• 디지털융복합연구
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• 제14권1호
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• pp.53-63
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• 2016

본 연구는 사회서비스에서 비중이 급격히 확대되고 있는 지역사회서비스투자사업에 초점을 맞추고 의미 있는 발전을 위해 필요한 논의가 무엇인가를 찾고자 하였다. 산물분석 틀을 이용하여 지역사회서비스투자사업의 내용을 분석하고 사업을 구성하는 사회적 선택의 근거가 되는 가치를 축으로 분석하였다. 지역사회서비스투자사업의 내용과 가치 분석을 토대로 도출한 정책적 쟁점은 다음과 같다. 첫째, 지역사회서비스투자사업은 지금보다 더 '지역'에 초점을 맞출 필요가 있다. 둘째, 시민의 개별성에 초점을 맞추는 사회서비스가 더 중요해질수록 주민참여에 기반한 지역사회서비스투자사업의 '지속가능성'에 대해 생각할 필요가 있다. 셋째, 지역사회의 '공동체 형성'과 관련하여 지역사회서비스투자사업의 목표 수정에 대해 논의할 필요가 있다. 이를 위해 지역주민의 의사결정 통로 부재, 소득 기준 대상 선정, 사업명칭에서 '투자'라는 용어의 적절성에 대해 재검토가 필요하다.

• 디지털융복합연구
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• 제12권11호
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• pp.505-513
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• 2014

현대 금속공예는 대량생산을 목표로 예술성이 결여된 단순한 표현 방법과 한정적 기술만을 사용하여 우리의 전통과 개성이 상실되어가고 있다. 앞으로 현대 금속공예의 발전과 우리 고유의 문화를 계승하기 위해서는 고대부터 전해온 전통공예기법을 고찰해야 할 필요성을 갖는다. 입사공예는 고도의 집중력과 기술력을 필요로 하며 당대 문화와 사상을 잘 보여주는 대표적인 전통금속공예기법이다. 입사기법이 국내에 처음으로 나타난 시대는 삼국시대로 백제, 가야, 신라에서 찾아볼 수 있다. 나아가 입사공예를 현대금속공예에 활용하였을 때 우리 고유의 예술적인 표현과 역사적 가치를 부여할 수 있는 가능성을 발견할 수 있었다. 이를 위해 전통의 기법을 명확하게 익힐 수 있는 교육의 기회를 넓히고 현대공예에 알맞게 수용할 수 있는 실용적 방안을 지속적으로 모색해야 비로소 현대 금속공예의 발전과 우리 고유의 개성을 확고히 자리매김하기 할 수 있을 것으로 전망한다.

• 복식문화연구
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• 제18권5호
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• pp.809-823
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• 2010

The 21st century is the age of culture and sensitivity. As the interest in the art and culture grows, Artygen who prefers artistic designs grow in number. The desire to enjoy life from the increase of leisure time and financial afford ability created a new trend of party culture. This study analyzes the characteristics of Artygen who pursues artistic sense and sensitivity and suggests party-wear designs that please Artygen and accentuate individuality and personal preferences in a party, which is a type of popular entertainment these days. Through literature review, the background of Artygen and party was examined; First, in order to analyze the feature of art designs, photos of products that were in fashion from 2007 to 2009, (during which the term, 'Artygen', was coined) were collected. Second, in order to analyze the party-wear designs, photos of party-wear in wine party and club party popular among young people in the 20~30's were collected. Through the analysis, the party-wears targeting Artygen was developed based on the characteristics of popular art designs. The results of this study were as follows. First, from the result of analyzing the art design shown in product, casual, romantic, modern, dynamic and gorgeous images were. Second, art design shown in fashion, casual, romantic, chic, dynamic and gorgeous images were. Third, in wine party, romantic, elegant, gorgeous and formal images were in order and in club party, casual, gorgeous, chic and romantic images were in order. Fourth, the study displayed design by connecting aesthetic factor of artistic design to 2 wine party-wear of romantic and gorgeous images and 3 club party dresses of casual, gorgeous and chic images.

• 복식문화연구
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• 제17권2호
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• pp.238-254
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• 2009

The purpose of this study were to examine fashion information acceptance and fashion information sources and to analyze the difference according to clothing shopping orientation among digital generation male consumers. The subject were 349 male who were belonging to digital generation as the digital era's new consumers familial with internet and various kinds of digital media. A self-administrated questionnaire was developed based on the results of previous researches. The data were analyzed by using frequency analysis, factor analysis, cluster analysis, ANOVA, Duncan test, $\chi^2$ test, multiple regression analysis by SPSS WIN 12.0 package. The results of this study are as follows: First, clothing shopping orientation of digital generation males were classified into 6 factors: fashion oriented, impulse buying, aesthetic pursuit, individuality pursuit, practical type and reasonable economy. Based on the factor scores, 3 clusters were identified; independent, unconcern, high involvement. Second, the high involvement shopping group utilized various information sources. On the other hand, the unconcerned shopping group was passive in utilizing information sources. Third, the fashion information acceptance of digital generation was classified into 5 factors: searching, leading, following, non-accepting, and delaying acceptance. All fashion information acceptance factors were affected by the information and communication media. Finally, The high involved type of shopping group accepted fashion information at its most and actively.

• 한국콘텐츠학회논문지
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• 제14권9호
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• pp.203-217
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• 2014

본 연구는 최초로 한국인의 기념일 지향성과 식사 간의 관련성을 실증적으로 밝히기 위한 것이다. 연구는 3단계로 진행되었는데, 제1단계에서는 우리 문화에서 거론되고 있는 기념일들을 목록화하기 위해 문헌 조사와 20대~50대의 남여 각 2명, 총 4명을 대상으로 미니 포커스그룹인터뷰법(mini focus group interview)을 진행하여 78개의 기념일 목록을 구성하였다. 제2단계에서는 이 결과를 바탕으로 22개 문항으로 구성된 기념일 지향성 척도를 개발하였다. 제3단계에서는 이 기념일 지향성 척도를 중심으로 인구통계학적 변수인 성별, 연령, 지각된 경제적 수준, 심리적 변수인 자기존중감, 생활만족도, 우울감, 사회적지지, 개별성과 관계성, 대인영향력에 대한 민감성, 가치관 변수인 물질주의 가치관, 그리고 식사 행동(식사 빈도)간 관계를 파악하기 위해 만 20세~ 62세까지 총 486명(남자 200명, 여자 286명)을 대상으로 설문조사를 실시하였다. 그 결과, 여자가 남자보다 기념일 지향성이 유의미하게 더 높았고, 20대와 30대가 40대 이상의 집단에 비해 기념일 지향성이 높았다. 그리고 생활만족도가 높을수록, 지각된 사회적 지지가 높을수록, 관계성이 높을수록, 대인영향력 민감성이 높을수록, 물질주의 가치관이 높을수록 기념일 지향성이 높은 것으로 드러났다. 그리고 기념일 지향성이 중간 이상인 경우에는 그 이하인 경우에 비해 기념일에 식사를 하는 빈도가 유의미하게 많은 것으로 드러났다.

• 대한의용생체공학회:학술대회논문집
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• 대한의용생체공학회 1995년도 춘계학술대회
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• pp.19-22
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• 1995

A biomechanical study was made to demonstrate the superior mechanical performance of the newly designed Miniplate staple to the conventional Coventry staple in high tibial osteotomy(HTO). Using twenty fresh porcine tibiae, the fixational strengh of the two different types of staple in HTO was compared. To minimize the error due to the specimen-to-specimen individuality, the bone mineral density of the tibiae was measured with a bone densitometry (Dual photon absorptionometer, Luner, USA) and those with $0.8\;{\sim}\;1.2\;gm/cm^2$ at the proximal tibia was used in the biomechanical test. Testing was performed on a material testing system (Autogram ET-5, Shimatzu, Japan) with aid of a commercial data processor (IBM 80386/ ASYST). Using two differant loading modes, 'pull-out' and 'push-out', the maximum resistant force required to release the staple from the substrate bone was recorded. In the pull-out test, ten non-osteotomized specimens were used and the staple was pullout by subjecting an axial tension on the head of the staple inserted. While in the pull-out test where ten tibiae osteotomized in the usual way of HTO were used, the staple was not directly loaded. In this testing, as a mimic condition of the natural knee, the distal part of the specimen tibia was pushed horizontally in order for the staple to be pulled out while the proximal tibia was fixed. The pull-out strength of Coventry staple and miniplate staple were found to be $27.88\;{\pm}\;5.12\;kgf$ and $182.47\;{\pm}\;32.75\;kgf$, respectively. The push-out strength of Coventry staple and miniplate staple were $18.40\;{\pm}\;4.47\;kgf$ and $119.95\;{\pm}\;19.06\;kgf$, respectively. The result revealed that miniplate staple had the pull-out/ push-out strength at least fivetimes higher than Coventry staple. Based on the measured data, it was believed that the newly designed miniplate staple could provide much better postoperative fixation in HTO. The postoerative application of long leg casting may not be needed after HTO surgery.

• 디지털융복합연구
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• 제18권3호
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• pp.333-339
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• 2020

다변화된 사회 구조와 취향을 가진 20대라는 새로운 소비계층의 라이프 스타일이 사회 전반적으로 영향을 미치고 있다. 본 논문은 독특한 감성과 개성을 가진 복합문화공간이 곳곳에 생겨나는 현재, 이들의 라이프스타일을 분석하여 복합문화공간 브랜딩을 제안하는 논문이다. 복합문화공간으로는 사운즈 한남을 선정하여 방문자들을 대상으로 한 브랜드 경험 심층 인터뷰와 참여 관찰을 진행하였다. 연구 결과, 사운즈 한남의 감각적인 요인이 시각에 집중되어 있어 청각, 후각적인 요인이 필요하며, SNS를 통한 알맞은 소통 창구를 만들 필요성이 있다고 밝혀졌다. 사운즈 한남은 기존의 복합문화공간과는 다른 다양함을 바탕으로 한 감수성과 휴식, 그리고 콘텐츠라는 특징적 요인을 가지고 있었다. 위와 같은 연구를 통하여 행동과 창의적 사고를 유발하는 공간구성을 통해 영감을 주는 장소로써 기획하는 것이 복합문화공간의 지향점이며 동시에 20대의 라이프스타일을 반영한 효과적인 방법임을 도출하였다.

• 복식
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• 제55권1호
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• pp.113-128
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• 2005

To find our own individuality, there must be an active study on jeogori which is an unexplored field. Therefore, the purpose of this study is to consider artistic beauty and predominance of jeogori and recognize it as a precious culture, and also encourage interest about traditions. The range of this study is ancient times to Chosun dynasty, and in this study which will be the first part, the range is till the era of the Three Kingdoms. The study about jeogori is based on mural paintings of Goguryeo burial mounds, clay dolls and remains during Shilla, Beakjae, and United-shilla era. The contents of this study is 1. research the origin of jeogori's detail structures and changes of the form, 2. analyze the form and structure of the jeogori in each era, and therefore 3. find the predominance of Goguryeo costume by considering functional and design aspects. Therefore the conclusion of this study about the era of the Three Kingdoms are First, jeogori of the three kingdom era were developed from ancient times caftan style which Korea, China and Japan wore all together. Second, the structure of the jeogori during the Three Kingdom are ryeongeum, gil, somae and seon. Third, there is a special line that starts from the neckline and ends at the hem line which should be called ryeongeum in my opinion. Forth, while researching Goguryeo murals there were both left and right sided open jeogori. therefore, I would like to set up a new theory that during the ancient times to Three Kingdom era, not did China's clothing effected the Korean costume but the costume in east asia shared their forms all together.

• 복식
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• 제60권9호
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• pp.1-15
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• 2010

Fashion designer Jean Paul Gaultier incorporated his own boundless and unique artistic Into his design of dance costumes, presenting an unobstructed imaginary world that was filled with freedom, which is no less than one would expect from the one-time enfant t${\'{e}}$rrible of Paris fashion. This creativity of Gaultier was made possible only through the fantastic partnership he formed with the French modern dancer, R${\'{e}}$gine Chopinot. Gaultier and Chopinot shared a deep-rooted sympathy that enabled their own artistic worlds to fully mingle and cross over, resulting in a doubled synergy of their talent and their fame. This study analyzed 11 dancing costumes created through the collaborated efforts of those two enfants t${\'{e}}$rribles, one from the fashion industry and the other from the world of dance. The following are the results of my analysis. Gaultier's dance costumes served as a artistic venue for experimenting with a number of creative inspirations lurking in his mind, which were sometimes expressed in pr${\^{e}}$t-${\`{a}}$-porter collections. Instead of the decorative and expressive features of conventional dance costumes, his was the revival of the dancer's persona as a human being, ablaze with individuality and uniqueness. He pointed out that there is no good in the distorted turturro's fixed point of view, and the great joy of an opposing way of thinking that overturned the established. Leotard material was used as a second skin by transforming it into various styles and delivering his message. In addition, obscene and sexual expressions were delivered in a direct narrative. His eccentric ideas provided entertainment while showing his oppositional way of thinking. In the dance, the effect of the costumes was doubled by the use of cumbersome and exaggerated accessories, which is generally forbidden in modern dance.

• 복식
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• 제65권5호
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• pp.113-125
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• 2015

The purpose of this paper is to study the $boutonni{\grave{e}}re$, a floral decoration, history of $boutonni{\grave{e}}re$, a floral decoration, with a focus on its aesthetics, its practical use and its traditional meaning. After the examination of its history, the paper, recreated the proceeds by taking into consideration both the contemporary men's fashion, as well as the $boutonni{\grave{e}}re$ designs of the past. The three factors of contemporary $boutonni{\grave{e}}re$ design, in brief, are its historical meaning, the visual aesthetics and the wearability. In this paper, the research and design steps are as followed below. First, the paper examined the history of men's fashion leading up to the twenty-first century in order to get a deeper understanding of the history of $boutonni{\grave{e}}re$. Second, the paper attempted to find the most suitable fabric materials and flowers for the $boutonni{\grave{e}}re$, in order to produce diverse $boutonni{\grave{e}}re$ that can be worn in any season and occasion. As for the fabrics that can be used to make the $boutonni{\grave{e}}re$, organza can be used for the S/S season, and wool, tweed and suede can be used for the F/W season. The major characteristics that differentiate the kinds of $boutonni{\grave{e}}re$ are the "Carnation" and the "Rose of Sharon". The 'Rose of Sharon' $boutonni{\grave{e}}re$ as the symbol of our nation possesses an intricate meaning and practical function, so that this $boutonni{\grave{e}}re$ is used as an alternative badge of the national assembly and other social-national institutions and their members. This idea expands into other social and individual features that the $boutonni{\grave{e}}re$ is a differentiated fashion item that provides other personal styles and expresses individuality.