• 복식
• /
• 제59권5호
• /
• pp.101-114
• /
• 2009

In recent times Fusion Historic Soap Operas have been produced and highly rated in Showtime. They have encouraged more creative costume designs for historic soap operas, as it is difficult to re-create costumes of the era in which the soap opera is set, knowledge of which is scant or even non-existent. These more creative and innovative costumes appeal to young modern audience in a way which the more classical setting did not. This study aims to study styling of combat uniforms in two Fusion Historic Soap Operas- "Zumong" and "Taewangsasingi" and to introduce new styling for future use. Those combat uniforms in two fusion historic soap operas were reproduced by modern imaginations and fantasies, rather than historical researches. Also the new design has applied unique styling for each character and enhances characters in those soap operas. This study focuses on combat uniforms of main male characters, but it can be suggestible that following researches will study in a variety of costume design stylings and characters in future historical soap operas.

• 조형예술학연구
• /
• 제6권
• /
• pp.267-287
• /
• 2004

The study of a new expression within Korean ink painting that meets the demands of the times has continued, resulting in various expressions with acrylics, handycoat, objects and installations, crossing over from traditional Korean painting techniques. A 'margin' was both a very important space and esthetical matter that expresses 'Ki', 'Distance', and 'Omission' in traditional sense when addressing Korean ink painting Its expression methods and concepts, however, have changed today. A 'margin' through Montage technique can be a significant example in understanding the expression methods of today's Korean ink painting. This is because the margins in Montage make the meaning of the work various and flourished and deeply construct the surface with a double-layered structure, instead of using a single layer. These 'margins' created by Montage are spaces where different images conflict, divide and continue with each other and where a reconciliation between different spaces is accomplished. Furthermore, they establish more vitality and truthfulness to life through both the images conflict and reconciliation. After the adoption of Post-modernism Art in Korean ink painting, the characteristics of the 'margin' in Montage style by the division of surface are an 'acceptant's participatory imaginative space'; where viewers fill the margins with their imaginations ; an 'abandoned space' ; where unnecessary parts are deleted for more live surface ; and a 'strategic space', where the work enriches the structure and contents of surface by using margins strategically.

• 한국지역사회생활과학회지
• /
• 제15권3호
• /
• pp.63-70
• /
• 2004

This study was performed to identify the relationships between parents' nurturing behavior and preschoolers' creativity. The differences of parents' behavior and children's creativity by children's sex were also analyzed. The subjects were one hundred and four children(54 boys and 50 girls) and their mothers. Parents' nurturing behavior was assessed by a nurturing behavior questionnaire administered to the mothers, preschoolers' creativity was rated by the author through observation of the children's responses. The reliability of observation was calculated from 10 among the 104 children. The reliability coefficient was .96. The results were as follows: First, there were significant differences in parents' behavior according to the child's sex. Girls' parents showed more affective and achievement oriented attitude compared to the boys' parents. Second, there were also significant differences in .children's creativity according to sex. Girls' originality and flexibility were higher than boys, however, significant differences between girls and boys in fluency and imagination were not found. Third, parents' nurturing behavior and children's creativity were strongly related to each other. Children's imaginations were strongly related to the mothers' behavior. Children's originality and flexibility were also significantly related to their parents' behavior, but children's fluency did not show relations with their parents' behavior.

• 한국실내디자인학회논문집
• /
• 제6호
• /
• pp.63-66
• /
• 1995

Our natural desire to exuviate old theory and search for new ideas means conversion and reformation. Howev-er, the new idea of the present moment will soon become an ancient history when the next generation emerges with more advanced ideas. Naturally, we have learned to accept the past history and utilized it as a the foundation for the future. Through the repeated process of the learning method, the popula-tion cultivate themselves with proper understanding and appropriate attitude toward design. By analyzing social behaviors of the past and living conditions, we can ex-pand our imaginations beyond limits. Each society and its local condition have tremendous effects on the develop-ment and progress of artistic theories, techniques and craftsmanship, and potential design of every day use products. Today, interior design can not afford to ignore the or-ganic relationship of life style and space. Thus, the plan-ning of space means the planning of life style. Life style, as it is, has a vast definition and changes with time. That is why spaces, which consider the life style and its environment when designed, show different aspects ac-cording to its corresponding time. Interior design, in particular, differs by time and re-gion to create its unique style. The change in space is the natural result of the change in life style which again is sensitive to the change in cultural and environmental elements. Design is no longer designing of mere physical elements and environment. Design should be taken as the equivalent of creating spiritual culture.

• 패션비즈니스
• /
• 제17권5호
• /
• pp.70-83
• /
• 2013

This study aims to analyze the physical distortions of fashion design which appear in the 20th century. People have been expressing the hope and beauty by twisting human body since the beginning of mankind. Each period has been showing different forms according to various social and cultural environments. The exaggerated body distortions from the primitive times to the modern are based on human body proportions. Such distortion is to emphasize the inherent beauty within the human body. However, the distortions of the body after the 20th century have been developed with the advent of surrealism which is not affected by reasons but by imaginations. Generally speaking, the reconstruction of the heterogeneous elements is allowed in art. The unexpected surreal elements are creating formative beauty using by distinctly different technique which is unfamiliar and awkward. Physical distortion creates other beauty that is not uniform and absolute beauty but it pursues the diversity of breaking down into categories. Formativeness of surreal physical distortion fashion has the potential for a variety of clothing design, therefore it has intrinsic values for continuous study.

• 대한지리학회지
• /
• 제51권3호
• /
• pp.311-326
• /
• 2016

최근 관계적, 물질적 전환이라는 거대한 흐름 속에서 아상블라주라는 개념은 현대 사회공간이론의 가장 친숙한 어휘가 되어가고 있다. 본 논문은 아상블라주 본연의 개념을 탐색하기 위해 먼저 개념의 전체적인 틀과 사유의 방식을 제공한 들뢰즈와 가타리의 작업에 주목한다. 유사개념과의 비교를 통해서는 푸코의 장치 개념을 아상블라주의 한 유형으로 봄으로써 아상블라주가 탈영역화뿐만 아니라 (재)영역화라는 두 가지 모두의 성향에 의해 구성됨을 확인하였으며, 관계의 외재성은 아상블라주 이론이 행위자연결망 이론(Actor-Network Theory)과 같은 다른 형태의 관계적 사고와 차이점을 보이는 부분임을 강조했다. 마지막으로 아상블라주는 분석적 측면에서 형성과 과정에 주목함으로써 경험주의의 가치를 재조명할 수 있고, 정치적 측면에서 아상블라주의 다양체(multiplicity)와 중첩결정에 대한 용인이라는 특성으로 인해 다수의 정치적 프로젝트, 실천, 결과의 실질적 공존과 새로운 공간적 상상력에 개방적이라는 장점을 가진다.

• 조형예술학연구
• /
• 제6권
• /
• pp.100-118
• /
• 2004

Mi Fu, who was associated with Wen Tong, invented the Mijoem Technique (Dotting Technique) in landscape painting with his son Mi Youren. His landscapes, which referred to Dong Yuan's landscape technique and was inspired by the scenery of Jiang Nan, illustrate the mood of a cloud-covered foggy landscape by liberally applying dots with ink. 'Chunsansoesong' which is considered done by Mi Fu, clearly shows the virtues of ink painting's spreading, absorbing and omission techniques. This simply rendered landscape - whose mountains and hills are wrapped in both clouds and fog - displays exquisiteness by using small dots. In 'Chunsansoesong', the characteristics of Song painting: a 'vital energy', a 'poem within the painting', a 'beauty of margin', a 'beauty of one brush stroke, and a 'display of inner meanings' are implicatively expressed This is because it's simple but connotatively delineative. There is the characteristic of a 'poem within the painting' when analyzing the both fragmented and combined 'Chunsansoesong'. The margins support an imaginative space as the height of the mountains get higher which result in deepening both the width and depth of the landscape space. Furthermore, the soft thickness of ink, clouds, pine trees, and pavilion evoke delineative feelings and a desire to write a poem Every thing in 'Chunsansoesong' is enveloped in both clouds and fog regardless of its distance and this delivers boundless feelings of Oriental mystery and urges a desire for 'writing a poem'. The pavilion that faces the cloud and fog-bound mountains especially flames the poetic urge further by inducing viewers' poetic imaginations. As we reviewed above, 'Chunsansoesong's cloud and fog-covered landscape is a good example that clearly showcases the characteristics of a 'Poem within the Painting'.

• 한국조경학회지
• /
• 제31권2호
• /
• pp.12-27
• /
• 2003

The purpose of this study is to look for an environmental design method based on open narrative structure, and to promote various experiences and interpretations of space through user's engagements. That is to say, the designer does not lead specific events through separate Boning but using the continuous open composition users are provided with margins for their imaginations. Spatial formulation through open narrative structure gives us various thoughts and it plays an important role in making a sequential space. Like an abstract painting, it is a complex story making or arranging a montage of images containing stories that elicit the reader's engagement through diverse interpretations. Like this, open composition exists in an ambiguous state and it is possible to interpret unfinished‘evolving work’within it. Utilizing open narrative structure, this study attempts to apply the idea of sequencing and open composition in the case of designing Arirang Culture Park. Open composition should induce various engagements by users and could be a medium which organically connects nature, culture and people. The spatial strategies of‘ambiguity’ and‘transparency’are like a bundle of complex and heterogeneous factors. Finally, the study focuses on the ‘integration’of the main ideas that compose multilayered space. ‘Voidness’and‘thickening’are also used for spatial strategies in open narrative structure. As alternative plans for undecided programs of the space, the voidness can be a strategic design program with flexibility about changes of futures. Also, thickening can be a strategic design program for functional reinforcement of the space, for the dramatic effects and for the generation of incidental events. Although both voidness and thickening seem paradoxical, we can see they are similar in the way that both focus on various spatial uses and by how they do not function as one-to-one correspondence, but as multiple correspondences. Therefore, open narrative structure is possible to apply in designing space and it can be an alternative design strategy for inducing multiple interpretations of space.

• 공학교육연구
• /
• 제7권3호
• /
• pp.44-50
• /
• 2004

수강자의 전공에 상관없이 어렵고 다양한 공학의 문제들을 쉽게 접근하도록 하는 강의를 소개한다. 이 강의는 공학에 대한 사전지식이나 경험을 요구하지 않는다. 반면에 기술과 동떨어져 생각할 수 없는 일상생활의 현재와 미래의 모습에 대한 강한 호기심과 상상력만을 수강자에게 요구한다. 강의를 통하여 바람직한 공학과 공학행위란 무엇인가 하는 공학의 기본적인 문제제기에 대해 수강자들이 고민해 볼 수 있도록 유도한다. 강의 주제가 공학의 다양한 면을 다루기 때문에 기존의 학습 방법은 효과적이거나 성공적이지 못하다. 이에 대한 대안으로 강의에서는 모의적인 사유실험과 물리적인 미디어 체험 등을 이용한 효과적인 학습법을 사용하였다. 선정된 공학적 주제에 따라 씌어진 시나리오를 구성하고 이 시나리오에 따라 짧은 영화 형식의 약 20개의 강의 컨텐츠를 만든다. 제작된 영상을 보면서 수강자들과 토론을 나누었다. 수강자의 흥미 유도를 위하여 로봇과 같은 미디어가 사용되었다. 온라인과 오프라인에서의 강의자와 수강자 사이의 인터액션 유도, 공학적 주제에 대한 적극적인 의견 개진을 유도하는 과제 수행, 강의 주제에 관련된 영상 제작 프로젝트 수행 및 평가 등 인터액티브한 공학개론 교육 사례로 부산대학교에서 시행된 지능공학 강의 경험을 소개한다.

• 한국게임학회 논문지
• /
• 제17권2호
• /
• pp.35-44
• /
• 2017

최근 증강현실, 가상현실 기반의 게임들이 크게 인기를 얻고 있다. 기존의 게임이 게임 플랫폼 안에서 가상현실을 구현해 내는 것이었다면, 최근 인기를 얻고 있는 증강현실, 가상현실 기반의 게임들은 현실과 가상이 접목되어 있다는 데 특징이 있다. 이는 기존에는 존재하지 않았던 새로운 장르를 제시하여 게이머들이 갈망하던 어떤 것과 결합하면서, 새로운 경험을 제공한다. 2010년에 스마트폰 게임이 게임 산업의 판도를 바꿨던 것이나, 최근 인기몰이를 하는 <$Pok{\acute{e}}mon$ GO>의 선풍적 인기를 대표적인 예로 들 수 있다. 따라서 본 연구는 경험 콘텐츠로서의 게임을 조명하기 위해 게이머의 경험과 직접적으로 연관 있는 '게임 행위(GA)'를 기준으로 분석을 시도한다. 게임 행위 분석은 현실공간이 게임공간에 개입하는 정도에 따라 게임 행위가 크게 변화되었다고 가정하였으며, 박상우(2009)의 연구를 기반으로 가상공간을 게임공간 안에 실현시키는 측면과 가상공간을 현실공간에 재현시키는 두 측면으로 나누어 게이머의 게임 행위 변화를 살펴본다.