• The Transactions of the Korea Information Processing Society
• /
• v.3 no.6
• /
• pp.1580-1587
• /
• 1996

The Hangul font design by using Hangul automata is more economical than other system in terms of the time to generate whole Hangul font set. In order to obtain good quality of Hangul font by this system, it is known that more Hangul jamo font primitives rules. In this paper, we present an effective combing rules in order to generate Hangul font set and to provide an integrated capabilities in Hangul font design environment.

• Annual Conference on Human and Language Technology
• /
• 1994.11a
• /
• pp.223-230
• /
• 1994

본 한글꼴은 음절 및 음소의 가시성을 높이고자 한글 음소의 이중 가로선형 배열을 통한 밀도 분산형 한글꼴과 음소 나열형 한글꼴 등의 새로운 한글꼴의 다양한 표현의 실험 연구이다. 일도 분산형 한글꼴은 새로운 음소형 한글코드(닿소리, 홑소리, 받침 조합형)와 서로 대응하드록 일원화 한글꼴로 한글 및 옛 한글의 음소 조합형의 입.출력이 가능하다. 이러한 시도는 1바이트 이내에서 현대한글 및 옛한글을 구현하며, 이는 한글의 구현원리에 따른 음소형 코드체계의 실현 가능성으로 한글 코드체계의 최적화에 대한 새로운 가설을 제시 한다.

• Archives of design research
• /
• v.14
• /
• pp.321-333
• /
• 1996

The typeface of the Shhnch 'ongjon woodblocks is unsophisticated and old-fashioned while at the same time having a tidiness and strength that give it its special appeal. This is the typeface used in publishing novPls for sale to the common people during the latter half of the Choson Dynasty_ Their demands could not be satisfied with most currently available literature. which was intended to suit the tastes of the official class. As a result of a development to overcome the unbalanced use of space characteristic of letterforms that followed the geometric principles of early Hangul. the typeface followed the refined. feminine "hrushstroke" style of kungch 'e. establishing itself as a "rough" face displaying the characteristics of carved. woodblock printing in answer to the needs of the common p-eople who had the greatest need of Hangul during the time of its f1owering. The Shhnch 'ongjon face is characterized by thin horizontal strokes. thick vertical strokes. and the appearance of being condensed left to right. They possess simple yet varied form. With these characteristics the Shimch' ongjon typeface. if revived and compared to other typefaces. has a beauty of structure and composition and a unique. modern lmage with excellent readability. giving it great significance for modern r langul typography.r langul typography.

• Journal of Korea Multimedia Society
• /
• v.20 no.9
• /
• pp.1584-1595
• /
• 2017

Each cultural community has developed a variety of fonts to express their own language and characters. Hangul has also diversified its font shapes through changing the composition ratio and look of the consonants and vowels. Rather, thanks to the variety of these fonts, a considerable amount of time and effort must be devoted to the selection of a specific font shape. This is related to the fact that the current Hangul service and classification system process the font only with its name or the name of the manufacturer. It means that there is no consensus about the font shape classification system for Hangul. In this study, we propose a shape property set that can be a basis for classifying Hangul fonts. The font shape property set was generated by performing statistical analysis with features which have been studied by the font design experts and was verified through questionnaire using representative fonts based on the classification scheme defined by the Hangul font design classification system standard. This study is meaningful in that it is a study on shape classification properties of K-means and PCA statistical techniques based on font data rather than design field study.

• Archives of design research
• /
• v.19 no.6 s.68
• /
• pp.33-38
• /
• 2006

The development of the typeface 'Arita' presents a method and its following results for a corporate typographic identity. Amore pacific established a strategy for a typographic identity as for their high quality corporate culture and as a first step for it was to develop their corporate typeface 'Arita'. The typeface 'Arita' which pursues sharing and accompanying was developed to be used in the body text to enhance the function of the typography. What was needed to develop this typeface for Amore pacific was first, understanding of the corporation, and second, vision to present new direction for a typeface and its appropriate supervision, and third, ability in designing. Therefore, under the leading of Hong-ik University's meta design research institute, the typeface 'Arita' was created by in collaboration with Seoul women's university's modeling research institute and the typeface design specialty company, type space and the design company, Ahn-graphics. There are two kinds of weight in 'Arita' typeface, one is normal 'AritaM' and the other is semibold 'AritaSB'. 'Arita' is produced into TrueTypeFont(TTF) for Windows Operating System and OpenTypeFont(OTF) for Macintosh Operating System.

• Journal of Korea Multimedia Society
• /
• v.23 no.12
• /
• pp.1552-1564
• /
• 2020

As various styles of fonts were used, there were problems such as output errors due to uninstalled fonts and difficulty in font recognition. To solve these problems, research on font recognition and recommendation were actively conducted. However, Hangul font research remains at the basic level. Therefore, in order to automate the comparison on Hangul font similarity in the future, we analyze the influence of each stroke element property. First, we select seven representative properties based on Hangul stroke shape elements. Second, we design a calculation model to compare similarity between fonts. Third, we analyze the effect of each stroke element through the cosine similarity between the user's evaluation and the results of the model. As a result, there was no significant difference in the individual effect of each representative property. Also, the more accurate similarity comparison was possible when many representative properties were used.

• Journal of Korea Multimedia Society
• /
• v.20 no.3
• /
• pp.571-580
• /
• 2017

Recently, there are many communication softwares based on text on various smart devices. Unlike traditional print publishing, mobile publishing and SNS tools tends to utilize more decorative or more emotional fonts so that users can pass some feelings from contents. So font providers have released new fonts which deal with the requirements of the market. Nevertheless being released lots of new fonts, general users have not used them because they searched only by font name or font provider's name. It means that there is no way for users to know and find new things. In this study, we suggest font shape classification rules for font registration system based on font design features. We proved the validity of classification standard study through some experiments with 50 commercial fonts. Also the result of this study was provided for Korea Telecommunication Technology Association and adopted by the Korea industrial standard.

• Journal of Digital Convergence
• /
• v.17 no.11
• /
• pp.493-499
• /
• 2019

Seal is a tool to prove an individual or group. Guk-Sae and Eo-Bo uses typeface to represent their names or titles, which change from tensile to tensile and have varied from time to time. Although the Korean alphabet currently uses Hangul, it had used Chinese characters before Hun-Min-Jeong-Um was created in 1443. All seals and royal seal before the Korean Seal of State were made in Chinese characters. This thesis analyzes the concept of typography through the royal seal, and the subject of this study is 'Sugang Emperor' which is the only eight-letter version seal of the Joseon Dynasty's various royal seal. Bo-Yeong, which is shown in Bo-Myeon has artistic value with beautiful typeface and proportions, which is worth research. It examines the features of the Korean seal, analyzes and studies the typeface shape and features from the typographic perspective of the "Sugang Emperor Bo-Yeong," or writing.