• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 1부
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• pp.314-318
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• 2008

본 논문은 증강/혼합현실 기반 서적 제작을 위한 3 차원 객체 속성 저작을 위한 저작인터페이스를 제안한다. 특히, 프로그래밍에 대한 전문적인 지식이 없는 사용자도 손쉽게 증강현실 기반 서적을 제작할 수 있도록 하는 것에 목표를 두고 있다. 제안된 3D 객체 속성 저작 인터페이스는 입력 장치인 조작도구 (Manipulator) 와 3D 컨텐츠 조작 부분을 포함한다. 조작 도구는 저작 인터페이스에 필요한 이산/연속 적인 입력신호를 생성한다. 컨텐츠 조작부분은 조작도구의 입력신호를 이용하여 가상객체를 선택, 위치, 회전, 크기, 색상, 복사등의 기능을 수행한다. 또한 사용자는 조작도구를 이용하여 기존 GUI 인터페이스 방식의 포인팅, 클릭, 드래그엔드롭, 복사 기법을 그대로 사용함으로, 신속하고 직관적으로 가상객체의 속성을 변경이 가능할 것으로 평가된다.

• 한국콘텐츠학회논문지
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• 제8권7호
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• pp.26-34
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• 2008

컴퓨터 애니메이션 기법이 적용된 영화나 온라인 게임 등의 보급으로 인해 다수의 캐릭터들이 등장하는 장면을 쉽게 접할 수 있다. 대규모 군중 애니메이션의 경우 장면의 사실성을 높이다 보면 시스템의 성능이 저하되고, 시스템의 성능을 높이다 보면 장면의 사실성이 떨어지게 된다. 본 논문에서는 해저 환경을 배경으로 한 대규모 군중 애니메이션을 구현함에 있어서 어류의 행동 유형에 영향을 미치는 요소에 대해 분석하여 적용하였으며, 군중의 개념을 이용하여 집단이나 개별 객체 각각에 대해 행동 유형을 제어할 수 있도록 하였으며, 애니메이션을 위한 계산 방법으로 실시간 계산법과 혼합 계산 방법인 하이브리드 계산법을 비교 분석함으로써 시스템의 성능을 높이면서도 자연스러운 장면의 표현 방법을 찾고자 한다.

• 한국연극학
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• 제52호
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• pp.229-270
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• 2014

Ostermeier's Hamlet has no particular contemporary reinterpretation. Alternately devoting to show retrospect in illusion and existence through revenging actions. However, Shakespeare's metaphorical and implicative language is dissipated and the style of the play is not an illusive space-time, but a tragic theatrical production that uses rough language to express the depth of the story. The Perfomance of Hamlet is a sensuous jumble up of a diverse range of mass media. The double roles that the actors carry out give an affect of isolation between the audience and the play itself showing both empathy and liberty. Ostermeier's Hamlet distinctively shows a post-modern performance through the prominent elements of dirt, the use of mixed genre, theatric emphasis, making an image and the fulfillment of acting. Nonetheless, Ostermeier's performance stays off the point on the breakup strategy of the post-modern drama without suspending the narrative of Shakespeare's Hamlet. Besides aiming to show a performance centered by the imagery of physical expression, his performance shows New Realism in the 1960's, showing everyday life. Ostermeier thinks, that theatre helps give contemporary people an accurate reality check in the constant unstable periods of time. Therefore, Hamlet shows post-modern physical expression and outspoken dramaturgy using the effects of mass media in New Realism without breaking up realistic narration. With being the aberration of the Castle Helsingor, the main character Hamlet, expresses lunacy and can be considered as metaphor for young adults whom are broken down and isolated from the economic system. He is a substitute for those who experience agony, anger, torment, etc. and other suppressed emotions in everyday life. With the method of direction in the portrayal of Hamlet show signs of succession in the abundant popularization of the classics by communicating with the audience by following the trend of modern mass media and audio-visual perception; emphasizing the point of the philosophical topic 'life and death,' 'life and theatre,' and 'illusion and reality.'

• 복식문화연구
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• 제30권1호
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• pp.66-87
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• 2022

This study explores the possibility of creating new experimental hanbok designs by accommodating the latest world fashion trends and the changing needs of consumers, in order to attempt to overcome the limitations of traditional Korean fashion design. To do so, We analyze works by contemporary Korean fashion designers to investigate current developments in Korean fashion design and to identify areas of improvement within hanbok design. The results show that most contemporary hanbok designs repeat stereotypes of traditional hanbok with minor modifications. So there arises a need to create new hanbok designs that are clearly distinct from traditional hanbok but also maintain its core features. To develop such designs, I apply the techniques of deconstruction fashion, which allow making experiments with form, composition, and materials use to realize new aesthetics. The use of CLO 3D fashion design software also proves to be very efficient for developing experimental designs. The study results make meaningful contributions to the development of virtual clothing and 3D fashion for hanbok, particularly as metaBUS, a cloud-based research synthesis platform, is rapidly gaining ground, and reality and virtual reality are increasingly mixed in everyday life. This attempt at 3D design of hanbok is expected to trigger more creative experimentation in hanbok design.

• 한국컴퓨터그래픽스학회논문지
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• 제28권3호
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• pp.23-29
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• 2022

가상인간은 가상공간(가상 현실, 혼합 현실, 메타버스 등)에서 Unity와 같은 3D Engine 전용 모델링 도구로 구현된다. 실제 사람과 유사한 외모, 목소리, 표정이나 행동 등을 구현하기 위해 다양한 가상인간 모델링 도구가 도입되었고, 어느 정도 수준까지 인간과 의사소통이 가능한 가상인간을 구현할 수 있게 되었다. 하지만, 지금까지의 가상인간 의사소통 방식은 대부분 텍스트 혹은 스피치만을 사용하는 단일모달에 머물러 있다. 최근 AI 기술이 발전함에 따라 가상인간의 의사소통 방식은 과거 기계 중심의 텍스트 기반 시스템에서 인간 중심의 자연스러운 멀티모달 의사소통 방식으로 변화할 수 있게 되었다. 본 논문에서는 다양한 대화 데이터셋으로 미세조정한 인공신경망을 사용해 사용자와 자연스럽게 대화 할 수 있는 가상인간을 구현하고, 해당 가상인간이 생성하는 문장의 감정값을 분석하여 이에 맞는 표정을 발화 중에 나타내는 시스템을 구현하여 사용자와 가상인간 간의 실시간 멀티모달 대화가 가능하게 하였다.

• 한국방송∙미디어공학회:학술대회논문집
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• 한국방송∙미디어공학회 2020년도 하계학술대회
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• pp.557-560
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• 2020

최근, 광소자에서 공간 변조되는 wavefront profile 특성을 광소자의 표면 단차 변화 없이 단일 두께 박막 상에서 자유로이 구현할 수 있는 기하위상 홀로그램 (geometric phase hologram) 기반의 optical component에 대한 관심이 증대되고 있다. 특히 이를 이용해 제작된 기하위상 렌즈 (geometric phase lens)는 dynamic phase의 공간적 차이에 의해 구현되던 기존 bulk optics 기반의 lens 대비 초박형으로 제작이 가능한 파장 선택적 flat optics 기술로써, 다초점 및 경량화를 요구하는 차세대 디스플레이 기술 (augmented reality 또는 AR, mixed reality 또는 MR) 및 광파변조 및 제어를 요구하는 홀로그래픽 카메라 분야에 대한 응용처로 많은 주목을 받고 있다. 이에 본 논문에서는 해당 기하 위상렌즈에 대한 원리 및 이에 따른 개발이슈 및 해결법에 대해 연구 하였으며, 이에 대한 응용처로 기하위상 렌즈의 편광에 따른 이중초점특성을 이용해, 기존 단일 초점 형성이 가능한 AR기기 대비, 다초점 형성이 가능한 switchable dual-depth 3D AR device를 compact한 모듈과 함께 구현하였다. 또한, 기하위상렌즈의 광파 변조 및 분리특성을 이용한 기하위상 렌즈기반의 자가간섭 홀로그래픽 시스템(GP-self-interference incoherent digital holographic, GP-SIDH)에 편광 이미지센서 적용과 함께 맞춤형 설계/제작된 기하 위상렌즈를 적용함으로써, 기존 GP-SIDH 시스템대비 안정적으로 실시간 복소 홀로그램 획득이 가능한 실시간 공간영상정보 획득용 GP-SIDH을 동영상 프레임으로 구현하였다.

• International journal of advanced smart convergence
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• 제12권4호
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• pp.361-369
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• 2023

Achieving realistic visual quality while maintaining optimal real-time rendering performance is a major challenge in evolving computer graphics and interactive 3D applications. Normal mapping, as a core technology in 3D, has matured through continuous optimization and iteration. Hybrid normal mapping as a new mapping model has also made significant progress and has been applied in the 3D asset production pipeline. This study comprehensively explores the hybrid normal techniques, analyzing Linear Blending, Overlay Blending, Whiteout Blending, UDN Blending, and Reoriented Normal Mapping, and focuses on how the various hybrid normal techniques can be used to achieve rendering performance and visual fidelity. performance and visual fidelity. Under the consideration of computational efficiency, visual coherence, and adaptability in different 3D production scenes, we design comparative experiments to explore the optimal solutions of the hybrid normal techniques by analyzing and researching the code, the performance of different hybrid normal mapping in the engine, and analyzing and comparing the data. The purpose of the research and summary of the hybrid normal technology is to find out the most suitable choice for the mainstream workflow based on the objective reality. Provide an understanding of the hybrid normal mapping technique, so that practitioners can choose how to apply different hybrid normal techniques to the corresponding projects. The purpose of our research and summary of mixed normal technology is to find the most suitable choice for mainstream workflows based on objective reality. We summarized the hybrid normal mapping technology and experimentally obtained the advantages and disadvantages of different technologies, so that practitioners can choose to apply different hybrid normal mapping technologies to corresponding projects in a reasonable manner.

• 한국IT서비스학회지
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• 제23권3호
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• pp.103-118
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• 2024

Due to the advancement of virtual reality technology, virtual idols are widely used in industrial and cultural content industries. However, it is difficult to utilize virtual idols' social perceptions because they are not properly understood. Therefore, this paper collected and analyzed YouTube comments to identify differences about social perception through comparative analysis between virtual idols and general idols. The dataset was constructed by crawling comments from music videos with more than 10 million views of virtual idols and more than 10,000 comments. Keyword frequency and TF-IDF values were derived from the collected dataset, and the connection centrality CONCOR cluster was analyzed with a semantic network using the UCINET program. As a result of the analysis, it was found that virtual idols frequently used keywords such as "person," "quality," "character," "reality," "animation," while reactions and perceptions were derived from general idols. Based on the results of this analysis, it was found that while general idols are mainly evaluated with their appearance and cultural factors, social perceptions of virtual idols' values are mixed with evaluations of cultural factors such as "song," "voice," and "choreography," focusing on technical factors such as "people," "quality," "character," and "animation." However, keywords such as "song," "voice," "choreography," and "music" are included in the top 30 like regular idols and appear in the same cluster, suggesting that virtual idols are gradually shifting away from minority tastes to mainstream culture. This study aims to provide academic and practical implications for the future expansion of the industry and cultural content industry of virtual idols by grasping the social perception of virtual idols.

• 전자공학회논문지C
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• 제35C권6호
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• pp.76-87
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• 1998

본 논문에서는 동적 제스처인 수화와 정적 제스처인 지문자가 섞여 있으며 연속으로 수행하는 손 제스처를 실시간으로 인식하는 시스템을 구현하였다. 연속적인 손 제스처는 동작의 시작과 끝에 대한 명확한 표시가 없고 제스처의 형태가 복잡하다. 본 논문에서는 연속적인 손 제스처에서 개별 제스처를 구분하기 위하여 제스처의 속력과 속력 변화를 이용한 상태 오토마타를 구현하였으며, 다양한 손 제스처의 의미를 인식하면서도 확장이 쉬운 시스템을 구현하기 위하여 14가지 손운동, 23가지 손모양, 그리고 14가지 손방향의 기본 요소 인식기를 구현하였다. 양손 사이버글러브와 자장 추적 장치를 이용하여, 구현된 시스템은 131개의 한글수화와 31개의 지문자를 실시간으로 인식하며, 수화의 인식률은 기각인 경우를 제외한 경우 94.3%, 지문자의 인식률은 96.7%에 이른다.

• 패션비즈니스
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• 제5권1호
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• pp.117-130
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• 2001

The purpose of this research focuses mainly on the establishment of: the image of the police that can be adopted to meet the demands of reality through the development of the design of policewomen's uniform in the times that require reestablishment of the image of the police; the image of the police that is appropriate for the organic structure of the society; and the image of the police that cooperate with the citizens. For background research I have considered the police and their uniforms from a theoretical point of view and have examined the process by which Korean policewomen's uniforms have changed. Actual research was carried out policewomen of Seoul Regional Police Station, was conducted and the results were utilized to figure out what the problem was. This research suggests an improvement measure by making four suits of summer and spring-and-autumn work-uniforms, and six suits of spring-andautumn and winter full-dress uniform. First the colors of work-uniforms and full-dress uniforms are not blue, which incites a feeling of coldness and stiffness, but are colors that are feminine and emit warmth---red, ivory, khaki, black, and beige. second pure, natural fiber is difficult to wash and is not an appropriate material for policewomen's uniforms when considering its cost and etc., fabrics that are a mix of synthetic fiber and natural fiber were chosen. Because mixed fabrics are cheaper and their ability to maintain shape is superior to that of natural fiber, mixed fabric is an appropriate material for policewomen's uniforms. third the feminine image of policewomen was considered; therefore, masculine image, which is rigid and strong, was avoided and the image was expressed in a serene and beautiful way. Also slim line was added to the current uniforms to emphasize feminine beauty. The conclusion of this study is that police officers in the 21st century want to be seen as the citizens cane and benevolent volunteers that live together with the citizens, not as suppressive and powerful people.