• Proceedings of the Korean Institute of Electrical and Electronic Material Engineers Conference
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• 2010.06a
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• pp.190-190
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• 2010

The resistance and recovery properties of the YBCO thin-film wire according to the existence and thickness of an insulting layer, and the kinds of stabilization layers, were analyzed at 90 K, 180 K and 250 K. In this study, YBCO thin-film wires with different stabilizing layers and with insulating layers were examined in terms of their various characteristics, such as quenching occurrence, spread, and distribution, based on their resistance increase trends and their recovery from quenching, and the results were qualitatively explained. The results of this study on the characteristics of YBCO thin-film wires' superconducting and normal-conducting phase changes are expected to be useful in designing superconducting power machines and in improving their performance.

• 기호학연구
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• no.57
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• pp.91-120
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• 2018

This study was contemplated about an aspects of modernity that was discovered of ImcheonByeolgok(林川別曲) written by Okgukjae Lee, Un-young in 18th Century. It was composed time that unprecedented state in the 18th century. So, I considered that Modernity was the most appeared at 18th Century. During this period, Changes has happened in ideology and system in terms of politics, economy, society and culture. This change is the beginning of a new modern consciousness. There is also a tendency to think of Imcheonbyeolgok as the autobiographical story of Lee, Yun-young. It seems that Lee, Yun-young has a progressive scholarly thought, but he did not reveal his own situation by insulting him. Therefore, I am not realistically valid for being able to see it as an autobiographical story that he actually experienced. Also, although ImcheonByeolgok is known as a love song, it is hard to see it as a love song because its satirical features are strong. and It is characterized by the peculiar form of narrative being described as a dialogue. I picked two aspects of modernity in ImcheonByeolgok. One is resistance to love and desire, and the other is disintegration of the order of identity. The two aspects of this paper were presented as Greimas's Actant Model. ImcheonByeolgok is the result of efforts to show the changing modern Joseon Dynasty's elements in the form of resistance and resistance to Joseon's feudal society, such as Confucian ideology and identity systems. Thus, I suggested the corrupt ruling class of Joseon's feudal society and the exploited working class life as an old living and a grandmother instead of 'resistance' and 'disposal' in the 18th century. The criticism of traditional feudal societies that emerged in the 18th century turned out to be a hegemony that distinguishes the Middle Ages from the Modern Age, which resulted in differences between the ages before and after the 18th century. Although these hegemony were not clearly distinguished in household literature in the 18th century, it was established and developed in the 19th century. I suggested that Lim's Star Song was an important work that played an important role in bringing about this change.

• CONCEPT AND COMMUNICATION
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• no.22
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• pp.5-39
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• 2018

As part of the work to analyze the concept of women in Colonial Korea, this paper investigates the usage of negative signifiers such as gyejib (bitch) and 'old-fashioned woman' in major magazines published during the first half of the 20th century, confirming that there was a reorganization of gender relations between the late 1920s and early 1930s. The most important change is that women not only appeared in the public sphere, but also claimed equality with men. In the public sphere, male intellectuals welcomed the emergence of this female role, seeing women as potential allies in the national or class liberation movements, but they also faced a serious challenge in deciding how to engage with these new women in their personal relationships. At the time, most of the men of colonial Korea lacked the economic power to support the new ideal family, which drove the discussion to extremes. 'Young' women were regarded as sexual objects and targets for men to possess, but this also created a representation of fallen women who corrupt men. In contrast, 'learned' women were seen in the context of a loving marriage, but were condemned as impertinent if they did not obey their husbands and as extravagant if they could not manage their household. In this period, the meaning of gyejib, which referred to a young woman, was narrowed to become an object of sexual desire, and the meaning of 'old-fashioned woman' had a positive connotation only when it was used to make new women accept the role of compliant spouse. During the late 1930s, gyejib came to mean a wife as a chattel possessed by her husband, demonstrating the failure of the new woman's aspiration to be her husband's equal. There were significant changes to the concept of women, as compared with the concept of men, reinforcing the usefulness of a 'special' as opposed to a 'universal' focus in the study of conceptual history.