• Journal of the Korean Mathematical Society
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• v.54 no.1
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• pp.101-115
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• 2017

In this paper, we study three types of lightlike hypersurfaces, which are called recurrent, Lie recurrent and Hopf lightlike hypersurfaces, of an indefinite Kaehler manifold with a semi-symmetric non-metric connection. We provide several new results on such three types of lightlike hypersurfaces of an indefinite Kaehler manifold or an indefinite complex space form, with a semi-symmetric non-metric connection.

• Communications of the Korean Mathematical Society
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• v.32 no.4
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• pp.1047-1065
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• 2017

The notion of a non-metric ${\phi}$-symmetric connection on semi-Riemannian manifolds was introduced by Jin [6, 7]. The object of study in this paper is generic lightlike submanifolds of an indefinite Kaehler manifold ${\bar{M}}$ with a non-metric ${\phi}$-symmetric connection. First, we provide several new results for such generic lightlike submanifolds. Next, we investigate generic lightlike submanifolds of an indefinite complex space form ${\bar{M}}(c)$ with a non-metric ${\phi}$-symmetric connection.

• Communications of the Korean Mathematical Society
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• v.27 no.2
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• pp.307-315
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• 2012

We study the geometry of real lightlike hypersurfaces of an inde nite Kaehler manifold $\bar{M}$. We provide new results on such a real lightlike hypersurface $M$ by using the $F$-structure of $M$ induced by the almost complex structure $J$ of $\bar{M}$.

• Korean Institute of Interior Design Journal
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• no.11
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• pp.57-63
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• 1997

In the early 20'c, scientific thoughts make a change the absolute and separate concept of space-time into relative concept of continual entity; a kind of ideal world. It suggests that the meaning of geometry as absolute truth with which has endowed human beings would changed to a relative meaning of accumulation in intellectual work on 'nature'. This cognitive changes appeared into absolute arts in 20'c like Cubism, Superematism or Constructivism. De Stijl movement which had recepted the relative concepts like Einstein's 'theory of relativity' as a developed thought from Newton-Cartesian cognition on the world. Abstration would be adequate method for expressing the dynamics and interrelationship between forms and for giving values to indivisual elements in a compositiov. This method had appeared Modern architectural form, as a common framework. The expression characteristics of geometrical design in Deconstructive and Experimental architecture were summerized in four features through the results of the analysis. First, the relation of architectural element and intertextuality is expressed in discontinuation of context and refusal of functional building. Second, the concept of trace expresses as connection of place, decomposing of excavation of trace, trace of axis, trace of fragments. Third, anti-gravity expression is there to express of open cubic, to outgrow of rectangular system, to outgrow of volume, to separate of ground connectiov. Fourth, the complex composition of abstracted geometric form is these to abstracted geometry about indefinite shape, to layer through the overlap and collage, to de-meaning and amusement of form through the pursuit of uncertainty, to indeterminate of formal meaning through operation and composition of similar form cause to the diverse of meaning.