• Journal of the Korea Computer Graphics Society
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• v.9 no.3
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• pp.15-21
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• 2003

An algorithm is developed for augmenting a real video with virtual graphics objects without computing Euclidean information. Real motion of the camera is obtained in affine space by a direct linear method using image matches. Then, virtual camera is provided by determining the locations of four basis points in two input images as initialization process. The four pairs of 2D location and its 3D affine coordinates provide Euclidean orthographic projection camera through the whole video sequence. Our method has the capability of generating views of objects shaded by virtual light sources, because we can make use of all the functions of the graphics library written on the basis of Euclidean geometry. Our novel formulation and experimental results with real video sequences are presented.

• Journal of the Korea Computer Graphics Society
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• v.6 no.4
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• pp.15-22
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• 2000

One of the main research trends in image based modeling and rendering is how to implement plenoptic function. For this purpose, this paper proposes a novel approach based on a set of randomly placed panoramas. The proposed approach, first of all, adopts a simple computer vision technique to approximate omni-directional depth information of the surrounding scene, and then corrects/interpolates panorama images to generate an output image at a vantage viewpoint. Implementation results show that the proposed approach achieves smooth navigation at an interactive rate.

• Proceedings of the Korean Information Science Society Conference
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• 2006.06a
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• pp.226-228
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• 2006

In this paper we describe a simulation and development framework for designing mobile 3D graphics architectures. We are developing a simple and flexible simulation and verification environment (SVE) that uses gITrace's ability to intercept and redirect an OpenGL/ES streams. In combination wlth gITrace to trace OpenGL/ES commands, the SVE simulates the behavior of mobile 3D graphics pipeline during playback of traces, and then produces the second geometry trace that can be used as a test vector for the Verilog/HDL RT-level model. By comparing the frame-by-frame results, we can conduct architectural verification. To demonstrate the functionality of the SVE, we show the implementation of the verified mobile 3D architecture on a FPGA board. For this, we also present an application development environment (ADE) includes a mobile graphics API and a device driver interface (DDI). The proposed two software environments, the SVE and the ADE could be used fer developing and testing mobile applications, architectural study and speculative hardware designs.

• IEIE Transactions on Smart Processing and Computing
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• v.4 no.2
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• pp.65-70
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• 2015

In this paper, we describe the world's first real-time ray-tracing chip architecture. Ray-tracing technology generates high-quality 3D graphics images better than current rasterization technology by providing four essential light effects: shadow, reflection, refraction and transmission. The real-time ray-tracing chip named RayChip includes a real-time ray-tracing graphics processing unit and an accelerating tree-building unit. An ARM Ltd. central processing unit (CPU) and other peripherals are also included to support all processes of 3D graphics applications. Using the accelerating tree-building unit named RayTree to minimize the CPU load, the chip uses a low-end CPU and decreases both silicon area and power consumption. The evaluation results with RayChip show appropriate performance to support real-time ray tracing in high-definition (HD) resolution, while the rendered images are scaled to full HD resolution. The chip also integrates the Linux operating system and the familiar OpenGL for Embedded Systems application programming interface for easy application development.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.14 no.12
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• pp.2675-2680
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• 2010

Computation steps for 3D graphic processing consist of two stages - fixed operation stage and programming required stage. Using this characteristic of 3D pipeline, a hybrid structure between graphics hardware designed by fixed structure and programmable hardware based on instructions, can handle graphic processing more efficiently. In this paper, fragment Shader is designed under this hybrid structure. It also supports OpenGL ES 2.0. Interior interface is optimized to reduce the delay of entire pipeline, which may be occurred by data I/O between the fixed hardware and the Shader. Interior register group of the Shader is designed by an interleaved structure to improve the register space and processing speed.

• Journal of Information Processing Systems
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• v.8 no.1
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• pp.159-174
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• 2012

This paper presents a study on a high-performance design for a block cipher algorithm implemented on modern many-core graphics processing units (GPUs). The recent emergence of VLSI technology makes it feasible to fabricate multiple processing cores on a single chip and enables general-purpose computation on a GPU (GPGPU). The GPU strategy offers significant performance improvements for all-purpose computation and can be used to support a broad variety of applications, including cryptography. We have proposed an efficient implementation of the encryption/decryption operations of a block cipher algorithm, SEED, on off-the-shelf NVIDIA many-core graphics processors. In a thorough experiment, we achieved high performance that is capable of supporting a high network speed of up to 9.5 Gbps on an NVIDIA GTX285 system (which has 240 processing cores). Our implementation provides up to 4.75 times higher performance in terms of encoding and decoding throughput as compared to the Intel 8-core system.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.7 no.1
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• pp.56-67
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• 2013

Because H.264/SVC can meet the needs of different networks and user terminals, it has become more and more popular. In this paper, we focus on the spatial resolution scalability of H.264/SVC and propose a blind video watermarking algorithm for the copyright protection of H.264/SVC coded video. The watermark embedding occurs before the H.264/SVC encoding, and only the original enhancement layer sequence is watermarked. However, because the watermark is embedded into the average matrix of each macro block, it can be detected in both the enhancement layer and base layer after downsampling, video encoding, and video decoding. The proposed algorithm is examined using JSVM, and experiment results show that is robust to H.264/SVC coding and has little influence on video quality.

• Proceedings of the Korean Information Science Society Conference
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• 2010.06c
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• pp.328-333
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• 2010

최적해를 구하는 효과적인 방법 중 하나인 GA (Genetic Algorithm)은 높은 품질의 해를 구하기 위해서 많은 연산시간이 필요하지만, GPU (Graphics Processing Unit)의 높은 데이터 병렬처리 능력과 우수한 부동소수 연산능력을 이용하면 빠르게 처리 가능하다. 이 논문에서는 GPU를 이용하여 가속한 섬 기반의 RVGA (Real-Valued Genetic Algorithm)와 GPU를 이용하지 않는 RVGA를 비교하여 평가하였으며, 또한 GPU를 이용하지만 RVGA가 아닌 Simple GA인 경우와도 비교하여 평가 하였다. 그 결과, GPU를 이용한 경우 속도 향상을 할 수 있었으며, Simple GA보다 RVGA가 더 속도가 향상되었다.

• Proceedings of the Korean Information Science Society Conference
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• 2000.04b
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• pp.643-645
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• 2000

This paper puts emphasis on navigation in virtual environment, which is one of the major interfaces for the interactivity between human and virtual environment in virtual reality circumstances and worlds. It proposes a new navigation method: 2d Map-Based navigation, which prevents user's spatial lost in 3D Virtual Environment. The 2D Map-Based Navigation is composed of three major processes, Constant Velocity Navigation, Collision Detection and Avoidance, and Path Adjustment. The 2D Map-Based Navigation can reduce user's difficulties and improve user's sense of presence and reality in the virtual environments. The experiment study proved that the 2D Map-Based Navigation is a very natural, straightforward and useful navigation interface in the virtual environment.

• Proceedings of the Korean Information Science Society Conference
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• 2006.06a
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• pp.103-105
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• 2006

회화적 렌더링의 궁극적 목적은 입력된 이미지를 가지고 손으로 그린듯한 느낌을 표현하는 것이다. 이러한 회화적 느낌을 표현하기 위한 요소에는 브러시의 위치 방향, 그리고 사이즈 등이 있다. 본 논문에서는 다음 그려질 위치가 정적 격자단위로 정해지는 것이 아닌 동적인 격자를 사용하여 결정되었다. 이때 브러시의 방향을 효과적으로 표현하기 위해 영상의 방향 보간을 하였다. 그리고 입력 영상과 캔버스의 최대 차이점에서 에지와의 거리를 고려하여 동적인 브러시의 사이즈를 표현하였다. 그리고 텍스처를 가진 다양한 브러시를 사용하여 질감을 효과적으로 표현하였다. 위의 과정들을 통하여 전통적인 오일 페인팅(oil painting)의 결과를 얻을 수 있었다.