• 한국콘텐츠학회논문지
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• 제9권7호
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• pp.102-109
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• 2009

본 논문에서는 M.C. Escher의 작품들에서 볼 수 있는 비현실적 그림을 생성할 수 있는 알고리즘을 제안한다. 본 논문에서 초점을 맞추는 비현실적 그림 스타일은 물체의 높이값을 속임으로써, 관찰자의 시점에서 관찰하였을 때 오르막(혹은 내리막)이 현실적으로 불가능하게 고리형으로 맞물려 있는 비현실적 그림이다. 제안하는 알고리즘은 해당 그림이 물리적인 높이의 개념을 반영한 것이 아니라, 화가 자신이 고리형 경로에 임의로 높이가 증가하는 것처럼 보이는 방향을 설정하였다는 이론적인 분석에 기반하고 있다. 기본적인 아이디어는 계층적 깊이 영상을 이용하여 오르막 방향으로 전진할 때 실제 높이값은 증가하지 않지만, 계층적 깊이 영상의 계층값을 조작하여 인접한 물체들 간의 높낮이가 존재하는 것처럼 보이도록 하는 것이다. 본 논문에서는 사용자가 고리형 경로와 각 물체에 대한 계층값을 디자인할 수 있는 시스템을 제안하고 이를 통해 제작된 다양한 비현실적 그림을 보인다.

• 한국조경학회지
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• 제26권4호
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• pp.95-104
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• 1999

The Landscape Drawing is the main medium for constructing better environment which provides human beings with a place for dwelling well, even though it has some limitations. To provide places for people's daily lives, by what measure do we design\ulcorner, by what measure do we give dimension\ulcorner, and how can we appropriately measure the place with drawing\ulcorner On any given site, of course, much has already happened, i.e, there is history. Any adequate interpretation of such a site should poetically take into account the present effects of its absent past. The findings to reveal the meaning and methodology of landscape drawings in the environmental design with a case study are as follows: (1) The value of landscape drawings is the poetic, artistic interpretation which we sense and bodily experience through the simultaneous exposure of the site's temporal, spatial, and tactile conditions. (2) The landscape drawing should represent the invisible (imaginary) world as well as the visible (physical) world. (3) There can be classified as two methods in representing the rich experience of a place: expression and notation. Expression is the abstract representation and do not have a direct relationship to construction due to its ambiguous and connotative structure. But notation is constructional due to it's purely objective symbol system which is obviously denotative structure. (4) Collage is a medium of specific act that can represent the complex layered phenomena and the rich experience of given site. (5) The landscape drawings represent not only topographical space which can be measured objectively, but also topic which can be cognized culturally.

• Journal of applied mathematics & informatics
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• 제28권5_6호
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• pp.1347-1358
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• 2010

An upright drawing of a planar graph G on k layers is a planar straight-line drawing of G, where the vertices of G are placed on a set of k horizontal lines, called layers and no two adjacent vertices are placed on the same layer. There is a previously known algorithm that decides in linear time whether a planar graph admits an upright drawing on k layers for a fixed value of k. However, the constant factor in the running time of the algorithm increases exponentially with k and makes it impractical even for k = 3. In this paper, we give a linear-time algorithm to examine whether a biconnected planar graph G admits an upright drawing on three layers and to obtain such a drawing if it exists. We also give a necessary and sufficient condition for a tree to have an upright drawing on three layers. Our algorithms in both the cases are much simpler and easier to implement than the previously known algorithms.

• 한국컴퓨터정보학회논문지
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• 제13권7호
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• pp.127-138
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• 2008

무기체계 연구개발 프로세스를 위한 형상/정보관리시스템은 오랜 연구개발 과정에서 생산되는 문서, 도면, 구성품정보, 구조정보 등에 대한 동시공학 및 협업적 업무를 지원해야 한다. 본 논문에서는 웹 환경에서 운영되는 무기체계 연구개발 형상/정보관리시스템을 구현하기 위한 CBD (Component Based Development) 개발 및 모델링 방법론에 관한 논문으로서 기존의 연구에서는 일반적인 MVC 모델을 사용한 3계층의 시스템 아키텍처를 구성하는 반면 본 논문에서는 J2EE 환경하의 EJB 구조를 기반으로 한 4계층 시스템 아키텍처를 정의하였다. 본 논문에서는 4계층 시스템 아키텍처를 통하여 모델 계층과 제어 계층을 각각 두 단계로 세분화하여 컴포넌트의 속성을 구체화할 수 있는 방안을 제시하였으며, 컴포넌트 기반으로 시스템 개발 업무를 수행하여 각 개발 단계별 표현 모델에 대한 시스템 결과물을 산출하여 실제 시스템을 구현하였다.

• 한국실내디자인학회논문집
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• 제21권3호
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• pp.95-102
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• 2012

The purpose of this study is to analyze characteristics of residential architecture designed by Gwathmey Siegel in terms of their way of composing spaces and forms. Charles Gwathmey, one of the founders of Gwathmey Siegel, is a worldly famous architect who actively developed Neo-Modernistic architecture in his career. For this study, 15 major houses designed by Gwathmey Siegel were selected and analyzed in terms of their approaches on how to compose various spaces and forms, and how these approaches evolved as time passed. The analysis was mainly based on the drawings and photos of the houses published. The main characteristics found in this study can be summarized as follows: elevated LDK level, split-level composition, use of framing structure, layered space, and linear galleries as a spine of circulation with collaged volumes attached. It turned out these characteristics appeared, faded away, or evolved affecting each other. In early days, Gwathmey often elevated LDK level from ground level for providing privacy, views, and also for separating private rooms. Soon they composed spaces by splitting levels. It not only helped provide privacy where needed effectively, but made space composition more interesting. As sizes of the houses they designed grew, Gwathmey came up with the framing idea for expressing his original architectural language in larger scale. With the split-level composition, the framing method represented Gwathmey's in 70's. This framing introduced layers of interior spaces, and the layers started to break down the monumental framing into individual volumes by bringing in linear spine of circulation. These characteristics helped Gwathmey Siegel develop their own architectural language.