• 제목/요약/키워드: mixed fabrics

검색결과 134건 처리시간 0.028초

설파제를 이용한 청색 항균 산성염료의 합성 및 나일론 소재에 대한 적용 (Synthesis of Blue Acid Dyes having Antimicrobial Property and its Application on Nylon Fiber)

  • 홍진표;윤석한;김미경;손송이
    • 한국염색가공학회지
    • /
    • 제20권1호
    • /
    • pp.22-27
    • /
    • 2008
  • Sulfadiazine and silver sulfadiazine are well-known bactericidal agent routinely used clinical settings. Antimicrobial acid dyes were synthesized by introducing sulfadiazine or silver sulfadiazine and applied on nylon fabric. The Chemical Structure of the Synthesized dyes was identified by HPLC-mass. The dyeability of synthesized acid dyes for nylon fabric was similar to commercial acid dyes. Resistance to washing, rubbing and lightfastness were good. Nylon fabrics dyed with synthesized acid dyes had good antimicrobial properties. Durable antimicrobial properties after 20 times washing have shown good result that reduction ratio of colonies, is 99.9 %. Mixed dyeing were carried out using commercial acid dyes(leveling type) and synthesized dyes. The mixed dyeings have also shown good antimicrobial properties.

宜寧 全義李氏墓 출토복식에 관한 고찰 (The Excavated Costume of Jeon-Ui Lee Unearthed in Ue-Ryoung)

  • 박필순;박윤미;정복남
    • 복식문화연구
    • /
    • 제13권1호
    • /
    • pp.102-120
    • /
    • 2005
  • Three Jang-Ue's and eleven drapery were investigated in the excavated costume in Ue-Ryeong, Gyeong-Sang-Nam-Do. Three Jang-Ue's have three different colors. the length, the width, and the wide of quilting are different as well. The outer collar of a coat is a double collar while the inturned collar is a single collar. In case of Dark blue and Pink Jang-Ue. The large section of cloth forming the body of a Korean coat is getting narrower while the reinforcing cloth strip is getting wider as the time is passing by. All the three Jang-Ue's have the different handling methods of a attached to the top border of a Korean coat, and Pink Jang-Ue doesn't have a attached to the tip border of a Korean coat. The handling method of the hemline are all different. And the handling method of the cuffs are all different. The silk is main in the woven goods, partly hemp, mixed fabrics and cotton. Especially complex gauze with supplementary wefts that were found unusually in Cho-Sun Dynasty are very import to study the complex gauze. The fond relics of the Jeon-Ui Lee family reveal various formational methods and specific characters of the excavated costume. There fore these that bring the Jang-Ue shape and the textile's feature in Gyeong-Sang-Nam-Do region, from 16th to 17th are very valuable.

  • PDF

한국(韓國) 여성(女性) 경찰복(警察服) 디자인 개발(開發) (Development of the Design of Korean Policewomen's Uniforms)

  • 박진영;양숙희
    • 패션비즈니스
    • /
    • 제5권1호
    • /
    • pp.117-130
    • /
    • 2001
  • The purpose of this research focuses mainly on the establishment of: the image of the police that can be adopted to meet the demands of reality through the development of the design of policewomen's uniform in the times that require reestablishment of the image of the police; the image of the police that is appropriate for the organic structure of the society; and the image of the police that cooperate with the citizens. For background research I have considered the police and their uniforms from a theoretical point of view and have examined the process by which Korean policewomen's uniforms have changed. Actual research was carried out policewomen of Seoul Regional Police Station, was conducted and the results were utilized to figure out what the problem was. This research suggests an improvement measure by making four suits of summer and spring-and-autumn work-uniforms, and six suits of spring-andautumn and winter full-dress uniform. First the colors of work-uniforms and full-dress uniforms are not blue, which incites a feeling of coldness and stiffness, but are colors that are feminine and emit warmth---red, ivory, khaki, black, and beige. second pure, natural fiber is difficult to wash and is not an appropriate material for policewomen's uniforms when considering its cost and etc., fabrics that are a mix of synthetic fiber and natural fiber were chosen. Because mixed fabrics are cheaper and their ability to maintain shape is superior to that of natural fiber, mixed fabric is an appropriate material for policewomen's uniforms. third the feminine image of policewomen was considered; therefore, masculine image, which is rigid and strong, was avoided and the image was expressed in a serene and beautiful way. Also slim line was added to the current uniforms to emphasize feminine beauty. The conclusion of this study is that police officers in the 21st century want to be seen as the citizens cane and benevolent volunteers that live together with the citizens, not as suppressive and powerful people.

  • PDF

패션문화상품의 한국전통문양 활용 실태에 관한 연구 (A Study on the Utilization of Korea Traditional Patterns for Fashion Cultural Products)

  • 현선희;배수정
    • 한국의류학회지
    • /
    • 제31권8호
    • /
    • pp.1252-1261
    • /
    • 2007
  • The purpose of this study was to grasp the utilization of traditional Korean Patterns used for fashion cultural products. To achieve this purpose, this study examined the range of fashion cultural products through literature review, previous researches, and market surveys and analyzed the situation of fashion cultural products and the kinds, expression methods, expression techniques, and repeat styles of utilized patterns. The analysis results are as follows. First, in the use of traditional pattern, the most frequently-used fashion cultural products were small and inexpensive accessories, followed by fashion apparel, miscellaneous goods, and living cultural goods. Second, the most frequently-used traditional patterns were plant patterns, especially flower patterns. The next frequently-used ones were mixed patterns, especially in the mixture of flower and letter patterns, and $cloisonn\'{e}$ and flower patterns. The next frequently-used traditional patterns were animal patterns(especially butterfly patterns), followed by geometric patterns, lucky omen patterns, and letter patterns. In the expression methods of used patterns, most products except handicrafts preferred simplified patterns to real patterns. Finally, in the expression techniques of traditional patterns, the most frequently used technique was traditional embroidery, followed by the use of weaving fabrics such as fine gauze and brocade which are used for Hanbok. Also, transfer dyeing which is one of printing techniques, DTP(digital textiles printing), a mixed technique which adds embroidery to weaving fabrics, hand-painting, and a gilt technique were used. The results of this study suggest that most fashion cultural products except few designers' works attached weight to some specified patterns and expression techniques regardless of the characteristics of products since there is little understanding of a variety of patterns and are few researches and development on expression techniques.

3차원 가상착의와 실제착의를 통한 비만여성의 바지 맞음새 비교 (Comparison on the Pants Fitting for Obese Women between 3D Virtual Garment and Real Garment)

  • 이진숙;이정란
    • 패션비즈니스
    • /
    • 제17권2호
    • /
    • pp.33-45
    • /
    • 2013
  • A study using 3D virtual garment simulation is carried out for the evaluation and application on the pants fit for obese women in their age of 20s and 30s. The results are as follows; 5 obese women in their 20s and 30s were selected for the testing 3D body. They showed no significant differences in all items, comparing with the data of 5th Size Korea body dimensions. The average waist circumstance of the subjects' 3D body dimensions was 87.0cm, hip circumstance was 102.4cm, BMI was $27.1kg/m^2$, and their obese body types had similar mean values. Based on the detailed design of ready made pants and the study results of 20~30s obese women preference for pants design, pants of straight silhouette and semi-tight fit which have waist line lowered, no front dart and one back dart, were manufactured with 100% black cotton and cotton spandex mixed fabrics. When comparing the appearances between real garment and virtual garment, the average of the real garment with 100% cotton was 3.70 and the virtual garment was 4.05. The average of real garment with cotton spandex mixed fabrics was 3.75 and the virtual garment was 4.06. Therefore, the average of virtual garment was highly evaluated. When comparing the results of evaluating the appearance, there was no significant difference caused by materials between real garment and virtual garment. The expression for the ease of virtual garment and real garment was also similar for good evaluation. Thus, 3D virtual garment simulation did positively prove its reliability and effect.

트리아세테이트/PET 혼방 직물의 분산염료 혼합염색 (Combination Dyeing of Triacetate/PET Blended Fabric with Disperse Dye)

  • 김명옥;이정순
    • 감성과학
    • /
    • 제19권4호
    • /
    • pp.3-12
    • /
    • 2016
  • 본 연구의 목적은 트리아세테이트와 흡한속건성 PET 합연사로 구성된 복합직물의 염착량 증진 및 동일색상 염색(union dyeing)을 위한 최적 혼합염색 조건을 찾는 것이다. 이를 위하여 E-type 분산염료(C.I. Disperse red 50)와 S-type 분산염료(C.I. Disperse red 92)를 혼합하여 1욕 혼합염색으로 염색온도, 염색시간, 염료의 혼합비율에 따른 염색직물의 흡진율, 염착율, 색상 및 색차를 측정하였다. 혼합염색의 염착평형은 $100^{\circ}C$에서 일어났으나 염색된 직물의 K/S 값과 겉보기 색상을 비교해보았을 때 트리아세테이트와 흡한속건성 PET의 색이 동일한 색으로 발현되는 온도는 $120^{\circ}C$임을 확인하였다. 염색 시간 증가에 따른 혼합염료 흡진율과 염착량의 변화는 크게 나타나지 않았으나 염색시간이 길수록 그리고 혼합염료를 사용할 경우 균일한 색상을 얻을 수 있었다. E-type에 S-type염료의 혼합비율을 적절히 조절하여 혼합염색 하면 단독염색 보다 E-type 염료의 색상과 차이 없이 염착량을 증대시킬 수 있었다.

보문의 유형과 조형성 연구 (A Study on the Type and Formative Characteristics of Bomun)

  • 이주영;장현주;도주연;장정아
    • 복식
    • /
    • 제54권2호
    • /
    • pp.11-23
    • /
    • 2004
  • Bomun(Treasure Pattern), by its formative beauty and its symbol of good-luck, is mixed well with other patterns and produces another luxurious and gorgeous pattern with them. This study is to sort out Bomun patterned materials in the relics of Chosun dynasty, to classify the types of patterns according to its elements and to its arrangement, and to analyze their aesthetic characteristics in terms of fabrics, methods of putting patterns on fabrics, their usage, and symbols and aesthetics. The types of Bomun, in terms of their composition elements, are classified as Individual type, Compound Type Ⅰ, which is made with another Bomun, and Compound Type Ⅱ, which is compounded with plant patterns or with animal patterns. In terms of its arrangement, it is classified as Dense type, Sparse type, and Picturesque type, and the most popular type is the pattern of the dense type. Bomun was depicted in the fabric through a technique called Jimunbeop. It was used on both men's and women's clothing. It was mostly used in Po of men's clothing and in Jeogori(jacket) of women's clothing. Bomun connotes the meaning of good-luck, beating off evil spirits, Yin and Yang ideology, noble tastes, etc.

Ramie의 최적 펄핑 조건 및 위생용 ramie/면 부직포의 물리적 특성 연구 (Studies on the Optimum Pulping Condition of Ramie and the Mechanical Properties of Ramie/Cotton Non-woven Fabric as Hygienic Uses)

  • 최시혁;김현철
    • 펄프종이기술
    • /
    • 제46권6호
    • /
    • pp.16-25
    • /
    • 2014
  • This study was investigated in optimum condition of pulping of ramie and the mechanical properties of non-woven fabric for the performance of ramie/cotton panty liner. The result of pulping condition on ramie was most suitable for type I (mixed NaOH with $Na_2CO_3$ in 30%:70%). The sample (I) was showed yield value of 68.2% and the best fibrillation and lignin removal rate. The non-woven fabrics of ramie/cotton were made in range of ramie content of 0, 15 and 30%. As ramie content increased, so were increased in air permeability, compressive strength and compression recovery rate. But surface roughness and compressional energy were decreased. Therefore, the non-woven fabrics of ramie/cotton are very suitable in hygienic goods for female panty liner. The ramie panty liner showed a little decrease in absorption and strength, as increasing the amount of ramie. But the performance of ramie panty liner was appeared beyond standard values used by usual panty liner.

폴리카르복시 산 처리 면섬유의 DP가공에 관한 연구 (A Study on the Durable Press Finishing of Cotton Fiber Treated with Polycarboxylic Acid)

  • 이찬민;최철민
    • 한국염색가공학회지
    • /
    • 제9권6호
    • /
    • pp.58-67
    • /
    • 1997
  • PTCA(1,2,3-propanetricarboxylic acid) and BTCA(1,2,3-butanetetracarboxylic acid) are selected as new nonformaldehyde agents for ester crosslinking of cotton cellulose to replace the traditional DMDHEU reagent. A goal of this research is to propose unknown ester mechanism of cotton cellulose by PTCA or BTCA using crystal structure model suggested by Meyer and Takahashi. In pursuit of these goals, we have treated 100% cotton broad cloth with PTCA or BTCA and different catalysts. They were used with $NaH_2PO_2,\;NaH_2PO_4,\;Na_2HPO_4,\;NaH_2PO_2,\;Na_3PO_4,$ catalysts to produce nonformaldehyde fabric finishes. Treatments were applied to all cotton fabrics using a pad-dry -cure process. The esterfication of cotton treated with BTCA or PTCA was investigated using Fourier transform infrared(FT-IR) spectra and the breaking strength, abrasion retention and discoloration properties were determined to prove the durable finished fabrics. Patterns with respect to abrasion resistance were more complex. Because PTCA and BTCA add-ons were comparable, the data suggest that the more effective catalysts, $NaH_2PO_2$ and mixed phosphate $NaH_2PO_2/NaH_2PO_4$) are effecting either a great number of crosslinks in the cotton or producing crosslinks that differ in actual structure.

  • PDF

접착심지에 관한 연구 (Studies on Adhesive Nonwovenfabrics for Padding Cloths)

  • 성화경
    • 대한가정학회지
    • /
    • 제11권3호
    • /
    • pp.276-284
    • /
    • 1973
  • An experiment, aimed at finding out the adhesive condition when adhesive non-woven fabrics for padding cloths are used for padding cloths of blouse, has been conducted. Materials used were three different kinds-scoured, sanforized, and permanent pressed- of combined fabrics of polyester and cotton. As for padding cloth material, mixed spinning nonwoven fabrics of polyster and viscose rayon have been used. Adhesive conditions were made each at $120^{\circ}C$, $140^{\circ}C$, $160^{\circ}C$ and $180^{\circ}C$, respectively, and adhesive time has been limited to 5, 10, 20, 30, 40 seconds each. External appearance as well as quality have been watched through washing experiment. In case of 12$0^{\circ}C$, all experimental materials were separated at the seventh washing and as for $140^{\circ}C$, all but the material which has been attached on scoured cloth for 40 seconds were separated. In case of 20 seconds only permanent pressed cloth and sanforized cloth were separated. At 30 and 40 seconds, the adhesive conditions have been maintained up to the seventh washing. In case of 5 seconds $180^{\circ}C$it was not turned yellow, but all were separated. In case of 10, 20, 30 and 40 seconds, at above temperature all were turned yellow in the adhesive process. Therefore, the adhesive power could be said strong enough, though it was not very practical. In this experiment, the lower the temperature of iron is, the longer time it has to be touched. At higher temperature however, relatively short time makesn it possible for adhesion and depending upon the finishing methode of cloth, there is slight difference in adhesive power. As a result, the best adhesive condition for all experimental materials is $160^{\circ}C$of iron temperature, and the time of adhesion is between 30 and 40 seconds.

  • PDF