• 영미문화
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• 제10권2호
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• pp.231-266
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• 2010

This paper explores hybridity and hybridized relations that see mixings and crossings as the first moment of multicultural society. References to hybridity often assume that the definition and orientation of the term are located within biology; that is, hybridity constitutes a mixing of two formally discrete objects. In this regard, there seems to be a dialectical preoccupation with purity that goes hand in hand with discussions of hybridity. This dialectical reference to hybridity privileges whole, complete entities as the original instance before mixing, and in this way purity becomes reified. My analysis of hybridity foregrounds mixings that occur at the level of the social, not exclusively at the level of the biological. Hybridity contexts the myth of monoculturalism in the United States and foregrounds multiculturalism as the initial context around which difference has begun to be conceived. In destabilizing the myth of racial origins, this paper attempts to establish a retroactive construction of purity, which is historically, ideologically, and ethnically examined in Gloria Anzaldua's Borderlands/ La Frontera: The New Mestiza. Through this work composed of disparate narratives discourses, Anzaldua employs physical differences to ward off the colonial desire that has defined others as objects which are to be controlled. In this regard, this paper pursues the way that physical differences could be repositioned in terms of 'hybridity' that has been related to the cultural, historical, economical significations of borderlands. The space of borderlands is also a place marked psychologically; it will turn differences mobilized in the borderland into an acute consciousness that makes us recognize 'otherness' within ourselves. In sum, this paper attempts to elaborate the productive and creative interactions among disparate languages, classes, genders, and ideas, which will draw attention to their own interlocking nature.

• 영어영문학
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• 제56권5호
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• pp.823-850
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• 2010

In this paper, I will explore disparate voices embedded in the interactions of stories in which personal, cultural, historical, and mythical consciousness brings up diverse ideas about the experiences of Native Americans. The accommodation of differences and changes is clearly manifested through the healing ceremony of Tayo, which poses some practical questions: what could be the authentic tradition of Native Americans?; which direction should it be led to? As these questions suggest, Tayo needs to think over and work through the way that Native oral stories will enrich the signification of being Indian within multicultural U. S. society. In other words, Tayo should transfer the oppositional relationship between Anglo and Native American world into an interactive one to bring forth new meanings concerning their interactions. As a hybrid, Tayo begins to recognize that his fragmented consciousness could represent the pervasive but surmountable anxiety about the cultural clash between Native and White Americans. Going through the multiple layers of his stories, Tayo learns that Native Americans need to hold a balanced viewpoint firmly: this demonstrates that storytelling brings restoration and renewal to him. As a result of Betonie's healing ceremony and his intimate relationship with Ts'eh, Tayo comes to have a holistic comprehension about how all the living things are interconnected to one another. After acquiring this recognition, Tayo succeeds in his quest to get back Josiah's cattle and recovers his identity as a Laguna Pueblo Indian, still letting diverse voices, cultures, and stories flow into the process of storytelling. As the last scene in which the conversations among Tayo, Auntie, and Grandmother took place illustrates, Tayo has newly secured a position that will require him to create a new, alternative story, not just repeating previous stories.

• 미술이론과 현장
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• 제16호
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• pp.175-199
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• 2013

Capriccio which has emersed in Italy of the 18th century is a new genre of the landscape painting. This genre represents reality, but it is very artificial product correspondingly its concept and character. It's birth place is distributed on various regions in Italy, but the main stage was Rome. Till the middle of the 18th century Rome was the Holy city of the Grand tour, the home of the Neo-Classicism and furthermore the field where archaeology and art history began to be instituted. On such historical situation the Capriccio came out and was recognized as the best popular genre in the visual art. It was favor of the art collection with the antiquity together and reflected the consciousness of the contemporary to the ancient. This study will examine the phenomena in the newly-developed archaeology and with few representative works of Giovanni Paolo Pannini as central term consider the Capriccio and the archaeological connotation. The systematical and institutional archeology which appeared at the age of the Enlightenment, on the contrary to the critical theories at the same time against capriccio, because it was regarded by them as paradoxical and too much sensitive, utilized it as a theoretical method very actively. Some among Historians and archaeologists did it, especially Francesco Bianchini distinguished the capriccio from simple imagination and made it a capacity of the knowledge. And through it he wanted to find out the historical truth. The visual art was influenced and encouraged by such attitude of the archaeology. However it's output spreaded out in various courses. While Giovanni Battista Piranesi, the best known Capriccist of the 18th century, tried to revive the antique through the epical value and his own imagination, Pannini gave priority to the strict historical research. In the such context Panni succeed Giovanni Battista Nolli who made the great map of the city Rome. Their Capriccio profited motive and was inspired by the historians and archaeologists such as Bianchini and Muratori. The Capriccio reflects not only the academic and popular interest for the antique, but also influenced on the upcoming scientific archaeology vice versa. It caused by their reasonable Interpretation and restoration of the antique through the visual medium. Finally as archaeological landscape Pannini's Capriccio is a historical case, in that the Capriccio applied the theoretical method of the archaeology to make art. It served as a momentum for the connotation to the archaeological thought.

• 한국철학논집
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• 제53호
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• pp.63-100
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• 2017

이 글에서는 정재 남대년(1887~1958)의 학문과 사상을 리기심성론에 관한 견해, 유교경전해석, 역대인물평으로 나누어 살펴보았다. 먼저 리기 심성론에 대한 정재의 견해를 살펴보면, 정재는 리무위(理無爲), 기유위(氣有爲)의 주장을 평생 견지하였다. 다음으로 스승 간재의 성사심제설(性師心弟說)에 대한 정재의 입장을 살펴보면, 그것이 공자와 맹자의 도통을 이은 것이라고 평가하면서도, 심의 주재성이라는 측면은 잘 드러내지 못한다고 생각했던 것으로 보인다. 마지막으로 심즉리설에 대해서는 비판적 입장을 견지하였다. 정재의 유교경전해석을 살펴보면, "논어"와 "맹자"를 중심으로 하여 사서에 대한 해석이 대부분을 차지하는데, 이는 사서를 중시했던 주자 이래의 성리학의 전통을 이은 것이라고 하겠다. 정재는 "논어"의 해석을 통해서는 인과 효의 중요성을 강조하였고, "맹자"의 해석을 통해서는 사단과 사덕의 관계를 정밀하게 규명하고, 사(士)로서의 자의식을 보여주었다. 또한 "대학"의 자기설(自欺說), "중용"의 계구설(戒懼說)을 분석하기도 하였다. 또한 정재는 그의 "정재집"에서 중국과 우리나라의 여러 인물에 대한 평가도 진행하였는데, 그 평가의 기준은 절의와 식견이었다. 정재는 굴원과 노중련의 충성과 절의를 높이 평가하였으며, 진덕수는 학문적으로 뛰어난 분이었지만 출처에는 문제가 있었다고 평가하였다. 청의 육롱기와 장리상을 비교하면서, 육롱기가 이적의 나라인 청나라에서 벼슬을 한 것은 절의를 저버린 것이었다고 평가하였다. 정재는 우리나라의 인물들에 대해서도 평가를 진행하였는데, 포은은 우리나라에서 리학을 연 분으로, 정암은 지치를 회복하려 한 분으로, 퇴계는 해외 주자의 적전(嫡傳)으로, 율곡은 내성외왕을 실천한 유학의 표준으로, 스승 간재는 당대의 진실한 학문을 지닌 분으로 평가하였다.

• 한국의류학회지
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• 제19권3호
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• pp.536-547
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• 1995

The modernization of the fashion design in our country, like our chaotic modern history, has not been easy for us to grasp its main stream because it lacked historical consciousness and sincere attitude of creating. In trying to find out designs very Korean, designers usually ignore the deeply rooted ideologies and modes of our own, and primarily depend on the scattered fragments of tradition, such as the curled line of the ancient roofs, folk jackets and skirts, and Talcum, our ethnic dance, sometimes making some patchwork like clothes they divan't really intend to make. In the world of modern design, especially of the fashion industrial design, designs more scientific, more rationale and more positively appealing to the consumers, not the unconscious and emotional ones, are being demanded. To win in the fierce competing world of design as well call this age an age of "Design War", it is desirable for us to create our peculiar designs by uniting the internationalism (universality) and nationalism (traditionalism) together under a single rigid purpose. Analyzing the designs mainly of Korean style fashion designers since the 1980s, 1 could see that Korean designs in the aspect of appearance have a strong tendency toward applying or reviving the traditional elements, thus are under a bias toward nationalism rather than in ternationalism. The idea of "very Korean" does not mean a mere harmony or negotiation of the traditional elements with modern ones. It is rather a concept from vivid historical experiences of the conflict between the purely Korean mental, cultural heritages and the demands in mod- eradiation. Therefore, based on this concept of "very Korean" we must create fashions completely Korean and modern at the same time.n and modern at the same time.

• 대한지리학회지
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• 제44권3호
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• pp.240-259
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• 2009

이 연구는 일본사회적 맥락 속에서 지방도시가 관광을 통해 새롭게 창조됨을 밝히고, 지역의 의미가 사회적으로 형성되는 과정을 고찰함으로써, 문화관광지의 지역정체성이 사회적으로 구성되는 프로세스를 밝히는 것을 목적으로 하였다. 구체적으로, 첫째, 문화관광지의 사회적 구성에 대한 개념틀을 '재해석', '제도화', '재인식' 단계로 제안하였다. 둘째, 일본 지방도시 오타루의 운하보존운동과 역사관광지화에 대한 사례 연구를 통해 문화관광지의 사회적 구성 과정 단계에 대한 심층적 분석을 시도하였다. 셋째, 지역 정체성이 재구성되는 과정에서 작동하고 있는 주된 메커니즘에 대해 체계적으로 고찰하였다. 결론적으로, 지역이 정체성의 정치를 통해 새롭게 재해석되며, 경제적 동기로 인해 그 의미가 수정되고 타협되며 제도화된다는 것을 밝히고, 기억의 정치를 통해 구성된 진정성으로 확립되면서 끊임없이 재구성된다는 점을 제안하였다.

• 교육시설 논문지
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• 제18권4호
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• pp.33-43
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• 2011

The purpose of this study is to clearify the architectural pattern of the Dogsedang(讀書堂) and it's characteristics of the Place which based on the historical background of the Saga-reagingsystem(陽假讀書制度) in the early Chosun Dynasty. The Saga-reaging(賜暇讀書) was given vacation to read books for young scholars who serve in a Royal institution chartered an academic society that we call the Giphyunjeun(集賢默). Due to the consciousness of preference about the old Documment on the history of Chosun Dynasty such as, whangchoshillok(朝蘇王朝實錄) and giligie(地理誌) and so on, I could find a clue that would lead to the solution of the problem. So to speak the division into periods about historical background of the Saga-reagingsystem(賜暇讀書制度) is analysed by questionnaire of scholars who is in. By the analysis, there were two types of the Saga-reagingsystem(賜暇讀書制度) and three places in the Dogsedang(讀書堂). Vacation to read books at the single schalor's home is we called jaegadogse(在家讀書), reading area at the temple in the deep mountain district is the Sansadogse(山寺讀書). The first place reading area at the temple in the deep mountain district was the temple of Jinkwan(律寬寺), the second place was the temple of Jangyue(藏義寺) the third was the temple of youngsan(龍山寺) so called the Namhodang(南湖堂). There is a certain difference of viewpoint with each site. These results show that the site of the Dogsedang(讀書堂) has deep consideration in relation with picturesque scenery.

• 공연문화연구
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• 제35호
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• pp.373-404
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• 2017

문화예술로서 춤은 역사이며 전통이자 의식 활동의 지속으로 한민족의 정체성을 이어갈 과거에서 현재, 미래적 활동이다. 이에 스토리텔링은 단순히 지나간 역사적 배경에 대한 서술이 아니라 재창조 되고 있는 영원성을 담고 있다. 본 연구로부터 춤의 예술적 미의 탐구는 전통이라는 오랜 역사를 통해, 오히려 '스토리텔링'이라는 본래적 본질과 가치에 대해 물음을 던지고 있다. 그 간의 춤 연구가 미학적 본질 또는 사상적 체계를 위한 이론가들의 연구였다면, 춤을 '이야기하다'라는 스토리텔링의 관점은 춤의 핵심구조와 사유에 관한 대중적 이해방식과 인문학적 가치탐구에 대한 절실한 태도를 상기시켜주었다. 본 연구의 의의는 스토리텔링의 개념적 정의에서 춤의 다양한 콘텐츠를 구축하기 위한 방편으로 스토리텔링의 유용성을 검증하는 것이다. 이러한 예로 제시된 처용무 텍스트의 방법론적 모색은 언어적 서사구조를 넘어 독자적인 예술로서 심층적 의미망을 형성하고 있었으며, 원형콘텐츠의 DB로서 스토리텔링 개발의 중요성을 시사해 주었다.

• 복식
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• 제53권2호
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• pp.71-85
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• 2003

In the turn of the century, fashion designers have not just drawn upon one or two subcultural styles but have extracted elements from many subcultures to use in a single collection. In true postmodern style these are freely combined with historical, cross-cultural and futuristic influences to create new fashions. The process could be explained by bubble-up phenomenon, retroism. pastiche and pursuit of pleasure. In the course of illustrating subcultural styles transformed into mainstream fashion, the case of Punk was studied as a turning point of modernist and postmodern period which have been introduced by high fashion designers since the birth in 1976. The following cases have continued to appear entering upon the third millennium and the aesthetic value of those can be summarized as ambiguity, eclecticism, and deconstruction. In other words. the energy and authenticity of Punk has been considered to be desirable in high fashion, however designers focus on clothing and adornment rather than ideology and lifestyle. The aesthetic property of subcultural style defeats the established notion of standardized fashion and stimulates new consciousness. which allows a room to be diversified and subdivided.

• 의학교육논단
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• 제20권2호
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• pp.65-71
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• 2018

Western medicine was first introduced to Korea by Christian missionaries and then by the Japanese in the late 19th century without its historical, philosophical, cultural, social, political, and economic values being communicated. Specifically, during the Japanese colonial era, only ideologically 'degenerated' medicine was taught to Koreans and the main orthodox stream of medicine was inaccessible. Hence, Korean medical education not only focuses on basic and clinical medicine, but also inherited hierarchical discrimination and structural violence. After Korea's liberation from Japan and the Korean war, the Korean medical education system was predominantly influenced by Americans and the Western medical education system was adopted by Korea beginning in the 1980s. During this time, ethical problems arose in Korean medical society and highlighted a need for medical humanities education to address them. For Korean medical students who are notably lacking humanistic and social culture, medical humanities education should be emphasized in the curriculum. In the Fourth Industrial Revolution, human physicians may only be distinguishable from robot physicians by ethical consciousness; consequentially, the Korean government should invest more of its public funds to develop and establish a medical humanities program in medical colleges. Such an improved medical education system in Korea is expected to foster talented physicians who are also respectable people.