• 영미문화
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• 제14권2호
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• pp.207-232
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• 2014

Scholars have considered Chaucer's House of Fame mostly as an ars poetica, in which the poet explores new poetic principles and subject matters, while making few attempts to understand the poem in its historical and social contexts. Investigating the nature of the "tidings" that Chaucer suggests as the new source of his poetic inspiration, this paper argues that the house of Rumor was modeled after late fourteenth century English society that experienced increased appetite for news. The political upheaval during the period from the English Rising in 1381 to the reign of Henry IV in the early fifteenth century produced an unprecedented amount of written and oral propaganda. The proliferation of seditious rumors as well as protests and promulgations during this period indicates how seriously medieval society was engaged with the circulation of news. Particularly, the case of John Shirle in 1381 and the legend about the survival of Richard II demonstrate the subversive power of medieval rumor that often served as a political discourse with which people expressed their oppositions to government. Conspicuous in the activities of both the government and late medieval political protestors was the extensive use of writing. The posting of bills in public places continued until the fifteenth century, when such activities became so common and dangerous that the government had to issue proclamations forbidding the circulation of such seditious writings. The number of extant royal proclamations, written protests, and pamphlets demonstrates that already in the late fourteenth and fifteenth centuries the notion of a discursive public space began to emerge. Whether written or orally transmitted, news and rumor circulated in late medieval England, creating a social space in which people shared their political opinions before the introduction of the early modern print culture. In The House of Fame Chaucer calls attention to the subversiveness of rumor, its potential as a public discourse, and the power of written communication in creating truth in order to appropriate these characteristics for his English poems.

• 한국의상디자인학회지
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• 제23권1호
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• pp.47-59
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• 2021

This study aims to provide inspiration and methods for menswear design by analyzing elements for men's fashion using flower images. The results are as follows: Men's fashion types with flower images were categorized as classic tailored, casual tailored, casual wear, sports-outdoor. The order of frquency was casual tailored, casual, classic tailored, and sports outdoor. For the classic tailored type, the flower images are related with an X-line silhouette, and the arrangement methods, such as a scattered patterns, one-point patterns, and surface techniques, such as printing and embroidery were used, and similar color or monochromatic schemes appeared sequentially. For the casual tailored type, the flower images are related to an H-line silhouette, arrangement methods such as a scattered pattern, panel pattern, and surface techniques, such as print, embroidery, and jacquard were used, similar color and accent color schemes appeared sequentially. For the casual type, the flower images are related to H-line and Y-line silhouettes, and arrangement methods, such as a scattered pattern, all-round continuous pattern, and panel pattern, and surface techniques, such as print, jacquard, embroidery, and patchwork were used, similar color and contrast color schemes appeared sequentially. For the sports outdoor type, the flower image were related to A-line and H-line silhouettes, arrangement methods, such as a scattered pattern and all-round continuous pattern, and surface techniques, such as print and jacquard were used, monochromatic scheme and contrast color schemes appeared sequentially. Therefore, the flower images in men's fashion were applied to various design elements, and displayed an interesting result, different from conventional design approach.

• 디자인융복합연구
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• 제19권2호
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• pp.107-122
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• 2020

는 음악과 영상의 결합을 주제로 하는 오디오비주얼아트 전시 시리즈이다. 2013년 첫 전시를 시작으로 총 5회에 걸쳐 개최되었으며, 오디오비주얼아트의 분야의 핵심 이슈인 공감각에 대한 탐구의 노력으로 '음악의 전시'라는 주제 아래 시각과 청각의 미디어를 융합한 작품을 선보여 왔다. 이러한 성과는 현대예술의 주요 주제인 복합감각 및 공감각의 개념을 선도적으로 제시한 사례라 할 수 있으며, 최근에는 기존 공감각의 영역과 차원을 확장하는 가능성을 모색하고 있다. 본 논문에서는 전시 전체의 상세한 내용을 작품목록 및 사진과 함께 정리하여 상세히 소개하고, 작품 창작의 영감을 제공한 백남준의 오디오비주얼아트 작품 세계에서 발견되는 음악, 공감각, 공간의 맥락에서 해당 전시의 이론적 바탕과 창조적 영감을 고찰한다. 궁극적으로는 이러한 과정을 통하여 백남준의 작품 세계에서 확장되는 오디오비주얼아트 작품 제작과 분석의 비전 확립에 기여하고, 이를 향후 새로운 작품 창작의 디딤돌로 삼고자 한다.

• 디지털융복합연구
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• 제19권3호
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• pp.345-352
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• 2021

이와이 ?지가 '일본의 왕가위'라고 불리는 원인 탐구를 출발점으로 두 감독 영화의 영상 스타일을 비교 연구하고, 두 사람의 스타일의 유사점과 다른 점의 이론적 특징을 탐구함으로써 나아가 중국 영화산업의 발전에 시사점을 제시하는 것이 본 논문의 목적이다. 문헌 탐색을 통해 두 감독의 문화적 배경 분석 영화 스타일 비교 및 영화 미학적 비교 분석 등의 연구 방법을 통해 두 감독의 영화에 대한 더 깊은 이론적 연구를 진행하였다. 두 감독의 영화는 모두 영상을 통한 서사의 흥미로운 추상적 표현이 특징이지만 주제 설명 방식에는 차이가 있다는 것을 발견했다. 이 논문의 연구는 두 감독의 영화를 탐구하는 데 새로운 사고를 제공할 것이며, 작가주의 영화를 탐구하는 데 새로운 방향을 제시할 것이다.

• 문화기술의 융합
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• 제7권3호
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• pp.241-246
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• 2021

Ladysmith Black Mambazo는 남아프리카공화국의 전통적인 줄루 아카펠라와 미국흑인음악의 영향을 받은 남성그룹이다. 미국의 주빌리 합창단이 1870년대에 남아프리카공화국에 와서 공연을 하면서 남아프리카공화국의 음악에 영향을 미쳤다. 토착적인 줄루족의 아카펠라와 미국의 주빌리 음악 스타일이 만나 탄생한 음악이 Ladysmith Black Mambazo의 음악이라고 할 수 있다. 이들은 Paul Simon의 앨범 『Graceland』에 참여하게 되면서 전세계적으로 유명해진다. 앨범은 수백만 장의 판매고를 올리게 되고 그래미 어워즈에서 수상을 하게 되었다. 그 후로도 자신들만의 앨범을 발매하여 그래미어워즈에서 총 5회의 수상을 하게 되고, 15회 노미네이트 되었다. 그들은 음악적 유산보존을 철학으로 삼아 줄루족의 음악을 계승·발전시켰다. 같은 비서구권 국가로서 법고창신의 정신을 돌아보고 우리나라의 뮤지션들에게 좋은 영향력이 되길 바라며 Ladysmith Black Mambazo의 'Black Is Beautiful'과 'Homeless'의 음악 분석을 통하여 이들의 음악이 서양의 음악에서 받아들인 점과 자신들만의 전통음악에서 계승해나가고 있는 점들을 알아보았다.

• 한국의상디자인학회지
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• 제24권1호
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• pp.15-33
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• 2022

The purpose of this study was to categorize the decorative characteristics of the Rococo Age, which displays the most glamorous and elegant decorative beauty, in architecture, interior decorations, paintings, and patterns, and to analyze these characteristics and graft them onto art masks in a modern way. Piece I is a mixed media piece that based its motif on the ceilings and pulpits of the German Vis Pilgrimage Church, which is representative architecture of the Rococo Age. It was glamorously produced using gold and cubic zirconia. Piece II is also a mixed media piece that borrowed its motif from the exterior and gazebo of the Sanssouci Palace in Germany, another representative piece of architecture from the Rococo Age, and it was produced to clearly display the image of the Sanssouci Palace, using emerald and ivory. Piece III applies the furniture trends of the Rococo Age. Curves in S and C shapes, which can often be found in Chinese furniture, along with dark backgrounds, common in portrait paintings, were applied to give a sense of weight and dignity. Piece IV is an application of the fabric patterns of the Rococo Age. Continuous patterns of flowers and greenery stems were drawn on the mask to recreate the fabric patterns of the age. Piece V used the painting 'Swing' of the Rococo Age as its inspiration. Lace and ribbon decorations were used to emphasize feminine beauty and express the loveliness of the woman that appears in the painting. Piece VI borrows from the painting 'Madame de Pompadour' of the Rococo Age and the clothing worn by Pompadour. This piece grafted colors and themes through the painting and expressed a fusion of the dresses of Pompadour and lace that is clearly displayed in the architecture, paintings, clothing, interior decorations, and patterns of the Rococo Age, along with the rocaille (asymmetrically shaped decorations that resemble clams), flowers, leaves, stems, and Chinoiserie styles. These motifs clearly display the decorative characteristics of the age and these were grafted them onto art masks, confirming that it is possible to create new designs.

• Physical Therapy Rehabilitation Science
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• 제11권2호
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• pp.245-252
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• 2022

Objective: This study aimed to investigate the abdominal muscle activity difference while performing the abdominal bracing technique focusing on inspiration (abdominal bracing group), the general abdominal bracing technique (general bracing group), and the abdominal hollowing technique (abdominal hallowing group) Design: A cross-sectional study design. Methods: Thirty-three healthy participants were recruited for this study. The participants were allocated to 3 different groups; Abdominal bracing group, general bracing group, and abdominal hallowing group. The surface electromyography was placed over the rectus abdominis, external oblique, and internal oblique muscles to collect the activation of abdominal muscles during the trial. Results: The muscle activity of the abdominal bracing group and general bracing groups was significantly higher in all abdominal muscles than in the abdominal hollowing group (p<0.05) Both rectus abdominis and external oblique muscles showed higher muscle activations in the abdominal bracing group over the general bracing group (p<0.05). However, the ratio of bilateral external obliques and rectus abdominis to bilateral internal obliques was highest when the hollowing technique was applied (p<0.05). Conclusions: The results of study showed the abdominal bracing technique that emphasized inhalation rather than the abdominal hollowing technique or general abdominal bracing technique increased the activity of the abdominal muscles. Therefore, this study is considered to be a data for effective training if the abdominal bracing technique that emphasizes inhalation is applied as a method to increase the activation of the abdominal muscles.

• 한국의상디자인학회지
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• 제23권4호
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• pp.39-56
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• 2021

The purpose of this study was to observe the expressive characteristics of Neo-Deconstruction design, examine the expressive characteristics of Neo-Deconstruction design in the collections of Jacquemus, and analyze their internal meanings. For research, observations were made based on the concepts and expressive characteristics of Deconstruction through prior research and literary review, and analysis was conducted focusing on the expressive characteristics of Neo-Deconstruction. The scope of analysis included a total of 605 photographs collected from a total of 17 season collections of Jacquemus from the 2013 S/S to the 2021 S/S season. The results are as follows. First, the Neo-Deconstruction of Jacquemus expresses the youth culture using bright images such as diverse colors and patterns with 'positive playfulness' and pass on positive messages with deconstructive and playful forms, such as exaggeration and reduction and recombination and reconstitution. Second, with tendencies of 'symbolic receptivity', Jacquemus gained inspiration from his own life, memories, and hometown, and attempted to express the street women of places such as southern France, Paris, and Monaco in a number of collections. Also, he proposed designs that can be worn easily by anyone, regardless of gender, and as plus size models began to become more common respect was given to the tastes and preferences of diverse individuals without distinctions based on body type or sexuality. Third, 'geometric simplicity' was generally expressed by pursuing simple and practical fashion with the addition of details, such as geometric forms including stripes or asymmetrical expressions centering around everyday material that is used in clothing. Fourth, with "open communication," Jacquemus constructed his identity by addressing the various needs of consumers based on social network services and continuously sharing his creative ideas with the public. He is gaining popularity in a unique way by responding quickly to the changing atmosphere of society.

• 한국융합학회논문지
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• 제13권5호
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• pp.155-164
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• 2022

실제 교실 환경과 반복 훈련을 제공하는 가상 환경 기반 시뮬레이션을 교사교육에 활용하는 데 상당한 관심이 집중되고 있다. 시뮬레이션 학습환경이 더욱 정교하게 학습에 적용되기 위해서는 감정적 상호작용을 고려할 필요가 있다. 감성은 창의적 사고, 영감, 집중력, 학습동기에 중요한 요소이기 학습자와의 정서적 상호작용을 파악하고 이를 교수 시뮬레이션에 적용하는 것은 필요한 활동이다. 본 연구는 학습자의 EEG(Electroencephalogram)와 시선추적을 통해 공감적 반응을 위한 객관적인 데이터를 확인하고, 감성교수 시뮬레이션 설계를 위한 단서를 제공하는 것을 목적으로 한다. 연구의 결과는 의도된 공감적 반응이 제공되었고, 상황적 감성이 학습자의 정서 반응을 결정하는 데 중요한 역할을 하고 있음을 확인하였다. 본 연구의 결과는 정교한 감정을 표현할 수 있는 아바타의 개발 및 감정적 반응을 일으키는 상황에 적합한 시나리오의 개발이라는 측면에서 교사교육 시뮬레이션의 설계에 시사점을 갖는다.

• Journal of Veterinary Science
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• 제23권6호
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• pp.68.1-68.8
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• 2022

Background: Studies on anesthetized dogs regarding pulse pressure variation (PPV) are increasing. The influence of respiratory rate (RR) on PPV, in mechanically ventilated dogs, has not been clearly identified. Objectives: This study evaluated the influence of RR on PPV in mechanically ventilated healthy dogs after hemorrhage. Methods: Five healthy adult Beagle dogs were premedicated with intravenous (IV) acepromazine (0.01 mg/kg). Anesthesia was induced with alfaxalone (3 mg/kg IV) and maintained with isoflurane in 100% oxygen. The right dorsal pedal artery was cannulated with a 22-gauge catheter for blood removal, and the left dorsal pedal artery was cannulated and connected to a transducer system for arterial blood pressure monitoring. The PPV was automatically calculated using a multi-parameter monitor and recorded. Hemorrhage was induced by withdrawing 30% of blood (24 mL/kg) over 30 min. Mechanical ventilation was provided with a tidal volume of 10 mL/kg and a 1:2 inspiration-to-expiration ratio at an initial RR of 15 breaths/min (baseline). Thereafter, RR was changed to 20, 30, and 40 breaths/min according to the casting lots, and the PPV was recorded at each RR. After data collection, the blood was transfused at a rate of 10 mL/kg/h, and the PPV was recorded at the baseline ventilator setting. Results: The data of PPV were analyzed using the Friedman test followed by the Wilcoxon signed-rank test (p < 0.05). Hemorrhage significantly increased PPV from 11% to 25% at 15 breaths/min. An increase in RR significantly decreased PPV from 25 (baseline) to 17%, 10%, and 10% at 20, 30, and 40 breaths/min, respectively (all p < 0.05). Conclusions: The PPV is a dynamic parameter that can predict a dog's hemorrhagic condition, but PPV can be decreased in dogs under high RR. Therefore, careful interpretation may be required when using the PPV parameter particularly in the dogs with hyperventilation.