• 동양고전연구
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• 제56호
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• pp.267-295
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• 2014

본 논문은 1920~30년대 근대 척독집에 실려 있는 여성 서간문의 자료 상황을 정리하여 제시하고, 척독집 소재 여성 서간문에 나타난 젠더의식의 특징적 양상을 분석하였다. 이를 위해 20~30년대 대표적인 척독집 다섯 종에 실려 있는 여성 서간 55편의 자료 상황을 정리하여, 서간의 대상이 주로 가문의 '남성'이고 '답서'의 형태라는 점을 지적하였다. 이는 척독집 저자들이 여성의 한문 서간을 주도적인 의사소통의 매체로써보다는 남성과의 피할 수 없는 소통의 필요 상황에 대응하게 하기 위한 수단으로 인식하고 있다고 보았다. 척독집 내 여성 서간에 나타난 젠더 의식의 양상은 첫째, 여성들을 가족 내적 위치와 역할로 호명하고 재설정함으로써 전통적인 성별 질서를 재확인하고 있다는 것이다. 두 번째 젠더 의식의 양상은 근대적 젠더 질서를 반영한 듯한 여성 학업 소재가 실상 매우 제한적이고 회의적인 시선 하에서 언급되고 있다는 것이다. 세 번째 젠더 의식의 특징적 양상은 척독 소재 여성 서간에서 유독 '경제 활동에 대한 훈계'라는 모티프가 두드러진다는 점이며, 이러한 설정은 척독집 저자들이 생계 유지와 가계 관리의 책무를 여성에게 전가하는 한 방편이라고 보았다. 척독집의 여성 서간은 근대 여성 한문 글쓰기의 가능성을 보여준다는 점에서 주목되는 자료이지만, 본고의 분석에 따르면 철저히 남성중심적 상상력 안에서 재단된 여성 형상과 여성 글쓰기를 보여주는 텍스트이다. 즉 여성 서간 텍스트는 척독집 자료군의 보수적 회귀성을 더 선명하게 읽어볼 수 있게 하는 의의를 가진다.

• 한국실내디자인학회논문집
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• 제22권3호
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• pp.61-69
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• 2013

The conventional boundaries between art and technology are being torn down by the development of science in the 21st century. It is fulfilling the convergence to emphasize two-way communication. This research is to study the aesthetic experience of the space design which appeared in the playful space of art and technology. The purpose of this study is to analyze the expression and characteristics of the art and technology applied for the playful space, to present the intrinsic value of aesthetic experience, and finally to focus on the necessity of aesthetic experience in modern society. In the Playful space of art and technology, research methods and settings of the range to study the aesthetic experience are as follows: First, establish a theoretical consideration about the concept and characteristics of the aesthetic experience, based on Philosophical theories. Second, analyze the meaning of art and the expression elements and characteristics by using technology. Third, discuss the concept of play and features of aesthetic experience in the playful space. Fourth, investigate analysis of the case studies, focused on the architecture and space design announced through the media recently. Finally, proposes the value for the applicability of aesthetic experience that appears playful space works affect us. I saw the aesthetic experience that appears playful space independent reaction and lead to behavioral changes and physical experience to maximize the effectiveness of participation. and it is to maximize a pleasurable experience, while increasing the commitment to participate in the space. Expressions using art and technology are activated by stimulation of the emotional experience, creating a new aesthetic experience. In the modern, the new environment is being created by the convergence of art and technology and it stimulates the imagination of art. Also, it has been newly regulated the meaning of human emotions and consciousness in the new space, surrounded by technology.

• 한국콘텐츠학회논문지
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• 제20권9호
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• pp.424-429
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• 2020

본 연구는 장 보드리야르의 시뮬라시옹 이론을 통해 나타나는 탈근대 사회 속, 영화의 시뮬라시옹에 대해 탐색하였다. 21세기는 이미지의 시대라고 할 수 있을 만큼 표상적 이미지들이 주류를 이루며 실재와 허구가 구별되지 않는 시뮬라시옹적 세계에 놓여있다고 할 수 있다. 이러한 세상 속, 영화는 사람이 창작한 예술 작품으로서 본질적으로 '허구'라는 전제 하에 창작되나 현 포스트모더니즘 사회 속에서는 이 시뮬라시옹의 표현 방식에 따라 영화에 대해 관객들이 호응하기도 하고, 외면하기도 한다. 이러한 측면에서 보아 시뮬라시옹의 표현 방식에 따른 트렌드를 살펴보았고, 흥행에 성공한 영화 작품들에서는 냉철한 현실을 다채롭고 다양하게 표현하며 긍정적인 '자극적' 요소로 이를 표현한다는 점이 발견되었다. 이를 통해, 국내 영화의 제작에 있어 보다 깊이 있고 체계적으로 발전하기 위해서는 현실 세계에 대한 교훈적 메시지를 담은 시뮬라시옹을 체계적으로 구성하고 관객들의 호응을 이끌어 낼 수 있는 복선(伏線)인 휴머니즘적 가치를 다채롭고, 긍정적인 의미로서의 '자극적'으로 표현하려는 시도가 필요하다 결론을 내렸다.

• 복식
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• 제60권9호
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• pp.120-135
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• 2010

Since emotion, creativity, and imagination has become the source of creating added value, the purpose of this study is to grasp the concept of high concept which has appeared as a major key word of modern culture and analyze the types of emotional expression found in modern fashion. Study methods were focused on literature review and case study. The literature review was conducted by news stories at home and abroad. The examples of case study were collected in fashion collection journals and related Internet web sites with their focus on from 2000 S/S to 2009 F/W to analyze emotional expression found in high concept-reflected fashion. The concept of 'high concept' suggested by Pink, Daniel H. lays on stress on ability to creative emotional value or cultural artistic value hidden behind the functional value, to make stories, and to combine ideas which do not seem to be connected with existing things. As a result of study, The forms of emotional expression found in high concept-reflected fashion included: art collaboration and art inspiration which were expressed through cross-category of culture and art; multi-culture design which expresses a mixture between western fashion and oriental costumes; funology design which expresses efficient value by high technology and fun value through humorous elements; and emotional digital design which can be transformed in function, shape and the use of materials representing light which is effectively used for fashion to represent fantasy or illusion connected with digital technology.

• 복식문화연구
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• 제19권4호
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• pp.751-765
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• 2011

The purpose of this study is to apply the Trencadis images in Antony Gaudi's work to a design motive and thus provide a new concept for a knitwear design by combining double-knitted fabrics with patchwork applique, taping, stitching and quilting. This study examines the bibliographic text and precedent research related to Antony Gaudi and his works, and analyzes the historical background and formative and stylistic characteristics of Trencadis as it appeared in Gaudi's architectural works. Also this study also examines the characteristics of knitwear and knitting theory while exploring the formative elements and the combined techniques used in modern knitwear design through fashion magazines, medium images, and online sources. The results are as follows: First, Gaudi's work that applies a Trencadis technique has the characteristic of being creative, organic, and environmentally friendly. And in addition, its colorfulness inspires modern fashion design. Second, computerized knitting has been practiced in various ways and the fabrics knitted by both double-knitting jacquard and computerized knitting machines provide a new direction the creation of knitwear. A computerized knitting machine is especially effective for pictorial expression, and is suitable for showing the natural curve of the human body due to its sophistication. Third, as a result of applying a combined technique to the knitting of various fabrics, a combined or fusion design, which is a recent megatrend, is very effective for the design of knitwear while increasing its aesthetic value. Moreover, utilizing techniques that combine patchwork applique, taping, stitching and quilting will create higher value in knitwear. Lastly, with a project of applying combined techniques in the creation of knitwear, designers can become much more creative while taking their imagination much further.

• 문화기술의 융합
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• 제5권2호
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• pp.361-366
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• 2019

현대 지능정보사회에서 매일 새롭게 만들어지고 유통되는 데이터의 양은 상상을 초월한다. SNS나 인터넷을 통한 데이터로부터 정부나 기업으로부터 창출되는 정보에 이르기까지 다양하다. 이러한 다양한 데이터들이 가공되지 않은 원유와 같이 무한한 가치를 지닌 채 우리 곁에 있다. 축적된 데이터에서 유용한 상관관계를 찾아내고 미래의 불확실성에 대한 예측력을 강화하기 위하여 데이터 마이닝 등을 통한 빅데이터 분석 및 활용은 현대 산업사회에서 모든 영역에 걸쳐 그 중요성이 증대되고 있다. 본 논문에서는 복잡한 현대사회가 생산해 내는 빅데이터의 효율적 관리 및 활용에 대하여 연구한다. 또한 4차 산업혁명시대에 빅데이터를 기반으로 전반적인 산업 경쟁력을 확보하기 위한 전략, 산업 간 시너지 창출 및 비용의 절감과 효과적인 적용방안에 대하여 고찰한다.

• 철학연구
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• 제89호
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• pp.37-67
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• 2010

21세기가 문화의 세기이며, 영상의 시대라고 말할 정도로, 생활의 모든 영역이 시각적 이미지들로 넘쳐나고 있다. 이미지의 시각 편향화와 중심화가 주도적 문화양식이 된 것이 오늘의 일만은 아니다. 그렇지만 현대사회가 흔히 스펙터클의 사회로 불릴 정도로 이제 시각적 이미지가 문화적 근본조건이 되었다는 것은 특히 주목할만한 사건인 것이다. 따라서 우리의 논의는 이러한 문화를 추동하는 시선의 문제를, 눈의 매개로 전개되는 세계와 인간의 근원적 관계를 현상학적 관점에서 탐구하려 한다. 그런 연구의 중심에 메를로 퐁티의 『지각현상학』은 단초를 제공하고 있다고 볼 수 있다. 따라서 반시각중심주의는 아니라 하더라도, 시각우월성에 깊은 반성을 마련한 메를로 퐁티의 논의에 이르기까지 철학사에서 보였던 시각에 관한 중요한 철학들, 즉 플라톤과 칸트의 사상을 함께 검토하고, 이러한 논의들의 특징과 한계가 무엇인지 그리고 특히 진리성, 윤리성과 아름다움에 관련해 시각의 진정한 본성과 의미가 무엇인지를 밝히는 것이 이 연구의 주제이다.

• 조형예술학연구
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• 제3권
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• pp.145-177
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• 2001

The artist's interest has been captivated by ecological phenomena in Nature. Her keen captivation has then been focused into plastic art depicting the image of primitive life. The wide sweep of her work encompasses the totality of nature which consists of the human's subconscious power and imagination which she then portrays by organic images. These organic images are in contrast to scientific, mathematical and logical inference and consciousness. This research examines the character of the organic images in modern art by her analysis of some representative works by others. The image is an essential concept in the art which appeared in very different ways and in different perspectives. The image in the artwork appears to be the realistic expression until the early part of the 20th Century. Well into the 20th Century, it began being expressed in various ways such as combined images by imagination which is combined or rejected in the story of artwork. It also began being expressed by transferred images by changed original conditions. It is the main purpose of this research is to study of various expressions of organic images in the artwork of the Post-Modernism era. The character and meaning of organic image painting helps people to approach the human instinct more easily to find out the natural essence. It is also an objective of the organic image to tenderise our human sensibilities, thus helping us to regain vitality and recover our poor humanity in the barren wilderness of modern society. 'Life communion with nature' is a meeting point and common ground for Oriental Philosophy and organic image painting. Through this research, organic image painting is characterised in the four following ways : 1st) Organic image painting seeks regularity and perfection of outer shapes, in contrast to disordered and deformed nature, resulting in organic and biotic formalistic mode of plastic art. 2nd) Organic image painting seeks the formative. 3rd) Organic image painting pursues the priceless dignity of life by researching the formatted arrangement and figure, which contains primitive power of life. 4th) Organic image painting makes crystal clear the power of human and nature, which is a historic and biological phenomenon. This, in turn, exposes the humanistic view of the world from modern society best characterised in lost self-understanding, isolation and materialism. The representative organic image painting artists are Elizabeth Murray, Kusama Yayoi, and Niki do Saint Phalle. Elizabeth Murray used shaped canvas and a round construction of relief works. Kusama Yayoi used Automatistic expressionism originating from the realms of unconsciousness and which is represented by the mass and shape of a water drop. Niki do Saint Phalle shows the transcendence of universal life and anti-life to respect the dignity of life and the eco-friendliness relationship of human and nature in the post-modernism in art history. This is accomplished by surrealistic, symbolic, fantastic and humoristic expression. These three artists' works express the spirit of the organic image in contemporary art. It contains the stream of nature and life to seek not only the state of materialism in the reality, but also the harmonized world of nature and human which has almost lost the important meaning in modern times. Finally, this organic image is the plastic language of the majestic life. It is the romantic idea that the intimacy of nature and the universe and Surrealism, which emphasizes the unconsciousness , is the source of truth and spirit. Also it is influenced by primitive art and abstract art. According to this research, the subject 'Research About Organic Images' is not only an important element in the plastic arts from primitive society to the present, but is also fundamental to an true understanding of Post-Modernism.

• 한국콘텐츠학회논문지
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• 제17권11호
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• pp.501-514
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• 2017

1920년대 영화소설은 영화적 상상력을 바탕으로 다양한 매체효과를 활용해 구성된 서사물이며, 독서 과정에서 끊임없이 영화의 이미지를 환기할 수 있도록 고안된다. 영화 매체의 흥행과 함께 나타난 이 독특한 장르의 형성과 발전 과정에는 근대적인 예술매체의 형식을 고민하고, 그에 걸맞는 콘텐츠를 만들기 위해 노력한 1920년대 예술의 시대적인 특성이 고스란히 담겨있다. 본고는 혼종의 매체 시대, 파격적인 장르 실험의 한 사례로서 '영화소설'에 주목하고, 영화소설이 어떻게 하나의 장르로서 수렴해갔는지 살피고자 한다. 무엇보다도 이 과정에서 영화, 소설, 사진, 그리고 삽화가 결합된 융합 텍스트의 미학적 원리를 규명하는 일은, 본고의 중요한 목표가 될 것이다.

• 건축역사연구
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• 제11권3호
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• pp.87-103
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• 2002

In contemporary architecture, there are developing aspects of variety design in material, image and form. These various architectural trends even change classical media and this concept is based on the background of current idea - digital, information-media, imagination with paradigm. So this study aims to show the present status of the expressions in the contemporary architecture of Korea under its media situation. Namely usual thoughts for design have to be changed because our life is surrounded by many kinds of powerful media signs and various mixed cultural circumstances. And like this, we know for study about the relation between media and current architecture, still more Korean present condition. In chapter one, the background, purpose and method of study are explained. In chapter two, the general concept of media is inquired in this study. In the process of searching for the formingbasic background, the characteristic of this study is understood. In chapter three, this study inquires the aspect of media expression in modern architecture. In chapter four, according to chapter three, this study shows the present status of media expressions in the contemporary architecture of Korea. In chapter five, a synthetic conclusion is presented.