase activity for paper damaged artifically with growing worse of material. As are sult cellulotic activity by fungi increased.

• Korean Institute of Interior Design Journal
• /
• v.13 no.4
• /
• pp.127-137
• /
• 2004

Since 20th century, the exhibition has expanded to more diverse fields and recognized as the medium which can build network among the Art, Human and society. Space design, although developed within mutual interaction and consideration of environment factors, has been treated without those background. Therefore it is straightforward to examine the exhibition space design synthetically not limit it by the analytical elements. Assuming three main mutual interactions, object human, and environment, we have attempt the typological analysis to the museum exhibition space by studying characteristics. While the exhibition space design has been analyzed through two dimensional interpretation, on this study, we structuralize diverse discussion of the exhibition space design by relation-centered and relative analysis. Therefor we examine the characteristic of design expression through typology of both physical and behavioral feature. In the conclusion, the outcome provides insights into the relationships among object, human and environment and useful measurements to designer who outline exhibition space design.

• Proceedings of the Zoological Society Korea Conference
• /
• 2003.08a
• /
• pp.121.3-121
• /
• 2003

No Abstract, See Full Text

• Journal of Conservation Science
• /
• v.37 no.5
• /
• pp.464-476
• /
• 2021

Various materials, depending on the personality of the artist, are required for contemporary art. Thus, it is necessary to decipher the expressive intentions of the artist and characteristics of the materials required for the conservation of such art. The purpose of this study is to analyze the causes underlying the deterioration of sculptures made from soap and to determine the ideal hygrothermal environment required to stably exhibit and store these artworks. Furthermore, we aim to maintain the long-term structures of the artworks in accordance with the changing expressions and intentions of the artist. Our analysis confirmed that the extracts of the soap sculptures were composed of glycerin and that the sculptures were sensitive to humidity. Moreover, we determined that a relative humidity (RH.) of approximately 60~65% made for an appropriate hygrothermal environment required to preserve the sculptures. We also preserved each work in various ways by applying appropriate preservation treatment, and found that the optimum preservation environment for soap sculptures was a temperature of 20±2℃ and a RH. of 60±5%.

• Trans-
• /
• v.9
• /
• pp.93-122
• /
• 2020

I intended to establish Augmented Reality(AR) Museum of 3D Cyber Space where artists and graphic designers can freely create in user integrated environment. This study is aimed at building a sufficient and integrated production environment for artists and graphic designers who utilize three-dimensional simulation methods in integrated development environment(IDE). This study intends to build a 3D simulation engine and a creation module of augment reality of 3D cyber space in Android platform to help artists and graphic designers to freely perform their creation in IDE. Based on these designs, I produced exhibition rooms of National Museum of Contemporary Art in 3D virtual space in which artists and graphic designers can put the graphics they have created on display, conducted a user survey and conducted tasking to an Android smartphone.

• Conservation Science in Museum
• /
• v.14
• /
• pp.115-124
• /
• 2013

Disassembly and restoration work of Janghang-ri Stone Standing Buddha in the outdoor exhibition hall of Gyeongju National Museum were conducted for safe management of the collection due to problems like weathering of bonding materials by the outer environment, fixation of pollutants on the surface, and cracks by unidirectional load of rocks. A drawing was made through three-dimensional precise actual measurement, basic material research was conducted, and cement mortar and resin of the weathered part were removed. The restored part was bonded and restored by new stones using the same kind of rock. In addition, in order to prevent damages from microorganisms, fumigation treatment was made. It is under continuous observation.