• 한국수학교육학회지시리즈D:수학교육연구
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• 제15권1호
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• pp.15-30
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• 2011

We study to design educational Logo-based microworld environment equipped with 3D construction capability, 3D manipulation, and web-based communication. Extending the turtle metaphor of 2D Logo, we design simple and intuitive symbolic representation system that can create several turtle objects and operations. We also present various mathematization activities applying the turtle objects and suggest the way to make good use of them in mathematics education. In our microworld environment, the symbolic representations constructing the turtle objects can be used for web-based collaborative learning, communication, and assessments.

• 디자인학연구
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• 제15권4호
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• pp.307-316
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• 2002

본 연구는 디자인 과정 중에 발생하는 디자이너의 사고행위를 해석하는 디자인 과학 연구의 하나로서 인지심리학의 이론을 바탕으로 디자인 과점에 대한 인지실험을 실시하여 은유사고를 이해하고자 하였다. 연구방법으로는 건축 디자이너를 대상으로 디자인 개념 설정 과정에 대한 디자인 리뷰(review)실험을 실시하여 겉으로 드러나지 않는 은유사고를 언어표현으로 끄집어내고 그 내용을 분석하여 디자인 과정에서 은유사고의 특성을 살펴보았다. 주어진 디자인 상황에서 디자이너가 문제를 해결하고 개념을 설정하는 사고과정을 회상해서 이야기한 내용을 분석하여 디자인 과정을 디자인 아이디어의 발생과정으로 재구성하고 이 과정에서 나타난 은유사고를 아이디어 발생 측면에서 분석하여 디자인에서 은유사고의 특성을 파악하였다. 연구결과 디자인 과정에서 발생하는 아이디어의 생성에 가장 중요한 접은 어느 시점에 다수의 새로운 아이디어가 생성되어 디자인 사고가 확산되는 젓이며 이러한 디자인 아이디어의 확산에 은유사고가 결정적인 역할을 담당하고 있는 것이다.

• 복식
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• 제58권2호
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• pp.120-133
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• 2008

The purpose of this study is to analysis types of light and to find the characteristics of light in contemporary fashion design. In a scientific context, light is electromagnetic radiation of a wavelength that has the characteristics of straightness, reflection, refraction, scattering and diffraction. But in philosophical speculations, light has been used as a metaphor of 'being', 'to-be' or 'enlightenment.' And through the ages, people have tried to represent and apply the light into plastic art like painting and architecture. The types of light in fashion design was categorized as those; reflective light from the surface of clothing which is the result of interaction between illumination and material, representative light as the pattern of light or light effect such as sun or its rays and optical or psychedelic patterns, luminescent light from light emitting material like phosphorescence or LED which combines into fashion design, projective light from a medium to reveal virtual patterns on the surface or a fashion design itself using holography. These lights in fashion design can be considered as reflection of emphasis of sexuality, longing for fantasy and mystique, visualization of interaction and communication and groping for the play.

• 패션비즈니스
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• 제22권1호
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• pp.20-40
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• 2018

The purpose of this study is to examine the concept of surrealism and its expression technique and to develop creative and artistic women's coat design based on the analysis of various expression techniques of surrealistic artists and designers. To this end, literature review was done and design and actual works of women's coats were made. Surrealism was applied to fashion by Schiaparelli in the 1930s and it has constantly been applied by many fashion designers. The examples used in fashion were examined by shape of body parts or natural objects, metaphor and transformation of objects, position change and optical illusion. Based on this examination, motifs were drawn from paintings of Rene Magritte, Salvador Dali, Vladimir Kush, and Rafal Olbinski, who most inspired contemporary fashion designers with their works. The creative and artistic sense of five women's coats for 20's and 30's were designed using surrealistic paintings and fashion design expression techniques in a view of social problems. This study has a significance in that it expanded the expression techniques of fashion design and its field with original design which is inspired by surrealistic formativeness and expression technique with social criticism. It is also possible for this study to contribute to the development of fashion design if various designs are presented through grafting various artistic expression techniques onto fashion.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.1031-1035
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• 2009

Metaphors, as an important way to deliver information and convince the audience, have been used in print advertising extensively. This study researches the concept of metaphors and analyses seven Chinese advertisements in which metaphors are used in public service advertising. The nature of metaphors is to express one thing by using another thing. Using metaphors can put some creative ideas into pictures and make the pictures full of visual impact. Then the target audience will pay more attention to the picture and become impressed. When people look at the advertisements using metaphors, they will definitely look up in their existing knowledge to understand the message which the advertisements are delivering. So this makes the advertisements more attractive and the people would be more easily convinced.

• 한국실내디자인학회논문집
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• 제41호
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• pp.266-274
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• 2003

Synectics is one of several techniques used to enhance brainstorming by taking a more active role and introducing metaphor and structure into the process. It is unclear at what level of specificity this should be formulated as a pattern. This thesis reviews recent computational as well as experimental work on analogical reasoning based on synectics. New results regarding information processing of analogical reasoning stages, major computational models and recent attempts to compare these models are reviewed. Computational models are also discussed in the computational as well as cognitive psychology perspectives. Future directions in analogical reasoning research are proposed. The following import is the need to accommodate the typology and normal assessment in the concrete circumstances where actual reasoning and problem solving take place. In order to get to this end, we used computational models by Thagard who take the stand of ‘Computational Philosophy of Science’, which assumes ‘Weak AI’ to explicate what constitute the very pecularity of Analogical Reasoning.

• 디자인학연구
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• 제17권2호
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• pp.67-76
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• 2004

소비의 주체성이 생산과 구조적 측면보다 쾌적함, 온유함, 유머 등의 디자인 제2차 적 가치의 현상으로 전의 되고 있으며 이와 같은 잉여성과 관련된 개념들은 디자인에서뿐만 아니라 최근 과학에서도 공간과 물질, 동일성과 중력 둥과 같은 개념이 사라지고 불확정성, 개연성, 모순, 애매모호함, 엔트로피 등과 같은 개념들로 대체되고 있다. 따라서 디자인과 관련된 인접학문의 지적동향과 주된 관심사의 탐구과정을 통하여 아이디어 전개에 필요한 그림과 이미지들의 변형과 조작 등 디자인의 제2차 적 가치와 잉여적 가치에 관련이 깊고 실제 아이디어 전개의 확장성과 다의성에 관련된 개념과 변형과 조작의 제4열 사고생성체계를 제시하고 자 한다.

• 한국실내디자인학회논문집
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• 제20권1호
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• pp.33-42
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• 2011

This study, by applying the experiential and psychological thought category of "impression" as the space design strategy for drawing out "sensitivity," aims to break down the psychological mechanism forming the image held by the subject, and based on such segmentation, seek and strategize an effective design methodology. The subject's memory, pure sensation, and movement sensation are set as the preceding determinants comprising the psychological mechanism of space impression. The control determinants for achieving activation of psychological effect are reinterpreted as the relations of memory-cognition, sensation-perception, and movement-sensation and categorized into a cognitive strategy based on association, metaphor and remembrance; a direct sensation strategy based on formation, superposition and transposition of sensation; and a sensation strategy of process-formation based on expectation organization and reversal, contraction and relaxation. Each strategy is achieved through the formal, material and structural control of architecture. As a restructuring of the design methodology that has been experientially applied, the strategy categorization is important in that, by presenting the usefulness and effect by strategy according to space experience, it makes concrete the basic data that are useful for designing experience of sensitivity.

• 한국실내디자인학회논문집
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• 제18권2호
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• pp.41-49
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• 2009

Contemporary design environment is formed with image-centered trend based on pluralism. In this point of view, enterprises' building lobbies are public places containing the equivocal meaning, actively utilizing light as a design element to express the image of enterprises' identifications. Light is an immaterial entity having unlimited possibilities and potentials on space. It also acts as media to activate spaces and create new images in connection with formative elements of space. This study is to figure out how lightings are expressed and affected the formative characteristics of office lobby spaces and activate the specific characteristics of spaces. As a result, we drew conclusions as follows. First, as state-of-the-art technology and media are introduced, light is expressed on spaces as floating, direction, rhythm, silhouette, metaphor and allusion, sense of depth and volume. Second, expressive aspects of light in lobby space are embodiment of light, substantiation of immateriality, standing of materiality from the perspective of spatial aesthetics, and distortion/transformation of shape, pluralism phenomena of space from the perspective of spatial structure. In this way, light on building lobbies which are greatly required design differentiation strategy, specializes space and also integrates all the designs as not only a functional element but also a mental, psychological, formative element. Consequently, light on lobby spaces induces communication between spaces and users, makes formative value of existence in itself, and presents the characteristics of differentiated enterprises' identities.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 1부
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• pp.314-318
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• 2008

본 논문은 증강/혼합현실 기반 서적 제작을 위한 3 차원 객체 속성 저작을 위한 저작인터페이스를 제안한다. 특히, 프로그래밍에 대한 전문적인 지식이 없는 사용자도 손쉽게 증강현실 기반 서적을 제작할 수 있도록 하는 것에 목표를 두고 있다. 제안된 3D 객체 속성 저작 인터페이스는 입력 장치인 조작도구 (Manipulator) 와 3D 컨텐츠 조작 부분을 포함한다. 조작 도구는 저작 인터페이스에 필요한 이산/연속 적인 입력신호를 생성한다. 컨텐츠 조작부분은 조작도구의 입력신호를 이용하여 가상객체를 선택, 위치, 회전, 크기, 색상, 복사등의 기능을 수행한다. 또한 사용자는 조작도구를 이용하여 기존 GUI 인터페이스 방식의 포인팅, 클릭, 드래그엔드롭, 복사 기법을 그대로 사용함으로, 신속하고 직관적으로 가상객체의 속성을 변경이 가능할 것으로 평가된다.