• 제목/요약/키워드: modern Korea

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한국 근대 자수문화 연구 (A Study of Korean Culture of Embroidery Art in Modern Times)

  • 권혜진
    • 복식
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    • 제63권8호
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    • pp.1-13
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    • 2013
  • This study examines the processes and characteristics of modern Korean embroidery art from the beginning of Korean modern times to 1945 which was the year of independence from Japan. An objective basis is presented by the analysis of articles and illustrations from the press and publications of the corresponding times. The significance of this study is to research the modern Korean embroidery art, which connected traditional times with modern Korean culture in order to investigate its identity. Due to Korea's modern embroidery art being started in the Japanese colonial times, there are some limits in it because of it being influenced by Western modern embroidery art and Japanese embroidery design. However, modern Korean embroidery art expanded from the private space to public space such as schools, open lectures and exhibitions. It has also accepted diverse foreign embroidery forms, which have been commercialized and accepted as art. The embroidery craft as commerce and art has given women the chance to achieve economic independence and to improve their social status. Modern Korean embroidery was art for the modern woman who had been educated in academic art, as well as a liberal art for wealthy housewives. It was the foundation of economic independence for poor rural women. It can be concluded that Modern Korean embroidery art has been accepted and developed by women in modern times.

그리피스 컬렉션에 포함된 근대 인천과 한성 사진 연구 (A Study on Photographs of Modern Incheon and Hansung in Griffis Collection)

  • 이경민;양상현;문병국
    • 건축역사연구
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    • 제24권6호
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    • pp.7-19
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    • 2015
  • 'Griffis Collection' is a collection of photographs of Japan and Korea in modern era, collected by William Elliot Griffis. Originally Mr. Griffis was studying about Japan when he developed an interest on Korea, and started to collect helpful materials he could find to study. Later days of Griffis' life, he donated his research to Rutgers University Library, and those materials were named and preserved as Griffis Collection. This paper is about photographs that illustrate modern Incheon and Hansung, and study them in order to discover how Korea's modern cities and architecture were formed and built. In total, there is four categorized chapters of photographs, and those are cities, public buildings, educational facilities and private buildings. In Griffis Collection, there are 23 photos those are relate to this paper's subject, but only 19 of them that has historic value has been covered in this paper. In results, all 19 photos were proved that they have significant information in terms of historic research of modern Korea and Korea's modern architectural stages.

전북지역 근대교회의 조적기법과 의장특성 연구 (A Study on the Brick laying Techniques and Design Characteristics of Modern Churches in Jeonbuk province area)

  • 김현용;홍승재
    • 한국농촌건축학회논문집
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    • 제7권1호
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    • pp.51-60
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    • 2005
  • In Korea, there still exist a number of modern architectural structures which were built from 1876 - when Korea first opened its port to foreign trade - to the early 1960s. Modern architectures have been rather neglected from the study of Korean architecture history partly because of its short period and negative attitude toward them that they are remains of the Japanese colonial period. However, interest in modern structures is recently increasing, and researches and studies are actively going on. This dissertation is a study on brick laying techniques and design characteristics of Modern brick structure churches in Jeonbuk-province. The results demonstrate that modern brick structure churches in Jeonbuk-province have become small and simple with time and that their structures and designs are closely related.

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한국 근대 디자인 개념과 양식의 수용 - 동경미술학교 도안과 유학생 임숙재(任璹宰)를 중심으로 (Adoption of Modern Design Concept and Style: Sook-Jae Lim and his Works)

  • 노유니아
    • 미술이론과 현장
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    • 제8호
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    • pp.7-31
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    • 2009
  • This thesis is a study on Sook-Jae Lim(1899~1937) and Korean modern design. In modern Korea, design like most cultural advances came from western culture, that was introduced via Japan. So Korean design can be betterunderstood from observing Japanese modern design history. The research on Japanese modern design, however, is not being done actively. Sook-Jae Lim was the first Korean to graduate from the Department of Design at Tokyo Fine Arts School (currently the Tokyo National University of Fine Arts and Music). He died at a premature 38 years old, so very little of his works exist. That makes the study about him very difficult. From this perspective, the study aims to examine modern design concepts and styles accepted into Korea from Japan and position Lim as an early design pioneer in Korean design history, by using research of Korean and Japanese design fields in the modern era with focus on Lim and his works. Chapter II researches the process of how the concept of design was formed in modern Japan and how the "Art-Nouveau" style not only represents early modern design but also features Lim's works dominantly. Chapter III looks into the process of how the concept of design was formed and which design styles were introduced and applied in modern Korea. Chapter IV analyzes how Lim's viewpoint on design and his works were developed with observations about the tendency of the Japanese design field and curriculums of the Tokyo Fine Arts School during the period of his college days.

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남북한 전통의상에 사용된 장식문양에 관한 비교 연구 - 1990년대 중반이후 여성 한복을 중심으로 - (A Comparative Study on the Decorative Pattern for the Traditional Costume in South and North Korea - Focus on Women Dress Since in the Middle 1990s -)

  • 정혜경
    • 한국의류산업학회지
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    • 제8권6호
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    • pp.627-633
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    • 2006
  • This study examined the kinds, expression, techniques and arrangement of patterns for the traditional women's costume from 1995 to 2002 in North Korea. And the results were compared with South Korean. Conclusions are as follows : In the kinds of patterns the natural plant patterns were much more frequently used in North Korea. These tendency was same to South Korea. And the geometric patterns were more frequently used in South Korea. According to frequency in the expression of patterns, it was the realistic, geometric, stylized shape in North Korea. To the contrary it was the stylized, geometric, realistic shape in South Korea. In terms of decorative techniques, not only the traditional embroidery, gold leaf, multicolored stripes, but also modern collages, painting, beads, applique, flounce, ruffle were used in North Korea. Modern techniques were found comparatively a lot in North Korea, traditional techniques were found comparatively a lot in South Korea. In terms of arrangement of patterns, the modern arrangement was much more frequently used. And localized type of modern arrangement was found comparatively a lot in South and North Korea. Therefore traditional beauty was generally expressed by natural patterns, realistic shape and modern beauty was generally expressed by modern techniques and arrangement of patterns in North Korea.

무용가 최승희 패션 스타일의 현대적 재조명 (A Review of Dancer Choe Seung-Hee Fashion Style)

  • 박애란;박혜원
    • 패션비즈니스
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    • 제16권4호
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    • pp.13-28
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    • 2012
  • The objective of this research is to examine the fashion styles of Choe Seung-Hee (1911-1969), modern woman and dancer of Korea, through her life and activities. From such theoretical and empirical studies, three aesthetic characteristics of South Korea's modern woman Choe Seung-Hee's fashion styles could be deduced. Based on the three deduced styles of modern elegance, futuristic avant-garde and mystical Asian aesthetics, "Pearl of Asia" was selected as the main theme. The result is that the fashion styles of Choe Seung-Hee is not simply that of an individual modern woman and a dancer who lived in the early 20th century but is a meaningful symbol of Korea's modern women.

한국의 주부와 개발의 정치학 (Jubu, Politics of Gender, and National Development in South Korea)

  • 데니스하트
    • 가정과삶의질연구
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    • 제19권2호
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    • pp.47-66
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    • 2001
  • Today in modern Korea, the preferred modern social role for many modern women is that of modern housewife. This move to the role of housewife is a change in more than just a role; it also reflects a deep and fundamental change that has taken place in the social and economic roles of married women. This shift in economic activities and the gender roles they help produce speaks of a deep and profound process of transformation for all of Korea. Traditionally, a woman was a member of a family premised upon group production as well as group consumption. The role of jubu is derived almost exclusively from market forces and bases her identity and actions upon those forces. This distinction is crucial because it means Korean women are finding that they are no longer as central to the existence of the family. Modern life situations have altered a womans role by making consumption, not production by the woman herself, the keystone of modern families.

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호모 이코노미쿠스의 출현과 주체적 각성의 사실성 - 김남천의 『대하(大河)』론 (Appearance of Homo Economicus and Morals of Youth in Early Modern of Korea with reference to A Large River[Dae-Ha])

  • 김종수
    • 비교문화연구
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    • 제35권
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    • pp.79-95
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    • 2014
  • This article aims at rethinking on people of Modern styles in early modern period with reference to A Large River[Dae-Ha] written by Kim Nam-cheon at 1939. Park Sung-guoen could be called to Homo Economicus, first, have maximized of self-interest in rapid changes of Korea society with loan sharking, rising to upper class in new early modern era instead of traditional nobleman. Park Hyung-geol could be said romantic guy, second, have chased romatic love consist of three elements(love-sex-marriage). But he troubled his love affairs to his family members frustrated his will because of a bastard son. It is the model of situations, Kim Nan-cheon intended to describe, that Homo Economicus became an object of envy among people in early modern society as well as the choice has been hard in conflicting between family and lover, concretizing anachronism through history of family.

북한의 동.서의 결합 (The combination of the traditional and the modern medicine in North Korea)

  • 김창엽;이상구;임병묵
    • 대한예방한의학회지
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    • 제4권2호
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    • pp.108-118
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    • 2000
  • According to the North Korean documents , North Korean government have emphasized the development of the Koryo medicine (traditional korean medicine) and encouraged the combination of the Koryo and the modern medicine. It is regarded that this attitude arose from the ruler's will toward independency in the medical field and at the same time the lack of modern medical resources . Combinations of the Koryo medicine and the modern medicine in the clinical textbooks are classified as follows: first, mixed medication of the Koryo and the modern medicine. Second, combination of the traditional acupuncture(or moxibustion) and the medication of modern medicines. Third, injection of modern medicines at acupoints. Forth, an intramuscular or an intravenous injection of the Koryo medicine. Fifth, anesthesia using Koryo medicine. Sixth, simple surgery at the acupoints. Lastly, combination of injection and the traditional therapy(eg. acupuncture, moxibustion and cupping) Despite of many achievements in the field of combined medical treatment, recent economic failure and severe famine for several years caused collapse of the health care delivery system in North Korea, and it is hard to find combined practices actually.

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