• 제목/요약/키워드: meaning change

검색결과 1,075건 처리시간 0.133초

A Study on the Formativeness of Russian Constructivism in Modern Fashion (현대 패션에 나타난 러시아 구성주의의 조형성에 관한 연구)

  • Sohn, Ho-Young;Kan, Ho-Sup
    • Journal of the Korean Society of Costume
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    • 제61권10호
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    • pp.1-15
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    • 2011
  • Constructivism is an avant-garde movement that began in 20th-century Russia, which rapidly turned into an industrial society. This was one of the most experimental art movements, that wanted to be at the center of social and political-ideological change as it pursued a unique style, which portrayed the true essence of art and humanity. Russian constructivism greatly influenced modern fashion and suggested a new artistic standard. First, the artistic elements of Russian constructivism include photo montages, geometrical structures, color abstraction, and an asymmetrical order, through which the ideals of the Russian Revolution were substantiated, idealized, and materialized into an artistic form. Second, the different forms of Russian constructivism have various artistic characteristics such as popularity, spatiality, structuralism, decorativeness, and mobility, which were then expressed in modern fashion elaborated below. This study intends to reconstruct the meaning of Russian formalism and reflect it on fashion; thereby reconsidering the characteristics and the meaning of Russian constructivism in the context of today's fashion. This will broaden the meaning of constructivism and suggest a new direction for modern fashion.

A Study on the Cultural Meaning and Background of Design (디자인의 문화적 의미와 배경에 관한 연구)

  • 이재국
    • Archives of design research
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    • 제17권3호
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    • pp.5-16
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    • 2004
  • The wide range of understanding to the culture is very important in design practice, because all the design can't be avoided effect of different culture. Viewpoint of this, cultural meaning and background of design are studied in this paper. First of all, a few problems are suggested to the purpose and necessity of the paper. On the basis of this, three conceptual meanings of design culture are searched through studying with cultural meaning of design, design as living culture and design for human begins. Also, on the same basis, three compositive backgrounds of design culture are researched through studying with change of spatio-temporal design, search for the original design and criteria on the aesthetic design. Finally, another study is tried to find out how to understand design value and to create more valuable design which is variously existed under the different cultural background and social situation.

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A Study on the Costume and the inner symbolic meaning of the movie -Focusing on Keum-Ja's Costume- (영화 <친절한 금자씨>의 복식과 상징성에 관한 연구 - 주인공 복식을 중심으로 -)

  • Jang, Mi-Yong;Cho, Kyu-Hwa
    • Journal of Fashion Business
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    • 제12권1호
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    • pp.16-29
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    • 2008
  • The purpose of this essay is to know the expressed form and color and also to examine the inner symbolic meaning of the movie "Sympathy for Lady Vengeance" by producer Chan-Wook Park. In the movie, the main character Geumja has double personality, having both images of a wicked woman and a woman saint, and she showed the clothing of both good and evil. For example, while she was in prison, her prisoner uniform while she was taking care of her inmates, her pajama which is the symbol of innocence when she was atoning and praying, Geumja's appearance wasn't fabulous when she was wearing baker's cloth that symbolize pure inside. But in contrast, Geumja who was released from prison planned and execute vengeance, dress colorful dress and primary color make-ups. Blue color coat with gloomy mood, black leather coat with the image of female warrior, and the slip with intensive image and etc express Geumja's will of revenge. Like this, depend on the psychology of main character Geumja, it's easy to recognize the change of clothing and color, and it's possible to understand the symbolic meaning in it.

The Change of the Concept and Meaning of Bulgogi in Cookery Book & Dictionary (문헌에 나타난 불고기의 개념과 의미 변화)

  • Lee, Kyou-Jin;Cho, Mi-Sook
    • Journal of the Korean Society of Food Culture
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    • 제25권5호
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    • pp.508-515
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    • 2010
  • The purpose of this research was to investigate the transition of the concept and meaning of "bulgogi". "Bulgogi" is a representative Korean food and is also a global menu item. The first dictionary that presented the word "bulgogi" was the Keunsajeon (big dictionary). The results of an analysis of 17 dictionaries published in the last 60 years showed the immutable definition of "neobiani" as seasoned and broiled beef. In contrast, "bulgogi" has been termed differently, from "simply grilled meat of an animal" to the same meaning as that of "neobiani". Furthermore, to define the difference between common grilled meat in modern versus present time, a review of 26 cookery books from Sieuijeanseo, written in late 1800, to The Taste of Korea, written in 1987, were selected and examined. To date, the first appearance of the word "bulgogi" mentioned in a cook book was in Practice in Higher Cuisine, which was written by Shin- young Bang in 1958. The book states that "bulgogi" is the second name or the vulgar designation of "neobiani".

A STUDY ON NAME AND STYLE CHANGE ON CHOPNI IN CHOSUN (조선시대 첩리의 명칭과 유형에 관한 연구)

  • 장인우
    • Journal of the Korean Home Economics Association
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    • 제35권1호
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    • pp.389-400
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    • 1997
  • Name and change of style of Chopni were inspected to understand transformation of Chosun costume. During Chosun era Chopni had two significant roles(general) daily clothes and Yungbok; prior to the mid-Chosun it was largely used as daily clothes but after the mid-Chosun it was mainly used as Yungbok, In the case of daily clothes Chopni was utilized as under-coat among various coats and had the name of Chopni symbolizing function of clothes. In the case of YUNGBOK it was used as outer clothing of military men had the name of Cholik symbolizing form of clothes. These facts represent that emphasis was placed on beauty in the case of YUNGBOK to confer ceremonial meaning as outer clothes. In transformation of costume examining by change of Chopni we can see that name and style are changed with role of clothes That is when clothes is used as under such as under-coat name and style mainly represent function whereas they mainly represent beauty when used as outer clothes such as YUNGBOK In addition change of role might be considered as an independent variable which changed name and style dependently. That is change of style produced change of name and time lay between change of style and change of name was found to be about 1 centry.

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Factor Analysis on Behavior Change Mechanisms in Self-help Smoking Cessation (흡연행위의 자조적 변화기전에 대한 요인분석)

  • 오현수;김영란
    • Journal of Korean Academy of Nursing
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    • 제26권3호
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    • pp.678-687
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    • 1996
  • Smoking is considered to be one of the important risk factors associated with various health problems. Thirty seven million people in America quit smoking in the past decade, with 90% quitting on their own(Americal Heart Association, 1986). According to McAlister(1975), 70% of smokers reported that they adopted a self-help smoking cessation approach rather than a formal treatment program. In our country, although, auccessful exsmokers have used, are not available, concerns about smoking cessation have increased, recently, due to changes in social and political attitudes to health promotion. This study was conducted to help smokers who had made a decision to adopt a self-helf smoking cessation approach instead of depending on a formal treatment program. It provided a structurd way for sucessful smoking cessation by identifying change mechanism factors which have been commonly used by smokers. The subjects selected for this study were 155 university students between 20 and 29. Years of age the results from the analysis of the collected data showed that seven factors in the self-help change processes significant, and they are named, Stimulus Control, Self-Determination, Information Management, Reinforcement Management, Helpful Relationships, Dramatic Relief, and Cognitive Restructuring. All of the factors except Self-Determination represent the same change mechanisms which are proposed by Prochaska et at.(1988). Self-Determination uniformly includes items belonging to various change processes. Therefore, it might be an transitional factor including strategies related to both cognitive and behavioral dimensions. In spite of this, noted that one item which gives meaning of Self-Determination shows the highest factor loading, it is named Self-Determination.

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A Semiotic Analysis on 1930 s Costume -On Woman Character in the Novels- (1930년대 복식의 기호학적 분석 -신문소설의 여주인공을 중심으로-)

  • 조진숙
    • The Research Journal of the Costume Culture
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    • 제4권3호
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    • pp.407-426
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    • 1996
  • The study, "a semiotic analysis on 1930′s costume", is based on semiotic theory which analyze the meaning of signs. In the novels, "흙" and "삼대", character′s costume were used as a visual language that implies massages of character′s status, class, and the view of value. Analyzing the meaning of clothing signs, clothing could deliver the people′s informations to others and could be first things when people accept new value. The object of the studies are the novels, Hulk(흙) and Samdae(삼대) which are written by lee, Kwang-Soo and Yeom, Sang-Seob. In the novels, the social structure is classed as modern and traditional after we accept the western cultures and institutions. The traditional clothing, Han Bok, were dressed by the conservative woman. However, we could find the modernized woman dress with the western dress and the modified traditional style. According to the result of the research, we could find that clothing could be a sign which indicates value and also clothing is one of the first thing to change when people acquired new value.

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A Study on the Definition of Museum and the Variety of Exhibition Design with the Changes of the Trends of the Times (시대사조적 변화에 부응하는 뮤지엄의 개념과 전시디자인의 변용에 관한 고찰)

  • 박무호;임채진
    • Korean Institute of Interior Design Journal
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    • 제13권3호
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    • pp.137-144
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    • 2004
  • Museum in each era and society has its own specific meaning. When a museum is viewed from a cultural perspective, it may be apprehended as more than a functional tool for it also represents the culture of that particular time. The role of museum made across each stages are not simply shifts in architectural style, but indicate an evolution in social role and intrinsic function. The purpose of this study is to comprehend the definition of museum and the variety of exhibition design from the ancient days which the term is called 'museum' is used for the first time to beginning of the 20th century. As a result of this study, we can find that the museum is considered the meaning of the place to change according to the social environment more than the place to the collection, conservation, exhibition, education from the beginning. Accordingly, museums should make continued efforts to set cultural guidelines for the general public.

Argument Alternations with Meaning Differences (논항변이와 의미차이)

  • 김현효
    • Proceedings of the KAIS Fall Conference
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    • 한국산학기술학회 2002년도 추계학술발표논문집
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    • pp.269-274
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    • 2002
  • Argument alternation in English sentences such as "load hay onto the truck" vs. "load the truck with are swarming in the garden" vs. "The garden swarms with bees" present an interesting dilemma for ling in several ways. Along with each kind of syntactic rearrangement of arguments goes a subtle but sig systematic change in the verb's meaning. This has been called as different terminology such as "D "Verbal diathesis", and most commonly as "Argument alternation". Dowty adopts tern Agent-subject(A-subject) form and Location-subject(L-subject) form in referring the two kinds of analyses as well as describes their different properties. In this paper. I basically follow assumption while surveying several 1inguists's analysis and show its theoretical adequacy.

A Study on the Ambiguity of the Boundary in the Architectural Interior and Exterior Space (건축 내$\cdot$외부공간 경계의 모호성에 관한 연구)

  • Kwak Ki-Pyo
    • Korean Institute of Interior Design Journal
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    • 제14권2호
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    • pp.20-28
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    • 2005
  • This paper investigates that the ambiguity of the boundary between interior space and exterior space in architecture appears universally in history and reveals the various aspects of ambiguous boundary in architecture. The space is formed by the relationship with the surroundings and the boundary of two opposite spaces is apt to be ambiguous according to lots of complex factors. Before Modern Architecture the boundary of interior and exterior space had a tendency to be ambiguous by modifying compositional method of material boundary, that is semi interior-exterior space, the reversion of interior and exterior space and space in space. After Modern Architecture the meaning of physical boundary in space is lost along with dissolution of boundary over the society and the boundary of space comes to be dematerialized by the technology and the change of space perception. The phenomenon of deconstruction in spacial boundary accelerate increasingly according to fluid space, mutually interpenetrated space, visual transparency and adjustment of layers. And contemporary technology is collapsing the meaning itself of space division fundamentally.