• 한국자동차공학회논문집
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• 제2권1호
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• pp.84-95
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• 1994

The effects of punch and blank shapes in the rectangular cup drawing process are examined experimentally to improve the formabilities. For this purpose, three blank shapes which are h-bl., G-bl., and T-bl., and five punch shape factors which are the ratios of two adjacent side lengths in rectangular cross section are adopted. The constructing methods of the three blank shapes are as follows. The h-bl. is designed by slip-line theory, and the G-bl. is selected for the similar shape to the punch. The T-bl. is obtained by the drawing method which is introduced in the technical references. The five punch shape factors are selected for length/width=1, 1.25, 1.5, 1.75 and 2. The experimental procedures are performed for all the above forming conditions to investigate and compare the formabilities. As a result, it is verified experimentally that the rectangular cups drawn by the h-bl. are more ideal than those drawn by G-bl. and T-bl.. They have not only higher limiting drawing ratio, more uniformity in drawn cup heights and more ideal thickness distributions, but also need relatively less maximum drawing forces.

• 건축역사연구
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• 제21권3호
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• pp.55-72
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• 2012

There is a temple drawing called Monk Daegwak's Joongchanggundo at Seon-Am Temple of which the time of creation is unknown. This drawing shows the details of Seon-Am Temple and surrounding areas well, which helps to understand the construction of Seon-Am Temple and other small mountain temples. The records on the top also describe the surrounding landscape in the Fengshui aspect, and describes the number of buildings at Seon-Am Temple. According to the construction style that gives clues about the age of this drawing, the time range can be narrowed down in order to approximate the age of this drawing through the Buddhist trends of Seon-Am Temple. In the results, it was estimated that the drawing dates back to the time when Seon-Am Temple flourished in the mid-18th Century as it's competition with the temple of Songgwang actually began. Buddhism considers the relationship between teacher and student as the most important and the principals were delivered through this relationship. Therefore, the activities to increase the connection between monks and this drawing were created in order to indicate the atmosphere of the Seon-Am Temple of the time.

• 한국의류학회지
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• 제39권6호
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• pp.826-837
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• 2015

This study analyzes the shapes of the adjustment of a Napoleon Collar which combines a stand collar with an upper collar. It established experimental conditions for fixing the conditions of Napoleon Collar components (lapel width, stand collar size and upper collar size) as well as varied the shape of the neckline, the length of the curve of a stand collar and the size of the drawing space at the center back. It produced 22 test clothes of muslin, which were dressed on dress form No. 8. The results indicate that: 1. Neckline shape determines the amount of stand and fall. Less curved neckline stands higher against the neck and a more curved neckline is laid lower onto the body. 2. A shorter curve length of a stand collar allows a longer roll line to fall farther away from the neck with more space between the neck and collar. However, the longer the depth of curve of a stand collar creates a shorter roll line that stands high against neck and closer to neck without any space between the neck and collar with a collar line matching the neck of the dress form. 3. The smaller the drawing space at the center back creates a shorter the style line of the upper collar. However, a narrower back width of the collar creates a bigger drawing space at the center back with a longer the style line and a more naturally placed back width of the collar. 4. A Napoleon Collar creates a longer depth of curve for a stand collar and a smaller drawing space at the center back that is tightly and stably stuck to the neck.

• 한국멀티미디어학회논문지
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• 제14권5호
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• pp.691-702
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• 2011

최근 컴퓨터 그래픽스와 사용자의 인지를 결합한 다양한 연구들이 진행되고 있다. Cole 등은 미술가들의 라인 드로잉 데이터를 수집하여 기존의 CG(Computer-Generated) 라인 드로잉 알고리즘들이 미술가들의 드로잉 특성을 반영하고 있는지 비교하고, 사용자들이 어떤 라인 드로잉 알고리즘의 결과에서 형태를 효과적으로 인지하는지 평가하는 실험을 수행하였다. 그러나 라인 드로잉 알고리즘의 결과보다 BRDF 쉐이딩 모델이 적용된 결과에서 형태를 더욱 효과적으로 인지한다는 결과를 보였는데, 이는 음영이 형태 정보를 전단하기에 더욱 효과적인 요소임을 반증한다. 따라서 본 논문에서는 물체에서 인지한 음영과 미술가들의 음영 표현, 그리고 CG 쉐이딩 알고리즘 간의 상관관계에 대해서 연구한다. 특히, 미술가들의 음영 표현 특성과 CG 쉐이딩 알고리즘에서 나타나는 특성에 초점을 맞추고 이를 정량적으로 분석한다. 본 논문에서 수집한 실험 데이터 및 분석 결과는 효과적인 형태 전달을 목적으로 하는 새로운 CG 쉐이딩 알고리즘을 설계하는데 활용한 것으로 기대된다.

• 대한기계학회논문집
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• 제17권12호
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• pp.3094-3104
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• 1993

The five punch and die sets are selected as the examples of arbitrary cross sections which have two opposite inclined sides. Two kinds of blank shapes are designed for all cross sections. One(h-b1.) is determined by slip-line theory and the other (G-b1.) is determined conventionally as the similar shapes with the cross sections which were used by Gopinathan. As a result of the experimental procedures, the superiority of the blank shapes designed by slip-line theory is verified in the limiting drawing ratio, the uniformity of cup height and the thickness distributions.

• 한국CDE학회논문집
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• 제4권1호
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• pp.19-31
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• 1999

One of the non-photorealistic rendering method, a drawing technique which uses only fine curves and dashed line, is widely employed in an knots and post stamps printing. Engraving of the curves and lines are traditionally performed by human engravers which leads to low productivity in printing preparation. As an effort to improve productivity and quality, a drawing automation method which can easily produce a portrait composed of vector data for laser or chemical engraving is proposed. The method shows that it is possible to draw a portrait by controling the width and length of predefined fine lines according to the gray scales a the end points of each fine lines. A gradually controled weighting factor method is proposed in addition to the author previous works to prevent undesirable boundaries in an identical texture region. User interface functions of a commercial CAD system are heavily employed to exploit the presented method.

• 한국소성가공학회:학술대회논문집
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• 한국소성가공학회 1997년도 춘계학술대회논문집
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• pp.19-24
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• 1997

The weld line location and the weld line movement in stamping with laser-tailor welded blanks(TWB) were investigated through square cup deep drawing tests. The step blank holder was introduced to form TWB of different thicknesses without wrinkling, and the non-uniform blank holding force(BHF) was enforced to control weld line movement. Test results of the blanks with shifted weld lines showed that the large portion of the thinner area could result in a large weld line movement. Careful selection of the weld line location and the BHF control should be adapted in TWB design to avoid failures and to ensure its formability.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.97-104
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• 2013

This study aims at finding out the characteristics and influences of Libeskind's early drawing works through comparisons of each drawing. The importance of his experimental drawing works is not only their uniqueness but also relationship to creation and development of his architecture. Libeskind's musical and educational background had great impacts on forming his early drawings. A series of drawings including 'Micromegas', 'Chamberworks', and 'Theatrum Mundi' shows variety and experiments about reconstruction of three dimensional architectural fragments, abstractive line drawing and plane oriented painting. Libeskind himself cease to experiment drawing techniques but their characteristics still remain in his sketches, diagram and conceptual drawings. In spite of influences of undergraduate design studios, theoretical background of graduate studies, their experimental features are due to his continuous endeavor to make and develop his drawing skills and contents. As a result, his early drawings act as media and way to communicate and develop his concepts.

• 한국정보과학회논문지:시스템및이론
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• 제37권2호
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• pp.110-125
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• 2010

본 논문은 이차원 영상으로부터 시각적으로 효과적인 정보를 제공할 수 있는 라인 드로잉 영상을 생성하는 방법을 제시한다. 본 방법은 기존의 단순한 에지 추출 방법과 달리 사람의 라인 드로잉 과정을 적용하여 직관적이면서 효과적인 결과를 생성하며, 크게 라인 추출, 라인 렌더링, 사용자 지시의 세단계로 구성된다. 라인 추출 단계에서는 우도 함수를 이용하여 물체의 중요한 경계 부분을 효과적으로 예측함으로써 라인을 추출한다. 추출된 라인을 실제 렌더링하는 라인 렌더링 단계에서는, 중요한 라인과 세부 라인의 구분 및 초점의 정확도를 표현하기 위하여 라인의 특징 크기와 번짐 정도를 고려하고, 이를 다양한 스타일로 표현하기 위해 텍스쳐 형태의 라인 영상을 적용한다. 마지막으로 사용자 지시 단계에서는 자동으로 생성된 라인의 모양이나 위치를 사용자 상호작용으로 수정할 수 있다. 이 때 사용자 입력에 대한 즉각적인 반응을 위해 라인 추출의 대부분의 과정이 GPU 상에서 구현된다. 제시된 방법의 결과로 사용자는 이차원 영상으로부터 중요한 부분과 초점이 맞는 부분의 표현 및 스타일을 원하는 대로 조절한 라인 드로잉을 얻을 수 있고, 또한 이를 자유롭게 수정할 수 있다.

• 대한기계학회:학술대회논문집
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• 대한기계학회 2000년도 춘계학술대회논문집A
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• pp.786-791
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• 2000

The purpose of this study is to investigate quantitatively the effects of drawbead dimensions to the weld line movements for the deep drawing of the tailor welded blanks. Square blanks have been used and five different circular drawbeads were installed in experimental apparatus. The differences in the weld-line movements and the tendencies of the strain distributions in thickness were investigated by experimental and analytical methods. The results of the weldline movement show that the smaller the radius of drawbead installed, the larger the values of movements. Also it is shown for thickness strain in central and diagonal direction that the larger the dimension of drawbead, the larger the values of maximum thickness strain. The drawbead adds the additional restraining forces to the blank, hence the movement of weld line could be controlled by the adequate drawbead installation