• 대한지리학회지
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• 제29권1호
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• pp.3-15
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• 1994

한국과 일본은 대한해협과 현해탄을 사이에 두고 비교적 가까운 거리에 있다. 그리 고 고대에 선박으로 한반도에서 일본 열도로 건너가는 문제는 일기만 청명하면 별로 어려운 문제가 아니었다고 생각된다. 잘 알려진 바와 같이 고대의 일본은 한반도와의 문화적 교류 와 주민의 이동이 많았고, 그것도 일방적으로 한반도에서 우리 민족이 일본으로 건너가서 우리의 수준 높은 문화를 직접 그들에게 전수시켰고, 일본으르 건너간 많은 주민들은 일본 의 상류층을 형성하였고 그리고 원주민을 지배하였다. 다시 말하면 일본은 고대에서 근세에 이르기까지 한반도에서 다방면의 많은 문화를 수용하였으뎌, 특히 한반도에서 일본으로 건 너간 주민들은 한반도에서 거주하던 민가를 그대로 일본 열도에 재현하였다. 따라서 한.일 양국의 민가는 평면의 구조 면에서 차이점 보다는 유사점이 많게 되었다. 여기서 말하는 유 사점은 현시점에서의 관점이고, 과거로 거슬러 을라가면 갈수록 유사점은 공통점으로 전환 될 것이다. 일본은 19세기 말에 명치유신을 통해서 근대화를 시작하면서 그들의 민가도 부 분적으로 변하기 시작하였다. 그러나 현재도 한국의 민가 증에서, 특히 겹집은 그 구조가 일 본 민가와 매우 유사함을 알 수 있다.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.84-94
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• 2005

The purpose of this study is to establish the identity of the traditional residential space in Korea and Japan as analyzing the spatial characteristics and sociocultural roles of the 'in-between space' shown in their traditional dwelling space. Although they share culture area, it is meaningful to clarify the identity of both countries with many differences as the point of localization In globalization and the point of presenting the current and future directions of residential culture in both countries. Records and field studies have been carried out for the spatial characteristics and the sociocultural role focused on Ma-dang and Dae-chung in case of the 'in-between space' in Korean traditional dwellings and Inner housing, Doma, and Engawa in Japan. According to these findings, the spatial characteristics in common between Korea and Japan are open, half-open, separation, mitigation, integration, variation, continuation, hierarchy, mediation, and expansion. The 'in-between space', built by the separate Chae and Kan, of Korean traditional dwellings shows the separation by closed walls and the exclusive use by the fixed walls. In case of Japan, the integrated in-between space built by the separation of Kan shows open and connective tendencies and the variableness of walls has the tendency making ambiguous space with spatial softness. The sociocultural role of the 'in-between space' in Korean traditional dwelling space functions as the mitigation between the interior and exterior of the house as well as the male and female. Because the conception for protecting the private life is too weak, the sociocultural role of the 'in-between space' in Japanese traditional dwelling space seldom forms the space for an individual or the specific person among family. The space to welcome a guest functions as the mitigation between residents and outsiders as it is located in the inside of the private dwelling space.

• 가정과삶의질연구
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• 제23권3호
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• pp.169-183
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• 2005

The present study purposed to identify differences and similarities in traditional residential space among Korea. China and Japan, which share similar social structure, and to make a comparative analysis on differences in traditional residential space according to family relation in the three countries. For these Purpose, this study selected residences, which are similar to one another in terns of time, class and economy and analyzed them using their floor plans and photographs. The results of this research are as follows. Knrea, China and Japan, all of which have family-centered social structure, separate their residential space from the external society and particularly women's space is placed inside men's space or in a secluded area. The most remarkable characteristic of residential space in Korea is the division of living spare between men and women. Space is allocated according to the hierarchical order of families. In this way, the position or order of family members is reflected in the use of space. Characteristically in China based on the large-family system each family is given a space for independent life. Particularly as the relation among brothers is emphasized, space is allocated equally to all brothers but the status of a space is determined by the order of the residents. Residential space in Japan is organized to emphasize the absolute authority and status of the head of the family. As the space is planned focused on the family head's daily life and guest reception, the relation among other family members is ignored. That is, Japanese residence is a social space for the family head's guest reception, Chinese residence is a family-centered space rather than a social space, and Korean residence accommodates both space for family life and social space.

• 가정과삶의질연구
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• 제27권1호
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• pp.45-60
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• 2009

This study was designed to examine the meaning of housing in modern Korea, and to draw the interrelationship of people and housing. In-depth interviews were conducted, and the qualitative research investigated various aspects of housing history among four individuals during the different phases of social and economic transitions. Each narratives showed the unique characteristics of life history, and the conceptual frameworks for interpretation were microsociological approach by Morris and Winter(1978) and pathway approach by Clapham(2005). One narrater named "K" had gone through various housing experiences since her birth in 1933 at a traditional Korean housing, and she moved to a traditional rural community. Another narrater called "S" was born in housing built during the Japanese colonization, gained wealth through the housing boom of the industrialization, and has lived in a suburban condominium. "G" spent her entire life in an urban area, had never owned a house, and lived in a house with poor quality. The other narrater named "L" had lived in a single-family home with a large yard since her childhood, and she has resided in multi-family housing by herself after having a lot of experiences of building houses. The results revealed that housing could play as a simple role as a shelter, be transformed over family life cycle, become prestige of extended family, social and family status, investment. Meaning of housing from the pathway approach were closely related to hometown, the relation to birth family at postmarriage, economic status, and housing experiences according to the social change. As a conclusion, the meaning of housing is vary, and housing conveys numerous implications including psychological, social and economic aspects.

• 한국조경학회지
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• 제27권1호
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• pp.90-100
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• 1999

The Fallingwater, one of Wright's best designs, is known as a good example of "Organic Architecture". Its landscape characteristics are harmonious relationship between architecture and landscape, adaptable siting, composition of spatial and visual structure, floating spaceness, interlocking of water and house, dramatic approach, and vernacular material use. This characteristics had begun from the Prairie architecture, but also had influenced by the culture and art of the Far East. He was open to foreign cultures. Staying in Japan for years, he had travelled China, too. In this process, he might be exposed to Korean art and culture which were under Japan at that time. Comparing the front image of the Songkwang Temple to that of the Fallingwater, their compositions between architecture, water, and landscape are so similar to each other. They are also close to each other in terms of spatial structure. Therefore the landscape characteristics found in the Fallingwater design are more similar to Korean landscape architectural characteristics than Japanese ones. Therefore we are going to suggest the hypothesis that Wright is influenced by Korean landscape design in the design of the Fallingwater. Considering his impact upon the design world, it will be significant if the concept of Korean traditional landscape design is placed behind his design of the great architecture.hitecture.

• 한국식생활문화학회지
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• 제9권1호
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• pp.11-21
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• 1994

This study was conducted to find out the successive habitual practice of dietary life and all the educational tasks for the purpose of activating with female college students in Korea and Japan. The reesults are as follows. Housewives in both countries prepare ${\ulcorner}the\;same\;menu{\lrcorner}$ for dinner about 65%. ${\ulcorner}The\;rate\;of\;domestic\;manufacturing\;of\;preservated\;food\;{\lrcorner}$ is superior in Korea. ${\ulcorner}Goch'ujang{\lrcorner}$ is made by the 92% of Koreans, ${\ulcorner}Doenjang{\lrcorner}\;89%,\;{\ulcorner}Ganjang{\lrcorner}\;48%,\;{\ulcorner}Oiji{\lrcorner}\;44%\;and\;{\ulcorner}Kimchi{\lrcorner}\;40%.\;{\ulcorner}Umeboshi{\lrcorner}$ is made by the 65% of Japanese, ${\ulcorner}Rakkyo-Zuke{\lrcorner}\;37%,\;{\ulcorner}Kajitsu-syu{\lrcorner}\;40%,\;and\;{\ulcorner}Miso{\lrcorner}$ 27%. Two countries' common seasonings are ${\ulcorner}Ganjang{\lrcorner},\;{\ulcorner}Salt{\lrcorner},\;{\ulcorner}Chemical\;condiment{\lrcorner},\;{\ulcorner}Sugar{\lrcorner},\;{\ulcorner}Pepper{\lrcorner},\;{\ulcorner}Doenjang${\lrcorner}\;and\;{\ulcorner}Vinegar{\lrcorner}$. Koreans use the traditional seasonings, and in addition flavoring vegetables and oil which is Korea's own characteristic. Japanese use western seasonings frequently besides traditional seasonings. ${\ulcorner}Mother's\;representative\;food{\lrcorner}$ as home dish are conscentrated on each count's native food. ${\ulcorner}Kimch'i\;lyu{\lrcorner}$ is made by the 42% of Koreans, ${\ulcorner}Doenjangchigae{\lrcorner}\;39%,\;{\ulcorner}Dakgangjong{\lrcorner}\;31%,\;and\;{\ulcorner}Saongsonmaeuntang{\lrcorner}\;19%.\;{\ulcorner}Misoshiru{\lrcorner}$ is made by the 83% of Japanese, ${\ulcorner}Nishime{\lrcorner}\;76%\;and\;{\ulcorner}Nikujaga{\lrcorner}$ 38%. Korea has more diverse kinds of food. People eat out ${\ulcorner}when\;they\;have\;special\;home \;events{\lrcorner},\;{\ulcorner}when\;they\;would\;like\;to\;do{\lrcorner},\;and\;{\ulcorner}when\;they\;are\;going\;out{\lrcorner}$, It means that to eat out is one of the daily dinning styles. Therefore, for those who are engaged in eating house business it is necessary to form their righteous view of evaluation. Koreans learn more various items of table manner than Japan, which are the symbols of dietary culture. ${\ulcorner}Carriage{\lrcorner}\;and\;{\ulcorner}Eating\;politely{\lrcorner}$ are common items. The extent to which ${\ulcorner}people\;practice\;table\;manner{\lrcorner}$ and to which ${\ulcorner}people\;think\;of\;it\;as\;being\;worth\;practicing{\lrcorner}$ are high in Japan than Korea.

• 한국전통조경학회지
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• 제28권1호
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• pp.1-11
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• 2010

본 연구는 가람의 문학적 성과 중 자연관 등에 대한 문헌조사를 바탕으로 가람 이병기의 생가 수우재에 대한 실측 도면조사 그리고 현지답사 등의 고찰을 통하여 가람의 시조 문학적 특성의 가장 핵심어로 회자(膾炙)되는 '소박함'과 '선비정신'이 정원의장 및 공간특성에 어떠한 형태로 표출되고 있는가를 고찰한 것이다. 그 결과는 다음과 같다. 1. 수우재의 입지는 용화산 줄기를 배산으로, 동쪽으로 노령산맥의 지맥에서 분기된 천호산을 안산으로 입지하며, 가람 시의 회고와 애착공간으로 자주 드러나고 있음에서도 엿볼 수 있듯이 수우재의 장소성은 인걸지령론(人傑地靈論)과 관련된 양택 명당과 관련 깊은 것으로 해석된다. 2. 조선 후기인 1844년에 가람의 조부 이조흥에 의해 건립된 수우재는 안채의 일부가 정지(부엌)와 이어진 ㄱ자형의 고패집으로 구성되었으며, 4칸의 사랑채와 3칸의 고방채, 안채의 뒤쪽에 장독대를 중심으로 여유로운 민가 정원구성을 이루고 있다. 3. 수우재 내 외의 공간구성은 담장과 건축물의 영역이 세분화된 가운데 동선 변화가 나타나고 있어 시선의 다양함을 느낄 수 있으며, 승운정을 비롯해 정원 곳곳에서는 가람의 존재감 및 일상생활이 녹아든 시적 세계가 담긴 철학적인 영역의 공간감이 감지된다. 4. 수우재의 주요 정원시설은 사랑채 전면에 위치한 단아한 장방형의 연지, 곳곳에 산치(散置)된 괴석 그리고 차경 목적으로 낮게 둘러친 담장 등에서 소박한 미의식을 바탕으로 한 선비의식과 자연친화적 정원 면모를 읽게된다. 5. 수우재의 조경식물 중 주로 연지 주변에는 배롱나무, 살구나무, 일본목련, 산수유, 향나무, 배롱나무, 동백나무 등이 식재되었으며, 내원에는 감나무, 대추나무, 자두나무, 모과나무 등 유실수 위주의 실용적 식재가 이루어지고 있으며 승운정 후면에 악센트용으로 식재된 수령 200년 이상의 탱자나무는 특히 주목된다. 6. 가람의 시 중 가장 많은 부분을 차지하는 것이 자연을 관조하는 시이고 다음이 풍류를 담은 시이듯 수우재 주변의 다채로운 자연경관적 요소는 가람 시의 시적공간으로 설정된 자연공간의 소재 및 주제를 전환되는 모티브적 환경으로 보이는데 이는 승운정기(勝雲亭記) 등에서도 나타나는 자족의 심정과 동일한 것으로 파악된다.

• 복식문화연구
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• 제21권6호
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• pp.844-859
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• 2013

This study investigated the characteristics and changes of cotton and silk textile production in Honam district, especially in Gurye, Jella Province from the 1930s to the 1980s. To do this, research method in this study was both literature and fieldwork research and results were as follows. First, in terms of cotton fiber cultivation of Gurye, Chinese Cotton(在來綿) has been substituted for America Cotton(陸地綿) and additionally, Yellow Cotton (黃綿) has been cultivated in the 1930s. Also, in terms of silk fiber cultivation of Gurye, Joseon Silkworm has been substituted for Japanese Silkworm by inflowing the Japanese mulberry tree. Second, in terms of spinning method, cotton spinning has been conducted at every house by an individual tool from the 1930s to the 1950s and has been gradually changed to mechanization by market shop equipped with mechanized cotton gin and cotton whipping tool. However, there have been no changes in silk spinning method from the 1930s to the 1980s. Third, loom type has been changed from the traditional Korean back-strap loom to the treadle loom between the 1930s and the 1940s. Fourth, dyeing was conducted by chemical dyestuff after weaving. The circulation of textile was done through the joint market by Japan in the 1930s~1950s and has changed to the market sales by producers since the 1950s. Fifth, since the 1970s, the outputs of cotton and silk textile of Gurye have been reduced. This was connected with the westernization and the inflow of the synthetic fiber and cloth in cotton and was related to the changes of the nation policy and silk fiber inflow from the china to the Korean farm villages.

• 대한지리학회지
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• 제37권4호
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• pp.317-336
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• 2002

본 연구는 동래 읍성의 입지, 성곽 형태 및 도로망. 관아 및 가옥분포 토지이용 등을 중심으로 조선시대의 경관 복원을 시도한 후. 일제강점기에 나타난 변화를 파악하여 이를 사회ㆍ문화적인 측면에서 설명하고자 하였다. 가야시대부터 취락이 형성되었던 현재의 장소에 고려말 읍성이 이전 입지한 것은 해안방어 요충지와의 접근성을 최대로 하기 위하였던 것으로 추정된다. 이후 읍성이 위치한 장소는 동래부의 중심 공간으로 등장하였다. 이와 같은 입지 특성은 4대문 위치 및 성안의 도로망 분포 등에 영향을 주었다. 관아시설의 배치는 중앙 권력의 상징. 읍성 군사 방어 기능과 관련되어 배치되었다. 객사 입지는 중심공간에 지형을 이용하여 권력 질서의 위계를 반영하였으며. 좌측에 동헌. 우측에 향청 및 군사 기능이 배치되었다. 읍성내 취락은 남문을 중심으로 분포하였고. 산록부는 농경지로 이용되었다. 일제 강점기 중 1920년대 시행된 시구개정사업으로 성벽이 철거되었고, 성안에 격자상의 도로망이 신설되었다. 평지에 있던 성벽 자리는 도로용지나 주택지로 이용되었다. 객사와 동헌을 중심으로 형성되었던 성안의 공간구조가 변화되었고. 관아건물은 공공기관으로 사용되거나, 민간인에게 불하되어 다른 용도로 이용되었다. 이 과정을 통하여 읍성이 위치하였던 장소의 상징적 의미는 쇠퇴되었다. 그러나 현대사회에서 읍성은 부산시민에게 역사적인 중심공간으로 자리잡고 있으며. 현재 남아 있는 일부 경관을 중심으로 복원작업이 시도되고 있다. 연구 결과는 읍성이 단순히 건축물이 아닌 당시대의 사회문화가 투영된 경관이며, 각지방에 소재한 읍성은 새로운 시각으로서 재조명되어야 할 것임을 보여준다.

• 한국산학기술학회논문지
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• 제15권6호
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• pp.3944-3949
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• 2014

본 논문은 대구광역시 중구 서성동 일대의 도시형한옥 밀집지역을 대상으로 물리적 공간적 변화를 파악하고자 했으며, 특히 이 지역이 한옥주택들이 밀집된 지역으로서의 동질성과 연속성을 상실하고 해체되어 가는 그 과정을 살펴보고 체계적으로 이해하고자 했다. 도시환경을 열악하게 전환시키는 물리적인 행위 그리고 이에 연계된 행태적 변화는 기존 전통공간 구조의 파괴를 가져오고 결국 공존할 수 없는 상황이 연출되게 된다. 이 논문은 도시재생을 위한 전략으로서 한옥보존의 가치를 재고하고 구체적인 실천전략을 마련하기 위해 법적 제도적 장치가 조성되지 않은 대구시 서성동의 사례를 중요한 학술자료로 구축하고자 했다. 역사적 환경에서 도시한옥이 지니고 있는 현대적 매력은 역사적 연속성을 유지하는 동시에 도시재생을 위한 유효한 전략으로 판단된다.