• 한국의사학회지
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• 제19권1호
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• pp.77-97
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• 2006

Korean traditional Oriental medicine is a medical system that has been developed based on the locality and history of Korea as well as the blood and constitution of Korean people. It is closely connected to Korean history and culture, and is in close internal linkage with oral and written legends, traditions and folktales. Referring to previous researches on these legends, the present study extracted medicine related legends from various legend collections, classified them by subject, analyzed representative cases, and examined their meanings and values in terms of medical culture.

• 한국수학사학회지
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• 제31권4호
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• pp.169-181
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• 2018

We here discuss about the roles and meaning of Joseon mathematics in the history of Asian mathematics from cultural perspective. To do so, we focus on culture. We first look at the meanings and the definitions of the terms, civilization and culture, and their differences. We next discuss on the cultural perspective to look at the mathematical history of Korea, which is considered as a part of the history of Asian mathematics. It is notable that Joseon mathematics of Korea made Asian mathematics develop further, and played the roles of academic bridges among China, Korea and Japan. It also kept and prolonged the life of the Asian mathematics up to the beginning of the 20th century.

• 농촌계획
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• 제24권1호
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• pp.33-44
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• 2018

This study, targeting Deokbongmaeul, Choonchonmaeul, Hyodongmaeul and Kangsanmaeul, drew the characteristics of history culture resource utilization through the analysis of project plans and performance reports and field surveys. First, Deokbongmaeul is a rural village with scattered Confucian facilities. Ipsanmaeul conforms to Confucian order and has an attractive housing area landscape. Hoechonmaeul has forest landscape and distinguishing intangible recourses like Maeji farmer's music and traditional techniques and legends. Hyodongmaeul shows folk resources and folk behavior like traditional play and techniques. Second, the history culture resources chosen from the project plans focus on intangible history resources like individual historic buildings & structures and customs & traditional techniques. Third, cultural historic village projects are categorized by repair and restoration of historic buildings and structures, development of experience program and building facilities and maintenance and establishing the village landscape elements. From the research results, it is explained that history culture resource utilization methods of cultural historic village project are hard to be expected to have the project results based on the landscape identities of four villages.

• 디지털융복합연구
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• 제20권5호
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• pp.309-316
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• 2022

본 연구는 우리 지역의 고대 마한역사문화제에 대한 축제를 독자적으로 개최되고 있는 것을 통합적인 발전 방안을 제시해 보는 데 있다. 또한 마한의 역사, 문화를 통해 관광객 유치와 홍보를 통해 집중적인 마한문화를 알리는데 있다. 그러기 위해서는 독자적으로 열리고 있는 문화제 및 축제를 보다 효율적이고 집중될 수 있는 총합적 방향성과 향후 발전 방안에 도움이 되고 상호 공감대를 형성 할 수 있는 발전 제시와 심층 분석을 통해 미래적인 고대 역사문화를 모색해 보고자 하는 데 있다. 또한 마한문화의 가치를 재조명하고 지역주민 및 전문가들의 실증분석을 통해 차후 통합된 마한문화를 관광지를 발전시키고 관광객 유치를 위해 연구를 통해 현황과 추진방향을 제시하고자 하는데 연구 목적을 두고 있다.

• 비교문화연구
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• 제32권
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• pp.63-79
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• 2013

Tar Baby, Toni Morrison's fourth novel re examines the problem that black characters face in negotiatiating a place for themselves within a dominant culture, with respect to their own history and culture. The novel critiques the dominant socio economic and commodifying cultural space from which the black woman seems to have no escape. Jadine is a colonized subject, for as a fashion model she has surrendered to an aesthetics of commodification, and as a student of art history, she has internalized the capitalist ethic of the white culture industry. Though she has ensured her freedom, Morrison's critique of her separation from her family and culture is unmistakable. Interwoven with her narrative is Son's predicament, the stereotype of a black racist and her 'lover'. The novel ends with him at the crossroads of culture, yet signaling his passage to freedom through resistance. The paper arguments how Toni Morrison has envisioned the welfare of African American community by reconstructing the role of new black generation, as represented by Jadine and Son, whose new journey towards their self fulfillment just not only bring their personal freedom but also regenerates African American community by resisting dominant commodifying cultural.

• 한국식생활문화학회지
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• 제13권2호
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• pp.73-81
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• 1998

• International Journal of Advanced Culture Technology
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• 제7권3호
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• pp.149-157
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• 2019

Recently, the blockchain platform is changing the art market. Changes are taking place in many areas, including artists, collectors, art investors, and auction. The platform that provides distribution history information on artworks on a blockchain basis can be used when information on the work history is suspected or needs verification, and can be used to manage the distribution history information of stolen and lost artworks and confiscated artworks by the police. Several companies currently operate these platforms, but they operate various blockchain platforms according to their contents. In this paper, we will compare and analyze features of artworks blockchain platform.

• 영미문화
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• 제9권1호
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• pp.239-272
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• 2009

Our investigation of the intricate relationship among nationalism, humanism, and imperialism begins from reading Song of Ariran, the auto/biography of Kim San recorded by Nym Wales, together with Margaret Drabble's fictional adaptation of Lady Hong's autobiography, The Memoirs of Lady $Hyegy{\breve{o}}ng$, in her novel The Red Queen, in which the story of Barbara Halliwell, a modern female envoy of Lady Hong, is interweaved with Lady Hong's narrative. In spite of their being seemingly disparate texts, Song of Ariran and The Red Queen are comparable: they are written by Western female writers who deal with Koreans, along with the Korean history and culture. Accordingly, both works cut across the boundary of fiction and fact, imagination and history, and the East and the West. In the age of globalization, Western women writing (about) Korea and Koreans traversing the historical and cultural limits inevitably engage us in post-colonial discussions. Despite the temporal differences--If Song of Ariran handles with the historical turmoils of the 1930s Asia, mostly surrounding Kim San's activities as a nationalist, The Red Queen is written by a twenty-first century British woman writer whose international interest grapples with the eighteenth-century Korean Crown Princess' spirit in order to reinscribe a story of Korean woman's within the contemporary culture--, both works appeal to the humanistic perspective, advocating the universal human beings' values transcending the historical and national limitations. While this sort of humanistic approach can provide sympathy transcending time and space, this 'idealistic' process can be problematic because the Western writers's appropriation of Korean culture and its history can easily reduce its particularities to comprehensive generalization, without giving proper names to the Korean history and culture. Nonetheless, the Western female writers' attempt to find a place of 'contact' is valuable since it opens a possibility of having meaningful communications between minor culture and dominating culture. Yet, these female writers do not seem to absolutely cross the border of race, gender, and culture, which leaves us to realize how difficult it is to reach a genuine understanding with what is different from mine even in these 'universal' narratives.

• 기록학연구
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• 제80호
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• pp.129-165
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• 2024

본 연구는 시민 구술채록의 중요성과 활성화를 강조하고자 한 글이다. 주지하는 바와 같이 우리나라는 1980년대부터 구술사연구가 서서히 시작되었다. 지금까지 연구자에 의한 시민인터뷰, 연구자에 의한 엘리트 인터뷰는 양적으로 꾸준히 증가했다. 그러나 시민에 의한 시민인터뷰는 미미한 수준이다. 2021년부터 문화체육관광부 주관으로 진행하고 있는 "디지털생활사 아카이빙"사업은 새롭고 의미 있는 시도이다. 이 사업은 시민들에게 아카이빙과 구술채록에 대한 교육을 거친 시민들이 직접 인터뷰를 수행하고 기록물을 생산하도록 하는 프로그램이다. 이 사업을 통해 구술기록 생산, 시민의 아카이빙 역량 확보, 지역 문화자원 구축 등의 성과를 내고 있다. 2021년에 이 사업에 참여했던 경험을 바탕으로 성과와 한계를 평가하며 시사점을 살펴보았다. 향후 시행착오를 줄이는 데 도움이 될 것으로 기대한다. 또한 시민 구술기록의 활발한 생산과 활용 방안을 제안하였다. 이를 위해 구술 기관 간의 구체적인 협력과 구술기록 플랫폼도 제안하였다.

• 수완나부미
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• 제7권1호
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• pp.139-155
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• 2015

The relation of culture and development is complicated and multilayered. Inclusive development has been the national strategy of the government of President Benigno Aquino III. However, the role the culture is scarcely mentioned. This paper will try to contextualize development in Philippine history to further show the importance of national consciousness, ethnic cultures, indigenous cultures and modern culture,. This paper concludes that inclusive development of the Philippines will be achieved through glocalization, based on the creative reconstruction of cultures in and out of the Philippines.